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{{main|Death of Marilyn Monroe}}
{{main|Death of Marilyn Monroe}}
Monroe was found nude, dead in the bedroom of her [[Brentwood, Los Angeles, California|Brentwood, California]] home clutching her telephone by her live-in housekeeper Mrs. [[Eunice Murray]] on [[August 5]], [[1962]]. She was only 36 years old. Her death was ruled as an overdose of sleeping pills, but several conspiracy theories have been brought up around the circumstances. Cover-up has been a main topic for discussion for decades. Marilyn is buried at Corridor of Memories, #24, at Westwood Memorial Park in Los Angeles, CA.
Monroe was found nude, dead in the bedroom of her [[Brentwood, Los Angeles, California|Brentwood, California]] home clutching her telephone by her live-in housekeeper Mrs. [[Eunice Murray]] on [[August 5]], [[1962]]. She was only 36 years old. Her death was ruled as an overdose of sleeping pills, but several conspiracy theories have been brought up around the circumstances. Cover-up has been a main topic for discussion for decades. Marilyn is buried at Corridor of Memories, #24, at Westwood Memorial Park in Los Angeles, CA.

===Administration of Estate===
Monroe was a student of [[Lee Strasberg|Lee Strasberg's]], and he helped her throughout her life. In her final will, Monroe left Strasberg total control of 75% of her estate, including the licensing of her image as gratitude for his mentorship and kindness before and after she became a star.

Today, Strasberg's widow Anna Mizrahi ''(a [[Sephardic Jew]] who was born in [[Venezuela]] and the mother of Strasberg's two youngest children, David and Adam)'', administers the estate which earns millions of dollars in licensing fees whenever an advertiser or manufacturer uses Monroe's image. Anna declared that she would never sell Monroe's personal items after successfully suing Odyssey Auctions in 1994 from preventing the sale of items which were withheld from Strasberg by Monroe's former business manager, Inez Melson.

In October 1999, [[Christie's]] auctioned the bulk of Monroe's personal effects. In her will, Monroe expressed her desire that Strasberg, or, if he predeceased her, her executor, "distribute (these) among my friends, colleagues and those to whom I am devoted." Strasberg willed them to Anna, who never met Monroe; the auction netted $12.3 million. Julien's staged a second auction of Monroe's personal effects in 2005.


==Trivia==
==Trivia==

Revision as of 16:31, 14 May 2006

Marilyn Monroe
File:Monroe-1.jpg
BornJune 1, 1926
DiedAugust 5, 1962
Occupation(s)Model, Singer,Film Actress
Spouse(s)James Dougherty, Joe DiMaggio, Arthur Miller
Websitehttp://www.marilynmonroe.com Official Website of the Monroe Estate

Marilyn Monroe (June 1, 1926August 5, 1962) is one of the twentieth-century's most famous movie stars, sex symbols and pop icons. After acting in bit roles for several years, she gradually became known for her comedic skills, dynamic sex appeal and remarkable screen presence, going on to become 20th Century Fox's most bankable star of the 1950s. Later in her career, she worked towards serious roles with a measure of success. However, constant publicity and romantic disappointments excaberated longstanding personal problems. The circumstances surrounding her death have been the subject of much speculation, but have not tarnished her reputation as one of the most legendary public figures of all time.

Early life

File:MM2.jpg
Marilyn Monroe as a child from [1] The Maite Minguez Ricart Collection

Although she would become one of the most celebrated actors in film history, Monroe's beginnings were humble. She was born in the charity ward of the Los Angeles County Hospital. Her registered name was Norma Jeane Mortenson (her grandmother, Della Monroe Grainger, later had her baptized Norma Jeane Baker).

Her mother, Gladys Pearl Monroe Baker, had returned to Caifornia from Kentucky where her first husband Jasper Baker had taken their children, Robert and Berniece, after she divorced him. Monroe's biographers portray Jasper as a brute who routinely beat Gladys. Berniece recounts in her book My Sister Marilyn that, after Robert suffered a fall, Baker treated him with "home remedies" instead of seeking medical attention; the boy died in 1933.

Most biographers believe her biological father was Charles Stanley Gifford, a salesman for the studio where Gladys worked as a film-cutter. Her birth certificate lists Gladys's second husband Norwegian Martin Edward Mortensen as the father. While Mortensen left Gladys before Norma Jeane was born, some biographers think he was the father, but that his surname was slightly misspelled on the birth certificate. [citation needed] Whomever the father was, that he played no part in the child's life has never been in dispute.

