Martin Charles Scorsese
November 17, 1942
Queens, New York, U.S.
|Education||New York University (BA, MA)|
|Partner(s)||Ileana Douglas (1989–1997)|
|Children||3, including Domenica Cameron-Scorsese|
Martin Charles Scorsese (//; Italian: [skorˈseːze, -se]; born November 17, 1942) is an American film director, producer, and screenwriter. He is the recipient of many accolades, including an Academy Award, three Primetime Emmy Awards, a Grammy Award, four British Academy Film Awards, three Golden Globe Awards, and two Directors Guild of America Awards. Scorsese has received various honors including the AFI Life Achievement Award in 1997, the Kennedy Center Honor in 2007, and the BAFTA Fellowship in 2012. Five of his films have been inducted into the National Film Registry by the Library of Congress as "culturally, historically or aesthetically significant".
Scorsese received an MA from New York University's Steinhardt School of Culture, Education, and Human Development in 1968. His directorial debut, Who's That Knocking at My Door (1967), was accepted into the Chicago Film Festival. In the 1970s and 1980s decades, Scorsese emerged as one of the major figures of the New Hollywood era. Scorsese's films, much influenced by his Italian-American background and upbringing in New York City, center on macho-posturing insecure men and explore crime, machismo, nihilism, and Catholic concepts of guilt and redemption. His trademark styles include extensive use of slow motion and freeze frames, graphic depictions of extreme violence, and liberal use of profanity.
His 1973 crime film Mean Streets, dealing with machismo and violence, and exploring Catholic concepts of guilt and redemption, was a blueprint for his filmmaking styles. Scorsese won the Palme d'Or at Cannes with his 1976 psychological thriller Taxi Driver, which starred Robert De Niro, who became associated with Scorsese through eight more films including New York, New York (1977), Raging Bull (1980) The King of Comedy (1982), Goodfellas (1990), and Casino (1995). In the 2000s and 2010s decades, Scorsese garnered critical acclaim and box office success with a series of collaborations with Leonardo DiCaprio. These films include Gangs of New York (2002), The Aviator (2004), The Departed (2006), Shutter Island (2010) and The Wolf of Wall Street (2013). Returning to his familiar territory of crime films, Scorsese collaborated with De Niro again on The Irishman (2019). Scorsese's other film work includes the black comedy After Hours (1985), the romantic drama The Age of Innocence (1993), the children's adventure drama Hugo (2011), and the religious epics The Last Temptation of Christ (1988), Kundun (1997) and Silence (2016).
In addition to film, Scorsese has directed episodes for some television series including Boardwalk Empire (2011-2015), and Vinyl (2016), and the documentaries Public Speaking (2010), and Pretend It's a City (2021). He is also known for several rock music documentaries including The Last Waltz (1978), No Direction Home (2005), Shine a Light (2008), and George Harrison: Living in the Material World (2011). An advocate for film preservation and restoration, he founded three nonprofit organizations: the Film Foundation in 1990, the World Cinema Foundation in 2007, and the African Film Heritage Project in 2017.
Martin Scorsese was born on November 17, 1942, in the Flushing area of New York City's Queens borough. His family moved to Little Italy in Manhattan before he started school. Both of Scorsese's parents, Charles Scorsese and Catherine Scorsese (born Cappa), worked in New York's Garment District. Charles was a clothes presser and an actor while Catherine was a seamstress and an actress. Both of them were of Italian descent: his paternal grandparents, Francesco Paolo and Teresa Scozzese, emigrated from Polizzi Generosa, while his maternal grandparents, Martino and Domenica Cappa, emigrated from Ciminna, both in the province of Palermo, Sicily. The original surname of the family was Scozzese, later changed to Scorsese because of a transcription error. Scorsese was raised in a predominantly Catholic environment.
As a boy, he had asthma and could not play sports or take part in any activities with other children, so his parents and his older brother would often take him to movie theaters; it was at this stage in his life that he developed a passion for cinema. As a teenager in the Bronx, Scorsese frequently rented Powell and Pressburger's The Tales of Hoffmann (1951) from a store that had one copy of the reel. Scorsese was one of only two people who regularly rented it; the other was future film director George A. Romero.
Scorsese has cited Sabu and Victor Mature as his favorite actors during his youth. He has also spoken of the influence of the 1947–48 Powell and Pressburger films Black Narcissus and The Red Shoes, whose innovative techniques later impacted his filmmaking. In his documentary titled A Personal Journey with Martin Scorsese Through American Movies, Scorsese said that he was enamored of historical epics in his adolescence, and at least two films of the genre, Land of the Pharaohs and El Cid, appear to have had a deep and lasting impact on his cinematic psyche. Scorsese also developed an admiration for neorealist cinema at this time. He recounted its influence in a documentary on Italian neorealism, and commented on how Bicycle Thieves, Rome, Open City and especially Paisà inspired him and influenced his view or portrayal of his Sicilian roots. In his documentary, Il Mio Viaggio in Italia (My Voyage to Italy), Scorsese noted that the Sicilian episode of Roberto Rossellini's Paisà, which he first saw on television with his relatives who were themselves Sicilian immigrants, had a significant impact on his life. He acknowledges owing a great debt to the French New Wave and has stated that "the French New Wave has influenced all filmmakers who have worked since, whether they saw the films or not." He has also cited filmmakers including Satyajit Ray, Ingmar Bergman, Michelangelo Antonioni, and Federico Fellini as major influences on his career.
