Portal:Architecture

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The Architecture Portal

View of Florence showing the dome, which dominates everything around it. It is octagonal in plan and ovoid in section. It has wide ribs rising to the apex with red tiles in between and a marble lantern on top.
In adding the dome to the Florence Cathedral (Italy) in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect.

Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief', and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilisations are often identified with their surviving architectural achievements.

Architecture began as rural, oral vernacular architecture that developed from trial and error to successful replication. Ancient urban architecture was preoccupied with building religious structures and buildings symbolizing the political power of rulers until Greek and Roman architecture shifted focus to civic virtues. Indian and Chinese architecture influenced forms all over Asia and Buddhist architecture in particular took diverse local flavors. During the Middle Ages, pan-European styles of Romanesque and Gothic cathedrals and abbeys emerged while the Renaissance favored Classical forms implemented by architects known by name. Later, the roles of architects and engineers became separated.

Modern architecture began after World War I as an avant-garde movement that sought to develop a completely new style appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. Emphasis was put on modern techniques, materials, and simplified geometric forms, paving the way for high-rise superstructures. Many architects became disillusioned with modernism which they perceived as ahistorical and anti-aesthetic, and postmodern and contemporary architecture developed. Over the years, the field of architectural construction has branched out to include everything from ship design to interior decorating. (Full article...)

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Detail of Patrick Blanc's exterior green wall of the Musée du Quai Branly

A green wall is a vertical built structure intentionally covered by vegetation. Green walls include a vertically applied growth medium such as soil, substitute substrate, or hydroculture felt; as well as an integrated hydration and fertigation delivery system. They are also referred to as living walls or vertical gardens, and widely associated with the delivery of many beneficial ecosystem services.

Green walls differ from the more established vertical greening typology of 'green facades' as they have the growth medium supported on the vertical face of the host wall (as described below), while green facades have the growth medium only at the base (either in a container or as a ground bed). Green facades typically support climbing plants that climb up the vertical face of the host wall, while green walls can accommodate a variety of plant species. Green walls may be implanted indoors or outdoors; as freestanding installations or attached to existing host walls; and applied in a variety of sizes. (Full article...)
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  • Image 1 Tallest buildings in Dubai (Marina 101 and the Address Boulevard not included) Dubai, the largest city in the United Arab Emirates, is home to many extremely tall modern high-rises, 108 of which stand taller than 180 metres (591 ft). The tallest building in Dubai is the Burj Khalifa, which rises 828 metres (2,717 ft) and contains 163 floors. The tower has stood as both the tallest building in the world and the tallest human-made structure of any kind in the world since its completion in January 2010. The second-tallest building in Dubai is the 425-metre (1,394 ft) Marina 101, which also stands as the world's fourth tallest residential skyscraper. The skyscrapers of Dubai are, for the most part, clustered in three different locations. The land along E 11 Road was the first to develop, followed by the Dubai Marina neighborhood and the Business Bay district. Overall, Dubai has 18 completed and topped-out buildings that rise at least 300 metres (984 ft) in height, which is more than any other city in the world. Dubai has 73 completed and topped-out buildings that rise at least 200 metres (656 ft) in height. Based on the average height of the ten tallest completed buildings, Dubai has the tallest skyline in the Middle East and the world. , the skyline of Dubai is ranked eighth in the world with 248 buildings rising at least 100 metres (330 ft) in height. (Full article...)
    Tallest buildings in Dubai (Marina 101 and the Address Boulevard not included)

    Dubai, the largest city in the United Arab Emirates, is home to many extremely tall modern high-rises, 108 of which stand taller than 180 metres (591 ft). The tallest building in Dubai is the Burj Khalifa, which rises 828 metres (2,717 ft) and contains 163 floors. The tower has stood as both the tallest building in the world and the tallest human-made structure of any kind in the world since its completion in January 2010. The second-tallest building in Dubai is the 425-metre (1,394 ft) Marina 101, which also stands as the world's fourth tallest residential skyscraper. The skyscrapers of Dubai are, for the most part, clustered in three different locations. The land along E 11 Road was the first to develop, followed by the Dubai Marina neighborhood and the Business Bay district.

    Overall, Dubai has 18 completed and topped-out buildings that rise at least 300 metres (984 ft) in height, which is more than any other city in the world. Dubai has 73 completed and topped-out buildings that rise at least 200 metres (656 ft) in height. Based on the average height of the ten tallest completed buildings, Dubai has the tallest skyline in the Middle East and the world. , the skyline of Dubai is ranked eighth in the world with 248 buildings rising at least 100 metres (330 ft) in height. (Full article...)
  • Image 2 Skyline of Cleveland at sunrise. Cleveland, the second most populous city in the U.S. state of Ohio, has 142 completed high-rises, 36 of which stand taller than 250 feet (76 m). The tallest building in Cleveland is the 57-story Key Tower, which rises 947 feet (289 m) on Public Square. The tower has been the tallest building in Ohio since its completion, in 1991; it also was the tallest building in the United States between Chicago and New York City before the completion, in 2007, of the Comcast Center in Philadelphia. The Terminal Tower, 771 feet (235 m), is the second tallest building in Cleveland and Ohio; at the time of its completion, in 1927, the building was the tallest in the world outside New York City. The history of skyscrapers in Cleveland began in 1889, with the construction of the Society for Savings Building, often called the first skyscraper in the city. Cleveland went through an early building boom in the late 1920s and the early 1930s, during which several high-rise buildings, including the Terminal Tower, were constructed. The city experienced a second, much larger building boom from the early 1970s to the early 1990s, during which it saw the construction of over 15 skyscrapers, including the Key Tower and 200 Public Square. Overall, the city is the site of three of the four Ohio skyscrapers that rise at least 656 feet (200 m) in height; Cincinnati has the other. In 2020, the skyline of Cleveland was 27th in the United States and 96th in the world, ranked by buildings at least 330 feet (100 m) tall, with 18. (Full article...)
    Skyline of Cleveland at sunrise.

    Cleveland, the second most populous city in the U.S. state of Ohio, has 142 completed high-rises, 36 of which stand taller than 250 feet (76 m). The tallest building in Cleveland is the 57-story Key Tower, which rises 947 feet (289 m) on Public Square. The tower has been the tallest building in Ohio since its completion, in 1991; it also was the tallest building in the United States between Chicago and New York City before the completion, in 2007, of the Comcast Center in Philadelphia. The Terminal Tower, 771 feet (235 m), is the second tallest building in Cleveland and Ohio; at the time of its completion, in 1927, the building was the tallest in the world outside New York City.

    The history of skyscrapers in Cleveland began in 1889, with the construction of the Society for Savings Building, often called the first skyscraper in the city. Cleveland went through an early building boom in the late 1920s and the early 1930s, during which several high-rise buildings, including the Terminal Tower, were constructed. The city experienced a second, much larger building boom from the early 1970s to the early 1990s, during which it saw the construction of over 15 skyscrapers, including the Key Tower and 200 Public Square. Overall, the city is the site of three of the four Ohio skyscrapers that rise at least 656 feet (200 m) in height; Cincinnati has the other. In 2020, the skyline of Cleveland was 27th in the United States and 96th in the world, ranked by buildings at least 330 feet (100 m) tall, with 18. (Full article...)
  • Image 3 John Douglas in late middle age John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering. Of particular importance to Douglas' church furniture is his use of joinery and highly detailed wood carving. John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
    Head and shoulders of a bearded man wearing a three-piece suit, tie and high collar
    John Douglas in late middle age

    John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering. Of particular importance to Douglas' church furniture is his use of joinery and highly detailed wood carving.

