Sir Robert Cotton, 1st Baronet, of Connington: Difference between revisions

Source: Wikipedia, the free encyclopedia.
Content deleted Content added
misc.
No edit summary
Line 5: Line 5:
Of [[Huntingdonshire]] parents, Cotton was educated at [[Westminster School]], where he became interested in antiquarian studies under [[William Camden]], and at [[Jesus College, Cambridge]], where he graduated [[Bachelor of Arts|BA]] in 1585.<ref>{{Venn|id=CTN581R|name=Cotton, Robert (Bruce)}}</ref> Starting with his [[antiquarian]] notes on the local history of Huntingdonshire, he began to amass a library in which the documents rivalled, then surpassed, the royal [[Public Record Office]] collections.
Of [[Huntingdonshire]] parents, Cotton was educated at [[Westminster School]], where he became interested in antiquarian studies under [[William Camden]], and at [[Jesus College, Cambridge]], where he graduated [[Bachelor of Arts|BA]] in 1585.<ref>{{Venn|id=CTN581R|name=Cotton, Robert (Bruce)}}</ref> Starting with his [[antiquarian]] notes on the local history of Huntingdonshire, he began to amass a library in which the documents rivalled, then surpassed, the royal [[Public Record Office]] collections.


Cotton entered the [[Parliament of England]] as a member for [[Huntingdon]] in 1601. He helped devise the institution of the title ''[[baronet]]'' as a means for [[James I of England|King James I]] to raise funds: like a [[peerage]], this could be inherited, but like a [[knighthood]] it gave the holder no seat in the [[House of Lords]]. Despite an early period of goodwill with King James, during which Cotton was himself made a baronet, his approach to public life, based on his immersion in old documents, was essentially based on that "sacred obligation of the king to put his trust in parliaments" which in 1628 was expressed in his [[monograph]] ''The Dangers wherein the Kingdom now standeth, and the Remedye''. From the Court party's point-of-view this was anti-royalist in nature and the king's ministers began to fear the uses being made of Cotton's library to support parliamentarian arguments: it was confiscated in 1630 and returned only after his death to his heirs.
Cotton entered the [[Parliament of England]] as MP for [[Newtown (Isle of Wight) (UK Parliament constituency)|Newtown, Isle of Wight]] in 1601 and as [[knight of the shire]] for [[Huntingdonshire (UK Parliamentary constituency)|Huntingdonshire]] in 1604. He helped devise the institution of the title ''[[baronet]]'' as a means for [[James I of England|King James I]] to raise funds: like a [[peerage]], a baronetcy could be inherited but, like a [[knighthood]], it gave the holder no seat in the [[House of Lords]]. Despite an early period of goodwill with King James, during which Cotton was himself made a baronet, his approach to public life, based on his immersion in old documents, was essentially based on that "sacred obligation of the king to put his trust in parliaments" which in 1628 was expressed in his [[monograph]] ''The Dangers wherein the Kingdom now standeth, and the Remedye''. From the Court party's point-of-view this was anti-royalist in nature and the king's ministers began to fear the uses being made of Cotton's library to support parliamentarian arguments: it was confiscated in 1630 and returned only after his death to his heirs.

he was later elected to Parliament as member for [[Old Sarum (UK Parliament constituency)|Old Sarum]] (1624), [[Thetford (UK Parliament constituency)|Thetford]] (1625) and [[Castle Rising (UK Parliament constituency)|Castle Rising]] (1628).


==Library==
==Library==

Revision as of 21:49, 18 October 2011

Portrait of Robert Cotton, commissioned 1626 and attributed to Cornelis Janssens van Ceulen

Sir Robert Bruce Cotton, 1st Baronet (22 January 1570/1 – 6 May 1631) was an English antiquarian and Member of Parliament, founder of the important Cotton library.

Of Huntingdonshire parents, Cotton was educated at Westminster School, where he became interested in antiquarian studies under William Camden, and at Jesus College, Cambridge, where he graduated BA in 1585.[1] Starting with his antiquarian notes on the local history of Huntingdonshire, he began to amass a library in which the documents rivalled, then surpassed, the royal Public Record Office collections.

Cotton entered the Parliament of England as MP for Newtown, Isle of Wight in 1601 and as knight of the shire for Huntingdonshire in 1604. He helped devise the institution of the title baronet as a means for King James I to raise funds: like a peerage, a baronetcy could be inherited but, like a knighthood, it gave the holder no seat in the House of Lords. Despite an early period of goodwill with King James, during which Cotton was himself made a baronet, his approach to public life, based on his immersion in old documents, was essentially based on that "sacred obligation of the king to put his trust in parliaments" which in 1628 was expressed in his monograph The Dangers wherein the Kingdom now standeth, and the Remedye. From the Court party's point-of-view this was anti-royalist in nature and the king's ministers began to fear the uses being made of Cotton's library to support parliamentarian arguments: it was confiscated in 1630 and returned only after his death to his heirs.

he was later elected to Parliament as member for Old Sarum (1624), Thetford (1625) and Castle Rising (1628).

Library

See also List of manuscripts in the Cotton library

The Cottonian Library was the richest private collection of manuscripts ever amassed; of secular libraries it outranked the Royal library, the collections of the Inns of Court and the College of Arms; Cotton's house near the Palace of Westminster became the meeting-place of the Society of Antiquaries and of all the eminent scholars of England;[2] it was eventually donated to the nation by Cotton's grandson and now resides at the British Library.

The physical arrangement of Cotton's Library continues to be reflected in citations to manuscripts once in his possession. His library was housed in a room 26 feet (7.9 m) long by six feet wide filled with bookpresses, each with the bust of a figure from classical antiquity on top. Counterclockwise, these are catalogued as Julius (i.e., Julius Caesar), Augustus, Cleopatra, Faustina, Tiberius, Caligula, Claudius, Nero, Galba, Otho, Vitellius, Vespasian, Titus, and Domitian. (Domitian had only one shelf, perhaps because it was over the door.) Manuscripts are now designated by library, bookpress, and number: for example, the manuscript of Beowulf is designated Cotton Vitellius A.xv, and the manuscript of Pearl is Cotton Nero A.x.

Selected manuscripts

Cotton Nero A.x.

See also

References

  1. ^ "Cotton, Robert (Bruce) (CTN581R)". A Cambridge Alumni Database. University of Cambridge.
  2. ^ DNB

Further reading

  • Sharpe, Kevin (1979) Sir Robert Cotton, 1586-1631: History and Politics in Early Modern England. Oxford University Press
Baronetage of England
Preceded by
(new creation)
Baronet
(of Connington)
1611–1631
Succeeded by

Template:Persondata