He attended the all-boys Cardinal Hayes High School in the Bronx, graduating in 1960. He had initially desired to become a priest, attending a preparatory seminary but failed after the first year. This gave way to cinema and consequently Scorsese enrolled in NYU's Washington Square College (now known as the College of Arts and Science), where he earned a B.A. in English in 1964. He went on to earn his MA from New York University's School of Education (now the Steinhardt School of Culture, Education, and Human Development) in 1968, a year after the school was founded.
While attending the Tisch School of the Arts, Scorsese made the short films What's a Nice Girl Like You Doing in a Place Like This? (1963) and It's Not Just You, Murray! (1964). His most famous short of the period is the darkly comic The Big Shave (1967), which features Peter Bernuth. The film is an indictment of America's involvement in Vietnam, suggested by its alternative title Viet '67. Scorsese has mentioned on several occasions that he was greatly inspired in his early days at New York University by film professor Haig P. Manoogian.
In 1967, Scorsese made his first feature-length film, the black and white I Call First, which was later retitled Who's That Knocking at My Door, with his fellow students actor Harvey Keitel and editor Thelma Schoonmaker, both of whom were to become long-term collaborators. This film was intended to be the first of Scorsese's semi-autobiographical J. R. Trilogy, which would have included a later film, Mean Streets. Film critic Roger Ebert saw the film at the 1967 Chicago International Film Festival and in his review praised Scorsese and the film, writing, "'I Call First' brings these two kinds of films together into a work that is absolutely genuine, artistically satisfying and technically comparable to the best films being made anywhere. I have no reservations in describing it as a great moment in American movies."
Scorsese became friends with the influential "movie brats" of the 1970s: Brian De Palma, Francis Ford Coppola, George Lucas and Steven Spielberg. It was De Palma who introduced Scorsese to Robert De Niro. During this period, Scorsese worked as the assistant director and one of the editors on the documentary Woodstock (1970) and met actor–director John Cassavetes, who became a close friend and mentor. In 1972, Scorsese made the Depression-era exploiter Boxcar Bertha for B-movie producer Roger Corman, who also helped directors such as Francis Ford Coppola, James Cameron, and John Sayles launch their careers. It was Corman who taught Scorsese that entertaining films could be shot with very little money or time, preparing the young director well for the challenges to come with Mean Streets. Following the film's release, Cassavetes encouraged Scorsese to make the films that he wanted to make, rather than someone else's projects.
Championed by influential film critic Pauline Kael, Mean Streets was a breakthrough for Scorsese, De Niro, and Keitel. By now the signature Scorsese style was in place: macho posturing, bloody violence, Catholic guilt and redemption, gritty New York locale (though the majority of Mean Streets was shot in Los Angeles), rapid-fire editing and a soundtrack with contemporary music. Although the film was innovative, its wired atmosphere, edgy documentary style, and gritty street-level direction owed a debt to directors Cassavetes, Samuel Fuller and early Jean-Luc Godard. In 1974, actress Ellen Burstyn chose Scorsese to direct her in Alice Doesn't Live Here Anymore, for which she won an Academy Award for Best Actress. Although well regarded, the film remains an anomaly in the director's early career as it focuses on a central female character. Returning to Little Italy to explore his ethnic roots, Scorsese next came up with Italianamerican, a documentary featuring his parents Charles and Catherine Scorsese.
Scorsese followed with Taxi Driver in 1976, which depicted a Vietnam veteran who takes the law into his own hands on New York's crime-ridden streets. The film established him as an accomplished filmmaker and also brought attention to cinematographer Michael Chapman, whose style tends towards high contrasts, strong colors, and complex camera movements. The film starred Robert De Niro as the angry and alienated Travis Bickle, and co-starred Jodie Foster in a highly controversial role as an underage prostitute, with Harvey Keitel as her pimp. Taxi Driver also marked the start of a series of collaborations between Scorsese and writer Paul Schrader, whose influences included the diary of would-be assassin Arthur Bremer and Pickpocket, a film by the French director Robert Bresson. Writer–director Schrader often returns to Bresson's work in films such as American Gigolo, Light Sleeper, and Scorsese's later Bringing Out the Dead. Already controversial upon its release, Taxi Driver hit the headlines again five years later, when John Hinckley Jr. made an assassination attempt on then-president Ronald Reagan. He subsequently blamed his act on his obsession with Jodie Foster's Taxi Driver character (in the film, De Niro's character, Travis Bickle, makes an assassination attempt on a senator).
Taxi Driver won the Palme d'Or at the 1976 Cannes Film Festival, also receiving four Oscar nominations, including Best Picture. The critical and financial success of Taxi Driver encouraged Scorsese to move ahead with his first big-budget project: the highly stylized musical New York, New York. This tribute to Scorsese's home town and the classic Hollywood musical was a box-office failure. The film was the director's third collaboration with Robert De Niro, co-starring with Liza Minnelli. The film is best remembered today for the title theme song, which was popularized by Frank Sinatra. Although possessing Scorsese's usual visual panache and stylistic bravura, many critics felt its enclosed studio-bound atmosphere left it leaden in comparison with his earlier work. Despite its weak reception, the film is regarded positively by some critics. Richard Brody in The New Yorker wrote:
For Scorsese, a lifelong cinephile, the essence of New York could be found in its depiction in classic Hollywood movies. Remarkably, his backward-looking tribute to the golden age of musicals and noirish romantic melodramas turned out to be one of his most freewheeling and personal films.