    John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
  • Image 4 Skyline of Tulsa (Use cursor to identify buildings) Tulsa, the second largest city in the U.S. state of Oklahoma, is the site of 26 completed high-rises over 200 feet (61 m), 4 of which stand taller than 492 feet (150 m). The tallest building in the city is the BOK Tower, which rises 667 feet (203 m) in Downtown Tulsa and was completed in 1975. It also stands as the 2nd-tallest building in Oklahoma. The second-tallest skyscraper in the city is the Cityplex Central Tower, which rises 648 feet (198 m) and was completed in 1979. The First Place Tower, completed in 1975 and rising 516 feet (157 m), is the third-tallest building in Tulsa. Five of the ten tallest buildings in Oklahoma are located in Tulsa. (Full article...)
    Skyline of Tulsa (Use cursor to identify buildings)

    Tulsa, the second largest city in the U.S. state of Oklahoma, is the site of 26 completed high-rises over 200 feet (61 m), 4 of which stand taller than 492 feet (150 m). The tallest building in the city is the BOK Tower, which rises 667 feet (203 m) in Downtown Tulsa and was completed in 1975. It also stands as the 2nd-tallest building in Oklahoma. The second-tallest skyscraper in the city is the Cityplex Central Tower, which rises 648 feet (198 m) and was completed in 1979. The First Place Tower, completed in 1975 and rising 516 feet (157 m), is the third-tallest building in Tulsa. Five of the ten tallest buildings in Oklahoma are located in Tulsa. (Full article...)
  • Image 5 Tower Building, originally the office of Hutchinson & Co, now part of the Catalyst Science Discovery Centre Widnes is an industrial town in the Borough of Halton, Cheshire, England, on the north bank of the River Mersey where it narrows at Runcorn Gap. The town contains 24 buildings that are recorded in the National Heritage List for England as designated listed buildings. Of these, 5 are classified at Grade II*, and the rest are at Grade II; Widnes has no Grade I listed buildings. In the United Kingdom, the term "listed building" refers to a building or other structure officially designated as being of special architectural, historical, or cultural significance. Listed buildings are categorised in three grades: Grade I consists of buildings of outstanding architectural or historical interest; Grade II* includes particularly significant buildings of more than local interest; Grade II consists of buildings of special architectural or historical interest. Buildings in England are listed by the Secretary of State for Culture, Media and Sport on recommendations provided by English Heritage, which also determines the grading. Before 1847, the area now occupied by the town of Widnes consisted of the hamlets of Farnworth, Cronton, Appleton, and Upton; a few scattered houses; and areas of mostly marshy farmland. In 1833 a canal and a railway reached the area; the Sankey Canal was extended to a point on the River Mersey to the east of Runcorn Gap and the St Helens and Runcorn Gap Railway established a terminus adjacent to the canal. Widnes Dock, the world's first railway dock, was established at the new terminal, and in 1847 John Hutchinson established the first chemical factory nearby. During the second half of the 19th century, more chemical factories were built and the town grew, absorbing the previously separated hamlets. The town became overcrowded and highly polluted with smoke, chemical fumes, and waste. (Full article...)
    A four-storey building with four bays painted pale grey, with an extra glass storey on the roof and a glass lift on the right side; in front is a small tree and a row of parked cars
    Tower Building, originally the office of Hutchinson & Co, now part of the Catalyst Science Discovery Centre

    Widnes is an industrial town in the Borough of Halton, Cheshire, England, on the north bank of the River Mersey where it narrows at Runcorn Gap. The town contains 24 buildings that are recorded in the National Heritage List for England as designated listed buildings. Of these, 5 are classified at Grade II*, and the rest are at Grade II; Widnes has no Grade I listed buildings. In the United Kingdom, the term "listed building" refers to a building or other structure officially designated as being of special architectural, historical, or cultural significance. Listed buildings are categorised in three grades: Grade I consists of buildings of outstanding architectural or historical interest; Grade II* includes particularly significant buildings of more than local interest; Grade II consists of buildings of special architectural or historical interest. Buildings in England are listed by the Secretary of State for Culture, Media and Sport on recommendations provided by English Heritage, which also determines the grading.

    Before 1847, the area now occupied by the town of Widnes consisted of the hamlets of Farnworth, Cronton, Appleton, and Upton; a few scattered houses; and areas of mostly marshy farmland. In 1833 a canal and a railway reached the area; the Sankey Canal was extended to a point on the River Mersey to the east of Runcorn Gap and the St Helens and Runcorn Gap Railway established a terminus adjacent to the canal. Widnes Dock, the world's first railway dock, was established at the new terminal, and in 1847 John Hutchinson established the first chemical factory nearby. During the second half of the 19th century, more chemical factories were built and the town grew, absorbing the previously separated hamlets. The town became overcrowded and highly polluted with smoke, chemical fumes, and waste. (Full article...)
  • Image 6 John Douglas in late middle age John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His designs included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, especially half-timbering. Of particular importance is Douglas' use of joinery and highly detailed wood carving. Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his work on houses was in Cheshire and North Wales, although some was further afield, in Lancashire, Merseyside, Greater Manchester, Warwickshire, Herefordshire, Worcestershire, Derbyshire, Surrey, and Scotland. (Full article...)
    The head and shoulders of a bearded man wearing a three-piece suit, tie and high collar
    John Douglas in late middle age

    John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His designs included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, especially half-timbering. Of particular importance is Douglas' use of joinery and highly detailed wood carving.

    Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his work on houses was in Cheshire and North Wales, although some was further afield, in Lancashire, Merseyside, Greater Manchester, Warwickshire, Herefordshire, Worcestershire, Derbyshire, Surrey, and Scotland. (Full article...)
  • Image 7 Bath and North East Somerset shown within Somerset and England Bath and North East Somerset (commonly referred to as BANES or B&NES) is a unitary authority created on 1 April 1996, following the abolition of the County of Avon, which had existed since 1974. Part of the ceremonial county of Somerset, Bath and North East Somerset occupies an area of 220 square miles (570 km2), two-thirds of which is green belt. It stretches from the outskirts of Bristol, south into the Mendip Hills and east to the southern Cotswold Hills and Wiltshire border. The city of Bath is the principal settlement in the district, but BANES also covers Keynsham, Midsomer Norton, Radstock and the Chew Valley. The area has a population of 170,000, about half of whom live in Bath, making it 12 times more densely populated than the rest of the area. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical, or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, strict limitations are imposed on the modifications allowed to a building's structure or fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. (Full article...)
    Bath and North East Somerset shown within Somerset and England

    Bath and North East Somerset (commonly referred to as BANES or B&NES) is a unitary authority created on 1 April 1996, following the abolition of the County of Avon, which had existed since 1974. Part of the ceremonial county of Somerset, Bath and North East Somerset occupies an area of 220 square miles (570 km2), two-thirds of which is green belt. It stretches from the outskirts of Bristol, south into the Mendip Hills and east to the southern Cotswold Hills and Wiltshire border. The city of Bath is the principal settlement in the district, but BANES also covers Keynsham, Midsomer Norton, Radstock and the Chew Valley. The area has a population of 170,000, about half of whom live in Bath, making it 12 times more densely populated than the rest of the area.

    In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical, or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, strict limitations are imposed on the modifications allowed to a building's structure or fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. (Full article...)
  • Image 8 Skyline of Minneapolis Minneapolis, the largest city in the U.S. state of Minnesota, is home to 190 completed high-rises, 41 of which stand taller than 300 feet (91 m). The tallest building in Minneapolis is the 57-story IDS Center, which rises 792 feet (241 m) and was designed by architect Philip Johnson. The tower has been the tallest building in the state of Minnesota since its completion in 1973, and is the 66th-tallest building in the United States. The second-tallest skyscraper in the city and the state is Capella Tower, which rises 775 feet (236 m) and was completed in 1992. Overall, seventeen of the twenty tallest buildings in Minnesota are located in Minneapolis. Additionally, most of the tallest buildings in Downtown Minneapolis are linked via the Minneapolis Skyway System, the largest pedestrian skywalk system in the world. The history of skyscrapers in the city began with the construction of the Lumber Exchange Building, now also known as the Edison Building, in 1886; this structure, rising 165 feet (50 m) and 12 floors, is often regarded as the first skyscraper in Minnesota and one of the first fire-proof buildings in the country. The Lumber Exchange Building also stands as the oldest structure outside of New York City with at least 12 floors. Minneapolis went through a small building boom in the early 1920s, and then experienced a much larger boom lasting from 1960 to the early 1990s. During this time, 24 of the city's 36 tallest buildings were constructed, including the IDS Center, Capella Tower and Wells Fargo Center. The city is the site of twelve skyscrapers at least 492 feet (150 m) in height, including three which rank among the tallest in the United States. , the skyline of Minneapolis is ranked 2nd in the Midwest (after Chicago), 11th in the United States, and 82nd in the world with 32 buildings rising at least 328 feet (100 m). (Full article...)
    Skyline of Minneapolis


