User:Buster7/The List - Women Artists
![](http://upload.wikimedia.org/wikipedia/commons/thumb/a/a0/WPA-Rumor-Poster.jpg/250px-WPA-Rumor-Poster.jpg)
Men
- Please see User:Buster7/The List - Men Artists for a working list to create articles for Men muralists
Women
- 162 of the artists were women Not sure if this is factual...B7
Example of a suggested paragraph to add to small-town articles "History" thread or "Points of Interest" thread:
- The International Falls post office contains a mural, Early Lodging in Koochichin Falls, painted by Lucia Wiley. Federally commissioned murals were produced from 1934 to 1943 in the United States through the Section of Painting and Sculpture, later called the Section of Fine Arts, of the Treasury Department.[1]
General abbreviations=
- (AWA) = source is American Women Artists: From Early Indian Times to the Present by Charlotte Streifer Rubinstein, published in 1982 by G. K. Hall & Co., Boston, Mass., ISBN 978-0-8161-8535-1
- (LND) = source is Living New Deal
- (WPA) = source is wpa.murals.com
- [2]
- (AiC) = Artists in California, 1786 - 1940, Edon Milton Hughes, ISBN 0-9616112-0-0
Available to use references
- Marlene Park and Gerald Markowitz, Democratic Vistas, Post Offices and Public Art in the New Deal, Temple University Press, Philadelphia, 1984, pp. 96, 141, 147, 207, 210-211, 215-216, 232.
[3] Engendering Culture: Manhood and Womanhood in New Deal Public Art and Theater. Smithsonian Inst. Press
[4] The New Deal for Artists, Princeton
[5] The New Deal Art Projects : An Anthology of Memoirs, Smithsonian Inst.
[6] When Art Worked : The New Deal, Art, and Democracy
[7] Wall-to-Wall America : A Cultural History of Post Office Murals in the Great Depression, U of Minnesota
[8] A Guide to Depression Era Art in Illinois Post Offices
[9] Minnesota: A State Guide
[10] Democratic vistas: Post Offices and Public Art in the New Deal, Temple U. Press
[11] Geographical Dictionary Of Murals and Sculptures commissioned by Section of Fine Arts
[12] Indiana Post Office Murals
[13] Tennessee Post Office Murals
[14] Fielding's Dictionary of American Painters, Sculptors & Engravers
[15] Who’s Who in American Art 1938-1939” vol.2,
[16] Dictionary of Women Artists
[17] Hispanic Artists of the New Deal University of New Mexico
[18] Art for the People:The Rediscovery and Preservation of Progressive and WPA-Era Murals in the Chicago Public Schools
[19] A Guide to Chicago’s Murals, University of Chicago Press
[20] Treasures on New Mexico Trails: Discover New Deal Art and Architecture
[21] The New Deal in the Southwest: Arizona and New Mexico, The University of Arizona
[22] The University of Chicago Biographical Sketches, The University of Chicago
[23] American Women Artists: From Early Indian Times to the Present
[24] Contemporary Women Artists
[25] The Biographical Directory of Native American Artists
- Searchable database for New York Newspapers [1]
- User:Buster7/Nellie G. Best Under Construction
- [2] Best won honorable mention in the competition to paint the murals in the national Social Security Administration building.
- WWWinAA, page 52, MEMBER:Minnesota Art Assn; EXHIBITED: Cocoran Gallery of Art (CGA) 1939; Howard Univ 1942; Guatemala Fair 1941; Minn Inst of Art; Univ of Minn.
- [3] In 1940, she painted "Early Voyageurs at Portage", as part of the WPA's mural project for the post office in White Bear Lake, Minnesota. The mural is currently lost. TOWN
- [4] in 1942, she painted two oil on canvas murals for the post office in Ontario, California entitled "The Dream" and "The Reality". [5]
- [6] "The Dream" depicted George Chaffey, the founder of the city with surveyors, whereas "The Reality" showed a view of the completed city's Euclid Avenue. TOWN TOWN
- [7] Good clues for career here, but I don't think this source is a RS. Any chance you can find the reference? Edan Hughes, author of the book "Artists in California, 1786-1940"
- What happened to those immigration murals? What about the one at St. Mary's Hospital, she talks about in the interview--WHICH NYC hospital by that name is she talking about? THIS says there were obits in the Grand Junction Daily Sentinel page 3C - July 18, 2004 and Grand Junction Free Press page 8 - July 19, 2004, which also might give info that I don't have access to. *sigh* SusunW (talk) 22:01, 22 July 2016 (UTC)
- Discovery of Ore, Chisholm, Minnesota Mural, 1941
Done
- Pages 189-190, 192. On page 211 of W2W.."It was what the postmaster of Chisholm Minnesota had in mind when he praised Betty Carney's D of Ore"'
- Elizabeth Jeanette Carney
- Betty Carney married W. Kenneth Pope. Signed various works as Elizabeth Carney Pope and Betty Carney Pope. [8], [9], [10], [11]
- WWWinAA, page 141...mural in Poteau, Oklahoma,...TOWN... WPA artist, Graphic artist, Cartoonist, Illustrator...b,19JAN1916 in Rochester, NY...resided in Rochester
- STUDIED: (ASL), Cane School w/ T. Benton, J. Charlot, K. McEnery, A. Abels,
- EXHIBITED: Rochester Memorial Gallery, FA Center in Colorado Springs, CO., Albright A Gallery.