In 1977 he directed the Broadway musical The Act, starring Liza Minnelli. The disappointing reception that New York, New York received drove Scorsese into depression. By this stage the director had developed a serious cocaine addiction. However, he did find the creative drive to make the highly regarded The Last Waltz, documenting the final concert by The Band. It was held at the Winterland Ballroom in San Francisco on American Thanksgiving Day, November 25, 1976, and featured one of the most extensive lineups of prominent guest performers at a single concert, including Bob Dylan, Neil Young, Ringo Starr, Muddy Waters, Joni Mitchell, Van Morrison, Paul Butterfield, Neil Diamond, Ronnie Wood, and Eric Clapton. However, Scorsese's commitments to other projects delayed the release of the film until 1978. Another Scorsese-directed documentary, titled American Boy, also appeared in 1978, focusing on Steven Prince, the cocky gun salesman who appeared in Taxi Driver. A period of wild partying followed, damaging the director's already fragile health. Scorsese helped provide footage for the documentary Elvis on Tour.
By several accounts (Scorsese's included), Robert De Niro saved Scorsese's life when he persuaded him to kick his cocaine addiction to make his highly regarded film Raging Bull. Writing for The New Yorker in March 2000, Mark Singer summarized Scorsese's condition stating:
He (Scorsese) was more than mildly depressed. Drug abuse, and abuse of his body in general, culminated in a terrifying episode of internal bleeding. Robert De Niro came to see him in the hospital and asked, in so many words, whether he wanted to live or die. If you want to live, De Niro proposed, let's make this picture—referring to Raging Bull, an as-told-to book by Jake La Motta, the former world middleweight boxing champion, that De Niro had given him to read years earlier.
Convinced that he would never make another movie, he poured his energies into making this violent biopic of middleweight boxing champion Jake LaMotta, calling it a kamikaze method of film-making. The film is widely viewed as a masterpiece and was voted the greatest film of the 1980s by Britain's Sight & Sound magazine. It received eight Oscar nominations, including Best Picture, Best Actor for Robert De Niro and Scorsese's first for Best Director. De Niro won, as did Thelma Schoonmaker for editing, but Best Director went to Robert Redford for Ordinary People. From this work onwards, Scorsese's films are always labeled as "A Martin Scorsese Picture" on promotional material. Raging Bull, filmed in high contrast black and white, is where Scorsese's style reached its zenith: Taxi Driver and New York, New York had used elements of expressionism to replicate psychological points of view, but here the style was taken to new extremes, employing extensive slow-motion, complex tracking shots, and extravagant distortion of perspective (for example, the size of boxing rings would change from fight to fight). Thematically too, the concerns carried on from Mean Streets and Taxi Driver: insecure males, violence, guilt, and redemption.
Although the screenplay for Raging Bull was credited to Paul Schrader and Mardik Martin (who earlier co-wrote Mean Streets), the finished script differed extensively from Schrader's original draft. It was rewritten several times by various writers including Jay Cocks (who went on to co-script later Scorsese films The Age of Innocence and Gangs of New York). The final draft was largely written by Scorsese and Robert De Niro. The American Film Institute chose Raging Bull as the number one American sports film on their list of the top 10 sports films. In 1997, the Institute ranked Raging Bull as the twenty-fourth greatest film of all time on their AFI's 100 Years ... 100 Movies list. In 2007, they ranked Raging Bull as the fourth greatest film of all time on their AFI's 100 Years ... 100 Movies (10th Anniversary Edition) list.
Scorsese's next project was his fifth collaboration with Robert De Niro, The King of Comedy (1983). It is a satire on the world of media and celebrity, whose central character is a troubled loner who ironically becomes famous through a criminal act (kidnapping). The film was an obvious departure from the more emotionally committed films he had become associated with. Visually, it was far less kinetic than the style Scorsese had developed previously, often using a static camera and long takes. Here the expressionism of his previous work gave way to moments of almost total surrealism. It still bore many of Scorsese's trademarks, however. The King of Comedy failed at the box office, but has become increasingly well regarded by critics in the years since its release. German director Wim Wenders numbered it among his 15 favorite films. Also, in 1983, Scorsese made a brief cameo appearance in the film Anna Pavlova (also known as A Woman for All Time), originally intended to be directed by one of his heroes, Michael Powell. This led to a more significant acting appearance in Bertrand Tavernier's jazz film Round Midnight. He also made a brief venture into television, directing an episode of Steven Spielberg's Amazing Stories.