    Minneapolis, the largest city in the U.S. state of Minnesota, is home to 190 completed high-rises, 41 of which stand taller than 300 feet (91 m). The tallest building in Minneapolis is the 57-story IDS Center, which rises 792 feet (241 m) and was designed by architect Philip Johnson. The tower has been the tallest building in the state of Minnesota since its completion in 1973, and is the 66th-tallest building in the United States. The second-tallest skyscraper in the city and the state is Capella Tower, which rises 775 feet (236 m) and was completed in 1992. Overall, seventeen of the twenty tallest buildings in Minnesota are located in Minneapolis. Additionally, most of the tallest buildings in Downtown Minneapolis are linked via the Minneapolis Skyway System, the largest pedestrian skywalk system in the world.

    The history of skyscrapers in the city began with the construction of the Lumber Exchange Building, now also known as the Edison Building, in 1886; this structure, rising 165 feet (50 m) and 12 floors, is often regarded as the first skyscraper in Minnesota and one of the first fire-proof buildings in the country. The Lumber Exchange Building also stands as the oldest structure outside of New York City with at least 12 floors. Minneapolis went through a small building boom in the early 1920s, and then experienced a much larger boom lasting from 1960 to the early 1990s. During this time, 24 of the city's 36 tallest buildings were constructed, including the IDS Center, Capella Tower and Wells Fargo Center. The city is the site of twelve skyscrapers at least 492 feet (150 m) in height, including three which rank among the tallest in the United States. , the skyline of Minneapolis is ranked 2nd in the Midwest (after Chicago), 11th in the United States, and 82nd in the world with 32 buildings rising at least 328 feet (100 m). (Full article...)
  • Image 9 Mendip is a local government district in the English county of Somerset. The Mendip district covers a largely rural area of 285 square miles (738 km2) ranging from the Mendip Hills through on to the Somerset Levels. It has a population of approximately 11,000. The administrative centre of the district is Shepton Mallet. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. (Full article...)
    Mendip is a local government district in the English county of Somerset. The Mendip district covers a largely rural area of 285 square miles (738 km2) ranging from the Mendip Hills through on to the Somerset Levels. It has a population of approximately 11,000. The administrative centre of the district is Shepton Mallet.

    In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. (Full article...)
  • Image 10 The Philadelphia skyline as seen from Boathouse Row in June 2019 (annotated version) Philadelphia, the largest city in the U.S. state of Pennsylvania, is home to more than 300 completed high-rise buildings up to 330 feet (101 m), and 58 completed skyscrapers of 330 feet (101 m) or taller, of which 34 are 400 feet (122 m) or taller and are listed below. , the tallest building in the city is the 60-story Comcast Technology Center, which topped out at 1,150 feet (351 m) in Center City on November 27, 2017, and was opened in 2018. (Full article...)
    The Philadelphia skyline as seen from Boathouse Row in June 2019 (annotated version)

    Philadelphia, the largest city in the U.S. state of Pennsylvania, is home to more than 300 completed high-rise buildings up to 330 feet (101 m), and 58 completed skyscrapers of 330 feet (101 m) or taller, of which 34 are 400 feet (122 m) or taller and are listed below.

    , the tallest building in the city is the 60-story Comcast Technology Center, which topped out at 1,150 feet (351 m) in Center City on November 27, 2017, and was opened in 2018. (Full article...)
  • Image 11 Skyline of Boston's Back Bay Boston, the capital of the U.S. state of Massachusetts and the largest city in New England, is home to 555 completed high-rises, 37 of which stand taller than 400 feet (122 m). The city's skyscrapers and high-rises are concentrated along the roughly 2.5 mile High Spine, which runs from the Back Bay to the Financial District and West End, while bypassing the surrounding low-rise residential neighborhoods. The tallest structure in Boston is the 60-story 200 Clarendon, better known to locals as the John Hancock Tower, which rises 790 feet (241 m) in the Back Bay district. It is also the tallest building in New England and the 80th-tallest building in the United States. The second-tallest building in Boston is the Prudential Tower, which rises 52 floors and 749 feet (228 m). At the time of the Prudential Tower's completion in 1964, it stood as the tallest building in North America outside of New York City. Boston's history of skyscrapers began with the completion in 1893 of the 13-story Ames Building, which is considered the city's first high-rise. Boston went through a major building boom in the 1960s and 1970s, resulting in the construction of over 20 skyscrapers, including 200 Clarendon and the Prudential Tower. The city is the site of 25 skyscrapers that rise at least 492 feet (150 m) in height, more than any other city in New England. , the skyline of Boston is ranked 10th in the United States and 79th in the world with 57 buildings rising at least 330 feet (100 m) in height. (Full article...)
    Skyline of a city on a river. Two buildings are much taller and more prominent than the rest; one of the large buildings is a skyscraper with a blue-tinted, all-glass facade, and the second is a large rectangular tower with a steel latticework facade and a tall antenna mast on its roof.
    Skyline of Boston's Back Bay

    Boston, the capital of the U.S. state of Massachusetts and the largest city in New England, is home to 555 completed high-rises, 37 of which stand taller than 400 feet (122 m). The city's skyscrapers and high-rises are concentrated along the roughly 2.5 mile High Spine, which runs from the Back Bay to the Financial District and West End, while bypassing the surrounding low-rise residential neighborhoods. The tallest structure in Boston is the 60-story 200 Clarendon, better known to locals as the John Hancock Tower, which rises 790 feet (241 m) in the Back Bay district. It is also the tallest building in New England and the 80th-tallest building in the United States. The second-tallest building in Boston is the Prudential Tower, which rises 52 floors and 749 feet (228 m). At the time of the Prudential Tower's completion in 1964, it stood as the tallest building in North America outside of New York City.

    Boston's history of skyscrapers began with the completion in 1893 of the 13-story Ames Building, which is considered the city's first high-rise. Boston went through a major building boom in the 1960s and 1970s, resulting in the construction of over 20 skyscrapers, including 200 Clarendon and the Prudential Tower. The city is the site of 25 skyscrapers that rise at least 492 feet (150 m) in height, more than any other city in New England. , the skyline of Boston is ranked 10th in the United States and 79th in the world with 57 buildings rising at least 330 feet (100 m) in height. (Full article...)
  • Image 12 Charles Holden by Benjamin Nelson, 1910 Charles Holden (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s. Other notable designs were Bristol Central Library, the Underground Electric Railways Company of London's headquarters at 55 Broadway and the University of London's Senate House. Many of his buildings have been granted listed building status, indicating that they are considered to be of architectural or historical interest and protecting them from unapproved alteration. He also designed over 60 war cemeteries and two memorials in Belgium and northern France for the Imperial War Graves Commission from 1920 to 1928. Holden's early architectural training was in Bolton and Manchester where he worked for architects Everard W. Leeson and Jonathan Simpson before moving to London. After a short period with Arts and Crafts designer Charles Robert Ashbee, he went to work for Henry Percy Adams in 1899. He became Adams' partner in the firm in 1907 and remained with it for the rest of his career. (Full article...)
    Charles Holden by Benjamin Nelson, 1910

    Charles Holden (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s. Other notable designs were Bristol Central Library, the Underground Electric Railways Company of London's headquarters at 55 Broadway and the University of London's Senate House. Many of his buildings have been granted listed building status, indicating that they are considered to be of architectural or historical interest and protecting them from unapproved alteration. He also designed over 60 war cemeteries and two memorials in Belgium and northern France for the Imperial War Graves Commission from 1920 to 1928.

