User:Circa73/sandbox

Source: Wikipedia, the free encyclopedia.

Deborah Roberts ? http://www.deborahrobertsart.com/page-cv see selected Press section for published articles about Roberts

Pearl Bowser interview (Women in Race films section for 40s & earlier) https://monoskop.org/images/b/b4/Juhasz_Alexandra_ed_Women_of_Vision_Histories_in_Feminist_Film_and_Video_Visible_Evidence.pdf

Early life and education

Wayne Douglas Quinn was born on January 31, 1941.[1]


Wayne Douglas Quinn (born 1941)[2] was an American painter known for photorealist works that explore "male homosexuality"[3]. He was based in San Francisco, California of which he said "this is a mystical city. Once you leave San Francisco there's a whole other reality"[4]

Wayne Douglas Quinn (born 1941) was an American photorealist painter. He is best known for his works that explore the queer male identity /experience in San Francisco in the 1970s and early 1980s. "male homosexuality"[3]. He was based in San Francisco, California of which he said "this is a mystical city. Once you leave San Francisco there's a whole other reality"[4]

In 1979 Quinn painted author of 'Sex, Drugs & Disco' Mark Abramson[5].

Work

Quinn's work combines xxx. Quinn's works "share a common use of strongly structured composition and cool, subtly modulated and orchestrated colors, creating a sense of soft-spoken, unnaturally calm and vaguely melancholic poetry"[3] "Quinn's forte...is a kind of haunted realism, most remarkably in his portraits of Jeanette Doob and Richard Russell[3] The paintings "are very much involved with the desolation of the urban experience"[6]

Quinn worked from studies and drawings, creating paintings (nudes) with a flat photographic effect, creating nudes in "lush flesh tones" occupying (hyper-realistic) detailed gem colored interiors.[7]

Quinn allowed "his subjects to drift into thought[4]. The resulting facial expressions are a reflection of this quiet self-awareness, solitude...it has been said often that there is a sadness peculiar to Mr. Quinn's paintings"

In Quinn's "portraits, nude studies and still lifes...there is a great deal of compression and choice, sometimes bending to sentimentality, but in his best work, in the elusive poetry of mood." "careful rendering of detail in the service of mood"[8]

Quinn's works from the mid-70s are painted in acrylic. "enchant the eye and perhaps gently express a minor sentiment about the ephemerality of life"[9]

Awards and Fellowships

Among the honors which Wayne Douglas Quinn has earned are:

Publications

  • The Art of Wayne Quinn (New Glide Publications, 1977)[10][11]

Collections

Quinn's work is held in permanent collections including:

References

  1. ^ "Wayne Quinn papers, 1972-1977". Archives of American Art. Smithsonian. Retrieved 4 November 2022.
  2. ^ "Quinn, Wayne". ULAN. J. Paul Getty Trust. Retrieved 7 November 2022.
  3. ^ a b c d Albright, Thomas (January 1973). "Wayne Quinn at Upper Market". San Francisco Chronicle.
  4. ^ a b c Blair, Beverlee (November 1976). "Now Art! Wayne Douglas Quinn". No. p.4. San Francisco Sentinel.
  5. ^ Abramson, Mark (June 14, 2015). "BARchive :: Excerpts From the New Memoir 'Sex, Drugs & Disco'". Bay Area Reporter. Retrieved 7 November 2022.
  6. ^ Campbell, R.M. (December 1977). "The Desolation of Our Urban Experience". Seattle Post-Intelligencer.
  7. ^ Marlowe, John (November 14, 1975). "In San Francisco". No. p.2. Westart.
  8. ^ Tarzan, Deloris (June 1976). "Fryett, Quinn Paint Strong Realist Images". Seattle Times.
  9. ^ McDonald, Robert (September 24, 1977). "Wayne Quinn - Paintings That Delight". No. p.4. ArtWeek.
  10. ^ St. John, Scott ‘Tofu’ (October 10, 2011). "Finding The Art of Wayne Quinn". tofuartsf. Retrieved 4 November 2022.
  11. ^ "Worldcat title: The art of Wayne Quinn". Worldcat. OCLC. Retrieved 7 November 2022.
  12. ^ "Artists in the Colection: Quinn, Wayne Douglas". Knoxville Museum of Art. Retrieved 7 November 2022.

https://en.wikipedia.org/wiki/Category:Articles_with_too_few_wikilinks

Official website

Wikipedia:WikiProject Women's History

Writing about Art for Wikipedia essay

https://en.wikipedia.org/wiki/User:Mduvekot/essays/Writing_about_art

resources for A+F

2018 artists I want to work on

  • Jessica Posner 1

Artists in California, 1786-1940 N6530.C2 H85 1986 Traditions transformed : contemporary works by Asian American artists in California. N 6530 C2 T73 1984 Art, women, California 1950-2000: parallels and intersections N8354 .A73 2002

