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There is a page named "Talk:Pitch interval" on Wikipedia

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  • isn't flagged for this. I did flag it for relying on a single source. "Pitch interval" is an odd term in my experience, and it looks like it may be a personal...
    2 KB (341 words) - 11:55, 3 February 2024
  • definitions: Basic Atonal Theory by John Rahn. "For example, the interval class between pitch classes 4 and 9 is 5 because 9 - 4 = 5 is smaller than 4 - 9...
    7 KB (1,003 words) - 06:45, 23 August 2024
  • being "twice" the pitch should be 2:1, and intervals between unison and octave should be between 1:1 and 2:1, no? Also, the interval 4:7 (apparently 7:4)...
    144 KB (22,072 words) - 10:09, 2 August 2024
  • which is increasing the pitch by THREE diatonic intervals, not four. SJGooch (talk) 08:09, 1 August 2011 (UTC) "Diatonic intervals" doesn't make sense in...
    10 KB (1,275 words) - 02:08, 9 July 2024
  • Helmholtz (1821–1894) defined a harmonically consonant interval as one in which the two pitches have an upper partial (an overtone) in common.[11] This...
    8 KB (1,010 words) - 19:47, 17 March 2024
  • you now notating (2nd image, C major chord example) the interval between pitch class C and pitch class G with 7 and not 5? Signed: Basemetal (write to me...
    10 KB (1,476 words) - 15:15, 7 March 2024
  • pitch and pitch class intervals 1.3.2 Interval cycles 1.4 Cents 2 Comparison of different interval naming systems 3 Consonant and dissonant intervals...
    139 KB (23,045 words) - 01:44, 7 July 2017
  • redirected this list to the List of pitch intervals, a topic that has little or nothing to do with musical intervals. In a recent summary, he/she wrote...
    4 KB (531 words) - 17:30, 16 November 2023
  • that because of having had absolute pitch my entire life, I have *no* relative pitch: if I want to work out an interval, I can't do it without first (automatically)...
    5 KB (630 words) - 16:53, 17 July 2024
  • interval recognition. There is really nothing here about other aspects of relative pitch such as functional/contextual relative pitch - where pitches...
    6 KB (859 words) - 22:11, 1 February 2024
  • the pitch of the two notes...: usually inverting an interval is defined as moving one of the notes up or down an octave, which does change its pitch, although...
    43 KB (6,011 words) - 17:14, 25 March 2022
  • example) be C D E# F# and C E F# G. These also contain all 6 interval classes. I'm not expert in pitch class theory, so I hesitate to change it myself; but what...
    6 KB (871 words) - 03:36, 24 January 2024
  • from key to key without retuning to avoid wolf intervals. Still, this article is about standard pitch references, and how they have varied historically...
    43 KB (6,040 words) - 22:16, 6 July 2024
  • second (1 Hz = 1 cycle per second), and the second is an ARBITRARILY chosen interval of time with no special significance in science. See also: https://www...
    9 KB (1,354 words) - 06:47, 1 February 2024
  • is, "A minimum of three pitches are needed to represent an interval cycle." The tritone is listed on the page as an interval cycle at least twice. If...
    1 KB (162 words) - 19:27, 23 June 2024
  • sense, a melody is a combination of pitch and rhythm". I believe this ought to be changed to "combination of interval and rhythm" since the original implies...
    10 KB (1,371 words) - 02:33, 7 March 2024
  • that the interval between (say) F# and G is exactly 100 cents, and not 90 cents or 110? Sure they could tune one or two notes to a reference pitch off a...
    64 KB (9,272 words) - 14:38, 30 July 2024
  • distance from one pitch to another, in determining why a singer is "incapable" of singing an intervening note in an incomposite interval.—Jerome Kohl (talk)...
    6 KB (837 words) - 18:35, 24 June 2024
  • questions for the writers of this page: 1) Why do you call it the "all-interval hexachord"? I have always seen it called the "all-trichord hexachord,"...
    5 KB (758 words) - 03:44, 24 January 2024
  • 22 bytes (0 words) - 03:21, 26 December 2007
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