- [12] Was the daughter of Rochester, New York artist Kathleen (née McEnery) and Francis Cunningham, who operated a car-making company. Cunningham studied in New York and Paris. She married a diplomat named Williams and lived for a time on a Virginia farm.
- [13]
- [14] Husband Murat Willis Williams. She was born Jan 19, 1916 and died July 6, 1997
- [15] The couple's papers
- check on the existence of a Treasury Dept, Washington DC mural
- WWWinAA, page 179; Marl EARley; b. 8JULY1900 St. Louis, Missouri,
- STUDIED: K.H. Miller, K. Nicolaides, Art Students League (ASL), W.C. Palmer
- MEMBER: Woodstock AA, (ASL)
- EXHIBITED: (CI) - 1941, Pepsi-Cola First Annual Gall (?), (NAD) - 1946, 48 Street Competition - 1939,
- MURALS: (2) Delhi, New York mural, 1940, Down-Rent War, around 1845...TOWN..., and in Middleburgh, New York...TOWN...
- Lived and worked at the artists' community in Woodstock, New York. [16], [17], [18], [19], [20], [21], [22], [23]
- [24], [25] Died 28 Nov 1992
- [[List of United States post office murals#Texas|Lampasas, Texas]] No mention in TOWN....Afternoon on a Texas Ranch....OOC.....1939...cite web|url=http://www.askart.com/askart/e/ethel_edwards/ethel_edwards.aspx%7Ctitle=Ethel Edwards - Artist, Fine Art, Auction Records, Prices, Biography for Ethel Edwards|work=askart.com|accessdate=24 January 2015}}ref><ref.....cite web|url=http://www.aaa.si.edu/collections/ethel-edwards-papers-6268%7Ctitle=Summary of the Ethel Edwards papers, 1935-1999 - Archives of American Art, Smithsonian Institution|author=Archives of American Art|work=si.edu|accessdate=24 January 2015....
- Source
- [26] Smithsonian
- WWWinAA, page 206: WPA artist, d---30JUNE1945 (very young. Is there a story here?)
- MURALS: (3) - Fairfield, Connecticut, Arabi, Louisiana, and (Not from WWW) Adel, Georgia
- STYLE: painted in Expressionism style
- Arabi, Louisiana "Louisiana Pageant" and Fairfield, Connecticut "Tempura Mutantur et Nos Mutanmur in Illis", Fairfield, CT, p 13
- Adel, Georgia "Plantation Scene" (1941)
(Note, some sources [27], [28] claim WPA painter was Alice Moreland Flint. Not possible. WPA artist painted murals in 1938, and 1941. Alice Moreland/Morland Flint died in 1933. I cannot access her obit, but the preview "The Pittsburgh Press from Pittsburgh, Pennsylvania March 24, 1933 Page 32, [29], Aged Woman Painter Dies SCHENECTADY, N. Y., March 24 Alice Moreland Flint, 76, widely-known painter and wife of Peter Flint, New York attorney, died here" makes it clear. Maybe the confusion is that they were both from New York. Possibly she is this person? Alice Flint Smith? But there is no information in the record. SusunW (talk) 23:29, 21 May 2016 (UTC)
- Stillwater, Oklahoma Early Days in Payne County...TOWN...
- [30] Grace Wilkins Lysinger, daughter of John Moss Lysinger, married Donald Hamilton on June 26, 1920 in Pittsburgh, Pennsylvania.
- [31] Lysinger graduated in 1918 from the Carnegie Institute.