Start class

  • Sonya Fe Los Angeles based contemporary painter
  • Elsa Flores Chicana painter born in Los Vegas

Stacy Lande Matilda Lotz Jean Lowe Janice Lowry

Stub

  • Andrea Higgins painter, graduate of SFAI
  • Seonna Hong contemporary Los Angeles-based lowbrow painter

Rosa Hooper Frances Schumann Howell

  • Daisy Marguerite Hughes
  • Marie Boening Kendall
  • Jean LaMarr Native American artist and activist

Ruth Laskey

Lucile Lloyd

Not yet created

Libby Black Berkeley-based painter http://museumca.org/blog/5-women-artists-plus-1

Diane Dillon b.Los Angeles 1933

Nancy Hom Bay Area-based artist with a focus on cultural and socio-political awareness http://museumca.org/blog/5-women-artists-plus-1

Grace Carpenter Hudson contemporary painter born in Ukiah http://museumca.org/blog/5-women-artists-plus-1

Maha Maamoun b. California Helen Nestor documentary photographer graduated UC Berkeley http://museumca.org/blog/5-women-artists-plus-1

Helen Phillips American sculptor and engraver b. Fresno 1913

clean-up page WikiProject African diaspora

https://tools.wmflabs.org/bambots/cwb/bycat/African_diaspora.html#New%20articles

African American Portal

https://en.wikipedia.org/wiki/Portal:African_American

African-American women artist articles that need work

Black Lunch table link: https://en.wikipedia.org/wiki/Wikipedia:WikiProject_Women_in_Red/Black_Lunch_Table

  1. Maren Hassinger (stub) add to list of Contemporary after improvement
  2. Beverly Buchanan (inline citations) add to list of Contemporary after improvement
  3. Stephanie A. Johnson (stub) gramatical errors, citations, sections, orphan
  4. Carroll Parrott Blue (needs article) "Cinema Remixed and Reloaded"
  5. Zoe Charlton (needs article) "Cinema Remixed and Reloaded"
  6. Zeinabu irene Davis (C class)"Cinema Remixed and Reloaded" early life
  7. stephanie dinkins (needs article)"Cinema Remixed and Reloaded"
Raymond Saunders
File:Raymond Saunders Untitled (RS15-026) Mixed Media.jpg
Born1934
Pittsburgh, Pennsylvania, America
NationalityAmerican
EducationCalifornia College of Arts and Crafts
Known forPainting
Notable workCharlie Parker [formerly Bird], 1977
AwardsRome Prize 1964, Guggenheim Fellowship 1976

Nance O'Banion

Carroll Parrott Blue
File:NameOfPicture.jpeg
Born1943
xxx, USA
NationalityAmerican
Alma materUCLA (MFA)
Known forxxxxt, xxxx
Stylefilm
MovementDocumentary film
Awardsxxx
Websitewebsite

Nance O'Banion(born 1949) is a San Franciso based American artist known for book arts and sculptural paper works which focus on themes of change and transformation.[1][2][3]

Early life and education

Beltre was born in XXXX in XXXX, into a family of.... She was raised ... and on occasion created...She received a B.A. from the XXXX in XXXX. She received her M.F.A from the University of Iowa.[4] She is a professor at the University of Vermont.[5]

Work

In 1970 O'Banion began to explore the use of handmade paper as a sculptural medium.[3]

Awards and fellowships

Among the honors which Mildred Beltre has earned are:

Selected exhibitions

Belter has had solo exhibitions at galleries and institutions including:

Huffman's solo exhibitions include Worlds in Collision at Roberts & Tilton Gallery in 2016,[8] Everything Went Dark Until I Saw Angels, in 2014, and Floating World, in 2012, both at Patricia Sweetow Gallery,[9] Out of Bounds at the San Francisco Arts Commission Gallery in 2011,[10] Dig it! at Patricia Sweetow Gallery in 2008,[11] and Land of the New Rising Sun at Lizabeth Oliveria Gallery in 2005[12] His first solo was Broadsides in 1995 at the Los Angeles' Jan Baum Gallery.[13]

Group Exhibitions have included:[10][9][11]


  • Art Projects International, New York, New York, USA, PLACE (2016) [14]



  • Patricia Sweetow Gallery, San Francisco, California, USA Everything Went Dark Until I Saw Angels (2014)





  • Patricia Sweetow Gallery, San Francisco, California, USA Floating World (2012)



  • Tecoah Bruce Gallery @ the Oliver Art Center, Oakland, California, USA We're All Here Because We're Not All There (2012)





  • de Saisset Museum, Santa Clara, California, USA A Sense of Place: Location/Inspiration (2010)


  • Rupert Goldsworthy Gallery, Berlin, Germany Five Centimeters Short (2010)


  • Fred [London] LTD, London, UK COLLAGE, LONDON/NEW YORK (2009)



