Portal:New York City

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The New York City Portal


New York, often called New York City or NYC, is the most populous city in the United States. Located at the southern tip of New York State on one of the world's largest natural harbors, the city comprises five boroughs, each coextensive with a respective county. New York is a global center of finance and commerce, culture and technology, entertainment and media, academics and scientific output, the arts and fashion, and, as home to the headquarters of the United Nations, international diplomacy.


With an estimated population in 2023 of 8,258,035 distributed over 300.46 square miles (778.2 km2), the city is the most densely populated major city in the United States. New York City has more than double the population of Los Angeles, the nation's second-most populous city. New York is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the U.S. by both population and urban area. With more than 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York City is one of the world's most populous megacities. The city and its metropolitan area are the premier gateway for legal immigration to the United States. As many as 800 languages are spoken in New York City, making it the most linguistically diverse city in the world. In 2021, the city was home to nearly 3.1 million residents born outside the U.S., the largest foreign-born population of any city in the world. (Full article...)

Selected article

  • Image 1 Mays with the San Francisco Giants in 1961 Willie Howard Mays Jr. (May 6, 1931 – June 18, 2024), nicknamed "the Say Hey Kid", was an American professional baseball center fielder who played 23 seasons in Major League Baseball (MLB). Widely regarded as one of the greatest players of all time, Mays was a five-tool player who began his career in the Negro leagues, playing for the Birmingham Black Barons, and spent the rest of his career in the National League (NL), playing for the New York / San Francisco Giants and New York Mets. Born in Westfield, Alabama, Mays was an all-around athlete. He joined the Black Barons of the Negro American League in 1948, playing with them until the Giants signed him upon his graduation from high school in 1950. He debuted in MLB with the Giants and won the Rookie of the Year Award in 1951 after hitting 20 home runs to help the Giants win their first pennant in 14 years. In 1954, he won the NL Most Valuable Player (MVP) Award, leading the Giants to their last World Series title before their move to the West Coast. His over-the-shoulder catch in Game 1 of the 1954 World Series is one of the most famous baseball plays of all time. After the Giants moved to San Francisco, Mays went on to win another MVP Award in 1965 and also led the Giants to the 1962 World Series, this time losing to the New York Yankees. He ended his career with a return to New York after an early season trade to the New York Mets in 1972, retiring after the team's trip to the 1973 World Series. He served as a coach for the Mets for the rest of the decade before rejoining the Giants as a special assistant to the president and general manager. Mays was an All-Star 24 times, tying for the second-most appearances in history. He led the NL in home runs four times and in slugging percentage five times while batting over .300 and posting 100 runs batted in (RBIs) ten times each. Mays was also at the forefront of a resurgence of speed as an offensive weapon in the 1950s, leading the league in stolen bases four times, triples three times, and runs twice; his 179 steals during the decade topped the major leagues. He was the first NL player to hit 30 home runs and steal 30 bases in the same season, the first player in history to reach both 300 home runs and 300 stolen bases, and the second player and the first right-handed hitter to hit 600 home runs. Mays also set standards for defensive brilliance, winning 12 consecutive Gold Glove Awards after their creation in 1957, still a record for outfielders; he led NL center fielders in double plays five times and assists three times. (Full article...)

    Mays with the San Francisco Giants in 1961

    Willie Howard Mays Jr. (May 6, 1931 – June 18, 2024), nicknamed "the Say Hey Kid", was an American professional baseball center fielder who played 23 seasons in Major League Baseball (MLB). Widely regarded as one of the greatest players of all time, Mays was a five-tool player who began his career in the Negro leagues, playing for the Birmingham Black Barons, and spent the rest of his career in the National League (NL), playing for the New York / San Francisco Giants and New York Mets.

    Born in Westfield, Alabama, Mays was an all-around athlete. He joined the Black Barons of the Negro American League in 1948, playing with them until the Giants signed him upon his graduation from high school in 1950. He debuted in MLB with the Giants and won the Rookie of the Year Award in 1951 after hitting 20 home runs to help the Giants win their first pennant in 14 years. In 1954, he won the NL Most Valuable Player (MVP) Award, leading the Giants to their last World Series title before their move to the West Coast. His over-the-shoulder catch in Game 1 of the 1954 World Series is one of the most famous baseball plays of all time. After the Giants moved to San Francisco, Mays went on to win another MVP Award in 1965 and also led the Giants to the 1962 World Series, this time losing to the New York Yankees. He ended his career with a return to New York after an early season trade to the New York Mets in 1972, retiring after the team's trip to the 1973 World Series. He served as a coach for the Mets for the rest of the decade before rejoining the Giants as a special assistant to the president and general manager.

    Mays was an All-Star 24 times, tying for the second-most appearances in history. He led the NL in home runs four times and in slugging percentage five times while batting over .300 and posting 100 runs batted in (RBIs) ten times each. Mays was also at the forefront of a resurgence of speed as an offensive weapon in the 1950s, leading the league in stolen bases four times, triples three times, and runs twice; his 179 steals during the decade topped the major leagues. He was the first NL player to hit 30 home runs and steal 30 bases in the same season, the first player in history to reach both 300 home runs and 300 stolen bases, and the second player and the first right-handed hitter to hit 600 home runs. Mays also set standards for defensive brilliance, winning 12 consecutive Gold Glove Awards after their creation in 1957, still a record for outfielders; he led NL center fielders in double plays five times and assists three times. (Full article...)
  • Image 2 (1909) The Apthorp is a condominium building at 2211 Broadway on the Upper West Side of Manhattan in New York City, United States. The 12-story structure was designed by Clinton & Russell in the Italian Renaissance Revival style and occupies the full block between Broadway, West End Avenue, and West 78th and 79th Streets. It was built between 1905 and 1908 as a residential hotel by William Waldorf Astor, who named it after the Apthorp Farm, of which the site used to be part. The Apthorp is a New York City designated landmark and is listed on the National Register of Historic Places. The building occupies a nearly rectangular site and has a limestone facade, which is divided horizontally into three sections. On West End Avenue and Broadway, three-story arches at the center of the facade lead to an internal courtyard with a garden, driveway, and entrances to the apartments. The Apthorp is divided into four sections, each with its own lobby, and originally had a mechanical plant in the basement. The building originally had 104 apartments, which were largely arranged as duplexes and designed in a variety of styles; the apartments had large rooms and high ceilings. By the 1940s, the building had 165 units, although some of these apartments have since been combined. Astor announced plans for an apartment building on the site in 1901, although the project was delayed for four years due to uncertainty over the plans. Workers began clearing the site in October 1905, and the building was completed in August 1908. The Astor family operated the building for over four decades, adding storefronts in the late 1920s. Many of the units were divided during the 1930s and 1940s. The Astor family ultimately sold the building in 1950, and the building changed ownership several times through the late 20th century. The owner 390 West End Associates sold the building in 2006 to Maurice Mann, who partnered with Africa Israel Investments to convert the building into condos. After numerous delays and disagreements, the condominium-offering plan went into effect in 2010, and a subsidiary of the Feil Organization took over the building's management. Area Property Partners took over as the condo project's sponsor in 2012. (Full article...)

    (1909)

    The Apthorp is a condominium building at 2211 Broadway on the Upper West Side of Manhattan in New York City, United States. The 12-story structure was designed by Clinton & Russell in the Italian Renaissance Revival style and occupies the full block between Broadway, West End Avenue, and West 78th and 79th Streets. It was built between 1905 and 1908 as a residential hotel by William Waldorf Astor, who named it after the Apthorp Farm, of which the site used to be part. The Apthorp is a New York City designated landmark and is listed on the National Register of Historic Places.

