Traditional Thai clothing

Traditional Thai clothing (Thai: ชุดไทย, RTGS: chut thai lit. 'Thai outfit') refers to the traditional styles of dress worn by the Thai people. It can be worn by men, women, and children. Traditional clothing for Thai women usually consists of a pha nung or a chong kraben, a blouse, and a sabai. Northern and northeastern women may wear a sin instead of a pha nung and a chong kraben with either a blouse or a suea pat. Chut thai for men includes a chong kraben or pants, a Raj pattern shirt, with optional knee-length white socks and a sabai. Chut thai for northern Thai men is composed of a sado, a white Manchu-styled jacket, and sometimes a khian hua. In formal occasions, people may choose to wear a so-called formal Thai national costume.

Historically, both Thai males and females dressed themselves with a loincloth wrap called chong kraben.^{[1]: Note 10} Men wore their chong kraben to cover the waist to halfway down the thigh, whilst women wore their chong kraben down the waist to well below the knee.^[2] Members of the nobility wore silk robes called khrui and a tall, pointed hat called lomphok in attendance of royal affairs. Bare chests and bare feet were accepted as part of the Thai formal dress code, and are observed in murals, illustrated manuscripts, and early photographs up to the middle–1800s.^[2] Prior to the 20th century, the primary markers that distinguished class in Thai clothing were the use of cotton and silk cloths with printed or woven motifs, but both commoners and royals alike wore wrapped, not stitched clothing.^[3] Traditional Thai attire changed significantly during the Rattanakosin period.^{[citation needed]}

Prior to the 1700s, Thai men and women both kept their hair long. However, following the Burmese–Siamese wars of 1759-1760 and 1765–1767 and repeated Burmese invasions into Ayutthaya, central Thai women began cutting their hair in a crew-cut short style, which remained the national hairstyle until the 1900s.^[4]

From the 1860s onward, Thai royals "selectively adopted Victorian corporeal and sartorial etiquette to fashion modern personas that were publicized domestically and internationally by means of mechanically reproduced images."^[3] Stitched clothing, including court attire and ceremonial uniforms, were invented during the reign of King Chulalongkorn.^[3] Western forms of dress became popular among urbanites in Bangkok during this period.^[3] During the early–1900s, King Chulalongkorn encouraged Thai women to wear long hair instead of traditional short hair which later became a trend during the reign of King Vajiravudh along with wearing pha sin (ผ้าซิ่น), a tubular skirt, instead of the chong kraben (โจงกระเบน), a cloth wrap.^[5]

On 15 January 1941, Plaek Pibulsonggram issued a Thai cultural mandate to modernize and Westernize Thai dress, by deeming the long-practiced customs of wearing underpants, wearing no shirt, or wearing a wraparound cloth, as forms of inappropriate public attire.^[6]

Chong kraben or Sompot Chong Kben (Thai: โจงกระเบน Thai pronunciation: [tɕoːŋ.kra.beːn]) is a lower-body, wraparound cloth. It is synonymous with the Khmer sampot. The sampot is a long, rectangular cloth worn around the lower body. The traditional dress is similar to the dhoti of South Asia. The chong kraben resembles pants more than skirts. It is a rectangular piece of cloth measuring three meters long and one meter wide. It is worn by wrapping around the waist, stretching it away from the body, twisting the ends together then pulling the twisted fabric between the legs and tucking it in the back of the waist.

The pha nung (Thai: ผ้านุ่ง), also known as pha sin (Thai: ผ้าซิ่น) or pha thung (Thai: ผ้าถุง), is a long fabric worn around the waist that resembles a long skirt.^{[7] [8]}

Sabai (Thai: สไบ Thai pronunciation: [sa.baj]) or pha biang (Thai: ผ้าเบี่ยง Thai pronunciation: [pʰâː.bìaŋ]) is shawl-like garment, or breast cloth. Sabai can be used by women or men. The sabai is also known as a long piece of silk, about a foot wide, draped diagonally around the chest by covering one shoulder which its end drops behind the back. Sabai could be worn around the naked chest or on top of another cloth. The practice of wearing sabai along with Victorian clothing was a common practice during the reign of King Chulalongkorn and lasted until the reign of King Vajiravudh when Westernized clothing became more fashionable. The wearing of sabai as daily wear was officially banned by Plaek Pibulsonggram during Thailand's clothing reform.

