User:0mtwb9gd5wx/Theatre Library Association

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The Theatre Library Association is a non-profit, educational organization established in 1937 to promote the collection, preservation, and use of theatrical and performing arts materials. Membership includes librarians, scholars, curators, archivists, performers, writers, designers, historians, collectors, and students. Recognizing the need for documenting theatre as both an art form and as a factor in a community’s social and educational life, leading theatre curators, librarians and historians met in June 1937 under the chairmanship of Harry M. Lydenberg, director of The New York Public Library, to discuss the issue. Among those present were the curators of the Harvard Theatre Collection, the Brander Matthews Dramatic Museum of Columbia University, the William Seymour Theatre Collection at Princeton University, the Museum of the City of New York, and the New York Public Library Theatre Collection. It was on this occasion that the group founded and successfully launched the Theatre Library Association. George Freedley, curator of the Theatre Collection of The New York Public Library, was appointed its first president, and it was formally adopted as an affiliate of the American Library Association the following year.
http://www.ala.org/aboutala/affiliates/affiliates/tla





ethnography of performance. It was established in 1942 by the Theatre Library Association and initially edited by John Falconeiri and published by the
Delluc's critics, and Marcel L'Herbier's manifesto. He won the Theatre Library Association Award in 1985, 1995 and 2006. Abel, Richard The Red Rooster Scare:
20, 2011. "Theatre Library Association Award - Winners, 1974-2009" Archived 2011-11-05 at the Wayback Machine. Theatre Library Association, accessed October
ISBN 0-8143-2454-1. "Previous Winners of the Theatre Library Association Award". Theatre Library Association. Archived from the original on September 15
Richard Wall Memorial Award for exemplary research from the Theatre Library Association. High Noon: The Hollywood Blacklist and the Making of an American
878 pages of text". He received the Special Jury Prize of the Theatre Library Association in 2004 for W. C. Fields: A Biography. "Biography". JamesCurtis
the 1989 Los Angeles Times Book Prize for history and the 1989 Theatre Library Association Award. The book was adapted into a documentary film in 1998,
with Diane Carson and Cynthia Baron. (Nominated for the 2005 Theatre Library Association Book Award)[citation needed] Tomasulo's book-length monograph
Art: The Legends of Movie Matte Painting, with Mark Cotta Vaz – Theatre Library Association of New York Outstanding Book on Film Award, 2003; Theatre Technology
Archives (now suspended), the Theatre Library Association Award (now the Wall Award) from the Theatre Library Association, and the Katherine Kovacs Book
Substance Abuse Librarians & Information Specialists (SALIS) Theatre Library Association United States Agricultural Information Network Urban Libraries
Festival for each October issue of The French Review. 1990. Prize, Theatre Library Association, for the book Child of Paradise 1993-1998. President, Xi chapter
its "concert-saloon", 1828-1846". Performing Arts Resources. Theatre Library Association. 21, Pleasure Gardens. ISBN 9780932610188. "Niblo's Garden".
also won the 2011 George Freedley Memorial Award, given by the Theatre Library Association, for his study of the Shakespeare authorship question, Contested
1905 to 1939. Performing Art Resources, vol. 17–18. New York: Theatre Library Association, 1993. ISBN 978-0-03-261014-9 Shanor, Rebecca Read. "Hippodrome"
10/7/2013 "George Freedley Memorial Award – Winners 1969-Present". Theatre Library Association Website: "Archived copy". Archived from the original on 2012-12-14
2004; volume 23 of the Performing Arts Resource Series of the Theatre Library Association; via Google Books Tommy Wonder, 78, Ex-Ziegfeld Dancer at the
1971. Received the George Freedley Award from the American Theatre Library Association in 1971. Directions in Literary Criticism; Contemporary Approaches
Historian as Film Noir Detective, Ed. Stephen Johnson, New York: Theatre Library Association. Enzensberger, Ulrich (2006). Die Jahre der Kommune I: Berlin
Stages That Challenge Our Concept of Legitimacy in Theater". Theatre Library Association. Bigsby, CWE (1999). Contemporary American playwrights. Cambridge
Seminar on the Acquisition of Latin American Library Materials Theatre Library Association The ALA is affiliated with regional, state, and student chapters
2001, Bloomsbury UK, 2002), which received an award from the Theatre Library Association in 2002 and was called a "marvellous -- miraculous -- book" by
sponsored jointly by American Society for Theatre Research and Theatre Library Association. Westport, Conn.: Greenwood Press. ISBN 0313210721.CS1 maint:
Angela Davis: Walls into Bridges (PBS Documentary, 30 mins. 1979) Theatre Library Association, Award Winners, 1994 "Honorable Mention" for FRAMING BLACKNESS:
catalogers as a means to develop uniform cataloging practices. Theatre Library Association (TLA): The TLA is a support organization for librarians involved
shortlisted for the 2019 George Freedley Memorial Award by the Theatre Library Association in the United States. Higley, John; Deacon, Desley; Smart, Don
Society for Theatre Research and the Special Jury Award of the Theatre Library Association. He was a 1988 recipient of an NEH research grant to study in
Schuster (November 2010) and was honored by Kirkus Reviews and The Theatre Library Association Awards as one of the "Best Biographies of 2010." Acclaimed by
Theatre Technology in 1975, The George Freely Award from the Theatre Library Association in 1977, and the Distinguished Service Award from the American
Nancy E. Friedland, ed. (2010). Documenting: Costume Design. The Theatre Library Association. pp. 94–99. Retrieved 20 August 2015. Rose, Mark (August 18,





