Music of Spider-Verse: Difference between revisions

{{DISPLAYTITLE:Music of ''Spider-Verse''}}

The music of the ''Spider-Verse'' film franchise was composed by [[Daniel Pemberton]] to support the film franchise produced by [[Columbia Pictures]] and [[Sony Pictures Animation]] in association with [[Marvel Entertainment]]. While Pemberton scored the films, soundtracks featuring various singers and rappers were also released. American record producer [[Metro Boomin]] served as the executive producer for the soundtrack of the second film in the franchise, ''[[Spider-Man: Across the Spider-Verse]]''.

The varied sonic palettes featured in the soundscapes of the franchise's scores and soundtracks have been well received by critics, who have commended Pemberton's work as genre-defying.

==''Into the Spider-Verse''==

{{Main|Spider-Man: Into the Spider-Verse (soundtrack)}}

In July 2018, Daniel Pemberton was announced to be composing the score for ''[[Spider-Man: Into the Spider-Verse]]'', set for release that December.<ref>{{cite web|url=http://filmmusicreporter.com/2018/07/24/daniel-pemberton-to-score-spider-man-into-the-spider-verse/|title=Daniel Pemberton to Score 'Spider-Man: Into the Spider-Verse'|work=Film Music Reporter|date=July 24, 2018|accessdate=June 10, 2023}}</ref> Pemberton was "initially skeptical that a big-budget animated superhero movie would be a welcome venue for his experimentation."<ref name=Roth>{{cite web|last=Roth|first=Dylan|url=https://observer.com/2023/03/the-music-of-spider-man-makes-a-live-leap-from-the-spider-verse-to-brooklyn/|title=The Music of 'Spider-Man' Makes A Live Leap From The Spider-Verse To Brooklyn|work=[[The New York Observer|Observer]]|date=March 10, 2023|accessdate=June 10, 2023}}</ref>

Pemberton's score combined various elements, including "the expected orchestra with trap beats, scratching, and other hip hop and turntablist elements."<ref name=Roth/> Another element found in ''Into''{{'}}s score included the clacking of a computer keyboard being featured in a set piece.<ref name=Roth/> The [[Motif (music)|motif]] for [[Kingpin (character)|the Kingpin]] (or Wilson Fisk) is performed by a [[Retractable pen|click-pen]].<ref name=Roth/> The score featured a noted usage of turntable scratching.<ref>{{cite web|last=Jones|first=Oliver|url=https://observer.com/2018/11/spider-man-into-the-spider-verse-review-mind-bending-joyride/|title='Spider-Man: Into the Spider-Verse' Is a Thrilling, Mind-Bending Joyride|work=[[The New York Observer|Observer]]|date=November 30, 2018|accessdate=June 10, 2023}}</ref> In his cover notes for the album, Pemberton elaborated that the idea of "using sounds generated on a DJ turntable as a key element" in the score came about after his consideration of the type of music a teenager would be listening to.<ref name=Paterson>{{cite web|last=Paterson|first=Jim|url=https://www.mfiles.co.uk/reviews/daniel-pemberton-spider-man-into-the-spider-verse.htm|title=Spider-Man: Into the Spider-Verse - film score by Daniel Pemberton|website=Music Files|archive-url=https://web.archive.org/web/20191203023752/https://www.mfiles.co.uk/reviews/daniel-pemberton-spider-man-into-the-spider-verse.htm|archive-date=December 3, 2019|accessdate=June 10, 2023}}</ref> As the film's story becomes more centered around action, the score leans more into its orchestral elements, though its hip-hop and scratching elements continue throughout.<ref name=Paterson/>