Gladys was unable to persuade Della to look after Norma Jeane, so she was placed with foster parents Albert and Ida Bolender of Santa Monica, southwest of Los Angeles, where she lived until she was seven years old. In her autobiography My Story, Monroe states she thought Albert and Ida were her parents until one day, rather rudely, Ida corrected her.

Again according to My Story, Gladys visited Norma Jeane every Saturday, but never smiled, hugged or kissed her. At some point, Gladys announced that she had bought a house for herself and her daughter, but a few months after they moved in, she suffered a mental breakdown. Monroe recalled Gladys "screaming and laughing" as she was forcibly removed to the State Mental Hospital in Norwalk, California, the same hospital where Gladys' mother Della had died in August, 1927. Gladys' father, Otis, had also died in a mental hospital (near San Bernardino, California) as a result of syphilis.

However, it should be noted that My Story is not to be considered a trustworthy source. It was ghost-written by Ben Hecht, and designed to colour Monroe's image as a long-suffering orphan. Its factual claims have been considered suspicious. [citation needed]

Norma Jeane was declared a ward of state and Gladys' best friend, Grace McKee (later Goddard) became her guardian. After McKee married in 1935, Norma Jeane was sent to the Los Angeles orphanage and then to a succession of foster homes where it is alleged she was subjected to abuse and neglect. There is little evidence that she lived in as many foster homes as claimed. Moreover, Monroe was known to have given exaggerated information about her childhood. [citation needed]

The Goddard family were moving to the East Coast and could not take her. Grace, worried about Norma Jeane having to return to the orphanage, spoke to the mother of James Dougherty. Mrs. Dougherty approached her son, who agreed to take Norma Jeane out on dates, paid for by Grace. They married two weeks after she turned 16.

Career

File:Monroe-4.jpg
A typical photograph from the early years of Monroe's career

Early years

While her husband served in the Merchant Marines during World War II, Mrs. Norma Jeane Dougherty moved in with her mother-in-law, and worked in a factory spraying airplane parts with fire retardant and inspecting parachutes. Army photographer David Conover scouted local factories taking photos for a YANK magazine article about women contributing to the war effort. He saw her potential as a model and she was soon signed by The Blue Book modelling agency (in his book "Finding Marilyn", Conover claimed the two had an affair that lasted years.) She became one of their most successful models, appearing on dozens of magazine covers. In 1946 she came to the attention of talent scout Ben Lyon. He arranged a screen test for her with 20th Century Fox. She passed and was offered a standard six-month contract with a starting salary of $75 per week, the high end of industry standard.

Lyon suggested "Marilyn" after Marilyn Miller; she suggested her mother's maiden name "Monroe". Thus the twenty-year old Norma Jeane Baker became "Marilyn Monroe". During her first six months at Fox, Monroe was given no work. Instead, she learned about hair, make-up, costumes, acting and lighting. After six months Fox decided to renew her contract and she was given very minor roles in Scudda Hoo! Scudda Hay! and Dangerous Years, both released in 1947. In Scudda Hoo!, her face wasn't even visible. Both films failed at the box office and Fox decided not to renew her contract. Monroe returned to modelling and began to network and make contacts in Hollywood.

In 1948, a six-month stint at Columbia Pictures saw her star in Ladies of the Chorus, but the low-budget musical was not a success and Monroe was dropped yet again. She then met one of Hollywood's top agents, Johnny Hyde, who had Fox re-sign her after MGM had turned her down. Fox Vice-President Darryl F. Zanuck was not convinced of Monroe's potential. However, due to Hyde's persistence, she gained supporting parts in All About Eve and The Asphalt Jungle. Even though these roles were minor, movie-goers took notice and Monroe began receiving more fan mail than some top-billed stars of the time. The next two years were filled with largely inconsequential roles in standard fare such as We're Not Married! and Love Nest. However, RKO executives used her name to boost box office potential of the Fritz Lang production Clash By Night. After the film performed well, Fox employed a similar tactic and she was cast as a ditzy receptionist in the Cary Grant comedy Monkey Business. Critics could no longer ignore her, with one wit commenting: "She disproves more than adequately the efficacy of the old stage rule about not turning one's back to the audience." Both films' unexpected success at the box office is attributed to Monroe and her rapidly growing popularity with audiences of the time.

Fox finally gave her a starring role in 1952 with Don't Bother To Knock, in which she portrayed a deranged babysitter who attacks the little girl in her care. It was a cheaply made B-Movie, and although the reviews were mixed it clearly demonstrated Monroe's ability and confirmed that she was ready for more important leading roles. Her performance in this, one of her earliest films, has since been noted as one the finest of her career by many critics.