- OSU Museum of Art Collection biography
- [32] NOT A RELIABLE SOURCE, died May 17, 1992
User:SusunW/Miriam Ibling starting SusunW (talk) 20:09, 2 March 2017 (UTC) Used up all those and can't access any newspaper.com premium, *sigh* SusunW (talk) 01:08, 4 March 2017 (UTC)
- Ely, Minnesota mural....not added to town yet 4/12/17
- The Armory, headquarters for Minnesota National Guard.."symbolizes Minnesota resources and early history"...painted alongside Jucia Wiley both Minn. natives[26]....TOWN
- The Stearnes Conty Crthose, Minneapolis, Minnesota, "at the head of the main stairway is a mural by Elsa Laubach Jemne of St Paul. depicting the life in pre-territorial days"'....TOWN...[27]
Note:Article could use some more "meat on the bones". Buster Seven Talk 11:47, 23 July 2016 (UTC)
- Akron, New York Mural, 1941, tempera, "Early Mail Route to Akron"
- *Included in town article...3/9/2017
- [33] Elizabeth D. Logan
- [34] Is she Elizabeth Dulaney Logan b 1914 who married Lloyd A. Collins?
- [35] or [36] might give more info, but cannot access. (the exhibit, was done by Elizabeth Logan, now a New York ... Now she is Mrs. Loyd Collins, Jr., niece of Dulaney Logan of Louisville and Mrs. Lloyd A. Collins, Jr., ... Mrs. Collins was formerly Miss Elizabeth Dulaney Logan, daughter of Mr.?)
- Nebraska Mural "Stampeding Buffaloes Stopping Train" [37]
- Eldora Pauline Lorenzini, Born March 28, 1910 in Weldona, CO. WPA
- [38] Studied at the Colorado State Teacher's College in Greeley, Colorado and then attended the University of Denver's Women's College. She continued her education at the Kirkland School of Art.
- [39] After completing her education, Lorenzini began her career as a student teacher in Greeley and then taught art in Joliet, Illinois; Brattleboro, Vermont, Washington, D.C. and at Westminster High School in Hanover, Pennsylvania. In addition to teaching, she continued her studies of art at Yale University.
- [40] works in the collection of the National Gallery of Art in [[Washington, D.C.]
- [41] works in the Taylor Museum of the Colorado Springs Fine Arts Center.
- [42] died February 2, 1993
- [43] bio
- User:Buster7/Jenne Magafan Under Construction
- 2 murals in Tennessee
- [44] (1910-1969) photographed Leadbelly, Woody Guthrie, Ben Shahn
- [48] Thelma Durkin married Martin in 1935. In 1936, they moved to Knoxville, Tennessee where David began working for the Tennessee Valley Authority.
- [49] Wife of David Stone Martin. Painted "Wild Boar Hunt" Sweetwater, Tennessee
- [50] Also known as Thelma Durkin Martin, when she became a photographer. They had two children Stefan Martin and Tony Martin. Stefan was also an artist.
User:SusunW/Jessie Hull Mayer working on this one. SusunW (talk) 20:21, 17 March 2017 (UTC)
- If they are dead [51] this could probably be used as fair use.
- Boonville, New York, The Black River Canal - 1845 , Suzanne McCullough and her twin sister [28] Luceerne aka Mrs C.E.Robert McCullough (?), 1939, oil on canvas
- Thomaston, Connecticut, Early Clockmaking, Suzanne McCullough and Lucerne McCullough, 1939, oil on canvas
- Lucerne and Suzanne McCullough were twin sisters, born in Abilene, Texas in 1916 and together they created Post office murals in Boonville, New York. They were active in Connecticut
- C. E. Robert is primarily known as Lucerne McCullough which is confusing since the URL above says "MRS. C. E. Robert.
- [52] Born December 6, 1916 Abilene, Texas
- [53] and [54] The sisters attended Newcomb College in New Orleans and were in the graduating class of 1937. During their senior year, the twins won a scholarship to continue their education at the Art Students League of New York. Parents are M/M W. R. McCullough of New Orleans.
- [55] In 1938 the sisters won the competition to complete the murals for the United States post office murals in Thomaston, Connecticut and Boonville, New York painting them together. The twins are 22 years old (i.e. born 1916).
- [56] Upon completion of their schooling, the sisters worked in New York City as commercial artists.
- [57] Their first assignment was with an advertising firm on work for Mademoiselle, which led them to open their own freelance studio, specializing in cosmetics, fashion and lingerie advertisements. The sisters left Abilene when they were two years old and moved to New Orleans. Lucerne was married to Captain Charles Robert of Rotterdam, by 1944.
- [58], [59] Parents Warren Roy McCullough and Macy Hill McCullough. Suzanne married Lt. Theodore Plowden on August 16, 1946 in New York City's Saint Thomas Church. Lucerne was at that time Mrs. Charles E. Robert.