Pemberton elaborated that to "scratch the orchestra", the team working on the film's music would "go record and mix all the live players - then get it transferred to 'vinyl' - then spend ages putting the notes back in the mix bar by bar with the amazing [[DJ Blakey|[DJ Blakey]]]".<ref>{{cite tweet|last=Pemberton|first=Daniel|author-link=Daniel Pemberton|user=DANIELPEMBERTON|url=https://twitter.com/DANIELPEMBERTON/status/1075425772012216320|number=1075425772012216320|title=So - here is how we 'scratched the orchestra' for #Spiderverse.|via=[[Twitter]]|date=December 19, 2018|accessdate=June 10, 2023}}</ref> The two used the [[Serato|Serato DJ]] software to "virtually spin and scratch the uncompressed orchestral recording."<ref name=Roth/> Included in the score is a sound effect associated with the [[Prowler (Marvel Comics)#Film|Prowler]] character, which Pemberton created by processing [[Elephant communication#Acoustic|elephant trumpeting]] through an audio filter.<ref>{{cite web|last=Pulliam-Moore|first=Charles|url=https://gizmodo.com/spider-man-into-the-spider-verses-most-disturbing-vill-1831181126|title=''Spider-Man: Into the Spider-Verse''{{'}}s Most 'Disturbing' Villain Was Brought to Life with the Help of Animals|work=[[Gizmodo]]|date=December 19, 2018|accessdate=June 12, 2023}}</ref> The score also included "a lot of sound-effect- like layers that fuel what the sound effects are doing."<ref name=SWC2018/>

The score's first track, "Into the Spider-Verse" has a [[soundscape]] that is layered by a "[[crescendo]] leading to a veritable explosion of scratching sounds."<ref name=Paterson/> The score further establishes hip-hop elements, including [[drum kit]], electronic, orchestral, and [[percussion]] elements.<ref name=Paterson/> The "Green Goblin Fight" track "is part EDM and introduces a bunch of truly scary electronic howls."<ref name=Paterson/> Later, "The Amazing Spider-Man" invokes a heroic theme that includes a three-note [[leitmotif]].<ref name=Paterson/> Though including leitmotifs, Pemberton has stated "A theme doesn't necessarily have to be a melodic leitmotif; it can be a sort of crazy noise. In the first film, we had that with the Prowler. The Prowler noise is very recognizable, and it's a theme, but it's just a crazy noise. Whereas Miles has themes that are more traditional, musical, melodic themes."<ref name=Danoff/>

{{multiple image| total_width = 320

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| footer = [[Post Malone]] (''left'') and [[Swae Lee]] (''right'') collaborated on "Sunflower", lead single of the ''Into the Spider-Verse'' soundtrack album, which became the highest-charting single in RIAA history.

In December 2018, [[Republic Records]] and [[Sony Pictures Entertainment]] released the [[Spider-Man: Into the Spider-Verse (soundtrack)|soundtrack for ''Into the Spider-Verse'']]. The lead single was "[[Sunflower (Post Malone and Swae Lee song)|Sunflower]]" by [[Post Malone]] and [[Swae Lee]]. The soundtrack's music was made to represent "what a teen like [lead character Miles Morales] is listening to across the country."<ref>{{cite web|last=Cowen|first=Trace William|url=https://www.complex.com/music/a/tracewilliamcowen/post-malone-swae-lee-sunflower|title=Post Malone and Swae Lee's 'Spider-Man: Into the Spider-Verse' Collab "Sunflower" Is Here|work=[[Complex Networks|Complex]]|publisher=[[Complex Networks]]|date=October 18, 2018|accessdate=June 10, 2023}}</ref>

The film's soundtrack and score were blended together; an example of this can be found in the scene featuring Miles Morales taking a leap of faith. In the scene, the song "What's Up Danger", produced by Blackway and Black Caviar, fades into Pemberton's score, with the latter taking over the end of the scene.<ref name=SWC2018>{{cite web|url=https://soundworkscollection.com/post/the-sound-of-spider-man-into-the-spiderverse|title=The Sound of Spider Man: Into the Spider-Verse|publisher=Soundworks Collection|date=December 27, 2018|accessdate=June 10, 2023}}</ref> The soundtrack is additionally featured [[Diegetic music|diegetically]], such as when Miles sings along to "Sunflower" during the beginning of the film.