With After Hours (1985), for which he won a Best Director Award at Cannes, Scorsese made an esthetic shift back to a pared-down, almost "underground" film-making style. Filmed on an extremely low budget, on location, and at night in the SoHo neighborhood of Manhattan, the film is a black comedy about one increasingly misfortunate night for a mild New York word processor (Griffin Dunne) and features cameos by such disparate actors as Teri Garr and Cheech and Chong. Along with the 1987 Michael Jackson music video "Bad", in 1986 Scorsese made The Color of Money, a sequel to the much admired Robert Rossen film The Hustler (1961) with Paul Newman, which co-starred Tom Cruise. Although adhering to Scorsese's established style, The Color of Money was the director's first official foray into mainstream film-making. The film finally won actor Paul Newman an Oscar and gave Scorsese the clout to finally secure backing for a project that had been a longtime goal for him: The Last Temptation of Christ.
In 1983, Scorsese began work on this long-cherished personal project. The Last Temptation of Christ, based on the 1955 novel written by Nikos Kazantzakis, retold the life of Christ in human rather than divine terms. Barbara Hershey recalls introducing Scorsese to the book while they were filming Boxcar Bertha. The film was slated to shoot under the Paramount Pictures banner, but shortly before principal photography was to start, Paramount pulled the plug on the project, citing pressure from religious groups. In this aborted 1983 version, Aidan Quinn was cast as Jesus, and Sting was cast as Pontius Pilate. (In the 1988 version, these roles were played by Willem Dafoe and David Bowie respectively.) However, following his mid-1980s flirtation with commercial Hollywood, Scorsese made a major return to personal filmmaking with the project; Universal Pictures agreed to finance the film as Scorsese agreed to make a more mainstream film for the studio in the future (it eventually resulted in Cape Fear). Even prior to its 1988 release, the film (adapted by Taxi Driver and Raging Bull veteran Paul Schrader) caused a massive furor, with worldwide protests against its perceived blasphemy effectively turning a low-budget independent film into a media sensation. Most of the controversy centered on the final passages of the film, which depicted Christ marrying and raising a family with Mary Magdalene in a Satan-induced hallucination while on the cross.
In 1986, Scorsese directed the 18 minute short film Bad featuring Michael Jackson and Wesley Snipes (in his film debut). The short also serves as a music video and was shot in the Hoyt–Schermerhorn Streets station in Brooklyn over a 6-week period during November and December 1986. The short film's cinematographer was frequent Scorsese collaborator Michael Chapman. The dancing and filmmaking was heavily influenced by the 1961 film West Side Story. Scorsese also noted the influence of his own film Taxi Driver (1976) in Spike Lee's documentary about the 25th anniversary of the short titled, Bad 25 (2012). The short has been praised by critics as one of the most iconic and greatest videos of all time; Jackson's outfit has been cited as an influence on fashion. That year, he had signed a deal with upstart major The Walt Disney Studios to produce and direct features, following the success of The Color of Money, and the company is currently soliciting material for possible development, and decided not to decide on projects he had hoped to produce under the company's two-year agreement with the studio, and the decision Scorsese wants to hire established directors like Elia Kazan and Arthur Penn.
Looking past the controversy, The Last Temptation of Christ gained critical acclaim and remains an important work in Scorsese's canon: an explicit attempt to wrestle with the spirituality underpinning his films up until that point. The director went on to receive his second nomination for a Best Director Academy Award (again unsuccessfully, this time losing to Barry Levinson for Rain Man). As a separate film project, and along with directors Woody Allen and Francis Ford Coppola in 1989, Scorsese provided one of three segments in the portmanteau film New York Stories, called "Life Lessons". Roger Ebert's gave the film a mixed review, while praising Scorsese's short as "really successful".
After a decade of films considered by critics to be mixed results, some considered Scorsese's gangster epic Goodfellas (1990) his return to directorial form, and his most confident and fully realized film since Raging Bull. De Niro and Joe Pesci offered a virtuoso display of Scorsese's bravura cinematic technique in the film and re-established, enhanced, and consolidated his reputation. After the film was released, Roger Ebert, a friend and supporter of Scorsese, named Goodfellas "the best mob movie ever". It is ranked No. 1 on Ebert's movie list for 1990, along with those of Gene Siskel and Peter Travers', and is widely considered one of the director's greatest achievements. The film was nominated for six Academy Awards, including Best Picture and Best Director, and Scorsese earned his third Best Director nomination but again lost to a first-time director, Kevin Costner (Dances with Wolves). Joe Pesci earned the Academy Award for Best Supporting Actor for his performance. Scorsese and the film also won many other awards, including five BAFTA Awards, a Silver Lion and more. The American Film Institute placed Goodfellas at No. 94 on the AFI's 100 Years ... 100 Movies list. On the 2007 updated version, they moved Goodfellas up to No. 92 on the AFI's 100 Years ... 100 Movies list (10th Anniversary Edition) and put Goodfellas at No. 2 on their list of the top 10 gangster films (after The Godfather).
In 1990, he released his only short-form documentary: Made in Milan about fashion designer Giorgio Armani. The following year brought Cape Fear, a remake of a cult 1962 movie of the same name and the director's seventh collaboration with De Niro. Another foray into the mainstream, the film was a stylized thriller taking its cues heavily from Alfred Hitchcock and Charles Laughton's The Night of the Hunter (1955). Cape Fear received a mixed critical reception and was lambasted in many quarters for its scenes depicting misogynistic violence. However, the lurid subject matter gave Scorsese a chance to experiment with visual tricks and effects. The film garnered two Oscar nominations. Earning $80 million domestically, it stood as Scorsese's most commercially successful release until The Aviator (2004), and then The Departed (2006). The film also marked the first time Scorsese used wide-screen Panavision with an aspect ratio of 2.39:1.