    The building occupies a nearly rectangular site and has a limestone facade, which is divided horizontally into three sections. On West End Avenue and Broadway, three-story arches at the center of the facade lead to an internal courtyard with a garden, driveway, and entrances to the apartments. The Apthorp is divided into four sections, each with its own lobby, and originally had a mechanical plant in the basement. The building originally had 104 apartments, which were largely arranged as duplexes and designed in a variety of styles; the apartments had large rooms and high ceilings. By the 1940s, the building had 165 units, although some of these apartments have since been combined.

    Astor announced plans for an apartment building on the site in 1901, although the project was delayed for four years due to uncertainty over the plans. Workers began clearing the site in October 1905, and the building was completed in August 1908. The Astor family operated the building for over four decades, adding storefronts in the late 1920s. Many of the units were divided during the 1930s and 1940s. The Astor family ultimately sold the building in 1950, and the building changed ownership several times through the late 20th century. The owner 390 West End Associates sold the building in 2006 to Maurice Mann, who partnered with Africa Israel Investments to convert the building into condos. After numerous delays and disagreements, the condominium-offering plan went into effect in 2010, and a subsidiary of the Feil Organization took over the building's management. Area Property Partners took over as the condo project's sponsor in 2012. (Full article...)
  • Image 3 Platform level The 34th Street–Hudson Yards station is a New York City Subway station in Manhattan's West Side on the IRT Flushing Line, and is the western (railroad south) terminus for the 7 local and <7> express services. It has two tracks and one island platform, with two levels of mezzanines: one directly above the platform and the other directly below street level. The station directly serves the Hudson Yards mega-development above it, and is located within the greater Hudson Yards neighborhood. The station contains two entrances along Hudson Boulevard: a primary entrance south of 34th Street, and a secondary entrance south of 35th Street. The station, originally part of the city's bid for the 2012 Summer Olympics and the failed attempt to build the West Side Stadium, was first scheduled to open in summer 2012. When London was chosen for the Olympics, the opening date was pushed to December 2013. In 2011, the opening was postponed to June 2014, pending the completion of the escalators and elevators in the station. After a series of delays involving escalator, elevator, and fire and safety systems, the station finally opened on September 13, 2015. The 34th Street station was, at the time of opening, the first completely new station in the New York City Subway system since 1989, as well as the first such station funded by the government of New York City since 1950. The new construction, part of the city's and the MTA's master plan for the Far West Side, extended the IRT Flushing Line west from Times Square to Eleventh Avenue, then south to 34th Street. Although the West Side Stadium plan was rejected by city and state planning agencies, the 7 Subway Extension plan received approval to move ahead, as New York political leaders wanted to see the warehouse district west of Eighth Avenue and north of 34th Street redeveloped as part of the Hudson Yards Redevelopment, and subway service was to be an essential part of that effort. The extension also serves the Jacob K. Javits Convention Center, which was expanded in 2008–2014 and is located a block away from the station entrances. (Full article...)

    Platform level

    The 34th Street–Hudson Yards station is a New York City Subway station in Manhattan's West Side on the IRT Flushing Line, and is the western (railroad south) terminus for the 7 local and <7> express services. It has two tracks and one island platform, with two levels of mezzanines: one directly above the platform and the other directly below street level. The station directly serves the Hudson Yards mega-development above it, and is located within the greater Hudson Yards neighborhood. The station contains two entrances along Hudson Boulevard: a primary entrance south of 34th Street, and a secondary entrance south of 35th Street.

    The station, originally part of the city's bid for the 2012 Summer Olympics and the failed attempt to build the West Side Stadium, was first scheduled to open in summer 2012. When London was chosen for the Olympics, the opening date was pushed to December 2013. In 2011, the opening was postponed to June 2014, pending the completion of the escalators and elevators in the station. After a series of delays involving escalator, elevator, and fire and safety systems, the station finally opened on September 13, 2015. The 34th Street station was, at the time of opening, the first completely new station in the New York City Subway system since 1989, as well as the first such station funded by the government of New York City since 1950.

    The new construction, part of the city's and the MTA's master plan for the Far West Side, extended the IRT Flushing Line west from Times Square to Eleventh Avenue, then south to 34th Street. Although the West Side Stadium plan was rejected by city and state planning agencies, the 7 Subway Extension plan received approval to move ahead, as New York political leaders wanted to see the warehouse district west of Eighth Avenue and north of 34th Street redeveloped as part of the Hudson Yards Redevelopment, and subway service was to be an essential part of that effort. The extension also serves the Jacob K. Javits Convention Center, which was expanded in 2008–2014 and is located a block away from the station entrances. (Full article...)
  • Image 4 Beth Jacob Ohev Sholom synagogue in 2021 Congregation Beth Jacob Ohev Sholom (also known as Congregation Beth Jacob Ohev Shalom) (Hebrew: בית כנסת בית יעקב אוהב שלום, lit. 'House of Jacob Lover of Peace') is an Orthodox Jewish synagogue located at 284 Rodney Street in Williamsburg, Brooklyn, in New York City, New York, United States. The congregation follows the Ashkenazi rite. Founded in 1869 by German Jews as an Orthodox breakaway from an existing Reform congregation, it is the oldest Orthodox congregation on Long Island (including Brooklyn and Queens), and one of the last remaining non-Hasidic Jewish institutions in Williamsburg. The congregation constructed its first building on Keap Street in 1870. In 1904 it merged with Chevra Ansche Sholom, and took the name Congregation Beth Jacob Anshe Sholom. The following year it constructed a new building at 274–276 South Third Street, designed by George F. Pelham, consecrated in 1906. In the 1950s, this building was expropriated and demolished to make way for the Brooklyn-Queens Expressway[broken anchor]. The congregation combined with another congregation in a similar situation, and, in 1957, as Congregation Beth Jacob Ohev Sholom, constructed a new building at 284 Rodney Street, just south of Broadway. (Full article...)

    Beth Jacob Ohev Sholom synagogue in 2021

    Congregation Beth Jacob Ohev Sholom (also known as Congregation Beth Jacob Ohev Shalom) (Hebrew: בית כנסת בית יעקב אוהב שלום, lit.'House of Jacob Lover of Peace') is an Orthodox Jewish synagogue located at 284 Rodney Street in Williamsburg, Brooklyn, in New York City, New York, United States. The congregation follows the Ashkenazi rite.

    Founded in 1869 by German Jews as an Orthodox breakaway from an existing Reform congregation, it is the oldest Orthodox congregation on Long Island (including Brooklyn and Queens), and one of the last remaining non-Hasidic Jewish institutions in Williamsburg.