  • Patricia Sweetow Gallery, San Francisco, California, USA Dig it! (2008)





Filmography

Title Year Director Producer Writer Notes
Smithsonian World’s Nigerian Arts-Kindred Spirits 1990 Yes Yes No Documentary

Collections

Ruby Onyinyechi Amanze's work is held in permanent collections including:

Legacy

The Gilda Awards, which the The Kresge Foundation began funding in 2015, honor Gilda Snowden's lifetime of work mentoring Detroit area emerging artists.[16]

References

  1. ^ "FAMSF Collections: Nance O'Banion". Fine Arts Museum of San Francisco. Retrieved 8 April 2018.
  2. ^ "NANCE O'BANION". California College of the Arts. Retrieved 8 April 2018.
  3. ^ a b "Public Collection at SFO: Nance O'Banion". SFO Museum. Retrieved 8 April 2018.
  4. ^ a b "Meet the 2018 Media Arts Fellowship Recipients". BRIC. Retrieved 5 February 2018.
  5. ^ Williams, Sadie (July 17, 2017). "An African American-Owned Farm Becomes a Heritage Site". De Capo Publishing Inc. Vermont's Independent Voice Seven Days. Retrieved 7 February 2018.
  6. ^ "Mildred Beltre: The Changing Same". Amherst College. Retrieved 5 February 2018.
  7. ^ "Mildred Beltre: Dream Work". Burlington City Arts. Retrieved 5 February 2018.
  8. ^ P, Natalie. "Worlds in Collision as David Huffman Elevates a Basketball to the Artistic Spectrum". Widewalls. Retrieved 18 December 2017.
  9. ^ a b Cite error: The named reference artnet was invoked but never defined (see the help page).
  10. ^ a b Cite error: The named reference SF Art Enthusiast was invoked but never defined (see the help page).
  11. ^ a b Cite error: The named reference ArtSlant was invoked but never defined (see the help page).
  12. ^ "David Huffman". Glance. Vol. 13 (No. 2): 33. Spring 2005. {{cite journal}}: |issue= has extra text (help); |volume= has extra text (help)
  13. ^ "David Huffman "Broadsides"". Los Angeles Times (Sunday): 362. May 21 1995. {{cite journal}}: Check date values in: |date= (help)
  14. ^ http://www.artprojects.com
  15. ^ Farago, Jason (January 25, 2018). "A Museum's Fresh Take on the Whole Megillah". The New York Times. Retrieved 2 February 2018.
  16. ^ Cite error: The named reference Kresge was invoked but never defined (see the help page).

Nance O'Banion(at right) with new work, at Haystack Mountain School of Crafts 2008

2013 The Days of Future Past: Afrofuturism and Black Memory

− − 2011 David Huffman: The Beauty of Affliction | YBCA Bay Area Now 6

− − 2006 BLACK HISTORY MONTH: Artist profile / DAVID HUFFMAN

{{DEFAULTSORT:Snowden, Gilda}} Category:1954 births Category:2014 deaths Category:Women artists Category:American women artists Category:African-American artists Category:American contemporary artists

List of feminist art critics

Category:American feminist writers

Feminist Art Critic template

Pennina Barnett (born 1960) is an American cultural critic, educator and feminist art historian specializing in XXX studies, contemporary art, environmental art, history of photography, visual culture and film studies and is known for her books and essay contributions to these areas.

Education

Pennina Barnett earned a BA from University of Leeds (Leeds) in fine arts, a MA in the Visual Culture from the Middlesex University and from XXX Workshop and a Ph.D. from the XXX Program, at XXX University where she did her thesis under the direction of XXX, Donna Haraway, and Hayden White. She also has received an Andrew W. Mellon Foundation Postdoctoral Fellowship at Stanford University (1993-1995) and a Postdoctoral fellowship at the Pembroke Center for Teaching and Research on Women at Brown University.

Teaching

XXX has taught art history and cultural studies at the XXX University, Josai International University, the University of California, Irvine; San Francisco State University, San Francisco Art Institute and the University of California, Santa Cruz She is currently a visiting scholar at the UCLA Center for the Study of Women.

Books and essay contributions

XXX is the author of many books, including


Carol Duncan

Circa73/sandbox
Born1936 (age 87–88)
Chicago, Illinois
NationalityAmerican
Known forFeminist Art History
MovementFeminism, Marxist feminism

Carol Duncan (born 1936) is an American cultural critic, educator and feminist art historian[1] specializing in Museum Studies focusing on feminist critiques of museum and exhibition practices[2] She is a pioneer of the American 'new art history'.[3]

Early life and education

Born in in Chicago, Illinois.