    Holden's early architectural training was in Bolton and Manchester where he worked for architects Everard W. Leeson and Jonathan Simpson before moving to London. After a short period with Arts and Crafts designer Charles Robert Ashbee, he went to work for Henry Percy Adams in 1899. He became Adams' partner in the firm in 1907 and remained with it for the rest of his career. (Full article...)
  • Image 13 There are 42 Grade I listed buildings in Maidstone. The Borough of Maidstone is a local government district in the English county of Kent. The district covers a largely rural area of 152 square miles (394 km2) between the North Downs and the Weald with the town of Maidstone, the county town of Kent, in the north-west. The district has a population of approximately 166,400 in 2016. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, buildings are given listed building status by the Secretary of State for Culture, Media and Sport, acting on the recommendation of Historic England. (Full article...)
    There are 42 Grade I listed buildings in Maidstone. The Borough of Maidstone is a local government district in the English county of Kent. The district covers a largely rural area of 152 square miles (394 km2) between the North Downs and the Weald with the town of Maidstone, the county town of Kent, in the north-west. The district has a population of approximately 166,400 in 2016.

    In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, buildings are given listed building status by the Secretary of State for Culture, Media and Sport, acting on the recommendation of Historic England. (Full article...)
  • Image 14 There are 27 scheduled monuments in Maidstone, Kent, England. In the United Kingdom, a scheduled monument is an archaeological site or historic building of "national importance" that has been given protection against unauthorised change by being placed on a list (or "schedule") by the Secretary of State for Digital, Culture, Media and Sport; Historic England takes the leading role in identifying such sites. Scheduled monuments are defined in the Ancient Monuments and Archaeological Areas Act 1979 and the National Heritage Act 1983. They are also referred to as scheduled ancient monuments. There are about 20,000 scheduled monument entries on the list and more than one site can be included in a single entry. While a scheduled monument can also be recognised as a listed building, Historic England considers listed building status as a better way of protecting buildings than scheduled monument status. If a monument is considered by Historic England to "no longer merit scheduling" it can be removed from the schedule. The borough of Maidstone is a local government district in the English county of Kent. The Maidstone district covers a largely rural area of 152 square miles (394 km2) between the North Downs and the Weald with the town of Maidstone, the county town of Kent, in the north-west. The district had a population of approximately 166,400 in 2016. The monuments range in date from a neolithic standing stone to a tiny 18th-century mortuary, but the majority are medieval. (Full article...)
    There are 27 scheduled monuments in Maidstone, Kent, England. In the United Kingdom, a scheduled monument is an archaeological site or historic building of "national importance" that has been given protection against unauthorised change by being placed on a list (or "schedule") by the Secretary of State for Digital, Culture, Media and Sport; Historic England takes the leading role in identifying such sites. Scheduled monuments are defined in the Ancient Monuments and Archaeological Areas Act 1979 and the National Heritage Act 1983. They are also referred to as scheduled ancient monuments. There are about 20,000 scheduled monument entries on the list and more than one site can be included in a single entry. While a scheduled monument can also be recognised as a listed building, Historic England considers listed building status as a better way of protecting buildings than scheduled monument status. If a monument is considered by Historic England to "no longer merit scheduling" it can be removed from the schedule.

    The borough of Maidstone is a local government district in the English county of Kent. The Maidstone district covers a largely rural area of 152 square miles (394 km2) between the North Downs and the Weald with the town of Maidstone, the county town of Kent, in the north-west. The district had a population of approximately 166,400 in 2016. The monuments range in date from a neolithic standing stone to a tiny 18th-century mortuary, but the majority are medieval. (Full article...)
  • Image 15 Sedgemoor is a local government district in the English county of Somerset. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. Sedgemoor is a low-lying area of land close to sea level between the Quantock and Mendip hills, historically largely marsh (or moor). It contains the bulk of the area also known as the Somerset Levels, including Europe's oldest known engineered roadway, the Sweet Track. (Full article...)
    Sedgemoor is a local government district in the English county of Somerset. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations.

    Sedgemoor is a low-lying area of land close to sea level between the Quantock and Mendip hills, historically largely marsh (or moor). It contains the bulk of the area also known as the Somerset Levels, including Europe's oldest known engineered roadway, the Sweet Track. (Full article...)

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  • Image 1 Akhtala (Armenian: Ախթալայի վանք), also known as Pghindzavank (Armenian: Պղնձավանք, meaning Coppermine Monastery) is a 10th-century Armenian Apostolic monastery located in the town of Akhtala in the marz of Lori, 185 kilometers (115 mi) north of Yerevan and 87 kilometers south of Tbilisi . The monastery is currently inactive. The fortress played a major role in protecting the north-western regions of Armenia (Gugark) and is among the most well preserved of all in modern Armenia. The main church at the compound is famous for its highly artistic frescoes, which cover the inside walls, the partitions, and the bearings of the building. The frescoes of Akhtala Monastery, in Armenian-Chalcedonian style, were commissionned by the Zakarid ruler Ivane I Zakarian in 1205-1216. The modern name of Akhtala was first recorded in a royal decree of 1438. The etymology of the name Akhtala is believed to be of Turkic origin, meaning white glade. The original Armenian name of the settlement where the monastery is built is Pghindzahank, which means copper mine. (Full article...)

    Akhtala (Armenian: Ախթալայի վանք), also known as Pghindzavank (Armenian: Պղնձավանք, meaning Coppermine Monastery) is a 10th-century Armenian Apostolic monastery located in the town of Akhtala in the marz of Lori, 185 kilometers (115 mi) north of Yerevan and 87 kilometers south of Tbilisi . The monastery is currently inactive. The fortress played a major role in protecting the north-western regions of Armenia (Gugark) and is among the most well preserved of all in modern Armenia. The main church at the compound is famous for its highly artistic frescoes, which cover the inside walls, the partitions, and the bearings of the building. The frescoes of Akhtala Monastery, in Armenian-Chalcedonian style, were commissionned by the Zakarid ruler Ivane I Zakarian in 1205-1216.

    The modern name of Akhtala was first recorded in a royal decree of 1438. The etymology of the name Akhtala is believed to be of Turkic origin, meaning white glade. The original Armenian name of the settlement where the monastery is built is Pghindzahank, which means copper mine. (Full article...)
  • Image 2 Chicago Theatre in April 2009 The Chicago Theatre, originally known as the Balaban and Katz Chicago Theatre, is a landmark theater located on North State Street in the Loop area of Chicago, Illinois. Built in 1921, the Chicago Theatre was the flagship for the Balaban and Katz (B&K) group of theaters run by A. J. Balaban, his brother Barney Balaban and partner Sam Katz. Along with the other B&K theaters, from 1925 to 1945 the Chicago Theatre was a dominant movie theater enterprise. Currently, Madison Square Garden, Inc. owns and operates the Chicago Theatre as a 3600 seat performing arts venue for stage plays, magic shows, comedy, speeches, sporting events and popular music concerts. The building was added to the National Register of Historic Places on June 6, 1979, and was listed as a Chicago Landmark on January 28, 1983. The distinctive Chicago Theatre marquee, "an unofficial emblem of the city", appears frequently in film, television, artwork, and photography. (Full article...)

    Chicago Theatre in April 2009

    The Chicago Theatre, originally known as the Balaban and Katz Chicago Theatre, is a landmark theater located on North State Street in the Loop area of Chicago, Illinois. Built in 1921, the Chicago Theatre was the flagship for the Balaban and Katz (B&K) group of theaters run by A. J. Balaban, his brother Barney Balaban and partner Sam Katz. Along with the other B&K theaters, from 1925 to 1945 the Chicago Theatre was a dominant movie theater enterprise. Currently, Madison Square Garden, Inc. owns and operates the Chicago Theatre as a 3600 seat performing arts venue for stage plays, magic shows, comedy, speeches, sporting events and popular music concerts.