    The congregation constructed its first building on Keap Street in 1870. In 1904 it merged with Chevra Ansche Sholom, and took the name Congregation Beth Jacob Anshe Sholom. The following year it constructed a new building at 274–276 South Third Street, designed by George F. Pelham, consecrated in 1906. In the 1950s, this building was expropriated and demolished to make way for the Brooklyn-Queens Expressway[broken anchor]. The congregation combined with another congregation in a similar situation, and, in 1957, as Congregation Beth Jacob Ohev Sholom, constructed a new building at 284 Rodney Street, just south of Broadway. (Full article...)
  • Image 5 A Brooklyn-bound B train of R68As at Seventh Avenue The B Sixth Avenue Express is a rapid transit service in the B Division of the New York City Subway. Its route emblem, or "bullet", is colored orange, since it uses the IND Sixth Avenue Line in Manhattan. The B operates only on weekdays between Brighton Beach in Brooklyn and Bedford Park Boulevard in the Bronx, making express stops in Brooklyn along the BMT Brighton Line and in Manhattan along Sixth Avenue, and making local stops along Central Park West in Manhattan and Grand Concourse in the Bronx. During middays, most alternate trains short turn at 145th Street in Harlem, Manhattan. During evenings, all trains originate and terminate at 145th Street. Prior to November 1967 (1967-11), the B ran almost exclusively in Manhattan, as the BB, from 168th Street in Washington Heights during rush hours to 34th Street–Herald Square in Midtown Manhattan. Upon the opening of the Chrystie Street Connection, the B started running via the BMT West End Line (local) and BMT Fourth Avenue Line (express) in Brooklyn. A short-lived B service marked with a yellow bullet ran via the BMT Broadway Line in Manhattan and the BMT West End Line in Brooklyn from 1986 to 1988 due to Manhattan Bridge renovation, while orange B service traveled the pre-1967 route between 168th and 34th Streets. After 1989, the B north of 47th–50th Streets–Rockefeller Center used the IND Eighth Avenue Line to 168th Street on weekdays, and the IND 63rd Street Line on evenings and weekends. Late night service ran as a shuttle on the West End Line. Weekday service was rerouted to the Concourse Line in 1998, while off-peak service along 63rd Street ceased in 2000. The B started using the Brighton Line in 2004 after work on the north side of the Manhattan Bridge was completed. (Full article...)

    A Brooklyn-bound B train of R68As at Seventh Avenue

    The B Sixth Avenue Express is a rapid transit service in the B Division of the New York City Subway. Its route emblem, or "bullet", is colored orange, since it uses the IND Sixth Avenue Line in Manhattan.

    The B operates only on weekdays between Brighton Beach in Brooklyn and Bedford Park Boulevard in the Bronx, making express stops in Brooklyn along the BMT Brighton Line and in Manhattan along Sixth Avenue, and making local stops along Central Park West in Manhattan and Grand Concourse in the Bronx. During middays, most alternate trains short turn at 145th Street in Harlem, Manhattan. During evenings, all trains originate and terminate at 145th Street.

    Prior to November 1967 (1967-11), the B ran almost exclusively in Manhattan, as the BB, from 168th Street in Washington Heights during rush hours to 34th Street–Herald Square in Midtown Manhattan. Upon the opening of the Chrystie Street Connection, the B started running via the BMT West End Line (local) and BMT Fourth Avenue Line (express) in Brooklyn. A short-lived B service marked with a yellow bullet ran via the BMT Broadway Line in Manhattan and the BMT West End Line in Brooklyn from 1986 to 1988 due to Manhattan Bridge renovation, while orange B service traveled the pre-1967 route between 168th and 34th Streets. After 1989, the B north of 47th–50th Streets–Rockefeller Center used the IND Eighth Avenue Line to 168th Street on weekdays, and the IND 63rd Street Line on evenings and weekends. Late night service ran as a shuttle on the West End Line. Weekday service was rerouted to the Concourse Line in 1998, while off-peak service along 63rd Street ceased in 2000. The B started using the Brighton Line in 2004 after work on the north side of the Manhattan Bridge was completed. (Full article...)
  • Image 6 The Metropolitan Park office complex during construction in February 2023 Amazon HQ2 is Amazon's corporate headquarters in National Landing in Crystal City, Virginia and an expansion of the company's headquarters in Seattle, Washington. Phase I, which has capacity for 14,000 employees, opened in June 2023. Construction on Phase II is delayed and there is no timeline for development. HQ2 was announced in September 2017, when Amazon submitted request for proposals to governments and economic development organizations asking for tax breaks and other incentives to entice the company. Amazon claimed that it intended to spend $5 billion on construction and that HQ2 would house 50,000 workers when completed. More than 200 cities in Canada, Mexico, and the United States eventually offered tax breaks, expedited construction approvals, promises of infrastructure improvements, new crime-reduction programs, and other incentives. On January 18, 2018, a shortlist of 20 finalists was announced, after which the candidate localities continued to detail or expand their incentive packages. On November 13, 2018, Amazon announced that HQ2 would be split into two locations, with 25,000 workers at each: National Landing in Arlington County, Virginia, and Long Island City in Queens, New York City. Virginia would provide as much as $750 million in taxpayer subsidies. New York planned to give Amazon tax breaks of at least $1.525 billion, cash grants of $325 million, and other incentives. In February 2019, Amazon cancelled the New York location after strong opposition from local grassroots organizers, residents and politicians. The project has drawn criticism as an example of corporate welfare. (Full article...)

    The Metropolitan Park office complex during construction in February 2023

    Amazon HQ2 is Amazon's corporate headquarters in National Landing in Crystal City, Virginia and an expansion of the company's headquarters in Seattle, Washington. Phase I, which has capacity for 14,000 employees, opened in June 2023. Construction on Phase II is delayed and there is no timeline for development.

    HQ2 was announced in September 2017, when Amazon submitted request for proposals to governments and economic development organizations asking for tax breaks and other incentives to entice the company. Amazon claimed that it intended to spend $5 billion on construction and that HQ2 would house 50,000 workers when completed. More than 200 cities in Canada, Mexico, and the United States eventually offered tax breaks, expedited construction approvals, promises of infrastructure improvements, new crime-reduction programs, and other incentives. On January 18, 2018, a shortlist of 20 finalists was announced, after which the candidate localities continued to detail or expand their incentive packages.

    On November 13, 2018, Amazon announced that HQ2 would be split into two locations, with 25,000 workers at each: National Landing in Arlington County, Virginia, and Long Island City in Queens, New York City. Virginia would provide as much as $750 million in taxpayer subsidies. New York planned to give Amazon tax breaks of at least $1.525 billion, cash grants of $325 million, and other incentives. In February 2019, Amazon cancelled the New York location after strong opposition from local grassroots organizers, residents and politicians. The project has drawn criticism as an example of corporate welfare. (Full article...)
  • Image 7 Henry W. Maxwell Memorial (2007) The Henry W. Maxwell Memorial is a public memorial located in Brooklyn's Grand Army Plaza in New York City. The memorial, designed by sculptor Augustus Saint-Gaudens, consists of a bronze tablet featuring a relief of Maxwell, a local philanthropist and park commissioner, affixed to a boulder. The memorial was dedicated in 1903 at the intersection of Eastern Parkway and Flatbush Avenue. In 1912, the memorial was moved to its present location at Grand Army Plaza. In the 1970s, due to vandalism, the plaque was removed and placed in storage, with a replacement plaque affixed to the boulder in 1996. The original plaque is located in the Brooklyn Museum. (Full article...)

