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There is a page named "Secondary supertonic chord" on Wikipedia

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  • The chord progression viio7/V–V–I is quite common in ragtime music. The secondary supertonic chord, or secondary second, is a secondary chord that is...
    33 KB (2,556 words) - 05:43, 2 January 2024
  • music theory, a Neapolitan chord (or simply a "Neapolitan") is a major chord built on the lowered (flattened) second (supertonic) scale degree. In Schenkerian...
    26 KB (2,925 words) - 08:50, 2 July 2024
  • seventh degree. For example, the chord progression ♯viio–i is common. The leading-tone diminished triad and supertonic diminished triad are usually found...
    13 KB (958 words) - 05:16, 2 January 2024
  • a circle progression, preceded by the supertonic chord, ii. Importantly, non-diatonic dominant seventh chords (sometimes called a chromatic seventh)...
    27 KB (1,921 words) - 15:22, 15 July 2024
  • three chord types (e.g. The Troggs' "Wild Thing", which uses I, IV and V chords). The same major scale also has three minor chords, the supertonic chord (ii)...
    25 KB (2,801 words) - 20:45, 30 May 2024
  • musical chords and simultaneities: Added tone chord Altered chord Approach chord Chord names and symbols (popular music) Chromatic mediant Common chord (music)...
    26 KB (150 words) - 23:54, 18 June 2024
  • Thumbnail for Predominant chord
    which normally resolves to a dominant chord. Examples of predominant chords are the subdominant (IV, iv), supertonic (ii, ii°), Neapolitan sixth and German...
    7 KB (473 words) - 11:35, 24 January 2023
  • descriptive. A variant of the supertonic seventh chord (iiø7) is the supertonic half-diminished seventh with the raised supertonic (♯iiø7), which is enharmonically...
    23 KB (2,248 words) - 21:19, 5 May 2024
  • | Dm7 G7 | One variant of the supertonic seventh chord is the supertonic diminished seventh with the raised supertonic, which is enharmonically equivalent...
    34 KB (2,824 words) - 22:22, 29 March 2024
  • Thumbnail for Primary triad
    harmony. Auxiliary chords may be considered parallel and contrast chords derived from the primary triads. For example, the supertonic, ii, is the subdominant...
    3 KB (446 words) - 08:00, 21 July 2023
  • Thumbnail for Chord (music)
    (see figured bass) but the Neapolitan sixth chord is an important example; a major triad with a flat supertonic scale degree as its root that is called a...
    73 KB (7,192 words) - 20:05, 25 May 2024
  • Thumbnail for Chord substitution
    by its supertonic (ii7) and dominant (V7), or simply its dominant. For example, a C major chord would be preceded by Dm7 and G7. Since secondary dominant...
    19 KB (2,246 words) - 03:55, 24 May 2024
  • Submediant (redirect from Submediant chord)
    progression by George Gershwin. This chord progression moves from tonic I, to the submediant (vi), to the supertonic ii, to the dominant V7. Chromatic submediants...
    10 KB (1,103 words) - 05:34, 9 October 2023
  • proposed Interstate highway in California I7, in music tonic, the secondary supertonic chord of IV i7, the former web portal for Seven Network, replaced by...
    601 bytes (115 words) - 04:40, 4 January 2023
  • Thumbnail for Parallel and counter parallel
    "counter relative" chords. In Hugo Riemann's theory, and in German theory more generally, these chords share the function of the chord to which they link:...
    15 KB (1,568 words) - 21:18, 14 July 2024
  • maqam may have more than one dominant. Predominant chord Secondary dominant Secondary leading-tone chord For use of the term "dominant" as a reciting tone...
    11 KB (971 words) - 17:49, 25 February 2024
  • Thumbnail for Dominant seventh sharp ninth chord
    In music, the dominant 7♯9 chord ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which...
    18 KB (2,083 words) - 18:52, 18 July 2024
  • ("descending leading tone") to mean the descending diatonic supertonic (♮).) The tritone substitution, chord progression ii-subV-I on C (Dm-Db7-C), results in an...
    27 KB (2,288 words) - 08:38, 24 May 2024
  • analysis is a type of harmonic analysis in which chords are represented by Roman numerals, which encode the chord's degree and harmonic function within a given...
    21 KB (1,862 words) - 17:45, 3 February 2024
  • The chord-scale system is a method of matching, from a list of possible chords, a list of possible scales. The system has been widely used since the 1970s...
    8 KB (968 words) - 00:06, 3 July 2024
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