    The building was added to the National Register of Historic Places on June 6, 1979, and was listed as a Chicago Landmark on January 28, 1983. The distinctive Chicago Theatre marquee, "an unofficial emblem of the city", appears frequently in film, television, artwork, and photography. (Full article...)
  • Image 3 One Times Square in 2021, with a display commemorating the landing of NASA's Perseverance rover. The building is barely visible given the signage. One Times Square (also known as 1475 Broadway, the New York Times Building, the New York Times Tower, the Allied Chemical Tower or simply as the Times Tower) is a 25-story, 363-foot-high (111 m) skyscraper on Times Square in the Midtown Manhattan neighborhood of New York City. Designed by Cyrus L. W. Eidlitz in the neo-Gothic style, the tower was built in 1903–1904 as the headquarters of The New York Times. It takes up the city block bounded by Seventh Avenue, 42nd Street, Broadway, and 43rd Street. The building's design has been heavily modified throughout the years, and all of its original architectural detail has since been removed. One Times Square's primary design features are the advertising billboards on its facade, added in the 1990s. Due to the large amount of revenue generated by its signage, One Times Square is one of the most valuable advertising locations in the world. The surrounding Longacre Square neighborhood was renamed "Times Square" during the tower's construction, and The New York Times moved into the tower in January 1905. Quickly outgrowing the tower, eight years later, the paper's offices and printing presses moved to nearby 229 West 43rd Street. One Times Square remained a major focal point of the area due to its annual New Year's Eve "ball drop" festivities and the introduction of a large lighted news ticker near street-level in 1928. The Times sold the building to Douglas Leigh in 1961. Allied Chemical then bought the building in 1963 and renovated it as a showroom. Alex M. Parker took a long-term lease for the entire building in October 1973, buying it two years later. One Times Square was sold multiple times in the 1980s and continued to serve as an office building. (Full article...)

    One Times Square in 2021, with a display commemorating the landing of NASA's Perseverance rover. The building is barely visible given the signage.

    One Times Square (also known as 1475 Broadway, the New York Times Building, the New York Times Tower, the Allied Chemical Tower or simply as the Times Tower) is a 25-story, 363-foot-high (111 m) skyscraper on Times Square in the Midtown Manhattan neighborhood of New York City. Designed by Cyrus L. W. Eidlitz in the neo-Gothic style, the tower was built in 1903–1904 as the headquarters of The New York Times. It takes up the city block bounded by Seventh Avenue, 42nd Street, Broadway, and 43rd Street. The building's design has been heavily modified throughout the years, and all of its original architectural detail has since been removed. One Times Square's primary design features are the advertising billboards on its facade, added in the 1990s. Due to the large amount of revenue generated by its signage, One Times Square is one of the most valuable advertising locations in the world.

    The surrounding Longacre Square neighborhood was renamed "Times Square" during the tower's construction, and The New York Times moved into the tower in January 1905. Quickly outgrowing the tower, eight years later, the paper's offices and printing presses moved to nearby 229 West 43rd Street. One Times Square remained a major focal point of the area due to its annual New Year's Eve "ball drop" festivities and the introduction of a large lighted news ticker near street-level in 1928. The Times sold the building to Douglas Leigh in 1961. Allied Chemical then bought the building in 1963 and renovated it as a showroom. Alex M. Parker took a long-term lease for the entire building in October 1973, buying it two years later. One Times Square was sold multiple times in the 1980s and continued to serve as an office building. (Full article...)
  • Image 4 West elevation and south profile, 2009 St. Mary's Church is a Roman Catholic house of worship on Lodge Street in downtown Albany, New York, United States. It is a brick structure with an Italian Romanesque Revival exterior. Built in the 1860s, it is the third church to house the oldest Catholic congregation not only in the city, but in all of upstate New York. In 1977, St. Mary's Church was listed on the National Register of Historic Places; it is also a contributing property to the Downtown Albany Historic District, listed several years later. The congregation of St. Mary's was established in the late 18th century. Early in the next century, the first church was built on the present location when the city donated the land, supposedly on the property where St. Isaac Jogues took shelter after escaping from captivity in the early 17th century. The current building, designed by local architects Nichols & Brown, is the third on the site; its tower was added in 1895. In the late 20th century, the interior and exterior were extensively renovated. (Full article...)

    West elevation and south profile, 2009

    St. Mary's Church is a Roman Catholic house of worship on Lodge Street in downtown Albany, New York, United States. It is a brick structure with an Italian Romanesque Revival exterior. Built in the 1860s, it is the third church to house the oldest Catholic congregation not only in the city, but in all of upstate New York. In 1977, St. Mary's Church was listed on the National Register of Historic Places; it is also a contributing property to the Downtown Albany Historic District, listed several years later.

    The congregation of St. Mary's was established in the late 18th century. Early in the next century, the first church was built on the present location when the city donated the land, supposedly on the property where St. Isaac Jogues took shelter after escaping from captivity in the early 17th century. The current building, designed by local architects Nichols & Brown, is the third on the site; its tower was added in 1895. In the late 20th century, the interior and exterior were extensively renovated. (Full article...)
  • Image 5 Pavillon de Flore in 2011. Carpeaux's sculpture Flore is centered under the pediment of the south (river) facade. The Pavillon de Flore, part of the Palais du Louvre in Paris, France, stands at the southwest end of the Louvre, near the Pont Royal. It was originally constructed in 1607–1610, during the reign of Henry IV, as the corner pavilion between the Tuileries Palace to the north and the Louvre's Grande Galerie to the east. The pavilion was entirely redesigned and rebuilt by Hector Lefuel in 1864–1868 in a highly decorated Napoleon III style. Arguably the most famous sculpture on the exterior of the Louvre, Jean-Baptiste Carpeaux's Triumph of Flora, was added below the central pediment of the south facade at this time. The Tuileries Palace was burned by the Paris Commune in 1871, and a north facade, similar to the south facade, was added to the pavilion by Lefuel in 1874–1879. Currently, the Pavillon de Flore is part of the Musée du Louvre. (Full article...)
    Pavillon de Flore in 2011. Carpeaux's sculpture Flore is centered under the pediment of the south (river) facade.

    The Pavillon de Flore, part of the Palais du Louvre in Paris, France, stands at the southwest end of the Louvre, near the Pont Royal. It was originally constructed in 1607–1610, during the reign of Henry IV, as the corner pavilion between the Tuileries Palace to the north and the Louvre's Grande Galerie to the east. The pavilion was entirely redesigned and rebuilt by Hector Lefuel in 1864–1868 in a highly decorated Napoleon III style. Arguably the most famous sculpture on the exterior of the Louvre, Jean-Baptiste Carpeaux's Triumph of Flora, was added below the central pediment of the south facade at this time. The Tuileries Palace was burned by the Paris Commune in 1871, and a north facade, similar to the south facade, was added to the pavilion by Lefuel in 1874–1879. Currently, the Pavillon de Flore is part of the Musée du Louvre. (Full article...)
  • Image 6 The Victoria Rooms now house the University of Bristol's Department of Music. The Victoria Rooms, also known as the Vic Rooms, houses the University of Bristol's music department in Clifton, Bristol, England, on a prominent site at the junction of Queens Road and Whiteladies Road. The building, originally assembly rooms, was designed by Charles Dyer and was constructed between 1838 and 1842 in Greek revival style, and named in honour of Queen Victoria, who had acceded to the throne in the previous year. An eight column Corinthian portico surmounts the entrance, with a classical relief sculpture designed by Musgrave Watson above. The construction is of dressed stonework, with a slate roof. A bronze statue of Edward VII, was erected in 1912 at the front of the Victoria Rooms, together with a curved pool and several fountains with sculptures in the Art Nouveau style. The Victoria Rooms contain a 665-seat auditorium, a lecture theatre, recital rooms, rehearsal rooms and a recording studio. Jenny Lind and Charles Dickens performed at the Victoria Rooms. It was also the venue for important dinners and assemblies, including banquets to commemorate the opening of the Clifton Suspension Bridge and the quatercentennial anniversary of Cabot's discovery of North America, meetings which led to the establishment of the University College, Bristol, an early congress of the British Association for the Advancement of Science and suffragettes "at-homes". The building was purchased and given to the university in 1920 as a home for the student union and, circa 1924, it spent a brief period as a cinema. Following a fire in 1934, the building was refurbished by the university. It remained as the base of the student union until purpose built facilities were opened in Queens Road in the 1960s. The Victoria Rooms then became an exhibition and conference centre, before housing the music department in 1996. They remain in use in the 21st century for concerts, exhibitions, plays, recitals and lectures. (Full article...)