    Henry W. Maxwell Memorial (2007)

    The Henry W. Maxwell Memorial is a public memorial located in Brooklyn's Grand Army Plaza in New York City. The memorial, designed by sculptor Augustus Saint-Gaudens, consists of a bronze tablet featuring a relief of Maxwell, a local philanthropist and park commissioner, affixed to a boulder. The memorial was dedicated in 1903 at the intersection of Eastern Parkway and Flatbush Avenue. In 1912, the memorial was moved to its present location at Grand Army Plaza. In the 1970s, due to vandalism, the plaque was removed and placed in storage, with a replacement plaque affixed to the boulder in 1996. The original plaque is located in the Brooklyn Museum. (Full article...)
  • Image 8 The Godfather is a 1972 American epic gangster film directed by Francis Ford Coppola, who co-wrote the screenplay with Mario Puzo, based on Puzo's best-selling 1969 novel of the same title. The film stars an ensemble cast including Marlon Brando, Al Pacino, James Caan, Richard Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard Conte, and Diane Keaton. It is the first installment in The Godfather trilogy, chronicling the Corleone family under patriarch Vito Corleone (Brando) from 1945 to 1955. It focuses on the transformation of his youngest son, Michael Corleone (Pacino), from reluctant family outsider to ruthless mafia boss. Paramount Pictures obtained the rights to the novel for $80,000, before it gained popularity. Studio executives had trouble finding a director; the first few candidates turned down the position before Coppola signed on to direct the film but disagreement followed over casting several characters, in particular, Vito (Marlon Brando) and Michael (Al Pacino). Filming took place primarily on location around New York City and in Sicily, and was completed ahead of schedule. The musical score was composed principally by Nino Rota, with additional pieces by Carmine Coppola. The Godfather premiered at the Loew's State Theatre on March 14, 1972, and was widely released in the United States on March 24, 1972. It was the highest-grossing film of 1972, and was for a time the highest-grossing film ever made, earning between $250 and $291 million at the box office. The film was acclaimed by critics and audiences, who praised its performances—particularly those of Brando and Pacino—direction, screenplay, writing, story, cinematography, editing, score, and portrayal of the mafia. The Godfather launched the successful careers of Coppola, Pacino, and other relative newcomers in the cast and crew. At the 45th Academy Awards, the film won Best Picture, Best Actor (Brando), and Best Adapted Screenplay (for Puzo and Coppola). In addition, the seven other Oscar nominations included Pacino, Caan, and Duvall all for Best Supporting Actor, and Coppola for Best Director. (Full article...)
    The Godfather is a 1972 American epic gangster film directed by Francis Ford Coppola, who co-wrote the screenplay with Mario Puzo, based on Puzo's best-selling 1969 novel of the same title. The film stars an ensemble cast including Marlon Brando, Al Pacino, James Caan, Richard Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard Conte, and Diane Keaton. It is the first installment in The Godfather trilogy, chronicling the Corleone family under patriarch Vito Corleone (Brando) from 1945 to 1955. It focuses on the transformation of his youngest son, Michael Corleone (Pacino), from reluctant family outsider to ruthless mafia boss.

    Paramount Pictures obtained the rights to the novel for $80,000, before it gained popularity. Studio executives had trouble finding a director; the first few candidates turned down the position before Coppola signed on to direct the film but disagreement followed over casting several characters, in particular, Vito (Marlon Brando) and Michael (Al Pacino). Filming took place primarily on location around New York City and in Sicily, and was completed ahead of schedule. The musical score was composed principally by Nino Rota, with additional pieces by Carmine Coppola.

    The Godfather premiered at the Loew's State Theatre on March 14, 1972, and was widely released in the United States on March 24, 1972. It was the highest-grossing film of 1972, and was for a time the highest-grossing film ever made, earning between $250 and $291 million at the box office. The film was acclaimed by critics and audiences, who praised its performances—particularly those of Brando and Pacino—direction, screenplay, writing, story, cinematography, editing, score, and portrayal of the mafia. The Godfather launched the successful careers of Coppola, Pacino, and other relative newcomers in the cast and crew. At the 45th Academy Awards, the film won Best Picture, Best Actor (Brando), and Best Adapted Screenplay (for Puzo and Coppola). In addition, the seven other Oscar nominations included Pacino, Caan, and Duvall all for Best Supporting Actor, and Coppola for Best Director. (Full article...)
  • Image 9 Throgs Neck Bridge from Fort Totten The Throgs Neck Bridge is a suspension bridge in New York City, carrying six lanes of Interstate 295 (I-295) over the East River where it meets the Long Island Sound. The bridge connects the Throggs Neck section of the Bronx with the Bay Terrace section of Queens. Opened on January 11, 1961, it is the newest bridge across the East River and was built to relieve traffic on the Bronx–Whitestone Bridge, 2 miles (3.2 km) to the west. The Throgs Neck Bridge is also the easternmost crossing of the East River. Due to this and its proximity to I-95, it is the closest route from Long Island to New Jersey via the George Washington Bridge, as well as points north. The Throgs Neck Bridge is owned by the government of New York City and operated by the Triborough Bridge and Tunnel Authority (TBTA), an affiliate agency of the Metropolitan Transportation Authority (MTA). (Full article...)

    Throgs Neck Bridge from Fort Totten

    The Throgs Neck Bridge is a suspension bridge in New York City, carrying six lanes of Interstate 295 (I-295) over the East River where it meets the Long Island Sound. The bridge connects the Throggs Neck section of the Bronx with the Bay Terrace section of Queens.

    Opened on January 11, 1961, it is the newest bridge across the East River and was built to relieve traffic on the Bronx–Whitestone Bridge, 2 miles (3.2 km) to the west. The Throgs Neck Bridge is also the easternmost crossing of the East River. Due to this and its proximity to I-95, it is the closest route from Long Island to New Jersey via the George Washington Bridge, as well as points north.

    The Throgs Neck Bridge is owned by the government of New York City and operated by the Triborough Bridge and Tunnel Authority (TBTA), an affiliate agency of the Metropolitan Transportation Authority (MTA). (Full article...)
  • Image 10 The building as viewed from across Broadway and Reade Street 287 Broadway is a residential building at the southwest corner of Broadway and Reade Street in the Civic Center and Tribeca neighborhoods of Lower Manhattan in New York City. The six-story, cast iron building was designed by John B. Snook in the French Second Empire and Italianate styles and was completed in 1872. Through the 19th and 20th centuries, it served as an office building before becoming a residential structure. 287 Broadway is a New York City designated landmark and is listed on the National Register of Historic Places. 287 Broadway is one of the city's few remaining buildings with cast-iron facades on two streets. The facade decoration includes segmental pediments, round-arched windows with keystones, and Ionic and Corinthian columns. The sixth story comprises a slate mansard roof, window dormers, and copper cresting. The ground story houses retail space, while the second through sixth stories accommodate ten apartments. The building originally had a simplistic interior, but few of the original interior details remain. As early as 1794, the site had a stable and dwelling; it was replaced by a commercial building in 1819 and a hotel in the late 1840s. The estate of Stephen Storm acquired the site in 1871 and hired Snook to design a commercial building. The building initially housed various insurance companies, in addition to tenants like the Children's Aid Society and Union Pacific Railroad Company. Manufacturing firms began moving into 287 Broadway during the 20th century, and it changed ownership several times before it was acquired by the Gindi family in 1969. By the 1980s, the structure contained artists' lofts. The building was vacated in the 2000s after it leaned 8 inches (200 mm) to the south. The United American Land company acquired 287 Broadway in 2013 and, after determining that the building had been stabilized, renovated it into residential apartments and ground-floor retail. (Full article...)

    The building as viewed from across Broadway and Reade Street

    287 Broadway is a residential building at the southwest corner of Broadway and Reade Street in the Civic Center and Tribeca neighborhoods of Lower Manhattan in New York City. The six-story, cast iron building was designed by John B. Snook in the French Second Empire and Italianate styles and was completed in 1872. Through the 19th and 20th centuries, it served as an office building before becoming a residential structure. 287 Broadway is a New York City designated landmark and is listed on the National Register of Historic Places.

    287 Broadway is one of the city's few remaining buildings with cast-iron facades on two streets. The facade decoration includes segmental pediments, round-arched windows with keystones, and Ionic and Corinthian columns. The sixth story comprises a slate mansard roof, window dormers, and copper cresting. The ground story houses retail space, while the second through sixth stories accommodate ten apartments. The building originally had a simplistic interior, but few of the original interior details remain.