- [60] Their mother was Mrs. Edward Nash, was formerly Mrs. Roy McCullough. In 1958 Suzanne was living in Sydney, Australia. Lucerne was holding a one-woman show of her works at the Silvermine Guild of Artists in Silvermine, Connecticut.
- [61] After staying in Australia for a year and a half, Suzanne moved to Wilton, Connecticut in 1959. The following year, she won the Grumbacher prize at the 11th Silvermine Guild of Artists Show with a watercolor entry titled, "Tokyo Vignette".
- [62] Suzanne was best known for abstract works and Lucerne was a portraitist. In 1961, Suzanne was living in Rio de Janeiro with her husband Theodore M. Plowden, who was an executive with Vicks Chemical Company. The twin's mother's name was Macy Hill McCullough Nash.
- [63] in 1964 Suzanne was teaching at the Silvermine College of Art and Lucerne was living in Johannesburg, South Africa, and painting portraits.
- [64] In 1977, Suzanne held a one-woman exhibition at the Silvermine Guild of Artists. It was her tenth solo show, having had previous events in Moscow, Rio de Janeiro, Sydney, and others.
- [65] Suzanne and Ted lived in India and Malaysia.
- [66] Ted died November 10, 2009 on Hilton Head Island, South Carolina
- [67] Tulane repository through 2009. Does that mean she died in 2009?
- [68] She was still alive, paining and exhibiting in 2012
- see Suzanne McCullogh above.
- [69] brief bio
- [70] Died on May 10, 2008 at Hilton Head Island, South Carolina
- [71] Born December 6, 1916
- [72] By 1962, Lucerne had begun using the professional name Lucerne Robert and made a name as a portrait painter. She was selected at the "Portrait Ball" of Westport, Connecticut to paint the image for the highest bidder.
- [73], [74] By 1974, she was living in Porto Cervo, Sardinia, but kept a studio in Johannesburg. Her portrait of Joan Crawford was used for the cover of Crawford's biography. In the fall of 1974, she was commissioned to do paintings of both the Marqess of Cholmondeley and the Marquessa.
- [75] Lucerne also painted a portrait of Crawford's husband.
From this article:
the daughters of the late Woodstock artist Marianne Appel, who designed the Woodstock Village Green and its war memorial in 1946, are hosting an exhibit of Appel’s work on weekends through October 25, 2015. The show has been hung in the studio of Sarah Greer Mecklem at 30 Plochmann Lane in Woodstock, NY. Appel is among the painters featured in the current exhibit at the Woodstock School of Art: “Overlooked: Woodstock Women Artists.” The exhibit recognizes a group of artists who, despite their prodigious abilities, received less attention during their lifetimes than their male Woodstock counterparts. Appel was expressive in many genres and mediums. She created fantastic puppets of paper mache and painted murals and colorful landscapes and interior scenes; her expression was notably optimistic. The show is open weekends from 12 noon to 4 p.m. Or by appointment. Some works are available for purchase. For further information, call 845-679-6157. Buster Seven Talk 23:28, 9 May 2016 (UTC)
- Maybe calling the phone number might lead somewhere? B7
See above...B7
- McLeansboro, Illinois, The First Air Flight, 1941, oil on canvas [76]
- Bamberg, South Carolina, Cotton the World Over, 1939, oil on canvas, (NRHP) [77]
- [78], [79] dob April 8, 1885; dod July 1, 1977
- Westerville, Ohio The Daily Mail 1937 [80] was painted as a homage to mail carriers, [81] but created controversy when residents complained that the image was not representative of their town. (Image could be fair use) ...TOWN
- [82] NOT A RS, but can be used for clues. Olive Harriett Austin Nuhfer dob Aug. 16, 1901 dod Oct. 8, 1996, married Leo R. Nuhfer in West Virginia.
- [83] Married on 27 May 1926 in Parkersburg, West Virginia. She was born in 1901 in Allegheny County, Pennsylvania
- [84] Senior at the University of Oklahoma in 1930.
- [85] Graduated with a degree in fine arts in 1931. Signed her paintings "Evilo". While studying in Norman, Nuhfer painted murals in several buildings. In 1938, her works "Hill, Mill, River, Smoke", "Prelude de Ballet" and "Zero Morning," were shown at Youngstown, Ohio's Butler Art Institute over New Years' and "Chavez Conducts", "Fountain of Youth", "Skag Dumping" and "Skaters Waltz" were shown at the winter show in Pittsburgh of the Associated Artists.