    The Victoria Rooms now house the University of Bristol's Department of Music.

    The Victoria Rooms, also known as the Vic Rooms, houses the University of Bristol's music department in Clifton, Bristol, England, on a prominent site at the junction of Queens Road and Whiteladies Road. The building, originally assembly rooms, was designed by Charles Dyer and was constructed between 1838 and 1842 in Greek revival style, and named in honour of Queen Victoria, who had acceded to the throne in the previous year. An eight column Corinthian portico surmounts the entrance, with a classical relief sculpture designed by Musgrave Watson above. The construction is of dressed stonework, with a slate roof. A bronze statue of Edward VII, was erected in 1912 at the front of the Victoria Rooms, together with a curved pool and several fountains with sculptures in the Art Nouveau style.

    The Victoria Rooms contain a 665-seat auditorium, a lecture theatre, recital rooms, rehearsal rooms and a recording studio. Jenny Lind and Charles Dickens performed at the Victoria Rooms. It was also the venue for important dinners and assemblies, including banquets to commemorate the opening of the Clifton Suspension Bridge and the quatercentennial anniversary of Cabot's discovery of North America, meetings which led to the establishment of the University College, Bristol, an early congress of the British Association for the Advancement of Science and suffragettes "at-homes". The building was purchased and given to the university in 1920 as a home for the student union and, circa 1924, it spent a brief period as a cinema. Following a fire in 1934, the building was refurbished by the university. It remained as the base of the student union until purpose built facilities were opened in Queens Road in the 1960s. The Victoria Rooms then became an exhibition and conference centre, before housing the music department in 1996. They remain in use in the 21st century for concerts, exhibitions, plays, recitals and lectures. (Full article...)
  • Image 7 The Chrysler Building in May 2009 The Chrysler Building is an Art Deco skyscraper on the East Side of Manhattan in New York City, at the intersection of 42nd Street and Lexington Avenue in Midtown Manhattan. At 1,046 ft (319 m), it is the tallest brick building in the world with a steel framework, and it was the world's tallest building for 11 months after its completion in 1930. , the Chrysler is the 12th-tallest building in the city, tied with The New York Times Building. Originally a project of real estate developer and former New York State Senator William H. Reynolds, the building was commisioned by Walter Chrysler, the head of the Chrysler Corporation. The construction of the Chrysler Building, an early skyscraper, was characterized by a competition with 40 Wall Street and the Empire State Building to become the world's tallest building. The Chrysler Building was designed and funded by Walter Chrysler personally as a real estate investment for his children, but it was not intended as the Chrysler Corporation's headquarters. An annex was completed in 1952, and the building was sold by the Chrysler family the next year, with numerous subsequent owners. (Full article...)

    The Chrysler Building in May 2009

    The Chrysler Building is an Art Deco skyscraper on the East Side of Manhattan in New York City, at the intersection of 42nd Street and Lexington Avenue in Midtown Manhattan. At 1,046 ft (319 m), it is the tallest brick building in the world with a steel framework, and it was the world's tallest building for 11 months after its completion in 1930. , the Chrysler is the 12th-tallest building in the city, tied with The New York Times Building.

    Originally a project of real estate developer and former New York State Senator William H. Reynolds, the building was commisioned by Walter Chrysler, the head of the Chrysler Corporation. The construction of the Chrysler Building, an early skyscraper, was characterized by a competition with 40 Wall Street and the Empire State Building to become the world's tallest building. The Chrysler Building was designed and funded by Walter Chrysler personally as a real estate investment for his children, but it was not intended as the Chrysler Corporation's headquarters. An annex was completed in 1952, and the building was sold by the Chrysler family the next year, with numerous subsequent owners. (Full article...)
  • Image 8 The Forbidden City viewed from Jingshan Hill The Forbidden City (Chinese: 紫禁城; pinyin: zǐ jìn chéng) is a palace complex in Dongcheng District, Beijing, China, at the center of the Imperial City of Beijing. It is surrounded by numerous opulent imperial gardens and temples including the 22 ha (54-acre) Zhongshan Park, the sacrificial Imperial Ancestral Temple, the 69 ha (171-acre) Beihai Park, and the 23 ha (57-acre) Jingshan Park. It is officially administered by the Palace Museum. The Forbidden City was constructed from 1406 to 1420, and was the former Chinese imperial palace and winter residence of the Emperor of China from the Ming dynasty (since the Yongle Emperor) to the end of the Qing dynasty, between 1420 and 1924. The Forbidden City served as the home of Chinese emperors and their households and was the ceremonial and political center of the Chinese government for over 500 years. Since 1925, the Forbidden City has been under the charge of the Palace Museum, whose extensive collection of artwork and artifacts was built upon the imperial collections of the Ming and Qing dynasties. The Forbidden City was declared a World Heritage Site in 1987. (Full article...)

    The Forbidden City viewed from Jingshan Hill

    The Forbidden City (Chinese: 紫禁城; pinyin: zǐ jìn chéng) is a palace complex in Dongcheng District, Beijing, China, at the center of the Imperial City of Beijing. It is surrounded by numerous opulent imperial gardens and temples including the 22 ha (54-acre) Zhongshan Park, the sacrificial Imperial Ancestral Temple, the 69 ha (171-acre) Beihai Park, and the 23 ha (57-acre) Jingshan Park. It is officially administered by the Palace Museum.

    The Forbidden City was constructed from 1406 to 1420, and was the former Chinese imperial palace and winter residence of the Emperor of China from the Ming dynasty (since the Yongle Emperor) to the end of the Qing dynasty, between 1420 and 1924. The Forbidden City served as the home of Chinese emperors and their households and was the ceremonial and political center of the Chinese government for over 500 years. Since 1925, the Forbidden City has been under the charge of the Palace Museum, whose extensive collection of artwork and artifacts was built upon the imperial collections of the Ming and Qing dynasties. The Forbidden City was declared a World Heritage Site in 1987. (Full article...)
  • Image 9 A view of Rancho Camulos from the northwest. Rancho Camulos, now known as Rancho Camulos Museum, is a ranch located in the Santa Clara River Valley 2.2 miles (3.5 km) east of Piru, California and just north of the Santa Clara River, in Ventura County, California. It was the home of Ygnacio del Valle, a Californio alcalde of the Pueblo de Los Angeles in the 19th century and later elected member of the California State Assembly. The ranch was known as the Home of Ramona because it was widely believed to have been the setting of the popular 1884 novel Ramona by Helen Hunt Jackson. The novel helped to raise awareness about the Californio lifestyle and romanticized "the mission and rancho era of California history." The 1,800-acre (7 km2) working ranch is a prime example of an early California rancho in its original rural setting. It was the source of the first commercially grown oranges in Ventura County. It is one of the few remaining citrus growers in Southern California. (Full article...)

    A view of Rancho Camulos from the northwest.

    Rancho Camulos, now known as Rancho Camulos Museum, is a ranch located in the Santa Clara River Valley 2.2 miles (3.5 km) east of Piru, California and just north of the Santa Clara River, in Ventura County, California. It was the home of Ygnacio del Valle, a Californio alcalde of the Pueblo de Los Angeles in the 19th century and later elected member of the California State Assembly. The ranch was known as the Home of Ramona because it was widely believed to have been the setting of the popular 1884 novel Ramona by Helen Hunt Jackson. The novel helped to raise awareness about the Californio lifestyle and romanticized "the mission and rancho era of California history."