    As early as 1794, the site had a stable and dwelling; it was replaced by a commercial building in 1819 and a hotel in the late 1840s. The estate of Stephen Storm acquired the site in 1871 and hired Snook to design a commercial building. The building initially housed various insurance companies, in addition to tenants like the Children's Aid Society and Union Pacific Railroad Company. Manufacturing firms began moving into 287 Broadway during the 20th century, and it changed ownership several times before it was acquired by the Gindi family in 1969. By the 1980s, the structure contained artists' lofts. The building was vacated in the 2000s after it leaned 8 inches (200 mm) to the south. The United American Land company acquired 287 Broadway in 2013 and, after determining that the building had been stabilized, renovated it into residential apartments and ground-floor retail. (Full article...)
  • Image 11 The Broadway Theatre in 2019, playing King Kong The Broadway Theatre (formerly Universal's Colony Theatre, B.S. Moss's Broadway Theatre, Earl Carroll's Broadway Theatre, and Ciné Roma) is a Broadway theater at 1681 Broadway (near 53rd Street) in the Theater District of Midtown Manhattan in New York City. Opened in 1924, the theater was designed by Eugene De Rosa for Benjamin S. Moss, who originally operated the venue as a movie theater. It has approximately 1,763 seats across two levels and is operated by The Shubert Organization. The Broadway Theatre is one of the few Broadway theaters that is physically on Broadway. The Broadway's facade was originally designed in the Italian Renaissance style and was made of brick and terracotta. The modern facade of the theater is made of polished granite and is part of the office building at 1675 Broadway, completed in 1990. The auditorium contains an orchestra level, one balcony, and box seats. The modern design of the auditorium dates to a 1986 renovation, when Oliver Smith redecorated the theater in a reddish color scheme. The office building is cantilevered above the auditorium. B.S. Moss's Colony Theatre opened on Christmas Day 1924 and was originally leased to Universal Pictures Corporation. Moss renovated the venue for legitimate shows and reopened it as the Broadway Theatre on December 8, 1930. The theater had several operators over the next decade, and it switched between hosting legitimate shows, movies, and vaudeville. Lee Shubert and Clifford Fischer took over the Broadway Theatre in December 1939, and the Shubert family bought the theater in 1940. Since then, the Broadway has largely been used as a legitimate theater, though it was briefly used for movies in 1947 and in 1952–1953. The Broadway was extensively rebuilt in the late 1980s. Over the years, it has hosted many long-running musicals that have transferred from other theaters, as well as other long-lasting shows such as Evita, Les Misérables, and Miss Saigon. (Full article...)

    The Broadway Theatre in 2019, playing King Kong

    The Broadway Theatre (formerly Universal's Colony Theatre, B.S. Moss's Broadway Theatre, Earl Carroll's Broadway Theatre, and Ciné Roma) is a Broadway theater at 1681 Broadway (near 53rd Street) in the Theater District of Midtown Manhattan in New York City. Opened in 1924, the theater was designed by Eugene De Rosa for Benjamin S. Moss, who originally operated the venue as a movie theater. It has approximately 1,763 seats across two levels and is operated by The Shubert Organization. The Broadway Theatre is one of the few Broadway theaters that is physically on Broadway.

    The Broadway's facade was originally designed in the Italian Renaissance style and was made of brick and terracotta. The modern facade of the theater is made of polished granite and is part of the office building at 1675 Broadway, completed in 1990. The auditorium contains an orchestra level, one balcony, and box seats. The modern design of the auditorium dates to a 1986 renovation, when Oliver Smith redecorated the theater in a reddish color scheme. The office building is cantilevered above the auditorium.

    B.S. Moss's Colony Theatre opened on Christmas Day 1924 and was originally leased to Universal Pictures Corporation. Moss renovated the venue for legitimate shows and reopened it as the Broadway Theatre on December 8, 1930. The theater had several operators over the next decade, and it switched between hosting legitimate shows, movies, and vaudeville. Lee Shubert and Clifford Fischer took over the Broadway Theatre in December 1939, and the Shubert family bought the theater in 1940. Since then, the Broadway has largely been used as a legitimate theater, though it was briefly used for movies in 1947 and in 1952–1953. The Broadway was extensively rebuilt in the late 1980s. Over the years, it has hosted many long-running musicals that have transferred from other theaters, as well as other long-lasting shows such as Evita, Les Misérables, and Miss Saigon. (Full article...)
  • Image 12 The Battery Maritime Building is a building at South Ferry on the southern tip of Manhattan Island in New York City. Located at 10 South Street, near the intersection with Whitehall Street, it contains an operational ferry terminal at ground level, as well as a hotel and event space on the upper stories. The ground story contains three ferry slips that are used for excursion trips and ferries to Governors Island, as well as commuter trips to Port Liberté, Jersey City. The upper stories contain the Cipriani South Street event space, operated by Cipriani S.A., and a 47-room hotel called Casa Cipriani. The Beaux-Arts building was built from 1906 to 1909 and designed by the firm Walker and Morris as the easternmost section of the partially completed Whitehall Street Ferry Terminal. What is now the Battery Maritime Building was designed to serve ferries traveling to Brooklyn. The structure uses a variety of architectural metals and originally contained a large waiting area on the second floor. The Battery Maritime Building is the only Exposition Universelle-style ferry building still operating in Manhattan. The similarly-designed westernmost section of the Whitehall Street Ferry Terminal, serving ferries to Staten Island, was rebuilt as the Staten Island Ferry Whitehall Terminal; the center section was never built. The terminal was used by Brooklyn ferry routes until the mid-20th century and subsequently fell into disrepair. The building was used as a Governors Island ferry terminal starting in 1956, while the upper floors were used by various city agencies, including the Department of Marine and Aviation beginning in 1959. The New York City Landmarks Preservation Commission designated the building as a city landmark in 1967 and it was added to the National Register of Historic Places in 1976. The underused structure was proposed to be converted into a cultural center during the 1980s as part of the failed South Ferry Plaza development. The exterior was restored by Jan Hird Pokorny Architects between 2001 and 2005. Plans to convert the interior into a hotel and event space were approved in 2009, but the conversion encountered numerous delays, with the event space opening in 2019. (Full article...)

    The Battery Maritime Building is a building at South Ferry on the southern tip of Manhattan Island in New York City. Located at 10 South Street, near the intersection with Whitehall Street, it contains an operational ferry terminal at ground level, as well as a hotel and event space on the upper stories. The ground story contains three ferry slips that are used for excursion trips and ferries to Governors Island, as well as commuter trips to Port Liberté, Jersey City. The upper stories contain the Cipriani South Street event space, operated by Cipriani S.A., and a 47-room hotel called Casa Cipriani.

    The Beaux-Arts building was built from 1906 to 1909 and designed by the firm Walker and Morris as the easternmost section of the partially completed Whitehall Street Ferry Terminal. What is now the Battery Maritime Building was designed to serve ferries traveling to Brooklyn. The structure uses a variety of architectural metals and originally contained a large waiting area on the second floor. The Battery Maritime Building is the only Exposition Universelle-style ferry building still operating in Manhattan. The similarly-designed westernmost section of the Whitehall Street Ferry Terminal, serving ferries to Staten Island, was rebuilt as the Staten Island Ferry Whitehall Terminal; the center section was never built.