- [86], [87] In 1936, Nuhfer participated in an exhibition with 25 other artists held at the Carnegie Institute, where her piece "Rain's Interlude" drew acclaim.
- [88] At the Mountain Playhouse Gallery in 1951, Nuhfer held a one-woman show of figurative watercolors and landscape oils. Known also as a sculptor, her paintings were praised for their versatility and use of color.
- [89] In 1961, she founded the Penn Arts Association.
- [90] Nuhfer did a one woman show in Somerset County at the Jennerstown Art Gallery in 1966, which demonstrated her artistic versatility. The exhibit included abstracts, oil landscapes, watercolors, and pencil sketches, as well as ceramic modelings.
- [91] In 1968, she exhibited "Deserted Place", "Finale" and "Salome" in the Somerset County Artists' Association annual exhibit, drawing praise for the vitality and freedom of her work.
- [92] After earning a bachelor's and master's at the University of Oklahoma, Nuhfer completed post graduate work at Carnegie Mellon University. In addition to her own painting, she was an art instructor and involved with the Somerset County Artists' Association. In 1990 Nuhfer had a stroke, but after a three year hiatus, resumed painting with her other hand.
- "Crossing of the West River, 1648" (1937) West Haven, Connecticut mural TOWN [93]
- "Mountain Landscape", (1942) Roaring Spring, Pennsylvania mural TOWN[94]
- [95] In 1933, she had a still life of an ink bottle, a bag of tobacco, and a pair of shears included in the Schenley exhibition of Pittsburgh artists.
- [96] that same year, she won a scholarship to the Art Students League of New York by taking first place in the competition with her entry of “Kitchen Stove”. Phillips was born in 1911 to M/M William Shannon Phillips of Pittsburgh and completed art school at the Carnegie Institute of Technology in 1922. Upon completion of her studies, she won the The Louis Comfort Tiffany Foundation scholarship for further studies in Oyster Bay, New York.
- [97] Her painting "Sunday Morning in the Park" won accolades at the Associated Artists of Pittsburgh's annual show in 1936.
- [98] On 11 April, 1939, Phillips married Franklin M. Heller of New York.
- [99] Died June 14, 1997 in North Branford, Connecticut.
User:Buster7/Anne Poor Under Construction
- Anne Poor, an American artist who painted combat scenes in World War II and later concentrated on dreamlike landscapes, died in Nyack, N.Y., on Jan. 12. She was 84 and lived in Haverstraw, N.Y.
- A native of New York City, Ms. Poor studied at the Art Students League while in high school. In the 1930's she helped her stepfather, the artist Henry Varnum Poor, paint murals for the United States Justice Department and the Department of the Interior in Washington. While in the Women's Army Corps in 1943 she gained attention for her depictions of military life, including air evacuation of the wounded in the Pacific. The paintings were exhibited at the Metropolitan Museum of Art in New York and the National Gallery of Art in Washington.
- Among her later landscapes was a series done for a 1964 book, Greece, with a text by Henry Miller. A critically praised New York solo show at Terry Dintenfass in 1992 included paintings of family, friends and pets, living and dead, surrounded by glowing flowers, all done in a distinctive, luminous style. An exhibition of works on paper appeared at the Edward Hopper House Art Center in Nyack last summer.
- Ms. Poor taught at the Skowhegan School of Painting and Sculpture from 1947 to 1961 and was on the board of trustees from 1963 to '83. She was a member of the American Academy of Arts and Letters and the National Academy of Design. Her work is in the collections of the Metropolitan Museum, the Whitney Museum of American Art and the Brooklyn Museum of Art.
- She is survived by her brother, Peter Poor, of Manhattan, two nieces and a nephew.
Members of the NY artistic community gathered at a party for artist Anna Poor at J.G. Con-temporary.... This must be the grandaughter 'cause HV Poor is mentioned as her Grandfather. Peter Varnum Poor is mentioned as her father...as well as artist Sarah McPherson, who is Ms. Poor's grand-aunt
- The wonderful thing in such a family of artists... is that rather than hiring models, they can pose for each other. Of those human subjects posing in Poor's oil on canvas compositions are artist Anne Poor (1918-2002), the adopted step-daughter of Henry Varnum Poor and for many years represented at Graham-Modern. A memorial was held for Anne Poor last winter at the National Academy of Design.