    The 1,800-acre (7 km2) working ranch is a prime example of an early California rancho in its original rural setting. It was the source of the first commercially grown oranges in Ventura County. It is one of the few remaining citrus growers in Southern California. (Full article...)
  • Image 10 The keep and inner gatehouse, 2007 Longtown Castle, also termed Ewias Lacey Castle in early accounts, is a ruined Norman motte-and-bailey fortification in Longtown, Herefordshire. It was established in the 11th century by Walter de Lacy, reusing former Roman earthworks. The castle was then rebuilt in stone by Gilbert de Lacy after 1148, who also established the adjacent town to help pay for the work. By the 14th century, Longtown Castle had fallen into decline. Despite being pressed back into use during the Owain Glyndŵr rising in 1403, it fell into ruin. In the 21st century the castle is maintained by English Heritage and operated as a tourist attraction. (Full article...)

    The keep and inner gatehouse, 2007

    Longtown Castle, also termed Ewias Lacey Castle in early accounts, is a ruined Norman motte-and-bailey fortification in Longtown, Herefordshire. It was established in the 11th century by Walter de Lacy, reusing former Roman earthworks. The castle was then rebuilt in stone by Gilbert de Lacy after 1148, who also established the adjacent town to help pay for the work. By the 14th century, Longtown Castle had fallen into decline. Despite being pressed back into use during the Owain Glyndŵr rising in 1403, it fell into ruin. In the 21st century the castle is maintained by English Heritage and operated as a tourist attraction. (Full article...)
  • Image 11 E. G. Paley in 1868 Edward Graham Paley, usually known as E. G. Paley (3 September 1823 – 23 January 1895), was an English architect who practised in Lancaster, Lancashire, in the second half of the 19th century. After leaving school in 1838, he went to Lancaster to become a pupil of Edmund Sharpe, and in 1845 he joined Sharpe as a partner. Sharpe retired from the practice in 1851, leaving Paley as the sole principal. In 1868, Hubert Austin joined him as a partner, and in 1886, Paley's son, Henry, also became a partner. This partnership continued until Paley's death in 1895. Paley's major work was the design of new churches, but he also rebuilt, restored and made additions and alterations to existing churches. His major new ecclesiastical design was that of St Peter's Church, Lancaster, which became Lancaster Cathedral. He also carried out secular commissions, mainly on country houses in the north-west of England. His largest and most important secular work was the Royal Albert Asylum in Lancaster. When designing churches, Paley mainly used the Gothic Revival style, but in his secular works he employed a greater variety of styles, including Tudor Revival and Scottish Baronial as well as Gothic Revival. (Full article...)

    E. G. Paley in 1868

    Edward Graham Paley, usually known as E. G. Paley (3 September 1823 – 23 January 1895), was an English architect who practised in Lancaster, Lancashire, in the second half of the 19th century. After leaving school in 1838, he went to Lancaster to become a pupil of Edmund Sharpe, and in 1845 he joined Sharpe as a partner. Sharpe retired from the practice in 1851, leaving Paley as the sole principal. In 1868, Hubert Austin joined him as a partner, and in 1886, Paley's son, Henry, also became a partner. This partnership continued until Paley's death in 1895.

    Paley's major work was the design of new churches, but he also rebuilt, restored and made additions and alterations to existing churches. His major new ecclesiastical design was that of St Peter's Church, Lancaster, which became Lancaster Cathedral. He also carried out secular commissions, mainly on country houses in the north-west of England. His largest and most important secular work was the Royal Albert Asylum in Lancaster. When designing churches, Paley mainly used the Gothic Revival style, but in his secular works he employed a greater variety of styles, including Tudor Revival and Scottish Baronial as well as Gothic Revival. (Full article...)
  • Image 12 Portrait by William Aikman, 1727 William Adam (1689 – 24 June 1748) was a Scottish architect, mason, and entrepreneur. He was the foremost architect of his time in Scotland, designing and building numerous country houses and public buildings, and often acting as contractor as well as architect. Among his best known works are Hopetoun House near Edinburgh, and Duff House in Banff. His individual, exuberant style built on the Palladian style, but with Baroque details inspired by Vanbrugh and Continental architecture. In the 18th century, Adam was considered Scotland's "Universal Architect". However, since the early 20th century, architectural critics have taken a more measured view, Colin McWilliam, for instance, finding the quality of his work "varied to an extreme degree". As well as being an architect, Adam was involved in several industrial ventures and improvement schemes, including coal mining, salt panning, stone quarries and mills. In 1731 he began to build up his own estate in Kinross-shire, which he named Blair Adam. He was the father of three architects; John, Robert and James, the last two were the developers of the "Adam style". (Full article...)

    Portrait by William Aikman, 1727

    William Adam (1689 – 24 June 1748) was a Scottish architect, mason, and entrepreneur. He was the foremost architect of his time in Scotland, designing and building numerous country houses and public buildings, and often acting as contractor as well as architect. Among his best known works are Hopetoun House near Edinburgh, and Duff House in Banff. His individual, exuberant style built on the Palladian style, but with Baroque details inspired by Vanbrugh and Continental architecture.

    In the 18th century, Adam was considered Scotland's "Universal Architect". However, since the early 20th century, architectural critics have taken a more measured view, Colin McWilliam, for instance, finding the quality of his work "varied to an extreme degree". As well as being an architect, Adam was involved in several industrial ventures and improvement schemes, including coal mining, salt panning, stone quarries and mills. In 1731 he began to build up his own estate in Kinross-shire, which he named Blair Adam. He was the father of three architects; John, Robert and James, the last two were the developers of the "Adam style". (Full article...)
  • Image 13 Robot Building in 2022 The Robot Building (Thai: ตึกหุ่นยนต์, Thai pronunciation: [tɯk̚˨˩.hun˨˩.jon˧], RTGS: tuek hun yon), located in the Sathorn business district of Bangkok, Thailand, houses United Overseas Bank's Bangkok headquarters. It was designed for the Bank of Asia by Sumet Jumsai to reflect the computerization of banking; its architecture is a reaction against neoclassical and high-tech postmodern architecture. The building's features, such as progressively receding walls, antennas, and eyes, contribute to its robotic appearance and to its practical function. Completed in 1986, the building is one of the last examples of modern architecture in Bangkok. (Full article...)

    Robot Building in 2022

    The Robot Building (Thai: ตึกหุ่นยนต์, Thai pronunciation: [tɯk̚˨˩.hun˨˩.jon˧], RTGStuek hun yon), located in the Sathorn business district of Bangkok, Thailand, houses United Overseas Bank's Bangkok headquarters. It was designed for the Bank of Asia by Sumet Jumsai to reflect the computerization of banking; its architecture is a reaction against neoclassical and high-tech postmodern architecture. The building's features, such as progressively receding walls, antennas, and eyes, contribute to its robotic appearance and to its practical function. Completed in 1986, the building is one of the last examples of modern architecture in Bangkok. (Full article...)
  • Image 14 The Manila Hotel is a 550-room, historic five-star hotel located along Manila Bay in Manila, Philippines. The hotel is the oldest premiere hotel in the Philippines built in 1909 to rival Malacañang Palace, the official residence of the President of the Philippines and was opened on the commemoration of American Independence on July 4, 1912. The hotel complex was built on a reclaimed area of 35,000 square metres (380,000 sq ft) at the northwestern end of Rizal Park along Bonifacio Drive in Ermita. Its penthouse served as the residence of General Douglas MacArthur during his tenure as the Military Advisor of the Philippine Commonwealth from 1935 to 1941. The hotel used to host the offices of several foreign news organizations, including The New York Times. It has hosted world leaders and celebrities, including authors Ernest Hemingway and James A. Michener; actors Douglas Fairbanks, Jr. and John Wayne; publisher Henry Luce; entertainers Sammy Davis, Jr., Michael Jackson and The Beatles; Charles, Prince of Wales (now King Charles III); and U.S. President Bill Clinton. (Full article...)