    The terminal was used by Brooklyn ferry routes until the mid-20th century and subsequently fell into disrepair. The building was used as a Governors Island ferry terminal starting in 1956, while the upper floors were used by various city agencies, including the Department of Marine and Aviation beginning in 1959. The New York City Landmarks Preservation Commission designated the building as a city landmark in 1967 and it was added to the National Register of Historic Places in 1976. The underused structure was proposed to be converted into a cultural center during the 1980s as part of the failed South Ferry Plaza development. The exterior was restored by Jan Hird Pokorny Architects between 2001 and 2005. Plans to convert the interior into a hotel and event space were approved in 2009, but the conversion encountered numerous delays, with the event space opening in 2019. (Full article...)
  • Image 13 The station's southbound platform in 2021 The 103rd Street station is a local station on the IRT Broadway–Seventh Avenue Line of the New York City Subway. Located at the intersection of 103rd Street and Broadway in the Upper West Side neighborhood of Manhattan, within Manhattan Valley, it is served by the 1 train at all times. The 103rd Street station was constructed for the Interborough Rapid Transit Company (IRT) as part of the city's first subway line, which was approved in 1900. Construction of the line segment that includes 103rd Street began on August 22 of the same year. The station opened on October 27, 1904, as one of the original 28 stations of the New York City Subway. The station's platforms were lengthened in 1948, and the station was renovated in the 2000s. The 103rd Street station contains two side platforms and three tracks; the center track is not used in regular service. The station was built with tile and mosaic decorations. The mezzanine above the platforms contains exits to 103rd Street and Broadway. (Full article...)

    The station's southbound platform in 2021

    The 103rd Street station is a local station on the IRT Broadway–Seventh Avenue Line of the New York City Subway. Located at the intersection of 103rd Street and Broadway in the Upper West Side neighborhood of Manhattan, within Manhattan Valley, it is served by the 1 train at all times.

    The 103rd Street station was constructed for the Interborough Rapid Transit Company (IRT) as part of the city's first subway line, which was approved in 1900. Construction of the line segment that includes 103rd Street began on August 22 of the same year. The station opened on October 27, 1904, as one of the original 28 stations of the New York City Subway. The station's platforms were lengthened in 1948, and the station was renovated in the 2000s.
    The 103rd Street station contains two side platforms and three tracks; the center track is not used in regular service. The station was built with tile and mosaic decorations. The mezzanine above the platforms contains exits to 103rd Street and Broadway. (Full article...)
  • Image 14 The View is an American talk show created by broadcast journalist Barbara Walters. Currently in its 27th season, the show has aired on ABC as part of the network's daytime programming block since August 11, 1997. It features a multi-generational panel of women, who discuss the day's "Hot Topics", such as sociopolitical and entertainment news. In addition to the conversation segments, the panel also conducts interviews with prominent figures, such as celebrities and politicians. Production of the show was held in ABC Television Studio 23 in New York City until 2014, when it relocated to ABC Broadcast Center, also in New York City. Throughout its run, The View has had 24 permanent co-hosts of varying characteristics and ideologies, with the number of contracted permanent co-hosts ranging between four and eight women per season. The original panel comprised Walters, broadcast journalist Meredith Vieira, lawyer Star Jones, television host Debbie Matenopoulos, and comedian Joy Behar, while the current lineup consists of Behar, entertainer Whoopi Goldberg, lawyer Sunny Hostin, television host Sara Haines, television personality Ana Navarro, and political strategist Alyssa Farah Griffin. In addition, the show often makes use of male and female guest panelists. The View has won Daytime Emmy Awards, including Outstanding Talk Show, Outstanding Informative Talk Show, and Outstanding Talk Show Host. The show has received praise from the Associated Press, Entertainment Weekly, the Los Angeles Times, Slate, as well as The New York Times, which deemed it "the most important political TV show in America". Beginning in its tenth season, the series became subject to on-air controversies and media criticism involving its panel of co-hosts. It was transferred from the helm of ABC's entertainment division to that of ABC News in 2014 following a decline in ratings. By 2021, The View had become the most-viewed news and talk program in daytime television. (Full article...)

    The View is an American talk show created by broadcast journalist Barbara Walters. Currently in its 27th season, the show has aired on ABC as part of the network's daytime programming block since August 11, 1997. It features a multi-generational panel of women, who discuss the day's "Hot Topics", such as sociopolitical and entertainment news. In addition to the conversation segments, the panel also conducts interviews with prominent figures, such as celebrities and politicians. Production of the show was held in ABC Television Studio 23 in New York City until 2014, when it relocated to ABC Broadcast Center, also in New York City.

    Throughout its run, The View has had 24 permanent co-hosts of varying characteristics and ideologies, with the number of contracted permanent co-hosts ranging between four and eight women per season. The original panel comprised Walters, broadcast journalist Meredith Vieira, lawyer Star Jones, television host Debbie Matenopoulos, and comedian Joy Behar, while the current lineup consists of Behar, entertainer Whoopi Goldberg, lawyer Sunny Hostin, television host Sara Haines, television personality Ana Navarro, and political strategist Alyssa Farah Griffin. In addition, the show often makes use of male and female guest panelists.

    The View has won Daytime Emmy Awards, including Outstanding Talk Show, Outstanding Informative Talk Show, and Outstanding Talk Show Host. The show has received praise from the Associated Press, Entertainment Weekly, the Los Angeles Times, Slate, as well as The New York Times, which deemed it "the most important political TV show in America". Beginning in its tenth season, the series became subject to on-air controversies and media criticism involving its panel of co-hosts. It was transferred from the helm of ABC's entertainment division to that of ABC News in 2014 following a decline in ratings. By 2021, The View had become the most-viewed news and talk program in daytime television. (Full article...)
  • Image 15 The Archer Avenue lines are two rapid transit lines of the New York City Subway, mostly running under Archer Avenue in the Jamaica neighborhood of Queens. The two lines are built on separate levels: trains from the IND Queens Boulevard Line (E train) serve the upper level, and trains from the BMT Jamaica Line (J and ​Z trains) serve the lower. The two lines are separate, and do not share track connections, and therefore have different chainings and radio frequencies. The B2 (IND Division) Archer Avenue line uses the upper level, and the B1 (BMT Division) Archer Avenue line uses the lower level. These lines were conceived as part of the Metropolitan Transportation Authority (MTA)'s 1968 expansion plans, and along with the 63rd Street lines and a small section of the Second Avenue Subway, they were the only portions of the plan to be completed before it was scaled back due to fiscal issues. These lines were originally planned to be extended further east into Queens. Construction on the line started in 1973, and the project was expected to be completed in 1980. However, due to financial issues and concern about the quality of the construction, the lines did not open until December 11, 1988. On that date, several bus routes serving the 169th Street station were diverted to the new bus terminal at Jamaica Center. This line is also used by passengers transferring to or from the Long Island Rail Road and the AirTrain JFK. (Full article...)
    The Archer Avenue lines are two rapid transit lines of the New York City Subway, mostly running under Archer Avenue in the Jamaica neighborhood of Queens. The two lines are built on separate levels: trains from the IND Queens Boulevard Line (E train) serve the upper level, and trains from the BMT Jamaica Line (J and ​Z trains) serve the lower.

    The two lines are separate, and do not share track connections, and therefore have different chainings and radio frequencies. The B2 (IND Division) Archer Avenue line uses the upper level, and the B1 (BMT Division) Archer Avenue line uses the lower level.