In 1990, Scorsese acted in a small role as Vincent van Gogh in the film Dreams by Japanese director Akira Kurosawa. Scorsese's 1994 cameo appearance in the Robert Redford film Quiz Show is remembered for the telling line: "You see, the audience didn't tune in to watch some amazing display of intellectual ability. They just wanted to watch the money." De Fina-Cappa was the production company he formed that same year with producer Barbara De Fina. In the early 1990s, Scorsese also expanded his role as a film producer. He produced a wide range of films, including major Hollywood studio productions (Mad Dog and Glory, Clockers), low-budget independent films (The Grifters, Naked in New York, Grace of My Heart, Search and Destroy, The Hi-Lo Country), and even the foreign film (Con gli occhi chiusi (With Closed Eyes)).
The Age of Innocence (1993) was a significant departure for Scorsese, a period adaptation of the Edith Wharton novel about the constrictive high society of late-19th century New York. It was highly lauded by critics upon its original release but was a box office bomb, making an overall loss. As noted in Scorsese on Scorsese by editor–interviewer Ian Christie, the news that Scorsese wanted to make a film about a failed 19th-century romance raised many eyebrows among the film fraternity; all the more when Scorsese made it clear that it was a personal project and not a studio for-hire job.
Scorsese was interested in doing a "romantic piece", and he was strongly drawn to the characters and the story of Wharton's text. Scorsese wanted his film to be as rich an emotional experience as the book was to him rather than the traditional academic adaptations of literary works. To this end, Scorsese sought influence from diverse period films that had had an emotional impact on him. In Scorsese on Scorsese, he documents influences from films such as Luchino Visconti's Senso and his Il Gattopardo (The Leopard) as well as Orson Welles's The Magnificent Ambersons and also Roberto Rossellini's La prise de pouvoir par Louis XIV (The Taking of Power by Louis XIV). Although The Age of Innocence was ultimately different from these films in terms of narrative, story, and thematic concern, the presence of a lost society, of lost values as well as detailed re-creations of social customs and rituals continues the tradition of these films. It came back into the public eye, especially in countries such as the UK and France, but still is largely neglected in North America. The film earned five Academy Award nominations (including Best Adapted Screenplay for Scorsese), winning the Costume Design Oscar. This was his first collaboration with the Academy Award-winning actor Daniel Day-Lewis, with whom he would work again on Gangs of New York. This was Scorsese's first film to be shot on Super 35 format.
Casino (1995), like The Age of Innocence before it, focused on a tightly wound male whose well-ordered life is disrupted by the arrival of unpredictable forces. The fact that it was a violent gangster film made it more palatable to the director's fans who perhaps were baffled by the apparent departure of the earlier film. Casino was a box office success, and it received generally positive notices from critics. Comparisons were drawn to his earlier film Goodfellas, and Scorsese admitted Casino bore a superficial resemblance to it, but he maintained that the story was significantly larger in scope. Sharon Stone was nominated for the Best Actress Academy Award for her performance. During the filming, Scorsese played a background part as a gambler at one of the tables.
Scorsese still found time for a four-hour documentary in 1995, titled A Personal Journey with Martin Scorsese Through American Movies, offering a thorough trek through American cinema. It covered the silent era to 1969, a year after which Scorsese began his feature career. He said, "I wouldn't feel right commenting on myself or my contemporaries." In the four-hour documentary, Scorsese lists the four aspects of the director he believes are the most important as (1) the director as storyteller; (2) the director as an illusionist: D. W. Griffith or F. W. Murnau, who created new editing techniques among other innovations that made the appearance of sound and color possible later on; (3) the director as a smuggler—filmmakers such as Douglas Sirk, Samuel Fuller, and Vincente Minnelli, who used to hide subversive messages in their films; and (4) the director as iconoclast. In the preface to this documentary, Scorsese states his commitment to the "Director's Dilemma", in which a successful contemporary director must be pragmatic about the realities of getting financing for films of personal esthetic interest by accepting the need of "making one film for the studio, and (then) making one for oneself."
If The Age of Innocence alienated and confused some fans, then Kundun (1997) went several steps further, offering an account of the early life of Tenzin Gyatso, the 14th Dalai Lama, the People's Liberation Army's entry into Tibet, and the Dalai Lama's subsequent exile to India. Not only a departure in subject matter, Kundun saw Scorsese employing a fresh narrative and visual approach. Traditional dramatic devices were substituted for a trance-like meditation achieved through an elaborate tableau of colorful visual images. The film was a source of turmoil for its distributor, Buena Vista Pictures, which was planning significant expansion into the Chinese market at the time. Initially defiant in the face of pressure from Chinese officials, Disney has since distanced itself from the project, hurting Kundun's commercial profile. In the short term, the sheer eclecticism in evidence enhanced the director's reputation. In the long term, however, it appears Kundun has been sidelined in most critical appraisals of the director, mostly noted as a stylistic and thematic detour. Kundun was the Scorsese's second attempt to profile the life of a great religious leader, following The Last Temptation of Christ.