Stardom

File:Monroe-Niagara.jpg
Monroe's critically well received role in the thriller Niagara gave her credibility as a dramatic actress, but her career would quickly follow a more Comedy-orientated path.

Although critics were at first unwilling to admit Monroe's abilities as a dramatic actress, they were left in no doubt about her sex appeal. Monroe proved she could carry a big-budget film when she finally received star billing for Niagara in 1953. Movie critics focused on Monroe's connection with the camera as much as the sinister plot. Her turn as the unbalanced easy virtue, Rose Loomis, who is planning to murder her equally neurotic husband, led some movie critics to claim Monroe would have been the perfect leading lady in an Alfred Hitchcock film. Hitchcock himself would later state he was a fan of Monroe.

It was around this time that nude photos of Monroe began to surface, taken by photographer Tom Kelley when she had been struggling for work. Prints were bought by Hugh Hefner and in December 1953 appeared in the first edition of Playboy. To the dismay of Fox, Monroe decided to publicly admit it was indeed her posing in the pictures. To a journalist asking what she had on during the photoshoot, she replied: "The radio." When asked what she wore in bed, she said: "Chanel No. 5." Her honesty and humour endeared her to the public, to the surprise of many industry insiders. Over the following months, Gentlemen Prefer Blondes and How To Marry A Millionaire cemented Monroe's status as an A-List screen actress and she quickly became arguably the world's biggest movie star. The lavish, technicolor comedy films firmly established Monroe's "dumb blonde" on-screen persona - one that she never truly escaped, despite her later efforts.

Gentlemen Prefer Blondes is regarded as one of the best comedies of all-time by many critics. Monroe's self-ironic turn as the gold-digging showgirl Lorelei Lee is generally considered to be one of her most alluring on-screen efforts, and her rendition of "Diamonds Are a Girl's Best Friend" is among the best-known scenes in movie history. It was for this role that Monroe was awarded her own star on the Hollywood Walk of Fame.

File:270px-Diamonds Gentlemen.jpeg
A much parodied scene from Gentlemen Prefer Blondes, which would be the first of many pop culture icons to form Marilyn Monroe's career

In How to Marry a Millionaire, Monroe was teamed up with two other major sex symbols, Lauren Bacall and Betty Grable. She played a short-sighted dumb blonde named Pola Debevoise and managed to shine even among her charismatic co-stars. Even though the role was in many ways a stereotype, Monroe garnered favorable reviews, and critics took note of her comedic timing. In Europe, she was already getting recognition for her acting skills, up to the extent that she was compared to Charles Chaplin.

Her next two films, the western River of No Return and the musical There's No Business Like Show Business, were not successful, partly due to the fact that Monroe wasn't given much to work with. Monroe, ambitious as ever and striving to face challenges, got tired of the roles that Zanuck assigned her. After completing work on The Seven Year Itch in early 1955, she broke her contract and fled Hollywood to study acting at The Actors Studio in New York. Fox would not accede on her new contract demands and insisted she return to start work on productions she considered inappropriate, such as The Girl In Pink Tights (which was never filmed), The Girl in the Red Velvet Swing, and How To Be Very, Very Popular.

File:Seven YEar Itch.jpg
Left: Tom Ewell (Richard Sherman), Right: Marilyn Monroe (The Girl). A famous scene from the film The Seven Year Itch, in which Monroe's character has her skirt blown upwards revealing her underwear. This has grown to become another icon of Marilyn Monroe

Monroe refused to appear in these films and stayed in New York. As The Seven Year Itch raced to the top of the box office in the summer of 1955, with other Fox starlets Jayne Mansfield and Sheree North failing to click with audience, Zanuck admitted defeat and Monroe triumphantly returned to Hollywood. A new contract was drawn up, giving Monroe complete directorial approval as well as the option to act in other studios' projects.

The first film to be made under the contract was Bus Stop, directed by Joshua Logan. Critics immediately took note of Monroe's profound approach on the character she played. Generally praised for her performance as Cherie, a saloon bar singer who falls in love with a cowboy, Monroe deliberately appeared badly made-up and non-glamorous. A lot of people believe she should have been nominated for an Academy Award. She did, however, get a Golden Globe nod.