- Tennessee Mural
Is she related to H.V. Poor?(The List - Men artists) Henry Varnum Poor is her step-father.- Depew, New York Mural, Beginning of the Day, 1941, oil on canvas, mentioned in town article....B7 (6/16)
- Clarksville, Arkansas, How Happy was the Occasion, 1941 ...mentioned in the town article....B7 (6/16)
- Mary May Purser (Mrs. Stuart R.), Born December 9, 1914 in Chicago, IL. (WPA)
- Mary May married Stuart R. Purser in the early 1930s. They had met while both were students at the Art Institute of Chicago. During World War II she taught design at Louisiana College in Pineville, Louisiana, where her husband was head of the art department.pp=44-45
- In 1946 both Pursers took jobs to teach at the University of Tennessee at Chattanooga and in 1950, they moved to Oxford, Mississippi. Purser completed her B.A. at the University of Mississippi, while Stuart founded the school's art program.p=45
- The couple moved to Florida in 1952, where Purser became a full time painter,p=46 but changed her medium from oil to acrylic. Both Pursers died within a few months of each other in 1986. p=47
- [100] "Founding and Subsequent Development of Robstown, Texas" (1941) Robstown, Texas...mentioned in town article....B7 (6/16)
- [101] "Flag Ceremony, Ft. Davis" (1941) Old Jail Museum, Albany, Texas
- [102] dob Jan. 16, 1910 to Bertie (née Herron) and Andrew Watkins Reynolds; dod May 20, 1984. She earned a BA in music from Baylor studying with Julius Albert Jahn. After working in New York, she returned to Texas in 1939.
- [103] FAIR USE PICTURE? Born in Albany, Texas to M/M A. W. Reynolds. She attended Albany High School and then went on to further her studies at Baylor University and complete graduate courses at Sul Ross College. She taught piano, both as a private instructor and part time music teacher for the Albany Public School System. She studied art with Xavier Gonzalez in New Orleans and Paul Ninas at the Arts and Crafts Club of New Orleans. After study at the Art Students League of New York she worked for eight years in New York City as a commercial artist. In 1977, she was honored as the First Lady of Albany.
- [104] was the co-founder of the Fort Griffin Fandangle of Albany, Texas. She was a costume and set designer, wrote or co-wrote the pageant's music, and served as the music director of the outdoor musical for 45 years.
- [105] In 1939 she co-wrote the Albany Nativity for the Ministerial Association of Albany as a Christmas pageant.
- Delaware Mural, Harrington, Delaware, Men Hoeing, 1941, wax tempera. Mentioned in town article...B7 (6/16)
- Audubon, Iowa, Audubon's Trip Down the Ohio and Mississippi - 1820, 1942 (Mentioned in town mural....B7)
- Indian Mural (?)...She is only listed once at the List of Post Offices, not sure if this is a 2nd mural or the topic of the ONLY mural
- [106] (1909-2000)
- [107] born 25 November 1909 in Brooklyn, New York to Annis Dunbar (née Jenkins) and Leonard Nicholson Snedeker. Her children were: Jean Dunbar Taylor and Robert Bell Taylor. Snedeker died 26 December 2000
- [108] from 1920-1940, Snedeker did illustrations for the New Yorker and until 1980 when a policy change required new art be used, her illustrations regularly appeared in the magazine. She studied with Kenneth Hayes Miller.
- [109] In March 1932 she showed several portraits at Phillips Academy's Addison Gallery of American Art.
- [110] Her work, "Self-portrait as Sculptor" was praised the following month as "one of the most interesting canvases in the exhibition" held by independent Brooklyn and Long Island painters at the 212 Hicks Street Artists Gallery.
- [111] In 1933, she did a show with fellow up-and-coming artists, Helen Tannenbaum, Dezso Kovesi and Townsend McErney and was singled out for her style of combining primitivism and modernism with disciplined draftsmanship.
- [112] Snedeker married on August 22, 1942 in Alexandria, Louisiana. She was the daughter of M/M Leonard N. Snedeker of New York and had attended the Art Students League of New York and the Beaux-Arts Institute of Design.
- [113] She had three covers of the magazine, June 10, 1939; February 3, 1940; and May 17, 1941. In 1942 Snedeker married the artist William Lindsay Taylor and when he began his war service, she found work in an aircraft factory. After the war ended, Taylor returned and they had two children, but Snedeker found little time to return to her art. Her last dated painting, a child's portrait, dated in 1949, was not up to her standards because of the interruptions to her work.
- [114] Snedeker's daughter J.D. Taylor was a musician and activist in San Francisco.