A [[throwaway joke]] in the film, centering around the Spider-Man of [[Earth-1610]] recording a Christmas album materialized into Sony releasing the ''[[A Very Spidey Christmas]]'' extended play.<ref>{{cite web|last=Evangelista|first=Chris|url=https://www.slashfilm.com/563169/into-the-spider-verse-christmas-songs/|title='Spider-Man: Into The Spider-Verse' Christmas Songs Being Released This Week; Hear 'Spidey-Bells' Now|work=[[Slashfilm|/Film]]|date=December 20, 2018|accessdate=June 10, 2023}}</ref>

In March 2023, a live orchestral concert tour of ''Into the Spider-Verse''{{'}}s score began, with [[Kings Theatre (Brooklyn)|Kings Theatre]] in [[Brooklyn]] being the first location on the tour.<ref name=Roth/> The tour was produced by Ollie Rosenblatt, with Pemberton performing some elements of the score, though he did not conduct the orchestra, stating "there's nothing worse than a film composer pretending to conduct."<ref name=Roth/>

==''Across the Spider-Verse''==

{{Main articles|Spider-Man: Across the Spider-Verse (soundtrack)}}

Pemberton reprised his role as composer for the score for the 2023 sequel, ''Spider-Man: Across the Spider-Verse''.<ref name=Polo>{{cite web|last=Polo|first=Susana|url=https://www.polygon.com/23641466/spider-man-into-across-spider-verse-music-concert-sequel|title=Across the Spider-Verse composer aims to 'outdo' original with opera, punk rock, and 'crazy sound design'|work=[[Polygon (website)|Polygon]]|date=March 16, 2023|accessdate=June 10, 2023}}</ref> He spent "two years researching and developing this score, going through ideas, coming up with concepts and throwing them out."<ref name=Tangcay>{{cite web|last=Tangcay|first=Jazz|url=https://variety.com/2023/artisans/news/spider-man-across-spider-verse-score-daniel-pemberton-1235638621/|title= 'Across the Spider-Verse' Composer Breaks Down the Emotional, Futuristic Themes for Gwen, Spider-Man India and More |work=[[Variety (magazine)|Variety]]|date=June 9, 2023|accessdate=June 10, 2023}}</ref>

Pemberton's score for the sequel featured a varied soundscape, including "overdriven punk rock to electronic loops infused with Indian instruments".<ref name=Danoff>{{cite web|last=Danoff|first=Owen|url=https://screenrant.com/spiderman-across-the-spiderverse-composer-daniel-pemberton-interview/|title=Spider-Man: Across the Spider-Verse Composer Daniel Pemberton Talks Multiversal Music|work=[[Screen Rant]]|date=June 2, 2023|accessdate=June 10, 2023}}</ref> The score has been noted to be not easily categorized into any one genre, with Pemberton describing the score as "postmodern film music; film music that comes through a filter of the last hundred years of culture in the same way that the artwork is."<ref name=Danoff/>

The themes for Miles' world carried over from the previous film, with Pemberton explaining that "the record-scratching element that we developed in the first film was something we just expanded on for [''Across the Spider-Verse''].<ref name=Tangcay/>

Pemberton created distinct leitmotifs for each universe featured in the sequel, "drawing inspiration from the visually disparate styles of each dimension" to produce themes for eight different worlds in the film.<ref name=Ettenhofer/><ref name=Cruz/> Pemberton aligned the score's themes with the film's art direction which employed a "dreamy palette" for [[Gwen Stacy (Spider-Verse)|Gwen Stacy]]. As a result, the music accompanying Gwen and her world is influenced by 1990s and 2000s indie pop and grunge, while also featuring a "[[Synthesizer|synth-y]]" sound.<ref name=Ettenhofer/><ref name=Cruz/> When developing the soundscape for Gwen's theme, Pemberton aimed to capture her "grace and balletic qualities," while also reflecting "her rock band background and the look of her world, which was dreamy with drippy watercolors."<ref name=Tangcay/> Ultimately, through trial and error, Pemberton crafted a "90s, indie-synth, pop band sound" for Gwen, describing it as "a floaty synth sound."<ref name=Tangcay/>