Monroe formed her own production company with friend and photographer Milton H. Greene. Marilyn Monroe Productions released its first film The Prince and the Showgirl in 1957 to mixed reviews. Along with executive-producing the film, she starred opposite the acclaimed British actor Laurence Olivier, who directed it. Unfortunately, the chemistry between the two was lacking, not surprising given Olivier's fury at her "unprofessional" behavior and Monroe's reputation in the film industry for being difficult only grew. Monroe's performance as songstress Elsie Marina, however, was hailed as a first-rate characterization by the critics of the time, especially in Europe, where she was handed the David di Donatello, the Italian equivalent of the Academy Award, as well as the French Crystal Star Award. Furthermore, Monroe got nominated for the much valued BAFTA award.

Later years

In 1959 she scored the biggest hit of her career starring alongside Tony Curtis and Jack Lemmon in Billy Wilder's comedy Some Like It Hot. Her difficult behavior on the set is now legendary, as well as her numerous retakes. However, when the shooting was over with, Wilder stated that he would have been willing to go through the hard times with Monroe any time again, hailing her a first-rate comedienne. Some Like It Hot is now consistently rated as one of the best comedy films ever made.[citation needed] Monroe's performance as the promiscuous, constantly drinking but compassionate singer Sugar Kane was awarded with a Golden Globe for best actress in musical or comedy.

File:Galler31.jpg
Screen Tests for Something's Got To Give revealed a modern Monroe at her most radiant, but the film would quickly become a costly debacle for Fox.

After Some Like It Hot, Monroe did a musical named Let's Make Love directed by George Cukor and co-starring Yves Montand. Monroe, Montand and Cukor all considered the script subpar, yet Monroe was forced to make the film because of her obligations to Twentieth Century Fox. While the film was not a commercial or critical success, it included one of Monroe's legendary musical numbers, Cole Porter's "My Heart Belongs to Daddy".

By 1961, Monroe's third husband, the playwright Arthur Miller, had written and worked on what became her and her co-star Clark Gable's last completed film, The Misfits. It was a long and exhausting shoot in the middle of the hot Nevada desert. Monroe's tardiness became chronic and the shoot was troublesome all the way through. Despite all this, Monroe, Gable and Montgomery Clift were able to deliver performances that are now considered excellent, even iconic. Monroe became friends with Clift, with whom she felt a deep connection. Gable died of a heart attack soon after, and some blamed this on Monroe, claiming she had given him a hard time on the set. Gable had, however, insisted on doing his own stunts and was a heavy smoker and drinker, and the general consensus was that he simply got physically exhausted. Monroe did attend his funeral.

Some of the most famous photographs of her were taken by Douglas Kirkland in 1961 as a feature for the 25th anniversary issue of LOOK magazine.

Monroe returned to Hollywood to resume filming on an already troubled picture, Something's Got to Give. In May 1962, Monroe made her last significant public appearance, singing Happy Birthday, Mr. President at a televised birthday party for President John F. Kennedy. After shooting what was claimed to have been the first ever nude scene by a major motion picture actress, Monroe's attendance became even more erratic due to illness.

File:Happybirthdaymonroe.jpg
Happy Birthday, Mr. President May 1962

Already in a financial strain due to production costs of Cleopatra, starring Elizabeth Taylor, Fox used Monroe's absences as an excuse to drop Monroe from the film, sue her, and then replace her with Lee Remick. However, a clause in co-star Dean Martin's contract gave him approval over the film's leading lady. As he was unwilling to work with anyone else, Monroe was rehired for double her original salary.

Monroe conducted a lengthy interview with Life Magazine, in which she expressed how bitter she was about Hollywood labeling her as a dumb blonde and how much she loved her audience. She also did a photo shoot for Vogue, and began discussing a future film project with Gene Kelly and Frank Sinatra. She was also planning to star in a biopic as Jean Harlow. Other projects being considered for her were What a Way to Go! and The Stripper.

Before the shooting of Something's Got to Give resumed, however, Monroe was found dead in her Los Angeles home, on the morning of August 5, 1962. Her death, officially ruled to be a probable suicide by drug overdose, has since been found to contain instances of unprofessional handling of the investigation. It has become the subject of conspiracy theories, but these have done little to dent her iconic status as the archetypal sex symbol and film star in movie history.

Marriages

James Dougherty

Monroe married James Dougherty on June 19, 1942. In his books The Secret Happiness of Marilyn Monroe and To Norma Jeane With Love, Jimmie, he claimed they were in love, but dreams of stardom lured her away. Monroe always maintained theirs was a marriage of convenience engineered by Grace Goddard. She was reportedly furious when he claimed to Photoplay in 1953 she threatened to jump off the Santa Monica Pier if he left her. He appeared as a contestant on To Tell the Truth as "Marilyn Monroe's real first husband". He sold signed copies of his books on his website [2].

