The Mandaic term drabša is derived from the Middle Persian word drafš, which means 'banner or standard; a flash of light; sunrise'. In Mandaic, drabša can also mean 'a ray or beam of light'.[5]
Description and symbolism
The drabša is a banner in the shape of a cross made of two branches of olive wood fastened together and half covered with a piece of white cloth traditionally made of pure silk, and seven branches of myrtle. The drabša white silk banner is not identified with the Christian cross. Instead, the four arms of the drabsha symbolize the four corners of the universe, while the pure silk cloth represents the Light of God (Hayyi Rabbi).[6] The seven branches of myrtle represent the seven days of creation.[7][8] The drabsha is viewed as a symbol of light and the light of the sun, moon and stars is envisaged to shine from it.[9] It may be of pre-Christian origin and used originally to hang a prayer shawl during immersion in the river (masbuta).[9]
Prayers
In E. S. Drower's version of the Qolasta, prayers 330–347 (corresponding to Part 4 of Mark Lidzbarski's Oxford Collection) are dedicated to the drabša. In many of these prayers, which mention the unfurling of drabshas, individual drabshas have given names.[10]
Artistic rendition of the Mandaean drabsha
An actual drabsha (left) next to a symbolic drabsha (center) at the Ganzibra Dakhil Mandi in Liverpool, Sydney, Australia
Front side of a drabsha at the Ganzibra Dakhil Mandi in Liverpool, Sydney, Australia
Back side of a drabsha at the Ganzibra Dakhil Mandi in Liverpool, Sydney, Australia
A drabsha (center) carried during a Parwanaya festival held in Maysan Governorate, southern Iraq in March 2019
A drabsha being carried to the Tigris River
A drabsha (darfash) golden necklace
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