For a version of the [[Vulture (Marvel Comics)|Vulture]], from an [[Italian Renaissance]]-themed alternate universe, Pemberton composed "fucked up operatic medieval music".<ref name=Cruz>{{cite web|last=Cruz|first=Christopher|url=https://www.rollingstone.com/music/music-features/spider-man-across-the-spider-verse-soundtrack-exclusive-composer-daniel-pemberton-goose-score-1234742686/|title=The 'Spider-Man: Across the Spider-Verse' Score Even Features a Goose|work=[[Rolling Stone]]|date=May 30, 2023|accessdate=June 12, 2023}}</ref><ref name=Ettenhofer>{{cite web|last=Ettenhofer|first=Valerie|url=https://www.slashfilm.com/1303777/spider-man-across-the-spider-verse-characters-helped-inform-unique-parts-of-sound-track/|title=The Spider-Man: Across The Spider-Verse Characters Helped To Inform Unique Parts Of The Soundtrack|work=[[Slashfilm|/Film]]|date=June 2, 2023|accessdate=June 12, 2023}}</ref> Additionally, Spider-Punk, Pavitr Prabhakar (Spider-Man India), Miguel O'Hara (Spider-Man 2099), and the villain [[Spot (comics)|Spot]] also have their own themes.<ref name=Cruz/> For Spider-Punk's theme, Pemberton used "feedback guitars, heavy drums and distorted bass."<ref name=Tangcay/> Meanwhile, for Spider-Man India's theme, Pemberton drew inspiration from the 1982 record ''Ten Ragas to a Disco Beat'' by [[Charanjit Singh (musician)|Charanjit Singh]].<ref name=Cruz/> Pemberton described Spider-Man 2099's theme as having an "aggressive sort of siren,"<ref name=Cruz/> with his sound being "very electronic, techno and synthesized."<ref name=Tangcay/>

In December 2022, American record producer [[Metro Boomin]] was confirmed by [[Phil Lord and Christopher Miller]], screenwriters on both films, to be involved with the sequel.<ref name=Chu/> The following May, Metro Boomin was further announced as the soundtrack's executive producer.<ref name=Griffin>{{cite web|last=Griffin|first=Marc|url=https://www.vibe.com/music/music-news/metro-boomin-across-the-spider-verse-soundtrack-1234757836/|title=Metro Boomin Set To Executive Produce 'Across The Spider-Verse' Soundtrack|work=[[Vibe (magazine)|Vibe]]|date=May 18, 2023|accessdate=June 10, 2023}}</ref><ref name=Mamo>{{cite web|last=Mamo|first=Heran|url=https://www.billboard.com/music/rb-hip-hop/metro-boomin-spider-man-across-the-spider-verse-soundtrack-listen-1235344274/|title=Metro Boomin Unveils 'Spider-Man: Across the Spider-Verse' Soundtrack: Stream It Now|work=[[Billboard (magazine)|Billboard]]|date=June 2, 2023|accessdate=June 10, 2023}}</ref> The soundtrack was released on June 2, in conjunction with the film's release.<ref name=Renshaw>{{cite web|last=Renshaw|first=David|url=https://www.thefader.com/2023/05/18/metro-boomins-spider-man-across-the-spider-verse-soundtrack|title=Metro Boomin's next project will be the ''Spider-Man: Across The Spider-Verse'' soundtrack|work=[[The Fader]]|date=May 18, 2023|accessdate=June 10, 2023}}</ref> The Metro Boomin-led project featured "synth-filled backdrop of melodious hip-hop from some of the genre's trendiest artists."<ref name=Lewis>{{cite web|last=Lewis|first=Miles Marshall|url=https://www.rollingstone.com/music/music-album-reviews/spider-man-spider-verse-soundtrack-1234746773/|title=Metro Boomin Flexes His Superpowers With The 'Spider-Man: Across the Spider-Verse' Soundtrack|work=[[Rolling Stone]]|date=June 2, 2023|accessdate=June 10, 2023}}</ref> The soundtrack also includes "snatches of dialogue snipped from the film," with the film's narrative correlating with the drama featured in the lyricism of the album's tracks.<ref name=Lewis/>

