The Beatles' rooftop concert

Coordinates: 51°30′37.5″N 0°08′23.0″W / 51.510417°N 0.139722°W / 51.510417; -0.139722
Source: Wikipedia, the free encyclopedia.

51°30′37.5″N 0°08′23.0″W / 51.510417°N 0.139722°W / 51.510417; -0.139722

The Beatles' rooftop concert
Concert by the Beatles
VenueApple Corps headquarters rooftop, London
Date(s)30 January 1969 (1969-01-30)
Duration42:00[1]
The Beatles concert chronology

On 30 January 1969, The Beatles performed a concert from the rooftop of their Apple Corps headquarters at 3 Savile Row, in central London's office and fashion district. Joined by guest keyboardist Billy Preston, the band played a 42-minute set before the Metropolitan Police arrived and ordered them to reduce the volume. It was the final public performance of their career. They performed nine takes of five new songs as crowds of onlookers, many on lunch breaks, congregated in the streets and on the rooftops of nearby buildings to listen. The concert ended with "Get Back", and John Lennon joking, "I'd like to say thank you on behalf of the group and ourselves, and I hope we've passed the audition."[2]

The entire performance was filmed and recorded, and footage was used in the 1970 documentary film Let It Be and the 2021 documentary series The Beatles: Get Back. The first performance of "I've Got a Feeling" and single takes of "One After 909" and "Dig a Pony" were also featured on the accompanying album. On 28 January 2022, the audio of the full rooftop performance was released to streaming services under the title Get Back – The Rooftop Performance.[3] In February 2022, Disney released the entire concert sequence as presented in The Beatles: Get Back in IMAX as The Beatles: Get Back – The Rooftop Concert.

Background

Although the rooftop concert was unannounced, the original intention behind the Beatles' Get Back project had been for the band to stage a comeback as live performers.[4] The idea of a large public show was sidelined, however, as one of George Harrison's conditions for returning to the group after he had walked out of the filmed rehearsals on 10 January.[5][6] Another of Harrison's stipulations was that they move from Twickenham Film Studios to their Apple Corps headquarters and record their new songs in the basement of Apple Studio.[5][7] On 22 January, Harrison brought in keyboardist Billy Preston as an additional musician, in the hope that a talented outsider would encourage the band to be tight and focused.[8] Paul McCartney and Michael Lindsay-Hogg, the director of the project, continued to hope that the Beatles would end the recording sessions with a live performance in front of an audience.[5]

There was a plan to play live somewhere. We were wondering where we could go – "Oh, the Palladium or the Sahara". But we would have had to take all the stuff, so we decided, "Let's get up on the roof."[9]

– Ringo Starr, 2000

According to Beatles historian Mark Lewisohn, it is uncertain who thought of a rooftop concert, but the idea was conceived just days before the actual event.[8] In Preston's recollection, it was John Lennon who suggested it.[10] In his autobiography Sound Man, audio engineer Glyn Johns said the idea for the concert was his. He recalled that it originated from a lunchtime discussion, when Ringo Starr mentioned that there was a great view of London's West End from the roof and took Johns and Lindsay-Hogg up to see it.[11] Mal Evans, the Beatles' road manager, recorded in his diary that the idea came about "after we'd taken a breath of fresh air on the roof after lunch" on 26 January.[10] Peter Jackson's documentary series The Beatles: Get Back shows Johns and Lindsay-Hogg presenting McCartney with the idea and McCartney being excited about it.[12]

Starr was initially determined not to play, and Harrison was reluctant.[13] The 29 January audio tapes for Lindsay-Hogg's production capture McCartney pleading with Lennon that a live performance was essential to maintain the Beatles' connection with their audience, and the band members merely needed to overcome their stage fright.[14] In a group discussion at the end of that day, Harrison talked enthusiastically about the upcoming show for the first time and joked about performing for an audience of chimneys.[15] Consistent with a decision he made during the Twickenham rehearsals, however, Harrison declined to have any of his songs included in the set.[16]