Bringing Out the Dead (1999) was a return to familiar territory, with the director and writer Paul Schrader constructing a pitch-black comic take on their own earlier Taxi Driver. Like earlier Scorsese-Schrader collaborations, its final scenes of spiritual redemption explicitly recall the films of Robert Bresson. (It is also worth noting that the film's incident-filled nocturnal setting is reminiscent of After Hours.) It received generally positive reviews, although not the universal critical acclaim of some of his other films. It stars Nicolas Cage, Ving Rhames, John Goodman, Tom Sizemore, and Patricia Arquette.
On various occasions Scorsese has been asked to present the Honorary Academy Award during the Oscar telecast. In 1998, at the 70th Academy Awards, Scorsese presented the award to film legend Stanley Donen. When accepting the award Donen quipped, "Marty this is backwards, I should be giving this to you, believe me". In 1999, at the 71st Academy Awards, Scorsese and De Niro presented the award to film director Elia Kazan. This was a controversial pick for the academy due to Kazan's involvement with the Hollywood blacklist in the 1950s. Several members of the audience including Nick Nolte and Ed Harris refused to applaud Kazan when he received the award while others such as Warren Beatty, Meryl Streep, Kathy Bates, and Kurt Russell gave him a standing ovation.
In 1999, Scorsese produced a documentary on Italian filmmakers titled Il Mio Viaggio in Italia, also known as My Voyage to Italy. The documentary foreshadowed the director's next project, the epic Gangs of New York (2002), influenced by (amongst many others) major Italian directors such as Luchino Visconti and filmed in its entirety at Rome's famous Cinecittà film studios. With a production budget said to be in excess of $100 million, Gangs of New York was Scorsese's biggest and arguably most mainstream venture to date. Like The Age of Innocence, it was set in 19th-century New York, although focusing on the other end of the social scale (and like that film, also starring Daniel Day-Lewis). The film marked the first collaboration between Scorsese and actor Leonardo DiCaprio, who became a fixture in later Scorsese films. The production was highly troubled, with many rumors referring to the director's conflict with Miramax boss Harvey Weinstein. Despite denials of artistic compromise, some felt that Gangs of New York was the director's most conventional film, featuring standard film tropes that the director had traditionally avoided, such as characters existing purely for exposition purposes and explanatory flashbacks.
The final cut of the movie ran to 168 minutes, while the director's original cut was over 180 minutes long. Even so, the film received generally positive reviews with the review aggregator Rotten Tomatoes reporting that 75 percent of the reviews for the film they tallied were positive and summarizing the critics writing, "Though flawed, the sprawling, messy Gangs of New York is redeemed by impressive production design and Day-Lewis's electrifying performance." The film's central themes are consistent with the director's established concerns: New York, violence as culturally endemic, and subcultural divisions down ethnic lines. Originally filmed for a release in the winter of 2001 (to qualify for Academy Award nominations), Scorsese delayed the final production of the film until after the beginning of 2002; the studio consequently delayed the film until its release in the Oscar season of late 2002. Gangs of New York earned Scorsese his first Golden Globe for Best Director. In February 2003, Gangs of New York received 10 Academy Award nominations, including Best Picture, Best Director, and Best Actor for Daniel Day-Lewis; however, it did not win in any category.
The following year, Scorsese completed production of The Blues, an expansive seven-part documentary tracing the history of blues music from its African roots to the Mississippi Delta and beyond. Seven film-makers including Wim Wenders, Clint Eastwood, Mike Figgis, and Scorsese himself each contributed a 90-minute film (Scorsese's entry was titled Feel Like Going Home). In the early 2000s, Scorsese produced several films for up-and-coming directors, such as You Can Count on Me (directed by Kenneth Lonergan), Rain (directed by Katherine Lindberg), Lymelife (directed by Derick Martini) and The Young Victoria (directed by Jean-Marc Vallée). At that time, he established Sikelia Productions. In 2003, producer Emma Tillinger Koskoff joined the company. Scorsese also produced several documentaries, such as The Soul of a Man (directed by Wim Wenders) and Lightning in a Bottle (directed by Antoine Fuqua).
Scorsese's film The Aviator (2004) is a lavish, large-scale biopic of eccentric aviation pioneer and film mogul Howard Hughes and reunited Scorsese with actor Leonardo DiCaprio. The film received highly positive reviews. The film was a widespread box office success and gained Academy recognition. The Aviator was nominated for six Golden Globe awards, including Best Motion Picture-Drama, Best Director, Best Screenplay, and Best Actor-Motion Picture Drama for Leonardo DiCaprio. It won three, including Best Motion Picture-Drama and Best Actor-Motion Picture Drama. In January 2005 The Aviator became the most-nominated film of the 77th Academy Awards nominations, nominated in 11 categories including Best Picture. The film also garnered nominations in nearly all the other major categories, including a fifth Best Director nomination for Scorsese. Despite having the most nominations, the film won only five Oscars. Scorsese lost again, this time to director Clint Eastwood for Million Dollar Baby (which also won Best Picture).