Work

Duncan's work examines the critical role that museums play in defining cultural identity.[4]

In the 1970s Duncan and fellow feminist art historians, Linda Nochlin and Lise Vogel first questioned formerly hallowed principals such as the idea of quality in art, the cannon of great artists and art and artistic genius.[5]

A 1975 essay titled "When Greatness is a Box of Wheaties" is considered a key text of feminist art history, articulating the feminist critique of genius in art.[6]

Duncan's well known 1998 essay "The MoMA's Hot Mamas" explores the social implications of representations of women in paintings[7] arguing that two renowned paintings of women by men in the Museum of Modern Art, de Kooning's Woman I and Picasso's Les Demoiselles d'Avignon, emphasize the 'monstrosity' of the female, creating a gender based cultural division that parallels the division of pornography, in which the woman is and made into a vision/object by the male creator. She can only view a version of woman that is defined by the male creator, but is denied the role of creator and thus denied entry to "the central arena of high culture".[8]

Throughout the 1980s, 1990s and 2000s, Duncan ...xxx examined the works of ecofeminist artists and chronicled the changes in the ecofeminist movement.

Selected publications

Duncan has authored many books and articles in her field, the history of museums.[9]

Books

  • A Matter of Class: John Cotton Dana, Progressive Reform, and the Newark Museum (Periscope Pub., 2009)[10]
  • Civilizing Rituals: Inside Public Art Museums (Routledge, 1999)[11]
  • The Aesthetics of Power: Essays in the Critical Art History (Cambridge University Press, 1993)[6][3]
  • The pursuit of pleasure : the rococo revival in French romantic art (Garland Pub., 1976)[12]

Articles

  • "The MoMA's Hot Mamas", Art Journal Vol.48, No.2 (1989): 171-178.[13]

Legacy

The Carol Duncan Scholarship, is a scholarship endowment created by Duncan to benefit students of the Visual Arts.[9]

References

  1. ^ Olander, William (1986). "Out of the Boudoir and Into the Streets". No. March 9. The New York Times. Retrieved 1 November 2017.
  2. ^ Pachmanová, M. ed. (May 2006). "Mobile Fidelities" (PDF). n.paradoxa (no.19): 123–135. Retrieved 1 November 2017. {{cite journal}}: |first1= has generic name (help); |issue= has extra text (help)
  3. ^ a b Harris, Johnathan (October 1994). "Book Review: The Aesthetics of Power: Essays in Critical Art History". The British Journal of Aesthetics. 34 (4): 441. Retrieved 1 November 2017.
  4. ^ Farber, Dr. Allen. "How museums shape meaning". Khan Academy. Khan Academy. Retrieved 1 November 2017.
  5. ^ Broude ed., Norma; Garrard ed., Mary D. (1992). The expanding discourse : feminism and art history. New York: IconEditions. pp. 2, 12, 127, 305, 363, 365. ISBN 0064303918. {{cite book}}: |last1= has generic name (help)
  6. ^ a b Deepwell, Katy (September 2010). "n.paradoxa's 12 Step Guide to Feminist Art, Art History and Criticism" (PDF). n.paradoxa (12): 6, 8. Retrieved 1 November 2017.
  7. ^ Robinson ed., Hilary (2015). Feminism Art Theory: An Anthology 1968 - 2014. John Wiley & Sons. pp. 131, 165–9. ISBN 1118360605. {{cite book}}: |last1= has generic name (help)
  8. ^ Jones, Amelia ed.; Stephenson, Andres ed. (2005). Performing the Body/Performing the Text. Google Books: Routledge. p. 139. ISBN 1134655932. Retrieved 1 November 2017. {{cite book}}: |first1= has generic name (help)
  9. ^ a b "Duncan, Carol Scholarship". Duncan, Carol Scholarship. Ramapo College Of New Jersey. Retrieved 1 November 2017.
  10. ^ Duncan, Carol (2009). A Matter of Class: John Cotton Dana, Progressive Reform, and the Newark Museum. Periscope. ISBN 1934772917. Retrieved 1 November 2017.
  11. ^ Platt, Susan (Autumn 1996). "Review: Culture and Power". Art Journal. Vol. 55 (No. 3): 95–99. Retrieved 1 November 2017. {{cite journal}}: |issue= has extra text (help); |volume= has extra text (help)
  12. ^ Ziff, Norman D. (1978). "Carol Duncan, "The Pursuit of Pleasure: The Rococo Revival in French Romantic Art" (Book Review)". The Art Bulletin. Vol. 60 (No. 2): 375. {{cite journal}}: |issue= has extra text (help); |volume= has extra text (help)
  13. ^ Duncan, Carol (1989). "The MoMA's Hot Mamas". Art Journal. 48 (2): 171-178. Retrieved 1 November 2017.

2011 Interview of Gloria Orenstein


{{DEFAULTSORT:Duncan, Carol}} Category:1936 births Category:Living people Category:American feminists Category:American feminist writers Category:Art historians Category:Women art historians

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