Preparation

Evans organized the building of a stage on the Apple rooftop and the setting up of the band's equipment.[17] The instruments used during the performance were Lennon's stripped-back Epiphone Casino, McCartney's signature Höfner "violin" bass, Harrison's new, custom-made rosewood Fender Telecaster,[18] and Starr's recently acquired Ludwig drum kit, plus a Fender Rhodes electric piano for Preston.[19] Johns and assistant engineer Alan Parsons purchased women's stockings from a local Marks & Spencer store to protect the microphones from the winter wind.[17] Plans to hire a helicopter to capture aerial footage were abandoned.[17]

The audio was recorded on two eight-track recorders in the basement studio at Apple[20] by Johns[21] and Parsons.[22] Lindsay-Hogg's crew used six cameras to film several angles of the performance.[17] In addition to cameras located on the rooftop with the band, one camera was placed, without permission, on the roof of a building across the street;[23] a camera was hidden behind a two-way mirror in the reception area of the building, ready to capture any disruption caused by the loud music; and two cameras were on the street to film interviews and reactions from passers-by.[17]

Performance

3 Savile Row, London, the location of the concert (pictured in 2007)

Until the last minute, according to Lindsay-Hogg, the Beatles were still undecided about performing the concert.[24] He recalled that they had discussed it and then gone silent, until "John said in the silence, 'Fuck it – let's go do it.'"[25]

The four Beatles and Preston arrived on the roof at around 12:30 pm.[26] When they began to play, there was confusion nearby among members of the public, many of whom were on their lunch break. As the news of the event spread, crowds began to congregate in the streets and on the flat rooftops of nearby buildings.[27] While most responded positively to the concert, the Metropolitan Police grew concerned about noise and traffic issues,[27] having received complaints from local businesses.[22] The film cameras captured police officers Ray Dagg and Ray Shayler[28] arriving at Apple to stop the performance.[22] Apple employees initially kept the officers in the reception area and refused to let them up to the roof, but acquiesced when threatened with arrest.[27][23]

According to Johns, the band fully expected to be interrupted by the police, since there was a police station not far along Savile Row.[29] The authorities' intervention satisfied a suggestion made by McCartney earlier in January, that the Beatles should perform their concert "in a place we're not allowed to do it ... like we should trespass, go in, set up and then get moved ... Getting forcibly ejected, still trying to play your numbers, and the police lifting you."[17]

The officers ascended to the roof just as the Beatles began the second take of "Don't Let Me Down".[23] During the next number – the final version of "Get Back"[30] – McCartney improvised the lyrics to reflect the situation:[22] "You've been playing on the roofs again, and that's no good, 'cause you know your Mummy doesn't like that ... she gets angry ... she's gonna have you arrested!"[31] Acting on the police officers' instructions,[30] Evans turned off Lennon and Harrison's guitar amplifiers mid-song, only for Harrison to turn his amplifier back on. Evans then turned Lennon's back on as the band continued to play.[2]

The concert came to an end with the conclusion of "Get Back". McCartney said "Thanks Mo", in response to enthusiastic applause and cheers from Maureen Starkey, Starr's wife.[31] It was raining and Starr played wearing his wife's red raincoat.[32] Lennon said: "I'd like to say thank you on behalf of the group and ourselves, and I hope we've passed the audition."[2]

Set list

Get Back – The Rooftop Performance
Live album by
the Beatles
Released28 January 2022 (2022-01-28)
Recorded30 January 1969
StudioApple
GenreRock
Length38:28
LabelCalderstone Productions
ProducerGlyn Johns and George Martin
CompilerGiles Martin and Sam Okell
The Beatles chronology
Let It Be: Special Edition
(2021) 		Get Back – The Rooftop Performance
(2022) 		Revolver: Special Edition
(2022)

