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Timothy Cole was born in 1852 in [[London]], [[England]], his family emigrated to the United States in 1858.
Timothy Cole was born in 1852 in [[London]], [[England]], his family emigrated to the United States in 1858.
[[File:Timothy Cole at work cph.3b21068.jpg|thumb|180px|Wood engraving of Cole making a wood engraving]]
[[File:Timothy Cole at work cph.3b21068.jpg|thumb|180px|Wood engraving of Cole making a wood engraving]]
He established himself in [[Chicago]],<ref>Cole, Alphaeus Philemon & Margaret Ward Walmsley Cole (1935). ''Timothy Cole: Wood-engraver''. The Pioneer Associates, p. 5.</ref> where in the [[Great Chicago Fire|great fire of 1871]] he lost everything he possessed. In 1875, he moved to [[New York City]], finding work on the ''[[Century Magazine|Century]]'' (then ''Scribners'') magazine.<ref>[https://www.jstor.org/stable/25587641 "Timothy Cole,"] ''The Art World'', Vol. 1, No. 1, Oct., 1916, p. 13.</ref><ref>Sabine, Julia (1952). "Timothy Cole and the 'Century'," ''The Library Quarterly'', Vol. 22, No. 3, pp. 232-239.</ref>{{sfn|Chisholm|1911}} Cole was associated with the magazine for 40 years as a pioneer craftsman of wood engraving.<ref name="Reference 2">{{cite web|title=Timothy Cole|url=http://connection.ebscohost.com/c/articles/39052970|publisher=Columbia Electronic Encyclopedia|access-date=2 October 2013}}</ref>
He established himself in [[Chicago]],<ref>Cole, Alphaeus Philemon & Margaret Ward Walmsley Cole (1935). ''Timothy Cole: Wood-engraver''. The Pioneer Associates, p. 5.</ref> where in the [[Great Chicago Fire|great fire of 1871]] he lost everything he possessed. In 1875, he moved to [[New York City]], finding work on the ''[[Century Magazine|Century]]'' (then ''Scribner's'') magazine.<ref>[https://www.jstor.org/stable/25587641 "Timothy Cole,"] ''The Art World'', Vol. 1, No. 1, Oct., 1916, p. 13.</ref><ref>Sabine, Julia (1952). "Timothy Cole and the 'Century'," ''The Library Quarterly'', Vol. 22, No. 3, pp. 232-239.</ref>{{sfn|Chisholm|1911}} Cole was associated with the magazine for 40 years as a pioneer craftsman of wood engraving.<ref name="Reference 2">{{cite web|title=Timothy Cole|url=http://connection.ebscohost.com/c/articles/39052970|publisher=Columbia Electronic Encyclopedia|access-date=2 October 2013}}</ref>


He immediately attracted attention by his unusual facility and his sympathetic interpretation of illustrations and pictures, and his publishers sent him abroad in 1883 to engrave a set of blocks after the old masters in the [[Europe]]an galleries. These achieved for him a brilliant success. His reproductions of [[Italy|Italian]], [[Netherlands|Dutch]], [[Spain|Spanish]], [[Flanders|Flemish]] and English pictures were published in book form with appreciative notes by the engraver himself.{{sfn|Chisholm|1911}} ''Old Dutch and Flemish Masters'' was one of the books that Cole had contributed his wood engravings.<ref name="Reference 2"/>
He immediately attracted attention by his unusual facility and his sympathetic interpretation of illustrations and pictures, and his publishers sent him abroad in 1883 to engrave a set of blocks after the old masters in the [[Europe]]an galleries. These achieved for him a brilliant success. His reproductions of [[Italy|Italian]], [[Netherlands|Dutch]], [[Spain|Spanish]], [[Flanders|Flemish]] and English pictures were published in book form with appreciative notes by the engraver himself.{{sfn|Chisholm|1911}} He published his engravings in several books: ''Old Italian Masters'' (1892), ''Old Dutch and Flemish Masters'' (1895), ''Old English Masters'' (1902),<ref>{{cite journal|title=Review of ''Old English Masters'' by Timothy Cole|journal=The Athenaeum|issue=3923|date=January 3, 1903|pages=23–24|url=https://books.google.com/books?id=oKA5AQAAIAAJ&pg=PA23}}</ref> and ''Old Spanish Masters'' (1907).<ref name="Reference 2"/>


Though the advent of new mechanical processes had rendered wood engraving almost a lost art and left practically no demand for the work of such craftsmen, Mr Cole was thus enabled to continue his work, and became one of the foremost contemporary masters of wood engraving. He received a medal of the first class at the Paris Exhibition of 1900, and the only grand prize given for wood engraving at the Louisiana Purchase Exposition at [[St Louis, Missouri]], in 1904.{{sfn|Chisholm|1911}} In 1906 he was elected into the [[National Academy of Design]] as an Associate Academician, and became a full Academician in 1908.{{Citation needed|date=March 2021}}
Though the advent of new mechanical processes had rendered wood engraving almost a lost art and left practically no demand for the work of such craftsmen, Mr Cole was thus enabled to continue his work, and became one of the foremost contemporary masters of wood engraving. He received a medal of the first class at the Paris Exhibition of 1900, and the only grand prize given for wood engraving at the [[Louisiana Purchase]] Exposition at [[St Louis, Missouri]], in 1904.{{sfn|Chisholm|1911}} In 1906 he was elected into the [[National Academy of Design]] as an Associate Academician, and became a full Academician in 1908.{{Citation needed|date=March 2021}}