![](http://upload.wikimedia.org/wikipedia/commons/thumb/9/9c/Merry_go_round_by_Ethel_Spears.jpg/300px-Merry_go_round_by_Ethel_Spears.jpg)
- [115] Connecticut Mural, Southington, Connecticut, Romance of Southington, 1942
Done B7
- [116]
- Massachusetts Mural, Adams, Massachusetts, Quakers and the Site of Adams, 1940, destroyed during renovation TOWN
- Mentioned mural and destruction in town article...but need to check on date of destruction and provide a better reference...B7 (6/6)
- Wenatchee Washington Mural, Wenatchee, Washington, The Saga of Wanatchee, 1940, oil on canvas
Done B7
- [117] Texas Mural, Smithville, Texas, The Law, Texas Rangers, 1939, oil on canvas
Done B7
- [118] born Jan. 27, 1871; died Aug. 28, 1970 NOT a RS
- [119] [120]|via = Newspapers.com}}
father was Hans Teichmueller mother was Augusta (née Kellner)
- On December 28, 1928, she married Hugo David Pohl in New Braunfels, Texas. Her father was a judge in New Braunfels. The couple established an art colony in New Braunfels in the 1930s. [121]|via = Newspapers.com}}
- [122] Works exhibited in the White House?
- [123] after husband's death, she lived in Nacogdoches, Texas with her niece, Mayme Mattingly Martin.
- [124] |via = Newspaperarchive.com}}
In 1932, she was a featured exhibitor in a show in San Antonio with several of her charcoal drawings.
- [125] |via = Newspaperarchive.com}}
Was she formerly Mrs. Earl P. Richardson?
- Greer, South Carolina, Cotton and Peach Growing, 1939 (Mural mentioned in town article....B7)
The Greer Post Office, constructed in 1935, is architecturally significant as an excellent example of a New Deal-era Colonial Revival post office produced by the Public Works Branch of the U.S. Department of the Treasury. Architect Donald G. Anderson of New York City designed the Greer Post Office under the administration of Louis A. Simon, Supervising Architect of the Department of the Treasury. The Greer Post Office reflects the designs favored by the Treasury Department at the time, exhibiting a restrained Colonial Revival style with minimal ornamentation. The new post offices in South Carolina built during this era reflect the “dignity” and “economy” observed in new public buildings by Treasury Secretary Henry Morganthau, Jr. The post office is also significant because it includes a mural by artist Winfield R. Walkley, Cotton and Peach Growing, depicting African-Americans harvesting cotton and peaches from area fields and orchards, two crops that were plentiful in and around Greer. It is one of thirteen murals commissioned by the Section of Fine Arts of the U.S. Department of the Treasury during 1938-1941 for South Carolina post offices and federal buildings. The building served as a post office until 1964, when a new, larger post office was dedicated, then functioned as Greer City Hall from 1968 to 2008, and currently serves as the Greer Heritage Museum. Listed in the National Register January 31, 2011.
- changes (Greer Heritage Museum) made to The Post Office List...5/8 by B7
- Stoughton, Massachusetts, A Massachusetts Countryside, 1940, on display in attic at Stoughton Historic Society
- mentioned in Stoughton article on 5/7 by B7
- Madison, North Carolina,Early Summer in North Carolina, 1940
- mentioned in Madison article on 5/7 by B7
- Mooresville, North Carolina, North Carolina Cotton Industry, 1938
- mentioned in Mooresville's article 5/8 by B7
- [126] per her signature, the spelling of her surname is WIENCEK
- [127] born April 23, 1918 in Chicopee, Massachusetts. She studied at the Art Students League of New York with Ernest Fiene and served as an assistant to two paintings with Fiene: Paul Revere – 1801 at the post office in Canton, Massachusetts and Winter Roundup at the Department of the Interior Building in Washington, D.C. Fiene divorced his first wife and he and Wiencek married in Connecticut on August 13, 1945. She died at the age of 42 on February 17, 1961 in New York City.
- [128] She also assisted Fiene in the painting of murals on the walls of the the auditorium of the Central High School of Needle Trades for the International Ladies' Garment Workers' Union.
- [129]|via = Newspaperarchive.com}}
Exhibited and worked after her marriage as Alicia Fiene.
- Farrell, Pennsylvania, Myths of Vulcan and Juno, 1939, painted over in 1966[29]
- mentioned in Farrell article 5/8 by B7
- Virginia Hargraves Wood (/), born in Washington, DC (WPA)
References
- ^ Arnesen, Eric (2007). Encyclopedia of U.S. Labor and Working-Class History. Vol. 1. New York: Routledge. p. 1540. ISBN 9780415968263.
- ^ Falk, Peter Hastings (1985). Who Was Who in American Art. Madison, Connecticut: The Sound View Press. p. 706. ISBN 978-0-8161-8535-1.