The rooftop concert consisted of nine complete takes of five Beatles songs: three takes of "Get Back"; two each of "Don't Let Me Down" and "I've Got a Feeling"; and one take each of "One After 909" and "Dig a Pony".[21] On 28 January 2022, the audio of the full rooftop performance was released in Dolby Atmos to streaming services as Get Back – The Rooftop Performance.[3] The album version reproduced the set list in its performance order.[33] As seen in the 2021 Disney+ documentary series The Beatles: Get Back, a short take of "Get Back" was also played and filmed before takes one and two, as part of the preliminary sound check. The concert also includes a short take of the British national anthem "God Save the Queen". Track times are taken from the streaming version released in 2022.

All tracks are written by John Lennon and Paul McCartney, except where noted:

  1. "Get Back" (Take 1) – 4:43
  2. "Get Back" (Take 2) – 3:24
  3. "Don't Let Me Down" (Take 1) – 3:22
  4. "I've Got a Feeling" (Take 1) – 4:44
  5. "One After 909" – 3:09
  6. "Dig a Pony" – 5:52
  7. "God Save the Queen" (Traditional, arranged by Lennon, McCartney, Harrison, and Starkey) – 0:26
  8. "I've Got a Feeling" (Take 2) – 5:35
  9. "Don't Let Me Down" (Take 2) – 3:30
  10. "Get Back" (Take 3) – 3:47

The first performance of "I've Got a Feeling" and the recordings of "One After 909" and "Dig a Pony" were later used for the album Let It Be.[34] In 1996, the third live performance of "Get Back", which was the last song of the Beatles' final live performance, was included on Anthology 3.[35][36] An edit of the two takes of "Don't Let Me Down" was included on Let It Be... Naked, [37] as was a composite of the two takes of "I've Got a Feeling". There were also brief jams of "I Want You (She's So Heavy)" (after the first "Get Back") and "God Save the Queen" (after "Dig a Pony") while Parsons changed tapes.[38] Lennon sang lines from "Danny Boy" and "A Pretty Girl Is Like a Melody" respectively after the songs "One After 909" and "I've Got a Feeling" (Take 2).[39]

Legacy

The Beatles' rooftop concert marked the end of an era for the group. The group recorded one more album, Abbey Road, for which work started the following month, but in September 1969 Lennon left the band.[40] At the time, many observers believed that the concert was a trial run for a return to live performances and touring, with the band re-engaging with their rock 'n' roll roots.[41] The concert footage provided the climax of Lindsay-Hogg's documentary, originally planned as a TV special but released as the Let It Be film in May 1970, a month after the Beatles' break-up.[42]

According to author James Perone, the concert achieved "iconic status" among fans as the Beatles' final live appearance; and in the history of rock music on the level of the Monterey Pop, Woodstock and Altamont festivals.[43] He said that, although the show was not technically a concert because of the secrecy surrounding its presentation, and because the band's last official concert was on 29 August 1966 in San Francisco, it captured the unpredictability that became typical of live rock performances in 1969.[44]

The Rutles' "Get Up and Go" sequence in the 1978 film All You Need Is Cash mimics the footage of the rooftop concert, and uses similar camera angles.[45] In January 2009, tribute band the Bootleg Beatles attempted to stage a 40th anniversary concert in the same location, but were refused permission by Westminster City Council because of licensing problems.[46]

In The Simpsons 1993 fifth season episode "Homer's Barbershop Quartet", the Be Sharps (Homer, Apu, Barney and Principal Skinner) perform a rendition of one of their previous hits, "Baby on Board", on the rooftop of Moe's Tavern. George Harrison, who guest-starred in the episode, is shown driving by the tavern in his limousine, briefly looks out the window at the scene and dismissively says: "It's been done!" before driving off. As the song ends and the episode end credits roll, Homer repeats Lennon's famous end quip about "passing the audition" and everyone laughs, including Barney, until he says "I don't get it."[47]