No Direction Home is a documentary film by Scorsese that tells of the life of Bob Dylan, and his impact on American popular music and the culture of the 20th century. The film does not cover Dylan's entire career; it focuses on his beginnings, his rise to fame in the 1960s, his then-controversial transformation from an acoustic guitar-based musician and performer to an electric guitar-influenced sound and his "retirement" from touring in 1966 following an infamous motorcycle accident. The film was first presented on television in both the United States (as part of the PBS American Masters series) and the United Kingdom (as part of the BBC Two Arena series) on September 26 to 27, 2005. A DVD version of the film was released the same month. The film won a Peabody Award and the Grammy Award for Best Long Form Music Video. In addition, Scorsese received an Emmy nomination for it.
Scorsese returned to the crime genre with the Boston-set thriller The Departed, based on the Hong Kong police drama Infernal Affairs (which is co-directed by Andrew Lau and Alan Mak). The film continued Scorsese's collaboration with Leonardo DiCaprio and was the first time he worked with Matt Damon, Jack Nicholson, Mark Wahlberg, and Martin Sheen.
The Departed opened to widespread critical acclaim, with some proclaiming it as one of the best efforts Scorsese had brought to the screen since 1990's Goodfellas, and still others putting it at the same level as Scorsese's most celebrated classics Taxi Driver and Raging Bull. With domestic box office receipts surpassing US$129.4 million, The Departed was Scorsese's highest-grossing film (not accounting for inflation) until 2010's Shutter Island.
The Departed earned Scorsese a second Golden Globe for Best Director, as well as a Critics' Choice Award, his first Directors Guild of America Award, and the Academy Award for Best Director. Presented with the latter, Scorsese poked fun at his track record of nominations, asking, "Could you double-check the envelope?" The award was presented by his longtime friends and colleagues Francis Ford Coppola, George Lucas and Steven Spielberg. The Departed also received the Academy Award for the Best Motion Picture of 2006, Best Adapted Screenplay, and Best Film Editing by longtime Scorsese editor Thelma Schoonmaker, her third win for a Scorsese film.
Shine a Light captures rock and roll band The Rolling Stones' performing at New York City's Beacon Theater on October 29 and November 1, 2006, intercut with brief news and interview footage from throughout their career. The film was initially scheduled for release on September 21, 2007, but Paramount Classics postponed its general release until April 2008. Its world premiere was at the opening of the 58th Berlinale Film Festival on February 7, 2008. "Marty did an amazing job of making us look great…" observed drummer Charlie Watts. "It's all in the edits and the cuts. That's a movie maker rather than a guy just shooting a band onstage… It's not Casablanca, but it's a great thing to have from our point of view, not being egotistical. It's a document."
In 2009, Scorsese signed a petition in support of director Roman Polanski, who had been detained while traveling to a film festival in relation to his 1977 sexual abuse charges, which the petition argued would undermine the tradition of film festivals as a place for works to be shown "freely and safely", and that arresting filmmakers traveling to neutral countries could open the door "for actions of which no-one can know the effects."
On October 22, 2007, Daily Variety reported that Scorsese would reunite with Leonardo DiCaprio on a fourth picture, Shutter Island. Principal photography on the Laeta Kalogridis screenplay, based on the novel of the same name by Dennis Lehane, began in Massachusetts in March 2008. In December 2007, actors Mark Ruffalo, Max von Sydow, Ben Kingsley, and Michelle Williams joined the cast, marking the first time these actors had worked with Scorsese. The film was released on February 19, 2010. On May 20, 2010, the film became Scorsese's highest-grossing film. In 2010, The Wall Street Journal reported that Scorsese was supporting the David Lynch Foundation's initiative to help 10,000 military veterans overcome posttraumatic stress disorder through Transcendental Meditation; Scorsese has publicly discussed his own practice of TM.
Scorsese directed a television commercial for Chanel's then-new men's fragrance, Bleu de Chanel, starring French actor Gaspard Ulliel. Filmed in New York City, it debuted online on August 25, 2010 and was released on TV in September 2010.
Scorsese directed the series premiere for Boardwalk Empire, an HBO drama series, starring Steve Buscemi and Michael Pitt, based on Nelson Johnson's book Boardwalk Empire: The Birth, High Times and Corruption of Atlantic City. Terence Winter, who wrote for The Sopranos, created the series. In addition to directing the pilot (for which he won the 2011 Primetime Emmy Award for Outstanding Directing), Scorsese also served as an executive producer on the series. The series premiered on September 19, 2010, and was broadcast for five seasons.
Scorsese directed the three-and-a-half-hour documentary George Harrison: Living in the Material World about the life and music of former Beatles' member George Harrison, which premiered in the United States on HBO over two parts on October 5 and 6, 2011. His next film Hugo is a 3D adventure drama film based on Brian Selznick's novel The Invention of Hugo Cabret. The film stars Asa Butterfield, Chloë Grace Moretz, Ben Kingsley, Sacha Baron Cohen, Ray Winstone, Emily Mortimer, Christopher Lee, and Jude Law. The film has been met with critical acclaim and earned Scorsese his third Golden Globe Award for Best Director. The film was also nominated for 11 Academy Awards, winning five of them and becoming tied with Michel Hazanavicius's film The Artist for the most Academy Awards won by a single film in 2011. Hugo also won two BAFTA awards, among numerous other awards and nominations. Hugo was Scorsese's first 3D film and was released in the United States on November 23, 2011.