    These lines were conceived as part of the Metropolitan Transportation Authority (MTA)'s 1968 expansion plans, and along with the 63rd Street lines and a small section of the Second Avenue Subway, they were the only portions of the plan to be completed before it was scaled back due to fiscal issues. These lines were originally planned to be extended further east into Queens. Construction on the line started in 1973, and the project was expected to be completed in 1980. However, due to financial issues and concern about the quality of the construction, the lines did not open until December 11, 1988. On that date, several bus routes serving the 169th Street station were diverted to the new bus terminal at Jamaica Center. This line is also used by passengers transferring to or from the Long Island Rail Road and the AirTrain JFK. (Full article...)
  • Image 16 A 2011 Nova Bus LFS (8062) on the Q5 terminating at Jamaica Center and a 2010 Orion VII NG HEV (4673) on the Q85 leaving Jamaica Center for Rosedale. The Q5 and Q85 bus routes constitute a public transit corridor running along Merrick Boulevard (also known as Floyd H. Flake Boulevard) in southeastern Queens, New York City. The routes run from the Jamaica Center transit hub and business district to Rosedale, with continued service to Green Acres Mall in Valley Stream, Nassau County. The Q4 and Q84 buses also serve the northern portion of the corridor, before diverging east along Linden Boulevard and 120th Avenue respectively. The Q4, Q5, and Q85 also provide limited-stop service along the corridor. The routes on the corridor mainly serve as feeder routes to New York City Subway services at Jamaica Center–Parsons/Archer station. The Q4, Q5, Q84, and Q85 routes were operated by Bee-Line Inc. and later the North Shore Bus Company until 1947. All four routes are now operated by MTA Regional Bus Operations under the New York City Transit brand. (Full article...)

    A 2011 Nova Bus LFS (8062) on the Q5 terminating at Jamaica Center and a 2010 Orion VII NG HEV (4673) on the Q85 leaving Jamaica Center for Rosedale.

    The Q5 and Q85 bus routes constitute a public transit corridor running along Merrick Boulevard (also known as Floyd H. Flake Boulevard) in southeastern Queens, New York City. The routes run from the Jamaica Center transit hub and business district to Rosedale, with continued service to Green Acres Mall in Valley Stream, Nassau County. The Q4 and Q84 buses also serve the northern portion of the corridor, before diverging east along Linden Boulevard and 120th Avenue respectively. The Q4, Q5, and Q85 also provide limited-stop service along the corridor. The routes on the corridor mainly serve as feeder routes to New York City Subway services at Jamaica Center–Parsons/Archer station.

    The Q4, Q5, Q84, and Q85 routes were operated by Bee-Line Inc. and later the North Shore Bus Company until 1947. All four routes are now operated by MTA Regional Bus Operations under the New York City Transit brand. (Full article...)
  • Image 17 The Salvation Army Headquarters seen from 14th Street The Salvation Army Headquarters is a building at 120–130 West 14th Street in the Chelsea and Greenwich Village neighborhoods of Manhattan in New York City. The building, owned by charitable organization the Salvation Army, is composed of a four-story auditorium named the Centennial Memorial Temple, a 12-story office building, and a 17-story dormitory named the Markle Evangeline. All three sections were designed in the Art Deco style by Ralph Thomas Walker of Voorhees, Gmelin and Walker and were constructed from 1928 to 1930 as the headquarters for the Salvation Army. The auditorium and office building are also New York City designated landmarks. The building contains a facade of cast stone and buff brick. The office wing on 14th Street is sparsely decorated, although Walker used brick and cast stone, as well as stepped archways, to create a textile-like appearance. East of the office wing is the Centennial Memorial Temple, with a triple-story opening whose design was intended to welcome visitors. The dormitory, in the rear of the building, contains setbacks to comply with the 1916 Zoning Resolution. The building's main auditorium had between 1,600 and 2,000 seats, while the dormitory had 220 rooms that were originally reserved for women. The building also had a recreation center and offices for the Salvation Army. After the Salvation Army's cofounder Catherine Booth died in 1890, members decided to build a New York City headquarters in her honor. Catherine Booth's son Ballington Booth acquired land on 14th Street in 1893 and hired Gilbert A. Schellenger to design an eight-story headquarters, which was officially dedicated in June 1895. The Salvation Army also added a women's home at the rear of the building in December 1900. In its early years, the building hosted various programs and events, causing the existing headquarters to become overcrowded by the 1920s. Walker designed a new headquarters for the structure, which was built in stages from October 1928 to June 1930. The new building was the Salvation Army's national headquarters until 1981 and was a regional headquarters until 1990. The Salvation Army continued to use the structure to host events and renovated the building in the early 21st century. (Full article...)

    The Salvation Army Headquarters seen from 14th Street

    The Salvation Army Headquarters is a building at 120–130 West 14th Street in the Chelsea and Greenwich Village neighborhoods of Manhattan in New York City. The building, owned by charitable organization the Salvation Army, is composed of a four-story auditorium named the Centennial Memorial Temple, a 12-story office building, and a 17-story dormitory named the Markle Evangeline. All three sections were designed in the Art Deco style by Ralph Thomas Walker of Voorhees, Gmelin and Walker and were constructed from 1928 to 1930 as the headquarters for the Salvation Army. The auditorium and office building are also New York City designated landmarks.

    The building contains a facade of cast stone and buff brick. The office wing on 14th Street is sparsely decorated, although Walker used brick and cast stone, as well as stepped archways, to create a textile-like appearance. East of the office wing is the Centennial Memorial Temple, with a triple-story opening whose design was intended to welcome visitors. The dormitory, in the rear of the building, contains setbacks to comply with the 1916 Zoning Resolution. The building's main auditorium had between 1,600 and 2,000 seats, while the dormitory had 220 rooms that were originally reserved for women. The building also had a recreation center and offices for the Salvation Army.

    After the Salvation Army's cofounder Catherine Booth died in 1890, members decided to build a New York City headquarters in her honor. Catherine Booth's son Ballington Booth acquired land on 14th Street in 1893 and hired Gilbert A. Schellenger to design an eight-story headquarters, which was officially dedicated in June 1895. The Salvation Army also added a women's home at the rear of the building in December 1900. In its early years, the building hosted various programs and events, causing the existing headquarters to become overcrowded by the 1920s. Walker designed a new headquarters for the structure, which was built in stages from October 1928 to June 1930. The new building was the Salvation Army's national headquarters until 1981 and was a regional headquarters until 1990. The Salvation Army continued to use the structure to host events and renovated the building in the early 21st century. (Full article...)
  • Image 18 4 Times Square in 2005 4 Times Square (also known as 151 West 42nd Street or One Five One; formerly the Condé Nast Building) is a 48-story skyscraper at Times Square in the Midtown Manhattan neighborhood of New York City. Located at 1472 Broadway, between 42nd and 43rd Streets, the building measures 809 ft (247 m) tall to its roof and 1,118 ft (341 m) tall to its antenna. The building was designed by Fox & Fowle and developed by the Durst Organization. 4 Times Square, and the Bank of America Tower to the east, occupy an entire city block. Fox & Fowle planned a masonry facade facing south and east, as well as a glass facade facing west and north. The northwest corner of the building's base contains the eight-story cylindrical facade of Nasdaq MarketSite, which includes a large LED sign. The top of 4 Times Square includes an antenna mast and four large illuminated signs on each side which read ‘H&M’. The building contains 1,600,000 sq ft (150,000 m2) of floor space, much of which was originally taken by publishing company Condé Nast and law firm Skadden Arps. The lowest three stories contain retail space while the fourth story has a food hall for tenants, originally designed by Frank Gehry for Condé Nast. 4 Times Square is an early example of green design in commercial skyscrapers in the United States. During the 1980s and early 1990s, Park Tower Realty and the Prudential Insurance Company of America had planned to develop a tower for the site as part of a wide-ranging redevelopment of West 42nd Street. After long opposing a tower there, Douglas Durst proposed an office building on the site in late 1995. Condé Nast and Skadden Arps leased the majority of the building in 1996, and the structure was finished in 1999. After Condé Nast and Skadden Arps moved out of the building during the 2010s, a variety of office tenants have occupied 4 Times Square. Several modifications have been made to the building after it opened, including an expansion of the antenna mast atop the building in 2003, as well as a renovation in the late 2010s. (Full article...)

