Portal:Visual arts

Source: Wikipedia, the free encyclopedia.
(Redirected from P:VA)
THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

Selected article

View of the main entrance

The Cloisters, also known as the Met Cloisters, is a museum in the Washington Heights neighborhood of Upper Manhattan, New York City. The museum, situated in Fort Tryon Park, specializes in European medieval art and architecture, with a focus on the Romanesque and Gothic periods. Governed by the Metropolitan Museum of Art, it contains a large collection of medieval artworks shown in the architectural settings of French monasteries and abbeys. Its buildings are centered around four cloisters—the Cuxa, Saint-Guilhem, Bonnefont and Trie—that were acquired by American sculptor and art dealer George Grey Barnard in France before 1913, and moved to New York. Barnard's collection was bought for the museum by financier and philanthropist John D. Rockefeller Jr. Other major sources of objects were the collections of J. P. Morgan and Joseph Brummer.

The museum's building was designed by the architect Charles Collens, on a site on a steep hill, with upper and lower levels. It contains medieval gardens and a series of chapels and themed galleries, including the Romanesque, Fuentidueña, Unicorn, Spanish, and Gothic rooms. The design, layout, and ambiance of the building are intended to evoke a sense of medieval European monastic life. It holds about 5,000 works of art and architecture, all European and mostly dating from the Byzantine to the early Renaissance periods, mainly during the 12th through 15th centuries. The objects include stone and wood sculptures, tapestries, illuminated manuscripts and panel paintings, of which the best known include the c. 1422 Early Netherlandish Mérode Altarpiece and the c. 1495–1505 Flemish Hunt of the Unicorn tapestries. (Full article...)
List of selected articles

Selected picture

First Vision
First Vision
First Vision
Credit: Xpjohn
Stained glass depiction of the First Vision of Joseph Smith, Jr., completed in 1913 by an unknown artist (Museum of Church History and Art).

Selected quote


When I've painted a woman's behind so that I want to touch it, then it's finished!
Pierre-Auguste Renoir, Vollard, Ambroise (1925). Renoir: an initimate record. Translated by Van Dooren, Harold L.; Weaver, Randolph T. New York: Alfred A. Knopf. p. 57. OCLC 631984646.


Selected biography

Jean Bellette (occasionally Jean Haefliger; 25 March 1908 – 16 March 1991) was an Australian artist. Born in Tasmania, she was educated in Hobart and at Julian Ashton's art school in Sydney, where one of her teachers was Thea Proctor. In London she studied under painters Bernard Meninsky and Mark Gertler.

A modernist painter, Bellette was influential in mid-twentieth century Sydney art circles. She frequently painted scenes influenced by the Greek tragedies of Euripides and Sophocles and the epics of Homer. The only woman to have won the Sulman Prize more than once, Bellette claimed the accolade in 1942 with For Whom the Bell Tolls, and in 1944 with Iphigenia in Tauris. She helped found the Blake Prize for Religious Art, and was its inaugural judge. Bellette married artist and critic Paul Haefliger in 1935. The couple moved to Majorca in 1957; although she visited and exhibited in Australia thereafter, she did not return there to live, and became peripheral to the Australian art scene. (Full article...)
List of selected biographies

General images

The following are images from various visual arts-related articles on Wikipedia.

Major topics

Subcategories

Category puzzle
Category puzzle
Select [►] to view subcategories


WikiProjects

Things you can do

NaodW29-nowiki286369b71e7b327900000001

Here are some Open Tasks :

Associated Wikimedia

The following Wikimedia Foundation sister projects provide more on this subject:

References

More portals

This page is based on the copyrighted Wikipedia article: P:VA. Articles is available under the CC BY-SA 3.0 license; additional terms may apply.Privacy Policy