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(help) - ^ Melosh, Barbara (1991). Engendering Culture: Manhood and Womanhood in New Deal Public Art and Theater. Smithsonian Institute Press. ISBN 9780874747218.
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(help) - ^ McKenzie, Richard (1972). The New Deal for Artists (first ed.). Boston, MA: Princeton University Press. pp. 13 to 33. ISBN 9780691046136.
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(help) - ^ O'Connor, Francis V. (1972). The New Deal Art Projects : An Anthology of Memoirs (First ed.). Smithsonian Institute Press. pp. 22 to 222. ISBN 9780874741131.
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:|access-date=
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(help) - ^ Kennedy, Roger G. (2009). When Art Worked : The New Deal, Art, and Democracy (First ed.). New York, NY: Rizzoli International Publications, Inc.. pp. 33 to 333. ISBN 9780847830893.
{{cite book}}
:|access-date=
requires|url=
(help) - ^ Marling, Karal A. (1982). Wall-to-Wall America : A Cultural History of Post Office Murals in the Great Depression (First ed.). University of Minnesota Press. pp. 272 to 276. ISBN 0816611165.
- ^ Thompson, Mary Emma (2005). A Guide to Depression Era Art in Illinois Post Offices (Revised ed.). Self published. pp. 1 to 22. ISBN 9780977028603.
- ^ Federal Writers of the WPA (1947). Minnesota: A State Guide (Second ed.). Hastings House. ISBN 0403021731.
- ^ Park, Marlene and Gerald E. Markowitz, Democratic vistas: Post Offices and Public Art in the New Deal, Temple University Press, Philadelphia 1984
- ^ American Art Annual, Geographical Dictionary Of Murals and Sculptures commissioned by Section of Fine Arts, Public Buildings Administration, Federal Works Agency. The American Federation of Arts, 1941 pp 623 - 658
- ^ Carlisle, John C., “A Simple and Vital Design: The Story of the Indiana Post Office Murals”, Indiana Historical Society, Indianapolis, 1995
- ^ Hull, Howard, Tennessee Post Office Murals, The Overmountain Press, Jiohnson City Tennessee, 1996
- ^ Opitz, Glenn B, Editor, Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers, Apollo Book, Poughkeepsie NY, 1986
- ^ McGlauflin, ed., ‘’Who’s Who in American Art 1938-1939” vol.2, The American Federation of Arts,Washington D.C., 1937
- ^ Petteys, Chris, “Dictionary of Women Artists: An international dictionary of women ratites born before 1900”, G.K. Hall & Co., Boston, 1985
- ^ Nunn, Tey Marianna, Sin Nombre:Hispana & Hispani Artists of the New Deal University of New Mexico Press, Albuquerque 2001
- ^ Becker, Heather, Art for the People:The Rediscovery and Preservation of Progressive and WPA-Era Murals in the Chicago Public Schools, 1904-1843
- ^ Gray, Mary Lackritz, A Guide to Chicago’s Murals, University of Chicago Press, Chicago, 2001
- ^ Flynn, Kathryn A., Treasures on New Mexico Trails: Discover New Deal Art and Architecture , Sunstone Press, Santa Fe, New Mexico 1995
- ^ Berningham, Peter, The New Deal in the Southwest: Arizona and New Mexico, The University of Arizona Museum of Art, Tucson
- ^ Wakefield Goodspeed, Thomas, The University of Chicago Biographical Sketches, The University of Chicago Press, Chicago, Illinois, 1922
- ^ Rubinstein, Charlotte Streifer, American Women Artists: From Early Indian Times to the Present, G.K. Hall and Co., Boston, Massachusetts, 1982
- ^ Hillstrom, Laurie & Kevin, Contemporary Women Artists, Saint James Press, Farmington Mills, Michigan, 1999
- ^ Lester, Patrick D., The Biographical Directory of Native American Painters, SIR Publications, Tulsa, Oklahoma, 9780806199369, 701 pages, First edition, 1995
- ^ Federal Writers of the WPA (1947). Minnesota: A State Guide (Second ed.). Hastings House. ISBN 0403021731.
- ^ Federal Writers of the WPA (1947). Minnesota: A State Guide (Second ed.). Hastings House. ISBN 0403021731.
- ^ "Lucerne McCullough:Artist". askart.com. AskArt, the Artists Bluebook. Retrieved 23 January 2015.
- ^ Park, Marlene and Gerald E. Markowitz, Democratic vistas: Post Offices and Public Art in the New Deal, Temple University Press, Philadelphia 1984