    4 Times Square in 2005

    4 Times Square (also known as 151 West 42nd Street or One Five One; formerly the Condé Nast Building) is a 48-story skyscraper at Times Square in the Midtown Manhattan neighborhood of New York City. Located at 1472 Broadway, between 42nd and 43rd Streets, the building measures 809 ft (247 m) tall to its roof and 1,118 ft (341 m) tall to its antenna. The building was designed by Fox & Fowle and developed by the Durst Organization. 4 Times Square, and the Bank of America Tower to the east, occupy an entire city block.

    Fox & Fowle planned a masonry facade facing south and east, as well as a glass facade facing west and north. The northwest corner of the building's base contains the eight-story cylindrical facade of Nasdaq MarketSite, which includes a large LED sign. The top of 4 Times Square includes an antenna mast and four large illuminated signs on each side which read ‘H&M’. The building contains 1,600,000 sq ft (150,000 m2) of floor space, much of which was originally taken by publishing company Condé Nast and law firm Skadden Arps. The lowest three stories contain retail space while the fourth story has a food hall for tenants, originally designed by Frank Gehry for Condé Nast. 4 Times Square is an early example of green design in commercial skyscrapers in the United States.

    During the 1980s and early 1990s, Park Tower Realty and the Prudential Insurance Company of America had planned to develop a tower for the site as part of a wide-ranging redevelopment of West 42nd Street. After long opposing a tower there, Douglas Durst proposed an office building on the site in late 1995. Condé Nast and Skadden Arps leased the majority of the building in 1996, and the structure was finished in 1999. After Condé Nast and Skadden Arps moved out of the building during the 2010s, a variety of office tenants have occupied 4 Times Square. Several modifications have been made to the building after it opened, including an expansion of the antenna mast atop the building in 2003, as well as a renovation in the late 2010s. (Full article...)
  • Image 19 Koppelman in 1981 (photo by Robert Bianchi) Chaim Koppelman (November 17, 1920 – December 6, 2009) was an American artist, art educator, and Aesthetic Realism consultant. Best known as a printmaker, he also produced sculpture, paintings, and drawings. A member of the National Academy of Design since 1978, he was president of the Society of American Graphic Artists (SAGA), which presented him with a Lifetime Achievement Award in 2004. He established the Printmaking Department of the School of Visual Arts in 1959, and taught there until 2007. Koppelman was an early student of Aesthetic Realism, the philosophy founded in 1941 by Eli Siegel, which is based on the principle, "All beauty is a making one of opposites, and the making one of opposites is what we are going after in ourselves". This principle informed Koppelman's art, teaching, and his work as an Aesthetic Realism consultant. About the importance of this principle to art and life, Koppelman stated, "When Eli Siegel showed that what makes a work of art beautiful – the oneness of opposites – is the same as what every individual wants, it was one of the mightiest and kindest achievements of man's mind". Koppelman's art is noted for its originality, masterful technique, humor, and power. He is represented in most major print collections, including New York's Museum of Modern Art, Guggenheim Museum, Whitney Museum, Metropolitan Museum, New York Public Library, Brooklyn Museum, Philadelphia Museum of Art, National Gallery, Smithsonian Institution, and Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the Victoria and Albert Museum in London. A retrospective exhibition at the Museo Napoleonico in Rome (2011–12) exposed his work to an international audience. (Full article...)

    Koppelman in 1981
    (photo by Robert Bianchi)

    Chaim Koppelman (November 17, 1920 – December 6, 2009) was an American artist, art educator, and Aesthetic Realism consultant. Best known as a printmaker, he also produced sculpture, paintings, and drawings. A member of the National Academy of Design since 1978, he was president of the Society of American Graphic Artists (SAGA), which presented him with a Lifetime Achievement Award in 2004. He established the Printmaking Department of the School of Visual Arts in 1959, and taught there until 2007.

    Koppelman was an early student of Aesthetic Realism, the philosophy founded in 1941 by Eli Siegel, which is based on the principle, "All beauty is a making one of opposites, and the making one of opposites is what we are going after in ourselves". This principle informed Koppelman's art, teaching, and his work as an Aesthetic Realism consultant. About the importance of this principle to art and life, Koppelman stated, "When Eli Siegel showed that what makes a work of art beautiful – the oneness of opposites – is the same as what every individual wants, it was one of the mightiest and kindest achievements of man's mind".

    Koppelman's art is noted for its originality, masterful technique, humor, and power. He is represented in most major print collections, including New York's Museum of Modern Art, Guggenheim Museum, Whitney Museum, Metropolitan Museum, New York Public Library, Brooklyn Museum, Philadelphia Museum of Art, National Gallery, Smithsonian Institution, and Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the Victoria and Albert Museum in London.
    A retrospective exhibition at the Museo Napoleonico in Rome (2011–12) exposed his work to an international audience. (Full article...)
  • Image 20 Official portrait, 2020 Ivana Marie "Ivanka" Trump (/ɪˈvɑːŋkə/; born October 30, 1981) is an American businesswoman. She is the second child of Donald Trump (the 45th president of the United States) and his first wife, Ivana. Trump was a senior advisor in his administration (2017–2021), and also was the director of the Office of Economic Initiatives and Entrepreneurship. Trump was an executive vice president of her family-owned Trump Organization. She was also a boardroom judge on her father's TV show, The Apprentice. In March 2017, she left the Trump Organization to become a senior adviser in her father's presidential administration alongside her husband, Jared Kushner. She was part of the president's inner circle prior to becoming an official employee in his administration. (Full article...)

    Official portrait, 2020

    Ivana Marie "Ivanka" Trump (/ɪˈvɑːŋkə/; born October 30, 1981) is an American businesswoman. She is the second child of Donald Trump (the 45th president of the United States) and his first wife, Ivana. Trump was a senior advisor in his administration (2017–2021), and also was the director of the Office of Economic Initiatives and Entrepreneurship.

    Trump was an executive vice president of her family-owned Trump Organization. She was also a boardroom judge on her father's TV show, The Apprentice. In March 2017, she left the Trump Organization to become a senior adviser in her father's presidential administration alongside her husband, Jared Kushner. She was part of the president's inner circle prior to becoming an official employee in his administration. (Full article...)
1933 Goudey baseball card of Berg while with the Washington Senators

Morris Berg (March 2, 1902 – May 29, 1972) was an American professional baseball catcher and coach in Major League Baseball who later served as a spy for the Office of Strategic Services during World War II. He played 15 seasons in the major leagues, almost entirely for four American League teams, though he was never more than an average player and was better known for being "the brainiest guy in baseball." Casey Stengel once described Berg as "the strangest man ever to play baseball."

Berg was a graduate of Princeton University and Columbia Law School, spoke several languages, and regularly read ten newspapers a day. His reputation as an intellectual was fueled by his successful appearances as a contestant on the radio quiz show Information Please, in which he answered questions about the etymology of words and names from Greek and Latin, historical events in Europe and the Far East, and ongoing international conferences. (Full article...)

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12 February 2024 – 2024 New York City Subway shooting
One person is killed and five others are injured in a mass shooting at Mount Eden Avenue station, Highbridge, the Bronx, New York City, United States. (Al Jazeera)

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