User:Not Kant/Cambridge Literary Review
"The Cambridge Literary Review" is a literary magazine published three times per year. It is edited by Boris Jardine and Lydia Wilson and is run from the Department of History and Philosophy of Science at the University of Cambridge. It was founded in 2009 with generous assistance from the University's 800th anniversary fund. It publishes poetry, short fiction and criticism by both academics and students, and although its commitment to experimental and challenging works is influenced by the 'Cambridge School' of poetry it is has included contributions by writers from around the world and in multiple languages. It has received notice in the The Times Literary Supplement [1] and Ian McMillan's poetry blog.[2]
Issue One
The first issue includes poetry by J.H. Prynne, Helen MacDonald, John Wilkinson, John Kinsella, Keston Sutherland, Peter Riley, John James, Justin Katko and Jow Lindsay, Avery Slater, John Matthias, Ian Patterson, Timothy Thornton, Rod Mengham, Anna Mendelssohn, Debora Greger, Richard Berengarten, Tom Lowenstein, Emily Critchley, John Stanley, Luke Roberts, Marianne Morris, Charles Madge and Ray Crump and prose by Rosie Šnajdr, Helen MacDonald and Charles Lambert. This 'Cambridge number' contains a feature on the history of Cambridge poetry with articles by Jeremy Noel-Tod, Andrew Duncan, Elaine Feinstein, Richard Berengarten, Gareth Farmer, John Hall, Rod Mengham, Christina MacLeish, Robert Archambeau and Marianne Morris. Other essays are included by Raymond Geuss on 'productive obscurity', Stefan Collini on the study of the Humanities, Rebecca Stott on historical fiction and Philip Pettit on The Cambridge Review.
Issue Two
Contains poetry by Drew Milne, Marianne Morris, Andrea Brady, Ian Heames, Nick Potamitis, Francesca Lisette, Stephen Rodefer, Alice Notley, Posie Rider, Rod Mengham, Alexander Nemser, Geoffrey Hartman, Peter Hughes, Ray Crump, David Grundy, Laura Kilbride, Angela Leighton and Sara Crangle. In prose and fiction contributors include Lorqui Blinx, Rosie Šnajdr, Helen MacDonald, Chris Hardy and Keith Wells. Articles include Marina Frasca-Spada on David Hume, Simon Jarvis on Hegel's The Phenomenology of Spirit, Justin Katko on Keston Sutherland, Emily Gilby on Longinus and the Sublime, George Reynolds on Ezra Pound and George L. Burns in defense of obscurity.
Issue Three
This issue takes as its theme 'translation', opening up a space in which to debate and subvert the manifold practices, protocols and theories of translation. For the poetry selection translations and original compositions are provided by Joel Calahan, Anne Blonstein, Caroline Bergvall, Reitha Pattison, Raymond Geuss, Jonty Tiplady, Marianne Morris, Henri Deluy, Peter Manson, Ian Heames, Charles Lambert, Nicholas Moore, Richard Owens, Andrzej Sosnowski, Grzegorz Wróblewski, Alistair Noon, Adam Polnay and Sean Bonney. In the prose section there are translations of Eric Hazan, Kurt Schwitters and André Gide and original works by Jeremy Hardingham and Emily Critchley. Articles published in this issue include J.H. Prynne on the perils of translating difficult poetry, Lydia Davis on Proust, Haun Saussy on Jean Métellus, Nick Jardine on various approaches translation, Yonatan Mandel on the politics of translating Arabic into Hebrew, David Bellos on Walter Benjamin, Christopher Burke on Neurath and Peter Zinovieff on Bartók and folk music.
References
External links
* [3]