In the 2004 documentary Marilyn's Man, Dougherty made three new claims: he was her Svengali and invented "Marilyn Monroe", studio executives forced her to divorce him, and he was her true love. The evidence does not support this. He remarried within a year of their divorce. When informed of her death, the New York Times reported he replied "I'm sorry" and continued his LAPD patrol; he did not attend her funeral. In the December 1952 Modern Screen Magazine, his sister revealed he left her because she wanted to pursue a career. In an interview for A&E Network, he admitted that his mother asked him if he'd marry Norma Jeane so she wouldn't be sent to an orphanage. More telling, the 1999 Christie's auction revealed that Monroe had kept nothing from Dougherty except their divorce decree. He died from leukemia complications on August 15, 2005.

File:Marilynlovejoekiss.jpg
Joe DiMaggio and Monroe on their wedding day, January 14, 1954

Joe DiMaggio

In 1951 Joe DiMaggio saw a picture of Monroe with two Chicago White Sox players, but waited until his retirement before asking the man who arranged the stunt to set up a date. Monroe did not want to meet him, fearing a stereotypical jock. They eloped at San Francisco's City Hall on January 14, 1954. During the honeymoon, she was asked to visit Korea to entertain the troops. She performed ten shows over four days in freezing temperatures for more than 100,000 soldiers and marines. Reportedly, Joe was not pleased with his wife's decision during what he wanted to be an intimate honeymoon.

DiMaggio biographer Maury Allen quoted New York Yankees PR man, Arthur Richman, that DiMaggio told him everything went wrong from the trip to Japan on. Although Marilyn said she wanted to settle down, she was intent on continuing her career. Biographer Fred Guiles speculated that Joe, knowing first-hand the power and hollowness of fame, wanted desperately to head off what he was convinced was Marilyn's "collison-course with disaster." Friends claimed that DiMaggio became more controlling as Monroe grew increasingly defiant. After filming the notorious skirt-blowing scene in The Seven Year Itch, Billy Wilder recalled the "look of death" on DiMaggio's face as he watched; biographer Richard Ben Cramer claims that Joe was so "disgusted", he beat her after she returned to their hotel. Her makeup man Allan Snyder recalled that Marilyn later appeared on set with bruises on her upper arms. Tom Ewell told the Louisville Courier-Journal in 1989 that Wilder set the whole scenario up: he had fans in bleachers, and - knowing Marilyn would not be wearing undies - had a fan placed under the grate before rehearsals that would blow the dress over her head. On October 27, 274 days after the wedding, she filed for divorce on grounds of mental cruelty.

DiMaggio re-entered her life after her separation from Arthur Miller. The state of her physical and mental health became widely speculated upon by gossip columnists. Her psychiatrist arranged for her to be admitted to the Payne Whitney Psychiatric Clinic. Unable to voluntarily check herself out, she called DiMaggio. On February 10, 1961, he secured her release (she was reportedly placed in the ward for the most seriously disturbed). She later joined him in Florida. Their "just good friends" claims did not stop rumors of remarriage. At the 1960 Academy Awards telecast, Bob Hope jokingly dedicated Best Song nominee The Second Time Around to them.

According to Allen, on August 1, 1962 DiMaggio - alarmed by how Marilyn had returned to her self-destructive ways, falling in with people he felt detrimental to her (including Frank Sinatra and his "Rat Pack" - quit his job with a PX supplier to return to California and ask her to remarry him. He claimed her body, and arranged her funeral, barring Hollywood's elite.

For twenty years, DiMaggio had a dozen red roses delivered to Monroe's crypt three times a week. Unlike her other two husbands, or the men who claimed to have known her intimately, he never talked about her publicly or "cashed in" on the relationship. He never remarried. He died on March 8, 1999, of lung cancer. He had been linked with Monroe wanna-bes Mamie Van Doren and Cleo Moore.

On January 23, 2006 it was announced that DiMaggio's granddaughters will have his personal items auctioned in May, among them a photo Monroe inscribed to him: "I love you Joe."

Arthur Miller

On June 29, 1956, Monroe married playwright Arthur Miller, whom she had first met in 1951, in a civil ceremony in White Plains, New York. A Jewish wedding followed two days later (she had converted to Judaism). After she finished shooting The Prince and the Showgirl, the couple returned to the States from England and discovered she was pregnant. However, she suffered from endometriosis and the pregnancy was found to be ectopic; it was aborted to save her life. A subsequent pregnancy ended in miscarriage.

