François-Xavier Fabre: Difference between revisions
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Born in [[Montpellier]], Fabre was a pupil of [[Jacques-Louis David]], and made his name by winning the [[Prix de Rome]] in 1787. During the [[French Revolution]], he went to live in [[Florence]], becoming a member of the Florentine Academy and a teacher of art. The friends he made in Italy included the dramatist, [[Vittorio Alfieri]], whose widow, [[Princess Louise of Stolberg-Gedern]], Countess of Albany, he is said to have married. On Louise's death in 1824, he inherited her fortune, which he used to found an art school in his home town. On his own death, he bequeathed his own art collection to the town, forming the basis of the [[Musée Fabre]]. |
Born in [[Montpellier]], Fabre was a pupil of [[Jacques-Louis David]], and made his name by winning the [[Prix de Rome]] in 1787. During the [[French Revolution]], he went to live in [[Florence]], becoming a member of the Florentine Academy and a teacher of art. The friends he made in Italy included the dramatist, [[Vittorio Alfieri]], whose widow, [[Princess Louise of Stolberg-Gedern]], Countess of Albany, he is said to have married. On Louise's death in 1824, he inherited her fortune, which he used to found an art school in his home town. On his own death, he bequeathed his own art collection to the town, forming the basis of the [[Musée Fabre]]. |
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Fabre began his training in the Montpellier's art academy, where he spent several years prior to joining Jacques-Louis David's studio in Paris. His studies were paid for by the financier and art collector, Philippe-Laurent de Joubert. Philippe-Laurent was the father of Laurent-Nicolas de Joubert. Fabre painted a portrait of Laurent-Nicolas de Joubert, which is now in the [[J. Paul Getty Museum|Getty Museum]]. Fabre gained popularity in Florence. The city's Italian aristocrats and tourists were drawn to his elegance, realism, and precision of his portraits. This popularity earned Fabre a place in the Florentine Academy. He became an art teacher, art collector, and art dealer in Florence.<ref name="François-Xavier Fabre">{{cite web|title=François-Xavier Fabre|url=http://www.getty.edu/art/gettyguide/artMakerDetails?maker=621|publisher=J. Paul Getty Trust|accessdate=12 October 2013}}</ref> |
Fabre began his training in the Montpellier's art academy, where he spent several years prior to joining Jacques-Louis David's studio in Paris. His studies were paid for by the financier and art collector, Philippe-Laurent de Joubert. Philippe-Laurent was the father of Laurent-Nicolas de Joubert. Fabre painted a portrait of Laurent-Nicolas de Joubert, which is now in the [[J. Paul Getty Museum|Getty Museum]]. Fabre gained popularity in Florence. The city's Italian aristocrats and tourists were drawn to his elegance, realism, and precision of his portraits. This popularity earned Fabre a place in the Florentine Academy. He became an art teacher, art collector, and art dealer in Florence.<ref name="François-Xavier Fabre">{{cite web|title=François-Xavier Fabre|url=http://www.getty.edu/art/gettyguide/artMakerDetails?maker=621|publisher=J. Paul Getty Trust|accessdate=12 October 2013|deadurl=yes|archiveurl=https://web.archive.org/web/20131013183406/http://www.getty.edu/art/gettyguide/artMakerDetails?maker=621|archivedate=13 October 2013|df=}}</ref> |
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Fabre's works include ''The Dying Saint Sebastian'' (1789), ''The Judgment of Paris'' (1808), and ''The Death of Narcissus'' (1814). |
Fabre's works include ''The Dying Saint Sebastian'' (1789), ''The Judgment of Paris'' (1808), and ''The Death of Narcissus'' (1814). |
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Revision as of 04:01, 17 January 2018
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François-Xavier Fabre | |
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 François-Xavier Fabre, self-portrait, 1835 | |
| Born | April 1, 1766 Montpellier, France |
| Died | March 16, 1837 (aged 70) |
| Known for | Painting |
François-Xavier Fabre (1 April 1766 – 16 March 1837) was a French painter of historical subjects.
Born in Montpellier, Fabre was a pupil of Jacques-Louis David, and made his name by winning the Prix de Rome in 1787. During the French Revolution, he went to live in Florence, becoming a member of the Florentine Academy and a teacher of art. The friends he made in Italy included the dramatist, Vittorio Alfieri, whose widow, Princess Louise of Stolberg-Gedern, Countess of Albany, he is said to have married. On Louise's death in 1824, he inherited her fortune, which he used to found an art school in his home town. On his own death, he bequeathed his own art collection to the town, forming the basis of the Musée Fabre.
Fabre began his training in the Montpellier's art academy, where he spent several years prior to joining Jacques-Louis David's studio in Paris. His studies were paid for by the financier and art collector, Philippe-Laurent de Joubert. Philippe-Laurent was the father of Laurent-Nicolas de Joubert. Fabre painted a portrait of Laurent-Nicolas de Joubert, which is now in the Getty Museum. Fabre gained popularity in Florence. The city's Italian aristocrats and tourists were drawn to his elegance, realism, and precision of his portraits. This popularity earned Fabre a place in the Florentine Academy. He became an art teacher, art collector, and art dealer in Florence.[1]
Fabre's works include The Dying Saint Sebastian (1789), The Judgment of Paris (1808), and The Death of Narcissus (1814).
Notable works
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Portrait of Edgar Clarke -
Portrait of Vittorio Alfieri -
Portrait of Mrs Clarke with her Four Children, 1810 -
Portrait of Henry Vassall-Fox, Lord Holland, 1795
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References
- ^ "François-Xavier Fabre". J. Paul Getty Trust. Archived from the original on 13 October 2013. Retrieved 12 October 2013.
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