In the 2007 film Across the Universe, a musical made up entirely of Beatles' music, Sadie's band performs a rooftop concert in New York City which mimics the original. It is interrupted and closed down by the New York Police Department.[48]

The music video for Kazuyoshi Saito's 2010 song "Zutto Suki Datta" faithfully recreates the rooftop performance of "Get Back" with Saito as McCartney, Lily Franky as Lennon, Hiroyuki Kobori as Harrison, and Gaku Hamada as Starr.[49] It won Best Male Video at the 2011 Space Shower Music Video Awards.[50]

U2 paid homage to the Beatles and this concert in their video for "Where the Streets Have No Name", which featured a similar rooftop concert in Los Angeles, 1987.[51] To promote the release of their album No Line on the Horizon, they performed another rooftop concert in 2009 on top of the BBC's Broadcasting House.[52]

Manchester indie band James performed a similar rooftop gig on the twenty-second anniversary of the Beatles' version (30 January 1991) on top of the Piccadilly hotel. The band performed five songs before having to end the set, reputedly because Larry Gott's fingers had become frozen to his fretboard.[53]

McCartney played a surprise mini-concert in midtown Manhattan from the top of the marquee of the Ed Sullivan Theater on 15 July 2009, where he was recording a performance for the Late Show with David Letterman. News of the event spread via Twitter and word of mouth, and nearby street corners were closed off to accommodate the crowd.[54]

The Phineas and Ferb episode "Oh, There You Are, Perry" also featured a rooftop performance by the titular characters and their friends. The performance was done to bring their pet, Perry the Platypus, home (unbeknownst to his owners and their friends, he had been reassigned to a more dangerous villain outside of Danville). Phineas' guitar even resembles the guitar Lennon used during the actual performance.