Though external to the film's score and soundtrack, [[Daniel Kaluuya]] also incorporated musical elements into his vocal performance as [[Spider-Punk|Spider-Punk / Hobie Brown]].<ref name=JohnDay>{{cite web|last=John-Day|first=Michael|url=https://www.cbr.com/spider-man-across-the-spider-verse-daniel-kaluuya-spider-punk-fan-playlists/|title=Across the Spider-Verse's Daniel Kaluuya Used Spider-Punk Fan Playlists to Prepare|work=[[Comic Book Resources|CBR]]|date=June 4, 2023|accessdate=June 10, 2023}}</ref> Kaluuya elaborated that he searched for the word "Spider-Punk" on [[Spotify]], hoping to find fan-made playlists. He stated that after finding some he "would just listen to them, be like vibing out," helping him with the process of gauging the character's energy.<ref name=JohnDay/> Kaluuya further noted that "he wanted the character's voice to feel like a song," and that a take in which he portrayed the character as "rapping, but in a punk style" would be the one used in the film.<ref name=JohnDay/>

==Reception==

The music featured in both ''Into'' and ''Across the Spider-Verse'' were released to both commercial and critical acclaim. "Sunflower" was a highly successful single, becoming the highest-charting single in [[RIAA]] history.<ref name=Griffin/>

The first film's blending of Pemberton's score and the soundtrack was commended. ''[[The New York Observer|Observer]]''{{'}}s Dylan Roth wrote that Pemberton's score weaved "perfectly between or even through the film's pop songtrack."<ref name=Roth/> Roth further commented that the emotional climax featuring Miles taking a leap from a skyscraper "has become an iconic moment recent cinema thanks in no small part to the interplay between Pemberton's orchestrated themes and 'What's Up Danger'".<ref name=Roth/> James Whitbrook of ''[[Gizmodo]]'' wrote that ''Into the Spider-Verse'' featured "a seamless blend of licensed work featuring songs from artists like Post Malone and [[Lil Wayne]], plus Daniel Pemberton's sprawling original music, spanning symphonic orchestral work to wailing rock guitars and eclectic electronic beats."<ref name=Whitbrook>{{cite web|last=Whitbrook|first=James|url=https://www.gizmodo.com.au/2018/12/you-can-now-stream-both-of-spider-man-into-the-spider-verses-sensational-soundtracks/|title=You Can Now Stream Both Of Spider-Man: Into The Spider-Verse's Sensational Soundtracks|work=[[Gizmodo]]|date=December 18, 2018|accessdate=June 10, 2023}}</ref> Writing for ''[[Collider (website)|Collider]]'', Patrick Caoile referred to "Sunflower" as synonymous with ''Into the Spider-Verse''.<ref>{{cite web|last=Caoile|first=Patrick|url=https://collider.com/spider-man-no-way-home-sountrack-references-michael-giacchino-danny-elfman/|title='Spider-Man: No Way Home': The Musical References of Spider-Man's Multiverse|work=[[Collider (website)|Collider]]|date=January 1, 2022|accessdate=June 10, 2023}}</ref>

The Metro Boomin-produced soundtrack for ''Across the Spider-Verse'' also received praise from critics. Miles Marshall Lewis of ''[[Rolling Stone]]'' called it "super apropos in the high school halls of Brooklyn Visions Academy."<ref name=Lewis/> Severina Chu of ''[[Screen Rant]]'' praised the sequel's soundtrack, writing "From high-energy beats to slow, methodical rhythms," the film's soundtrack succeeded in both fitting in on-screen, as well as stand-alone tracks. Chu added that "the soundtrack does just as much [as the animation] to give the franchise a completely fresh and unique identity."<ref name=Chu>{{cite web|last=Chu|first=Severina|url=https://screenrant.com/spider-man-across-the-spider-verse-soundtrack-guide/|title=Spider-Man: Across The Spider-Verse Soundtrack Guide|work=[[Screen Rant]]|date=June 2, 2023|accessdate=June 10, 2023}}</ref>