By 1958, she was the couple's main breadwinner. Not only did she pay alimony to Miller's first wife but he reportedly charged her production company for buying and shipping a Jaguar to the United States. His screenplay for The Misfits (film) was meant to be a Valentine gift for his wife, but by the time filming started in 1960 their marriage was broken beyond repair. A Mexican divorce was granted on January 24, 1961. On February 17, 1962, Miller married Inge Morath, one of the Magnum photographers recording the making of The Misfits.

In January 1964, Miller's After the Fall opened, featuring a beautiful, child-like, yet devouring shrew named Maggie. The similarities between Maggie and Monroe did not go unnoticed by audiences and critics (including Helen Hayes), many of whom sympathized with the fact that as she was no longer alive and could not defend herself. Simone Signoret noted in her autobiography the morbidity of Miller and Elia Kazan resuming their professional association "over a casket." Miller always insisted that Maggie was not based on his ex-wife. His last Broadway-bound work, Finishing the Picture, was based on the making of The Misfits. In interviews, he described her as "highly self-destructive." He told Vanity Fair what "killed" her was not some conspiracy, but the fact that she was Marilyn Monroe. In his 1987 autobiography Timebends, Miller elaborated on her and their marriage while defending his actions. He died on February 10, 2005, at the age of 89.

Communist connections

It is well-known that Marilyn Monroe was left-leaning in her political ideology and was a known socializer with communists; she once met with a communist organization in Mexico City, shortly after having a lunch with President Kennedy in which they discussed the morality of nuclear proliferation (Peter Van Sant, 48 Hours Documentarian, 4/21/2006, interview with Bill O'Reilly).

Death and aftermath

Monroe was found nude, dead in the bedroom of her Brentwood, California home clutching her telephone by her live-in housekeeper Mrs. Eunice Murray on August 5, 1962. She was only 36 years old. Her death was ruled as an overdose of sleeping pills, but several conspiracy theories have been brought up around the circumstances. Cover-up has been a main topic for discussion for decades. Marilyn is buried at Corridor of Memories, #24, at Westwood Memorial Park in Los Angeles, CA.

Administration of Estate

Monroe was a student of Lee Strasberg's, and he helped her throughout her life. In her final will, Monroe left Strasberg total control of 75% of her estate, including the licensing of her image as gratitude for his mentorship and kindness before and after she became a star.

Today, Strasberg's widow Anna Mizrahi (a Sephardic Jew who was born in Venezuela and the mother of Strasberg's two youngest children, David and Adam), administers the estate which earns millions of dollars in licensing fees whenever an advertiser or manufacturer uses Monroe's image. Anna declared that she would never sell Monroe's personal items after successfully suing Odyssey Auctions in 1994 from preventing the sale of items which were withheld from Strasberg by Monroe's former business manager, Inez Melson.

In October 1999, Christie's auctioned the bulk of Monroe's personal effects. In her will, Monroe expressed her desire that Strasberg, or, if he predeceased her, her executor, "distribute (these) among my friends, colleagues and those to whom I am devoted." Strasberg willed them to Anna, who never met Monroe; the auction netted $12.3 million. Julien's staged a second auction of Monroe's personal effects in 2005.