Suea pat (Thai: เสื้อปัด Thai pronunciation: [sɯ̂a.pàt]) is a long-sleeved shirt with no buttons. It is worn by wrapping the right side of the front panel of the shirt over the left side of the front panel, and the two panels are tied together via strings. Suea pats are typically worn by northern Thai women

Raj pattern refers either to a Thai men's costume consisting of a white Nehru-style jacket with five buttons, a chong kraben, knee-length socks, and dress shoes (Thai: ชุดราชปะแตน, RTGS: chut ratpataen) , or to the specific form of the jacket itself (Thai: ราชปะแตน, RTGS: ratpataen). It was worn chiefly during the late-19th and early-20th centuries by government officials and the upper class in Bangkok, and nowadays is used in select circumstances as a national costume.

Pha khao ma (Thai: ผ้าขาวม้า Thai pronunciation: [pʰâː kʰǎw máː])) is a versatile plaid fabric woven for centuries in Thailand. It serves numerous purposes, including being worn as a waistband by Thai men, used as a handkerchief, fan, or head covering to protect against the sun, and even used as a makeshift cradle or to carry goods. The cloth's practicality and sustainability have attracted the attention of designers in the fashion and interior design industries.^[9] The word Khao ma is derived from the Persian word Kamarband, meaning waistband or belt.^[10] This cloth has become an omnipresent item in Thai society. Its recognition as a national cultural heritage in Thailand and nomination for UNESCO World Heritage status in 2027.^[11]

Tabengman (Thai: ตะเบงมาน Thai pronunciation: [tá.bēng.māːn]) is a traditional Thai cloth that originated during the late Ayutthaya period. It consists of a piece of cloth that covers the chest and is tied behind the neck.^[12] It remains an important part of Thailand's cultural heritage and history, and continues to inspire contemporary fashion designers and artists. It has been featured in national and international events,^[13] and the clothing worn by the main character in the 2021 Disney film Raya and the Last Dragon, which is inspired by traditional Southeast Asian cloth including Tabengman.^[14]

Banong (Thai: บานง Thai pronunciation: [bāː.nōŋ]) is a type of blouse traditionally worn by women in the southern border provinces of Thailand, including Pattani, Yala, and Narathiwat.^[15] It has a collar and is cut in front, with a folded placket all the way to the hem. The fabric used to make Banong is often thin and sheer, and may be embroidered with patterns on the hem. It is typically worn during religious and cultural events like weddings, funerals, and dance performances. The name Banong comes from the word Bandung in Middle Malay, which refers to a city in the west of Java Island, Indonesia. While Banong is popular among Thai Muslims in the southern border provinces, it is also worn by Thai Buddhists and Thai Chinese in the region.^[16][17]

The formal Thai costume, ชุดไทยพระราชนิยม (RTGS: chut thai phra ratcha niyom, literally, 'Thai dress of royal endorsement'), includes several sets of dress, designed as the Thai national costume at formal occasions. Although described and intended for use as national costume, it is of relatively modern origins, having been conceived in the second half of the 20th century.

• Xout lao
• Raj pattern
• History of Thai clothing
• Formal Thai national costume
• Culture of Thailand
• School uniforms in Thailand

• Conway, Susan, and Mūnnithi Čhēm ʻĒt Dapbœ̄nyū Thō̜msan. Power dressing: Lanna Shan Siam 19th century court dress. Bangkok: James H.W. Thompson Foundation, 2003.
• Conway, Susan. Thai Textiles. London: British Museum Press, 1992.
• Lu, Sylvia. Handwoven Textiles of South-East Asia. Singapore: Oxford University Press, 1988.
• Meanmas, Chavalit. Costumes in ASEAN. Thailand: The National ASEAN Committee on Culture and Information of Thailand, 2000.
• Wee, C. J. Wan. Local cultures and the "new Asia": The State, Culture, and Capitalism in Southeast Asia. Singapore: Institute of Southeast Asian Studies, 2002.