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- Composition/Improvisation Nos. 1, 2 & 3 is a live album by jazz saxophonist and composer Roscoe Mitchell recorded in Germany in September 2004 and released...11 KB (1,175 words) - 19:54, 6 April 2024
- Transatlantic Art Ensemble can also be heard on the Mitchell album Composition/Improvisation Nos. 1, 2 & 3, which was recorded as part of the same symposium, and...7 KB (658 words) - 18:31, 8 April 2024
2005) Turn (RogueArt, 2005) No Side Effects (RogueArt, 2006) Composition/Improvisation Nos. 1, 2 & 3 with Evan Parker (ECM, 2007) Contact (RogueArt, 2007)...28 KB (1,845 words) - 06:48, 29 July 2024
same D number as two versions of the same sonata. Deutsch catalogue Nos. 1–1C 2–12 13–37 37A–91 92–126 127–330 331–510 511–598 599–632 633–678 679–708...21 KB (2,150 words) - 12:51, 20 March 2024- were also given evidence of the very ground on which free improvisation and new composition stand linked to one another." The authors of The Penguin Guide...4 KB (359 words) - 19:40, 6 April 2024
2001) Oort–Entropy (Intakt, 2005) With Roscoe Mitchell Composition/Improvisation Nos. 1, 2 & 3 (ECM, 2004) With Evan Parker Collective Calls (Urban)...6 KB (501 words) - 17:13, 4 July 2024- Georgia Faun 1970-08-10 ECM 1005 ST 1970 The Music Improvisation Company The Music Improvisation Company 1970-08-25, -26, -27 ECM 1006 ST 1970 Wolfgang...145 KB (64 words) - 18:02, 2 September 2024
- 1999) The Bad Guys (Around Jazz, 2000) Turn (RogueArt, 2005) Composition/Improvisation Nos. 1, 2 & 3 (ECM, 2007; recorded 2004) Far Side (ECM, 2010; recorded...6 KB (605 words) - 17:22, 7 August 2024
Lytton The Balance of Trade (CIMP, 1996) With Roscoe Mitchell Composition/Improvisation Nos. 1, 2 & 3 (ECM, 2004) With Tony Oxley February Papers (Incus, 1977;...6 KB (655 words) - 16:58, 20 April 2024- number of sound sources Diaphonie Nos 1-3 for choir and/or orchestra and slide projectors Match for three players Composition und Decomposition: A reading...19 KB (2,494 words) - 20:29, 9 February 2024
Evan Parker (category Free improvisation)Bridgwater, 1971 and 1975 (Cuneiform, 2004) With Roscoe Mitchell Composition/Improvisation Nos. 1, 2 & 3 (ECM, 2004) With Louis Moholo Spirits Rejoice! (Ogun...24 KB (2,240 words) - 17:07, 6 July 2024- to not have to try so hard – and it's by far the better album." All compositions by Howard Riley except as indicated "Sphere" – 5:10 "Sad Was the Song"...3 KB (290 words) - 19:36, 6 April 2024
Barry Guy (category Free improvisation)range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the...23 KB (2,718 words) - 14:40, 23 June 2024- flute." All compositions by Howard Riley "Exit" – 5:00 "Gormenghast" – 7:02 "S&S" – 2:15 "Fragment" – 7:40 "Angle" – 7:10 "Aftermath" – 2:30 "Three Fragments"...3 KB (248 words) - 19:35, 6 April 2024
- solutions to the challenges surrounding the coexistence of improvisation and composition. In a retrospective interview, Guy recalled the LJCO's financial...6 KB (575 words) - 19:43, 6 April 2024
superficial diversity, and this newest double disc is no exception." All compositions by Roscoe Mitchell Disc One: No Side Effects "Poem" - 6:23 "Flash" -...3 KB (274 words) - 06:23, 30 December 2023- Vade Mecum (1993) Vade Mecum II (1993) with Roscoe Mitchell Composition/Improvisation Nos. 1, 2 & 3 (2004) Related articles Spontaneous Music Ensemble...3 KB (216 words) - 19:51, 6 April 2024
- Friction: 'Science Friction +size' (2020)". Something Else!. Retrieved January 2, 2021. Sharpe, John (November 2022). "Other Zones". The New York City Jazz...28 KB (369 words) - 23:48, 3 July 2024
- imprint of a much larger composition that has been denied full expression. That is profoundly evident on Vade Mecum." All compositions by Bill Dixon "Moment"...3 KB (216 words) - 02:46, 30 May 2024
- the others, it charts with their best playing anywhere. This is group improvisation at its angriest, freest, and truest". The authors of the Penguin Guide...3 KB (297 words) - 18:24, 3 September 2024
- by Julius Rietz—includes ops. 1–131, and Lieff. 1–50, but differently arranged; and omits ops. 52, nos. 3 and 4; 62, no. 1; 129. Peters's edition is more
- w:Pointillism, Picabia became associated with Cubism. His highly abstract planar compositions were colourful and rich in contrasts. He was one of the early major figures
- form. Thus, in his six solo violin sonatas, Nos. 1, 3, and 5 are recognizably sonate de chiesa; and Nos. 2, 4, and 6 are explicitly called partitas, but