Trivia

  • Haugesund, Norway, birthplace of Martin Edward Mortenson, has a lifesize statue of Marilyn.
  • Childhood pictures show that Marilyn was a blonde, but her hair turned "mousy" as she grew up. She dyed her hair several different shades of blonde as an adult.
  • Monroe fans: Albert Einstein, Ayn Rand, Jean-Paul Sartre, Alfred Hitchcock, Edith Sitwell, Gwen Stefani, Madonna and Vladimir Nabokov.
  • Colin Farrell admitted that as a child he would put sweets under his pillow for Monroe in case she visited him from heaven.
  • When Rainier III of Monaco was looking for a famous wife, Monroe was suggested. However, since she wasn't Catholic, she could not be considered.
  • Marian McKnight won the 1957 Miss America crown with a Marilyn act.
  • The "subway grate" scene in The Seven Year Itch has been aped in countless shows, commercials, products, and ads, and by everyone from Anna Nicole Smith, Absolut vodka, Betty Boop, Perrier Mineral Water and the Statue of Liberty.
  • A computer-generated Monroe is featured in The Sims: Superstar.
  • Monroe's features are copyrighted to her estate and are not allowed to be reproduced exactly.
  • Monroe had a mild stutter, which was most severe during her teens. She commented in an interview, "I stuttered... Later on, in my teens, when I was at Van Nuys High School, they elected me secretary of the English class and every time I had to read the minutes I'd say, 'Minutes of the last m-m-m-meeting.' It was terrible." [3]
  • Her first screen test was shot by cinematographer Leon Shamroy.
  • Hugh Hefner bought a crypt next to Monroe's for $85,000. The other crypt next to hers was sold for $125,000. There are no empty spots available near Monroe.
  • The myth that Monroe was born with eleven toes resulted from photos in The Birth of Marilyn by Joseph Jasgur in March 1946. The story is dismissed as an urban legend. Photos of her as a child and baby show only 5. This 6th toe in Jasgur's photograph is probably just a lump of sand on the beach. [4]
  • Monroe was Miss Artichoke of 1948.
  • The "subway grate" scene in The Seven Year Itch was reshot at Fox, since the crowds proved too distracting.
  • Billy Wilder said Monroe had breasts like granite and a brain like Swiss cheese. However, Wilder also said she was a genius.
  • A roommate of Oscar-winning actress Shelley Winters.
  • Talked a club owner into booking Ella Fitzgerald: 'I owe Marilyn Monroe a real debt. It was because of her that I played the Mocambo, a very popular night-club in the 50’s. She personally called the owner of the Mocambo, and told him she wanted me booked immediately, and if he would do it, she would take a front table every night. She told him – and it was true, due to Marilyn’s superstar status – that the press would go wild. The owner said yes, and Marilyn was there, front table, every night. The press went overboard… After that, I never had to play a small jazz club again. Marilyn was a little ahead of her time and she didn't know it.' [5]
  • Said to be quite intelligent, although it was hidden behind her image. She wrote poems, enjoyed literature and always regretted never continuing high school.
  • George Barris claims he took the last pictures of Monroe. However, it was Allan Grant who took the last pictures of Monroe, during an interview for Life magazine on July 7, 1962.
  • Among the men Monroe allegedly had affairs with were: President John F. Kennedy, Frank Sinatra, Marlon Brando, and Yves Montand. In 2005 it was claimed she had a one-night stand with Joan Crawford, who was very angry that Marilyn refused to repeat the experience and Crawford became, in Monroe's words, "spiteful".
  • Frank Sinatra gave her a Maltese puppy that she named "Maf Honey". "Maf" was supposedly short for "Mafia".
  • The beauty mark above her lip was genuine. It was a very pale mole that she darkened with makeup. [6]
  • Truman Capote wanted her to play Holly Golightly in the film adaptation of his Breakfast At Tiffany's.
  • Purportedly shaved a quarter of an inch off many of her right high-heeled shoes to accentuate the wiggle in her walk.
  • The diamonds she wore as she performed Diamonds Are A Girl's Best Friend were rhinestones.
  • According to tapes recorded of sessions between Monroe and her psychologist, she had at least one affair with a woman.
  • The gown Monroe wore to sing happy birthday to John F. Kennedy sold in 1999 for over $1,500,000.
  • Marilyn is the first stamp of the USPS's "Legends of Hollywood" series
  • 1999 Voted 'Sexiest Woman of the Century' by People magazine.
  • 1999: Voted 'Sex Symbol of the Century' by E! Online.
  • 1998: Voted 'The Number One Sex Star of the Century' by Playboy magazine.
  • 1996: Voted Sexiest starlet of all time by Celebrity Skin.
  • 1995: Voted 'The Sexiest Female Movie Star' by Empire movie magazine


Film Year Salary
Scudda Hoo! Scudda Hay! 1948 $75/week
The Asphalt Jungle 1950 $1,050
All About Eve 1950 $500/week, with one-week guarantee
We're Not Married! 1952 $750/week
Gentlemen Prefer Blondes 1953 $1,250/week
The Seven Year Itch 1955 $1,500/week
Some Like It Hot 1959 $200,000 plus 10% gross over $4 million
The Misfits 1961 $250,000
Something's Got to Give 1962 $100,000