===Accolades===

{| class="wikitable plainrowheaders sortable"

|+ {{sronly|Accolades received by ''Spider-Man: Into the Spider-Verse''}}

|-

! scope="col" | Award

! scope="col" | Date of ceremony

! scope="col" | Category

! scope="col" | Recipients

! scope="col" | Result

! scope="col" class="unsortable" | {{Refh}}

|-

! scope="row" rowspan="2"| [[American Music Awards]]

| rowspan="2"| [[American Music Awards of 2019|November 24, 2019]]

| Collaboration of the Year

| "[[Sunflower (Post Malone and Swae Lee song)|Sunflower]]"

| {{nom}}

|rowspan="2" style="text-align:center;"| <ref>{{Cite web|last=Aniftos|first=Rania|url=https://www.billboard.com/articles/news/8540229/2019-american-music-awards-nominations-ama-list|title=Post Malone, Ariana Grande & Billie Eilish Lead 2019 American Music Awards Nominations: See Full List|work=[[Billboard (magazine)|Billboard]]|date=October 24, 2019|access-date=June 12, 2023|archive-url=https://web.archive.org/web/20191024172109/https://www.billboard.com/articles/news/8540229/2019-american-music-awards-nominations-ama-list|archive-date=October 24, 2019|url-status=live}}</ref>

|-

| [[American Music Award for Favorite Pop/Rock Song|Favorite Song – Pop/Rock]]

| "Sunflower"

| {{nom}}

|-

! scope="row"| [[Motion Picture Sound Editors#Golden Reel Awards|Golden Reel Awards]]

| February 17, 2019

| Feature Film – Music Score

|''Spider-Man: Into the Spider-Verse''

|{{won}}

| style="text-align:center;"| <ref>{{cite web|last=Tapley|first=Kristopher|url=https://variety.com/2019/artisans/awards/bohemian-rhapsody-leads-mpse-golden-reel-awards-for-sound-editing-1203142039/|title='Bohemian Rhapsody' Leads MPSE Golden Reel Awards for Sound Editing|work=[[Variety (magazine)|Variety]]|date=February 18, 2019|access-date=June 12, 2023|archive-url=https://web.archive.org/web/20190218080642/https://variety.com/2019/artisans/awards/bohemian-rhapsody-leads-mpse-golden-reel-awards-for-sound-editing-1203142039/|archive-date=February 18, 2019|url-status=live}}</ref>

|-

!scope="row" | [[Golden Trailer Awards]]

|May 29, 2019

|Best Music TV Spot (for a Feature Film)

|"Ham"

|{{nom}}

|style="text-align:center;" | <ref>{{Cite web |last=Welk |first=Brian|url=https://www.thewrap.com/a-star-is-born-roma-and-us-lead-golden-trailer-awards-nominations/ |title=''A Star Is Born'', ''Roma'' and ''Us'' Lead Golden Trailer Awards Nominations|work=[[TheWrap]]|url-status=live |archive-url=https://web.archive.org/web/20190509174233/https://www.thewrap.com/a-star-is-born-roma-and-us-lead-golden-trailer-awards-nominations/ |date=May 9, 2019|archive-date=May 9, 2019 |access-date=June 12, 2023}}

*{{Cite web |last=Williams |first=Trey|url=https://www.thewrap.com/john-wick-chapter-3-wins-best-in-show-at-2019-golden-trailer-awards/|title=''John Wick: Chapter 3'' Wins Best in Show at 2019 Golden Trailer Awards|work=[[TheWrap]]|url-status=live |archive-url=https://web.archive.org/web/20190530102022/https://www.thewrap.com/john-wick-chapter-3-wins-best-in-show-at-2019-golden-trailer-awards/ |archive-date=May 30, 2019 |date=May 29, 2019 |access-date=June 12, 2023}}</ref>

|-

! scope="row" rowspan="3"| [[Grammy Award]]s

| rowspan="3"| [[62nd Annual Grammy Awards|January 26, 2020]]

| [[Grammy Award for Record of the Year|Record of the Year]]