Personnel

The Beatles

Additional musician

See also

References

  1. ^ Bennett, Ross (30 January 2014). "20 Things You Need To Know About The Beatles' Rooftop Concert". MOJO. Archived from the original on 12 February 2016. Retrieved 31 January 2016. The performance itself began at around 12pm on a bitterly cold Thursday lunchtime and lasted for 42 minutes. Approximately half of the gig is shown at the end of Let It Be.
  2. ^ a b c Everett 1999, p. 222.
  3. ^ a b Willman, Chris (27 January 2022). "Beatles' 'Rooftop Performance' to Be Released as a Streaming Audio Album". Variety. Retrieved 28 January 2022.
  4. ^ Lewisohn 2010, pp. 306–07.
  5. ^ a b c The Beatles 2021, p. 119.
  6. ^ Irvin, Jim (November 2003). "Get It Better: The Story of Let It Be… Naked". Mojo. Available at Rock's Backpages (subscription required).
  7. ^ Miles 2001, pp. 330, 331.
  8. ^ a b Lewisohn 2010, p. 307.
  9. ^ The Beatles 2000, p. 321.
  10. ^ a b Babiuk 2002, p. 240.
  11. ^ Johns 2014, p. 129.
  12. ^ "The Beatles: Get Back Part 2: Days 8-16". Disney+. 26 November 2021. Retrieved 26 November 2021.
  13. ^ Miles 2001, p. 332.
  14. ^ Sulpy & Schweighardt 1999, p. 295.
  15. ^ Sulpy & Schweighardt 1999, pp. 298–99.
  16. ^ Sulpy & Schweighardt 1999, pp. 298–99, 301.
  17. ^ a b c d e f The Beatles 2021, p. 195.
  18. ^ Babiuk 2002, pp. 239, 241.
  19. ^ Everett 1999, pp. 217, 221.
  20. ^ Ryan, Kevin; Kehew, Brian (2006). Recording the Beatles: The studio equipment and techniques used to create their classic albums. Curvebender. p. 518. ISBN 978-0-9785200-0-7.
  21. ^ a b Sulpy & Schweighardt 1999, p. 301.
  22. ^ a b c d Perone 2005, p. 5.
  23. ^ a b c "The Beatles: Get Back Part 3: Days 17–22". Disney+. 26 November 2021. Retrieved 29 November 2021.
  24. ^ In the Q&A session with Peter Jackson before the 30 January 2022 IMAX showing of the rooftop performance, Jackson said it was "about a half hour".
  25. ^ The Beatles 2021, p. 193.
  26. ^ The Beatles 2021, p. 196.
  27. ^ a b c "Beatles rooftop birthday: It's 40 years since the fab four's last ever concert". BBC. 30 January 2008. Retrieved 12 December 2013.
  28. ^ Kelly, Liam (26 November 2023). "Ray Dagg: I was the 19-year-old police officer who silenced the Beatles". The Sunday Times. ISSN 0140-0460. Archived from the original on 1 November 2022. Retrieved 27 November 2023.
  29. ^ Johns 2014, pp. 129–30.
  30. ^ a b Lifton, Dave (30 January 2016). "50 Years Ago: Beatles Perform Live for Last Time on Rooftop". Ultimate Classic Rock. Retrieved 2 December 2021.
  31. ^ a b Miles 2001, p. 333.
  32. ^ "Ringo Starr will keep on drumming, but forget about a memoir: 'I'm not doing a book'". USA TODAY. Retrieved 19 May 2023.
  33. ^ Lewisohn, Mark. The Complete Beatles Chronicle. London: Hamlyn Books, 2000, paperback edition pp. 312–3. ISBN 0 600 60033 5.
  34. ^ Everett 1999, p. 219.
  35. ^ MacDonald 2005, p. 334.
  36. ^ Sulpy & Schweighardt 1999, pp. 303–04.
  37. ^ Womack 2014, p. 235.
  38. ^ Lewisohn 2000, op cit., p. 312.
  39. ^ Sulpy & Schweighardt 1999, pp. 302–03.
  40. ^ "Paul McCartney: 'I Want to Live in Peace'". Life Magazine. 7 November 1969.
  41. ^ Perone 2005, p. 6.
  42. ^ Everett 1999, pp. 215–16, 221, 277.
  43. ^ Perone 2005, pp. 5–6.
  44. ^ Perone 2005, pp. 4–5.
  45. ^ "Ladies and Gentlemen: The Rutles!". CD Review. 12 (1–9): 80. 1995.
  46. ^ Banerjee, Subhajit (30 January 2009). "The Beatles rooftop concert: It was 40 years ago today". The Telegraph. Archived from the original on 1 September 2009. Retrieved 12 December 2013.
  47. ^ Suebsaeng, Asawin (30 January 2012). "8 Videos to Commemorate the Beatles' Final Concert, 43 Years Later". Mother Jones. Retrieved 30 January 2014.
  48. ^ Ebert, Roger (2009). Roger Ebert's Movie Yearbook 2010. Andrews McMeel Publishing. p. 1. ISBN 978-0-7407-9218-2.
  49. ^ "斉藤和義、新曲PVでポール・マッカートニーを熱演". Natalie (in Japanese). 6 April 2010. Retrieved 28 March 2021.
  50. ^ "スペシャ「MVA」大賞はカエラ、サカナ、RADWIMPSの手に". Natalie (in Japanese). 10 April 2011. Retrieved 28 March 2021.
  51. ^ Parra, Pimm Jal de la (2003). U2 Live: A Concert Documentary. Omnibus Press. p. 64. ISBN 978-0-7119-9198-9.
  52. ^ "U2 play surprise rooftop concert". 27 February 2009.
  53. ^ "Manchester Piccadilly Hotel Roof – 30th January 1991". One of the Three - The James Band Archive. 30 January 1991. Retrieved 14 November 2019.
  54. ^ "Paul McCartney Stuns Manhattan With Set on Letterman's Marquee". Rolling Stone. 16 July 2009. Archived from the original on 8 May 2012.

Sources

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