Portal:Pan-Africanism

The Black Star of Africa is a black five-pointed star (★) symbolizing Africa in general and Ghana in particular. The Black Star Line, founded in 1919 by Marcus Garvey as part of the Back-to-Africa movement, modelled its name on that of the White Star Line, changing the colour from white to black to symbolise ownership by black people rather than white people. The black star became a symbol of Pan-Africanism and anti-colonialism. Described as the "Lodestar of African Freedom", the black star was used in 1957 by Theodosia Okoh in the design of the Flag of Ghana.

Alieu Ebrima Cham Joof (22 October 1924 – 2 April 2011) commonly known as Cham Joof, (pen name: Alh. A.E. Cham Joof) was a Gambian historian, politician, author, trade unionist, broadcaster, radio programme director, scout master, Pan-Africanist, lecturer, columnist, activist and an African nationalist who advocated for the Gambia's independence during the colonial era.

Cham Joof was born on 22 October 1924 at 7 Griffith Street (Half-Die) in Bathurst now Banjul, the capital of the Gambia. He came from a Serer and Wolof background. He was the third child and the eldest son of Ebrima Joof (1887–1949) and Aji Anna Samba (1896 – 9 April 1977). On his father's side (the Joof family), he was a descendant of the Joof Dynasty of Sine and Saloum, and the Njie Dynasty of Jolof. On his mother's side, he was the great grand-nephew of Tafsir Sa Lolly Jabou Samba — a 19th-century Senegambian jihadist, military strategists and advisor to Maba Diakhou Bâ and one of the commanders of his army. Cham Joof was the elder brother of Gambian barrister Alhaji Bai Modi Joof.

The Atlantic slave trade or transatlantic slave trade involved the transportation by slave traders of enslaved African people, mainly to the Americas. The slave trade regularly used the triangular trade route and its Middle Passage, and existed from the 16th to the 19th centuries. The vast majority of those who were enslaved and transported in the transatlantic slave trade were people from central and western Africa, who had been sold by other West Africans to Western European slave traders (with a small number being captured directly by the slave traders in coastal raids), who brought them to the Americas. The South Atlantic and Caribbean economies especially were dependent on the supply of secure labour for the production of commodity crops, making goods and clothing to sell in Europe. This was crucial to those western European countries which, in the late 17th and 18th centuries, were vying with each other to create overseas empires.

The Portuguese were the first to engage in the Atlantic slave trade in the 16th century. In 1526, they completed the first transatlantic slave voyage to Brazil, and other European countries soon followed. Shipowners regarded the slaves as cargo to be transported to the Americas as quickly and cheaply as possible, there to be sold to work on coffee, tobacco, cocoa, sugar and cotton plantations, gold and silver mines, rice fields, construction industry, cutting timber for ships, in skilled labour, and as domestic servants. The first Africans imported to the English colonies were classified as "indentured servants", like workers coming from England, and also as "apprentices for life". By the middle of the 17th century, slavery had hardened as a racial caste, with the slaves and their offspring being legally the property of their owners, and children born to slave mothers were also slaves. As property, the people were considered merchandise or units of labour, and were sold at markets with other goods and services.

African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the native African, African diasporas, such as African American, Caribbean and other American art. Despite this diversity, there are some unifying artistic themes when considering the totality of the visual culture from the continent of Africa.

Masquerade, metalwork, sculpture, architecture, fiber art, and dance are important art forms across Africa and may be included in the study of African art. The term "African art" does not usually include the art of the North African areas along the Mediterranean coast, as such areas had long been part of different traditions. For more than a millennium, the art of such areas had formed part of Islamic art, although with many particular characteristics. The art of Ethiopia, with a long Christian tradition, is also different from that of most of Africa, where traditional African religion (with Islam in the north) was dominant until relatively recently. African art includes ancient art, Muslim art of North and West Africa, the Christian art of East Africa, and the ritualistic art of these and other regions. Most African sculpture was historically in wood and other natural materials that have not survived from earlier than, at most, a few centuries ago; older pottery figures can be found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of deities are relatively infrequent, but masks in particular are or were often made for religious ceremonies; today many are made for tourists as "airport art". Since the late 19th century there has been an increasing amount of African art in Western collections, the finest pieces of which are now prominently displayed.

African mask art has had an important influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.

West African cultures developed bronze casting for reliefs, like the famous Benin Bronzes, to decorate palaces and for highly naturalistic royal heads from around the Bini town of Benin City, Edo State, in terracotta as well as metal, from the 12th–14th centuries. Akan goldweights are a form of small metal sculptures produced over the period 1400–1900; some apparently represent proverbs, contributing a narrative element rare in African sculpture; and royal regalia included impressive gold sculptured elements. Many West African figures are used in religious rituals and are often coated with materials placed on them for ceremonial offerings. The Mande-speaking peoples of the same region make pieces from wood with broad, flat surfaces and arms and legs shaped like cylinders. In Central Africa, however, the main distinguishing characteristics include heart-shaped faces that are curved inward and display patterns of circles and dots.