Filmography

File:Poster1niagara.jpg
Poster art for Niagara
Year Title Role Other notes
1962 Something's Got to Give Ellen Wagstaff Arden (unfinished)
1961 The Misfits Roslyn Tabler
1960 Let's Make Love Amanda Dell
1959 Some Like It Hot Sugar Kane Kowalczyk
1957 The Prince and the Showgirl Elsie Marina
1956 Bus Stop Cherie
1955 The Seven Year Itch The Girl
1954 There's No Business Like Show Business Vicky Hoffman/Vicky Parker
1954 River of No Return Kay Weston
1953 How to Marry a Millionare Pola Debevoise
1953 Gentlemen Prefer Blondes Lorelei Lee
1953 Niagara Rose Loomis
1952 O. Henry's Full House Streetwalker (The Cop and the Anthem)
1952 Monkey Business Miss Lois Laurel
1952 Don't Bother to Knock Nell Forbes
1952 We're Not Married! Annabel Jones Norris
1952 Clash by Night Peggy
1951 Let's Make It Legal Joyce Mannering
1951 Love Nest Roberta Stevens
1951 As Young as You Feel Harriet
1951 Home Town Story Gina Norris
1950 Right Cross Dusky Ledoux (uncredited)
1950 All About Eve Miss Caswell
1950 The Fireball Polly
1950 The Asphalt Jungle Angela Phinlay
1950 A Ticket to Tomahawk Clara (uncredited)
1949 Love Happy Grunion's Client
1948 Ladies of the Chorus Peggy Martin
1948 Scudda Hoo! Scudda Hay! Girl in Canoe (lake scenes)/Girl Exiting Church (uncredited)
1947 Dangerous Years Evie

Awards and nominations

  • 1952 Photoplay Award: Special Award
  • 1953 Photoplay Award: Most Popular Female Star
  • 1954 Golden Globe, World Film Favorite: Female
  • 1956 BAFTA Film Award nomination: Best Foreign Actress (for The Seven Year Itch)
  • 1956 Golden Globe nomination: Best Motion Picture Actress in Comedy or Musical (for Bus Stop)
  • 1958 BAFTA Film Award nomination: Best Foreign Actress (for The Prince and the Showgirl)
  • 1958 David di Donatello Award (Italian): Golden Plate (for The Prince and the Showgirl)
  • 1959 Crystal Star Award (French): Best Foreign Actress (for The Prince and the Showgirl)
  • 1960 Golden Globe, Best Motion Picture Actress in Comedy or Musical (for Some Like It Hot)
  • 1962 Golden Globe, World Film Favorite: Female

Monroe has a star on the Hollywood Walk of Fame at 6104 Hollywood Blvd.

In popular culture

Music

Films

Portrayed in:

Based on her:

Television

Portrayed in:

Based on her:

Art/Photography

File:Marilyn Monroe Warhol Prints.jpg
Andy Warhol's iconic Marilyn Monroe

Further reference: Marilyn in Art by Roger Taylor (ISBN 1904957021), and Marilyn Monroe and the Camera by Georges Belmont (ISBN 0821217658)

Stage

Based on Monroe:

  • Rita Marlowe in the 1955 Broadway play Will Success Spoil Rock Hunter by George Axelrod
  • Olive Ogilvie in the 1962 Broadway play Venus at Large by Henry Denker
  • The Actress in the 1982 play Insignificance by Terry Johnson. Filmed by Nicolas Roeg
  • Maggie in the 1964 play After the Fall, and Kay in the 2004 play Finishing the Picture by Arthur Miller

Monroe as a Character:

Books

According to The Guardian, there are nearly 700 biographies on Marilyn in English alone; the following are fiction:

  • Candle in the Wind by George Bernau.
  • The Symbol by Alvah Bessie.
  • The Possibility of Dreaming on a Night Without Stars by Michael Kaufman.
  • Of Women and Their Elegance by Norman Mailer.
  • Blonde by Joyce Carol Oates.
  • Marilyn's Daughter by John Rechy.
  • Queen of Desire by Sam Toperoff.


Further reading

  • Victor, Adam (1999). The Complete Marilyn Monroe. Thames and Hudson Ltd. ISBN 0500019789. An exhaustive and thorough A–Z look at Monroe's life.
  • Wolfe, Donald H. (1988). The Last Days of Marilyn Monroe. William Morrow & Company. ISBN 0688162886. Argues for Kennedy connection to Monroe's death.
  • Smith, Matthew (2004). Marilyn's Last Words: Her Secret Tapes and Mysterious Death. Carroll & Graf Publishers. ISBN 0786713801. Contains alleged transcripts of Monroe's therapy sessions.
  • Giancana, Sam (1993). Double Cross: The Explosive Inside Story of the Mobster Who Controlled America. Warner Books. ISBN 0446364126. {{cite book}}: Unknown parameter |coauthor= ignored (|author= suggested) (help) Mobster Sam Giancana's nephew and brother claim that Giancana had Monroe killed (pp.434–438).
  • Mailer, Norman (1973). Marilyn, a Biography. Grosset & Dunlap. ISBN 0448010291. Norman Mailer's biography of Marilyn is illustrated with hundreds of photographs.

External links


Preceded by
None
Playboy Playmate
December 1953
Succeeded by

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