User:Stephanieelisabethrichardson/sandbox

This is the user sandbox of Stephanieelisabethrichardson. A user sandbox is a subpage of the user's user page. It serves as a testing spot and page development space for the user and is not an encyclopedia article. Create or edit your own sandbox here. Other sandboxes: Main sandbox | Template sandbox Finished writing a draft article? Are you ready to request review of it by an experienced editor for possible inclusion in Wikipedia? Submit your draft for review!

Lindsay Seers (born 1966) is a British artist living and working in London.^[1] She studied at the Slade School of Fine Art (BA Hons, Sculpture and Media 1991-94) and at Goldsmiths College (MA Fine Art 1999-2001).^{[2] [3]} Her installation ‘Extramission 6 (Black Maria)’ was included in Nicholas Bourriaud's Tate Triennial, ‘Altermodern’ in 2009.^[4] She was recently awarded the Derek Jarman Award with a commission of four short films for Channel 4. She is represented by Matt's Gallery, London.^[5]

Seers was born in 1966 in the island nation of Mauritius into a naval family.^[6] Seers didn’t speak until she was seven years old after the family's departure from the island. During this time she claims to have possessed an eidetic memory (otherwise known as photographic memory) so vivid that she felt no need for verbal communication. She first spoke after seeing a photographic portrait of herself, which prompted her to ask “is that me?” Upon learning to speak she claims to have lost her ability of eidetic recall, and by the age of nine she became obsessively interested in photography.^[7] Seers found comfort behind the lens of the camera and used photography to recapture the immediacy of sensation that she enjoyed in the images of her eidetic memory.^[8]

Seers' early fascination with photography led to a project of internalising the technology of the camera, in which she used her own body to produce photographs. The cavity of her mouth became the camera body and her lips became the camera aperture and shutter.^[9] This procedure entailed covering herself with a black lightproof sack, positioning a small piece of light-sensitive paper in the back of her mouth and then placing a gum-shield with a small pin-hole incision in front of it. In the moment of capture she closed her lips or placed a hand over her mouth in order to make the exposure before returning into the sack to develop the image.^[10] The resultant images from this project appear framed by her teeth, stained with saliva and tinged red by the blood within her cheeks.^[11]