His son, [[Alphaeus Philemon Cole]], was a noted portraitist who is also today recognized as having been the world's oldest verified living man at the time of his death.{{Citation needed|date=March 2021}}
His son, [[Alphaeus Philemon Cole]], was a noted portraitist who is also today recognized as having been the world's oldest verified living man at the time of his death.{{Citation needed|date=March 2021}}
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==Collections==
==Collections==
*[[Art Institute of Chicago]]<ref>{{cite web |title=Timothy Cole |url=https://www.artic.edu/artists/34008/timothy-cole |website=The Art Institute of Chicago |language=en}}</ref>
*[[Art Institute of Chicago]]<ref>{{cite web |title=Timothy Cole |url=https://www.artic.edu/artists/34008/timothy-cole |website=The Art Institute of Chicago |language=en}}</ref>
*[[Metropolitan Museum of Art]]<ref>{{cite web |url=https://www.metmuseum.org/art/collection/search/432275 |website=www.metmuseum.org}}</ref>
*[[Metropolitan Museum of Art]]<ref>{{cite web |title=''Lesson in Horsemanship'' (1913) by Timothy Cole|url=https://www.metmuseum.org/art/collection/search/432275 |website=Metropolitan Museum of Art (www.metmuseum.org)}}</ref>
*[[Smithsonian American Art Museum]]<ref>{{cite web |title=Timothy Cole {{!}} Smithsonian American Art Museum |url=https://americanart.si.edu/artist/timothy-cole-944 |website=americanart.si.edu}}</ref>
*[[Smithsonian American Art Museum]]<ref>{{cite web |title=Timothy Cole {{!}} Smithsonian American Art Museum |url=https://americanart.si.edu/artist/timothy-cole-944 |website=americanart.si.edu}}</ref>



Revision as of 23:12, 1 October 2021

Timothy Cole
Born1852
Died17 May 1931(1931-05-17) (aged 79)[1]
OccupationEngraving[2]
ChildrenAlphaeus Philemon Cole
Lessons In Horsemanship by Timothy Cole

Timothy Cole (1852 – 17 May 1931) was an American wood engraver.

Biography

Timothy Cole was born in 1852 in London, England, his family emigrated to the United States in 1858.

Wood engraving of Cole making a wood engraving

He established himself in Chicago,[3] where in the great fire of 1871 he lost everything he possessed. In 1875, he moved to New York City, finding work on the Century (then Scribner's) magazine.[4][5][6] Cole was associated with the magazine for 40 years as a pioneer craftsman of wood engraving.[7]

He immediately attracted attention by his unusual facility and his sympathetic interpretation of illustrations and pictures, and his publishers sent him abroad in 1883 to engrave a set of blocks after the old masters in the European galleries. These achieved for him a brilliant success. His reproductions of Italian, Dutch, Spanish, Flemish and English pictures were published in book form with appreciative notes by the engraver himself.[6] He published his engravings in several books: Old Italian Masters (1892), Old Dutch and Flemish Masters (1895), Old English Masters (1902),[8] and Old Spanish Masters (1907).[7]

Though the advent of new mechanical processes had rendered wood engraving almost a lost art and left practically no demand for the work of such craftsmen, Mr Cole was thus enabled to continue his work, and became one of the foremost contemporary masters of wood engraving. He received a medal of the first class at the Paris Exhibition of 1900, and the only grand prize given for wood engraving at the Louisiana Purchase Exposition at St Louis, Missouri, in 1904.[6] In 1906 he was elected into the National Academy of Design as an Associate Academician, and became a full Academician in 1908.[citation needed]

His son, Alphaeus Philemon Cole, was a noted portraitist who is also today recognized as having been the world's oldest verified living man at the time of his death.[citation needed]

Collections

Bibliography

References

  1. ^ "Timothy Cole Dies", The New York Times, May 18, 1931.
  2. ^ Whittle, George Howes (1918). "The Art of Timothy Cole," The Art World, Vol. 3, No. 5, pp. 377-383.
  3. ^ Cole, Alphaeus Philemon & Margaret Ward Walmsley Cole (1935). Timothy Cole: Wood-engraver. The Pioneer Associates, p. 5.
  4. ^ "Timothy Cole," The Art World, Vol. 1, No. 1, Oct., 1916, p. 13.
  5. ^ Sabine, Julia (1952). "Timothy Cole and the 'Century'," The Library Quarterly, Vol. 22, No. 3, pp. 232-239.
  6. ^ a b c Chisholm 1911.
  7. ^ a b "Timothy Cole". Columbia Electronic Encyclopedia. Retrieved 2 October 2013.
  8. ^ "Review of Old English Masters by Timothy Cole". The Athenaeum (3923): 23–24. January 3, 1903.
  9. ^ "Timothy Cole". The Art Institute of Chicago.
  10. ^ "Lesson in Horsemanship (1913) by Timothy Cole". Metropolitan Museum of Art (www.metmuseum.org).
  11. ^ "Timothy Cole | Smithsonian American Art Museum". americanart.si.edu.

External links