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Walter Kent was born on November 29, 1911 in New York City. Walter Kent was a Jewish American composer^[1] and songwriter. He was also an architect and conducted his own orchestra in theaters and also on the radio^[2]. Kent received his claim to fame following the release of his song “Pu-leeze, Mister Hemingway” in 1932. In 1937, Kent’s career propelled him into the world of cinema, where he would remain active for the next thirty years. Some notable compositions are: “I’ll Be Home for Christmas”, “I’m Gonna Live Till I Die” and a popular World War II song composed in 1941 entitled “(There’ll Be Bluebirds Over) The White Cliffs of Dover”. Walter Kent died on March 2, 1994 in Los Angeles, California at age 82.  

Walter Kent graduated from Townsend Harris Hall High School. Kent received a scholarship to attend the Juilliard School of Music in New York where he chose to pursue advanced study of the violin. Kent was also involved in private music study with Leopold Auer and Samuel Gardner.  He also received more formal education at City College of New York.  After completion of his university education, Kent conducted his own orchestra in New York, performing in theatres and on the radio^[2]. Additionally, Kent became a freelance architect following his education, continuing to write music in his spare time.

Following his completion of his education, Kent was an architect, continuing to write music on the side, conducting his own orchestra performing on radio and in theatres. In 1932, Kent co-wrote his first major song with Milton Drake and Abner Silver entitled, “Pu-Leeze, Mister Hemingway”.  Following his break, Kent moved to Los Angeles, remaining a freelance architect, while venturing into his musical career .Throughout the 1930’s and 1940’s, Kent worked in the motion picture industry composing songs for films, including several westerns. As World War II, started to commence in Europe, Kent’s thematic concepts of his work turned towards the conflict in the west with the composition of “(There’ll Be Bluebirds Over) The White Cliffs of Dover” in 1941. “(There'll Be Blue Birds Over) The White Cliffs of Dover” was a piece that expressed sympathy for England’s struggle against the looming Nazi threat at the time. Kent received two Oscar nominations, one in 1944 for his song “Too Much In Love”, showcased in  the film Song of the Open Road and another in 1945 for “Endlessly” found in Earl Carroll's Vanities. In 1951, Walter Kent wrote the stage score for Seventeen alongside Kim Gannon. The musical was shown for five months. Throughout his career, Kent worked with multiple artists including; Al Hoffman, Mann Curtis, Jerome Jerome, Richard Byron and Milton Drake^[2]. After 1951, Kent’s career in Hollywood dwindled and he seldom produced any music following his work on Seventeen.

The following is a list of musical works from the career of Walter Kent^[3]:

Where (1932)

Puleeze, Mr. Hemingway (1932)

You Opened My Eyes (1935)

Love is Like A Cigarette (1936)

El Amor es una Ilusión (1936)

Ziegfield Follies (1936)

Manhattan Merry-Go-Round (1937)

Apple Blossoms and Chapel Bells (1940)

(There’ll Be Blue Birds Over) The White Cliffs of Dover (1941)

When The Roses Bloom Again (1942)

I Never Mention Your Name  (1943)

My Best Gal (1943)

I’ll Be Home For Christmas (1943)

Too Much In Love (1944)

Casanova In Burlesque (1944)

Beautiful But Broke (1944)

Meet Miss Bobby Socks (1944)

Bowery to Broadway (1944)

Hitchhike to Happiness (1945)

Endlessly (1945)

Senorita From The West (1945)

That’s My Gal (1947)

Ahh But It Happens (1947)

April Showers (1948)

Melody Time (1948)

The Last Mile Home (1949)

I Cross My Fingers (1949)

I’m Gonna Live Till I Die (1950)

Sunny Side of the Street (1951)

I Could Get Married Today; from the Broadway Musical Seventeen (1951)

After All It’s Spring; from the Broadway Musical Seventeen  (1951)

This Could Be The Night (1957)

Swingin’ Along (1962)

Kent began composing for movies in the late 1930’s with beginning with Manhattan Merry-Go-Round in 1937 and continuing to doing so for the next three decades. Kent received Oscar nominations for his film compositions entitled “Too Much In Love” (1944) and “Endlessly” (1945). He worked alongside Kim Gannon, composing songs for the big screen, for much of his Hollywood career. In 1950, Kent worked with Gannon once again to create the musical stage score for Seventeen, a Broadway musical based upon a novel of the same name^[2]. Kent’s song “I’ll Be Home For Christmas” has passed the test of time and remains to be a holiday classic, often used in holiday based cinema.

Below is a list of Kent’s contributive film/theatrical works:

Manhattan Merry-Go-Round (1937)

Senorita from the West (1943)

Casanova in Burlesque (1944)

Song of the Open Road (1944)

Meet Miss Bobby Socks (1944)

Bowery to Broadway (1944)

Hitchhike to Happiness (1945)

Vanities (1945)

Melody Time (1948, during a Johnny Appleseed sequence)

April Showers (1948)

Seventeen (1950)

On the Sunny Side of the Street (1951)

Swingin’ Along (1962)

Preceding his death in 1989, Kent journeyed to Kent, England to view the cliffs of Dover. At the time of his visit he donated an original manuscript of the song “(There'll Be Blue Birds Over) The White Cliffs of Dover” and participated in the preliminary stages of planning a war commemoration tourist center. Walter Kent died at the age of 82 on March 2, 1994 in Los Angeles.

• Walter Kent on LA Times
• Walter Kent on IMDb
• Walter Kent on All Music
• Walter Kent on The Independent
• Walter Kent on The Independent
• Walter Kent on IBDb

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