In 1977, at a "scholarly four‐day conference[1][2][3][4] to study the History of American Popular Entertainment" at the New York Public Library for the Performing Arts, Ralph G. Allen, a theater professor and historian fascinated with burlesque, presented a lecture, from a prior College of Fellows of the American Theatre[5] Address, with pieces of a revue he wrote, that borrowed material from long-forgotten burlesque routines, "At My Mother's Knee (and Other Low Joints)".[6][7] Rigby was in the audience and approached Allen about the material, and together they wrote the book for the show. Sugar Babies debuted two years later.


References

  1. ^ "Conference to Explore History of Entertainment". The New York Times. 16 November 1977. Retrieved 16 April 2021.
  2. ^ American Society for Theatre Research; Theatre Library Association (1979). Matlaw, Myron Matlaw (ed.). 1977 Conference on the History of American Popular Entertainment at New York Public Library at Lincoln Center: papers and proceedings. Westport, CT: Greenwood Press. ISBN 0313210721. OCLC 4933528. Retrieved 16 April 2021. via: James Madison University Libraries
  3. ^ American Society for Theatre Research; Theatre Library Association. American Popular Entertainment: Papers and Proceedings of the Conference on the History of American Popular Entertainment. Greenwood Press. ISBN 978-0-313-21072-3. The Conference on the History of American Popular Entertainment (better known by its acronym, CHAPE), held at Lincoln Center in New York on November 17-20, 1977, was the first of its kind in the United States… It opened with an immense two-hour environmental 'happening,' live acts… and an audiovisual pastiche of concurrently performed activities… black and white Minstrel Shows, Burlesque Shows, Vaudeville, Ragtime, Ethnic Theatre, Tent Repertoire Shows, Circus, Wild West Shows, Medicine Shows, Dance, and other entertainments–a potpourri of the various topics covered in the Conference itself… This published version of the Conference events constitutes a unique history of such popular entertainments. Through the scholarly inquiries by academicians and through performances and reminiscences by members of the entertainment profession, it helps to re-create our cultural heritage by presenting an overview of popular entertainment and by sorting out the individual forms of the genre.
  4. ^ "Vaudeville Nation". New York Public Library. Retrieved 16 April 2021.
  5. ^ "About Us". The College of Fellows of the American Theatre. Retrieved 16 April 2021.
  6. ^ Allen, Ralph G. (August 17, 1977). "At My Mother's Knee (and Other Low Joints)" (PDF). American Theatre Association. Retrieved 16 April 2021.
  7. ^ "American popular entertainment: papers and proceedings of the Conference on the History of American Popular Entertainment". Greenwood Press. 1979. Retrieved 16 April 2021.
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