| "Sunflower"

| {{nom}}

|rowspan="3" style="text-align:center;"| <ref>{{Cite web |title=Grammy Awards: The Complete Winners List |url=https://www.hollywoodreporter.com/lists/2020-grammy-winners-complete-list-1270029/ |url-status=live |archive-url=https://web.archive.org/web/20200128023957/https://www.hollywoodreporter.com/lists/2020-grammy-winners-complete-list-1270029/ |archive-date=January 28, 2020 |date=January 26, 2020 |access-date=June 12, 2023 |work=[[The Hollywood Reporter]]}}</ref>

|-

| [[Grammy Award for Best Pop Duo/Group Performance|Best Pop Duo/Group Performance]]

| "Sunflower"

| {{nom}}

|-

| [[Grammy Award for Best Compilation Soundtrack for Visual Media|Best Compilation Soundtrack for Visual Media]]

| ''Spider-Man: Into the Spider-Verse''

| {{nom}}

|-

! scope="row" rowspan=2|[[Guild of Music Supervisors Awards]]

|rowspan=2|February 13, 2019

|Best Song/Recording Created for a Film

| "Sunflower"

|{{nom}}

|style="text-align:center;" rowspan=2|<ref>{{Cite web |title=2019 Guild of Music Supervisors Awards: Complete Winners List |url=https://www.hollywoodreporter.com/lists/2019-guild-music-supervisors-awards-winners-list-1178569/ |url-status=live |archive-url=https://web.archive.org/web/20190214120953/https://www.hollywoodreporter.com/lists/2019-guild-music-supervisors-awards-winners-list-1178569/ |archive-date=February 14, 2019|date=February 13, 2019 |access-date=June 12, 2023 |work=[[The Hollywood Reporter]]}}</ref>

|-

|Best Music Supervision in a Film Trailer

|{{sortname|Jordan|Silverberg|nolink=1}} for "Trailer 1"

|{{nom}}

|-

!scope="row" | [[NAACP Image Awards]]

| [[50th NAACP Image Awards|March 30, 2019]]

|Outstanding Soundtrack/Compilation

|''Spider-Man: Into the Spider-Verse''

|{{nom}}

|style="text-align:center;"| <ref>{{cite news|last=Lewis|first=Hilary|url=https://www.hollywoodreporter.com/lists/2019-naacp-image-awards-nominations-complete-list-1174374/item/outstanding-actor-a-motion-picture-1174379|title=NAACP Image Awards: 'Black Panther' Tops Film Nominations|work=[[The Hollywood Reporter]]|date=February 13, 2019|access-date=June 12, 2023|archive-url=https://web.archive.org/web/20191107184308/https://www.hollywoodreporter.com/lists/2019-naacp-image-awards-nominations-complete-list-1174374/item/outstanding-actor-a-motion-picture-1174379|archive-date=November 7, 2019|url-status=live}}</ref>

|-

!scope="row" rowspan=2|[[Teen Choice Awards]]

|rowspan=2|[[2019 Teen Choice Awards|August 11, 2019]]

|Choice Action Movie

|''Spider-Man: Into the Spider-Verse''

|{{nom}}

|style="text-align:center;" rowspan=2|<ref name="TeenChoice">{{Cite web|last=Yang |first=Rachel |url=https://ew.com/awards/2019/08/11/teen-choice-awards-2019-see-full-list-winners-nominees/ |title=Teen Choice Awards 2019: See the full list of winners and nominees |work=[[Entertainment Weekly]] |date=August 11, 2019 |access-date=June 12, 2023 |archive-url=https://web.archive.org/web/20210207031819/https://ew.com/awards/2019/08/11/teen-choice-awards-2019-see-full-list-winners-nominees/ |archive-date=February 7, 2021 |url-status=live}}</ref>

|-

|Choice R&B/Hip-Hop Song

|"Sunflower"

|{{nom}}

|}

==References==

{{reflist|30em}}

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[[Category:Film music by media franchise]]

[[Category:Films scored by Daniel Pemberton]]