    The Manila Hotel is a 550-room, historic five-star hotel located along Manila Bay in Manila, Philippines. The hotel is the oldest premiere hotel in the Philippines built in 1909 to rival Malacañang Palace, the official residence of the President of the Philippines and was opened on the commemoration of American Independence on July 4, 1912. The hotel complex was built on a reclaimed area of 35,000 square metres (380,000 sq ft) at the northwestern end of Rizal Park along Bonifacio Drive in Ermita. Its penthouse served as the residence of General Douglas MacArthur during his tenure as the Military Advisor of the Philippine Commonwealth from 1935 to 1941.

    The hotel used to host the offices of several foreign news organizations, including The New York Times. It has hosted world leaders and celebrities, including authors Ernest Hemingway and James A. Michener; actors Douglas Fairbanks, Jr. and John Wayne; publisher Henry Luce; entertainers Sammy Davis, Jr., Michael Jackson and The Beatles; Charles, Prince of Wales (now King Charles III); and U.S. President Bill Clinton. (Full article...)
  • Image 15 Portrait of Harrison by H. Wyatt dated 1820 Thomas Harrison (7 August (baptised) 1744 – 29 March 1829) was an English architect and bridge engineer who trained in Rome, where he studied classical architecture. Returning to England, he won the competition in 1782 for the design of Skerton Bridge in Lancaster. After moving to Lancaster he worked on local buildings, received commissions for further bridges, and designed country houses in Scotland. In 1786 Harrison was asked to design new buildings within the grounds of Lancaster and Chester castles, projects that occupied him, together with other works, until 1815. On both sites he created accommodation for prisoners, law courts, and a shire hall, while working on various other public buildings, gentlemen's clubs, churches, houses, and monuments elsewhere. His final major commission was for the design of Grosvenor Bridge in Chester. Some of Harrison's designs, including his buildings at Lancaster Castle, were Gothic in style, but most were Neoclassical, particularly those at Chester Castle. He was regarded at the time, and since, as a major influence in the emergence of the Greek Revival in British architecture. A bridge he designed at the start of his career, and another towards the end of his career, incorporated innovative features; Skerton Bridge was the first substantial bridge in England to have a flat roadway, and the Grosvenor Bridge was the longest single-arched masonry bridge in the world at the time of its construction. Many of Harrison's structures have survived, most of them now designated by English Heritage as listed buildings. Despite his work being nationally admired he spent his entire career in northwest England, visiting London only occasionally; most of his buildings were in Lancashire, Cheshire, and the nearby counties. (Full article...)

    Portrait of Harrison
    by H. Wyatt dated 1820

    Thomas Harrison (7 August (baptised) 1744 – 29 March 1829) was an English architect and bridge engineer who trained in Rome, where he studied classical architecture. Returning to England, he won the competition in 1782 for the design of Skerton Bridge in Lancaster. After moving to Lancaster he worked on local buildings, received commissions for further bridges, and designed country houses in Scotland. In 1786 Harrison was asked to design new buildings within the grounds of Lancaster and Chester castles, projects that occupied him, together with other works, until 1815. On both sites he created accommodation for prisoners, law courts, and a shire hall, while working on various other public buildings, gentlemen's clubs, churches, houses, and monuments elsewhere. His final major commission was for the design of Grosvenor Bridge in Chester.

    Some of Harrison's designs, including his buildings at Lancaster Castle, were Gothic in style, but most were Neoclassical, particularly those at Chester Castle. He was regarded at the time, and since, as a major influence in the emergence of the Greek Revival in British architecture. A bridge he designed at the start of his career, and another towards the end of his career, incorporated innovative features; Skerton Bridge was the first substantial bridge in England to have a flat roadway, and the Grosvenor Bridge was the longest single-arched masonry bridge in the world at the time of its construction. Many of Harrison's structures have survived, most of them now designated by English Heritage as listed buildings. Despite his work being nationally admired he spent his entire career in northwest England, visiting London only occasionally; most of his buildings were in Lancashire, Cheshire, and the nearby counties. (Full article...)

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Architects: William Adam, Eustace Balfour, Antoni Gaudí, Thomas Harrison, Zvi Hecker, Bjarke Ingels, E. G. Paley, Timothy L. Pflueger, Antonin Raymond, Kenzo Tange. Buildings: 108 North State Street, 5th Avenue Theatre, Algonquin Hotel, Andriyivskyy Descent, AT&T Corporate Center, Ballard Carnegie Library, Baths of Zeuxippus, Beaumont House, Benjaminville Friends Meeting House and Burial Ground, Blackstone Library, Boughton Monchelsea Place, The Casbah Coffee Club, Central Troy Historic District, Chana School, Chester Rows, Chicago Spire, Chicago Theatre, Chrysler Building, Churche's Mansion, Clinton Presidential Center, Crown Fountain, Dolphinarium, Eaton Hall, Cheshire, Édifice Price, Edinburgh Place Ferry Pier, Ellwood House, The Exchange, Bristol, Forbidden City, Harold Washington Cultural Center, Heller House, Historic Michigan Boulevard District, Hull House, Imbrex and tegula, Imperial War Museum North, Jay Pritzker Pavilion, Joffrey Tower, Joseph F. Glidden House, Linton Park, Liverpool Town Hall, Louvre, Manila Hotel, Marquette Building (Chicago), Millennium Stadium, National Gallery, London, National Police Memorial, New Bedford Historic District, Old Louisville, One Bayfront Plaza, One Times Square, Onion dome, Oregon Public Library, Pavillon de Flore, Presidio of Santa Barbara, Queen's Pier, Rancho Camulos, Robot Building, Rock N Roll McDonald's, Roman Baths (Bath), Rookery Building, Senate House (University of London), Shamrock Hotel, Sycamore Historic District, Taipei 101, TCF Bank Stadium, United States Institute of Peace Headquarters, University Mall (Little Rock, Arkansas), University of Illinois Observatory, University of Virginia, Upper Brook Street Chapel, Manchester, Valley of the Kings, Via della Conciliazione, Victoria Rooms (Bristol), Waller Hall, Wales Millennium Centre, World Trade Center. Castles and fortifications: Beaumaris Castle, Berkhamsted Castle, Bowes Castle, Buckton Castle, Caernarfon Castle, Caludon Castle, Château Gaillard, Château de Chinon, Conwy Castle, Dolbadarn Castle, Dunstaffnage Castle, Fort Greble, Fort Pasir Panjang, Fortress of Klis, Golubac fortress, Goodrich Castle, Haapsalu Castle, Hadleigh Castle, Halton Castle, Himeji Castle, Hylton Castle, Kaunas Fortress, Kenilworth Castle, Loch Leven Castle, Longtown Castle, Okehampton Castle, Oxford Castle, Peckforton Castle, Castle Rising, Roslin Castle, Smederevo Fortress, St Briavels Castle, Vilnius Castle Complex, Walls of Constantinople, Walls of Dubrovnik, York Castle. Religious buildings: Akhtala monastery, Akshardham Temple, Al-Aqsa Mosque, Al-Masjid an-Nabawi, Bath Abbey, Cathedral of the Immaculate Conception (Hong Kong), Chester Cathedral, College of All Saints, Maidstone, Elgin Cathedral, Etchmiadzin Cathedral, Ganting Grand Mosque, Hurva Synagogue, Jesuit Missions of Chiquitos, Liverpool Metropolitan Cathedral, Mexico City Metropolitan Cathedral, Mezhyhirskyi Monastery, Old St Paul's Cathedral, St Mary's Church, Acton, St Mary's Church, Nantwich, St Mary's Church, Nether Alderley, St Thomas the Martyr's Church, Oxford, Sunol Water Temple, Uppsala Cathedral, Wells Cathedral, Zagreb Synagogue, Zhenguo Temple. Cities, countries and regions: Architecture of Denmark, Architecture of Leeds, Architecture of Madagascar, Architecture of Norway, Architecture of Scotland, Architecture of the medieval cathedrals of England, Buildings and architecture of Bath, Castles in Great Britain and Ireland, Grade I listed buildings in Somerset, Architecture of the Song Dynasty, Fatimid architecture.

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