Scorsese's 2013 film, The Wolf of Wall Street, is an American biographical black comedy based on Jordan Belfort's memoir of the same name. The screenplay was written by Terence Winter and starred Leonardo DiCaprio as Belfort, along with Jonah Hill, Matthew McConaughey, and others. The film marked the fifth collaboration between Scorsese and DiCaprio and the second between Scorsese and Winter after Boardwalk Empire. It was released on December 25, 2013. The film tells the story of a New York stockbroker, played by DiCaprio, who engages in a large securities fraud case involving illicit stock manipulation, by way of the practice of "pump and dump". DiCaprio was given the award for Best Actor-Motion Picture Musical or Comedy at the 2014 Golden Globe Awards. The film was also nominated for Best Motion Picture-Musical or Comedy as well. The Wolf of Wall Street was nominated for five Academy Awards, including Best Picture, Best Actor for Leonardo DiCaprio, Best Supporting Actor for Jonah Hill, Best Director for Martin Scorsese, and Best Adapted Screenplay for Terence Winter but did not win in any category. In a 2016 critics' poll conducted by the BBC, the film was ranked among the 100 greatest motion pictures since 2000.
Scorsese and David Tedeschi made a documentary about the history of the New York Review of Books, titled The 50 Year Argument. It screened as a work in progress at the Berlin International Film Festival in February 2014 and premiered in June 2014 at the Sheffield Doc/Fest. It was also screened in Oslo, and Jerusalem before being shown on the BBC's Arena series in July and at Telluride in August. In September, it was screened at the Toronto and Calgary International Film Festivals, and the New York Film Festival. It aired on HBO on September 29, 2014.
Scorsese directed the pilot for Vinyl written by Terence Winter and George Mastras, with Mick Jagger producing and Mastras as showrunner. The series stars Bobby Cannavale as Richie Finestra, founder and president of a top-tier record label, set in 1970s New York City's drug-and sex-fueled music business as punk and disco were breaking out, all told through the eyes of Finestra trying to resurrect his label and find the next new sound. Filming began on July 25, 2014. Co-stars include Ray Romano, Olivia Wilde, Juno Temple, Andrew Dice Clay, Ato Essandoh, Max Casella, and James Jagger. On December 2, 2014, Vinyl was picked up by HBO. The series lasted one season. Scorsese has acted as executive producer of several indie films, like the 2014 The Third Side of the River (directed by his protege Celina Murga), another 2014 film Revenge of the Green Dragons (co-directed by Andrew Lau, whose film Infernal Affairs inspired The Departed), as well as Bleed for This and Free Fire.
Scorsese directed The Audition, a short film that also served as a promotional piece for casinos Studio City in Macau and City of Dreams in Manila, Philippines. The short brought together Scorsese's long-time muses Leonardo DiCaprio and Robert De Niro for the first time under his direction. The short film featured the two actors, playing fictionalized versions of themselves, competing for a role in Scorsese's next film. It was Scorsese's first collaboration with De Niro in two decades. The film premiered in October 2015 in conjunction with the grand opening of Studio City.
Scorsese had long anticipated filming an adaptation of Shūsaku Endō's novel Silence, a drama about the lives of two Portuguese Jesuit priests in Japan during the 17th century. He had originally planned Silence as his next project following Shutter Island. On April 19, 2013, financing was secured for Silence by Emmett/Furla Films, and filming began in January 2015. By November 2016, the film had completed post-production. It was written by Jay Cocks and Scorsese, based on the novel, and stars Andrew Garfield, Liam Neeson, and Adam Driver. The film was released on December 23, 2016. Scorsese was recognized as an Italian citizen by jus sanguinis in 2018.
On January 10, 2019, Variety's Chris Willman reported that Scorsese's long-anticipated documentary of Bob Dylan's 1975 tour, the Rolling Thunder Revue, would be released by Netflix: "Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year. Part documentary, part concert film, part fever dream, Rolling Thunder is a one of a kind experience, from master filmmaker Martin Scorsese." On April 25, 2019, it was announced that the documentary would be released on Netflix on June 12, 2019, with a concurrent theatrical engagement in twenty American, European, and Australian cities the night before, and an extended theatrical schedule in Los Angeles and New York so that the film will qualify for award consideration. After years of development, principal photography on Scorsese's crime film The Irishman began in August 2017, starring Robert De Niro, Joe Pesci, and Al Pacino. The film had its world premiere at the 57th New York Film Festival on September 27, 2019. It received a limited theatrical release on November 1, 2019, followed by digital streaming on November 27, 2019, on Netflix. In January 2020, The Irishman received ten Academy Award nominations, including for Best Picture, Best Director, Best Adapted Screenplay, and Best Supporting Actor for Pacino and Pesci.
On December 29, 2020, the trailer for Scorsese's documentary series Pretend It's a City was released. The series features Fran Lebowitz and Scorsese as they delve into her personal beliefs and thoughts on New York City. The project was released January 8, 2021 on Netflix. This is Scorsese's second documentary featuring Lebowitz, the first being Public Speaking (2010) which was released on HBO.
In July 2019, Scorsese started scouting locations in preparation for the 2020 filming of his next film Killers of the Flower Moon, a film adaptation of the book of the same name by David Grann. Scorsese will be teaming up with Leonardo DiCaprio for the sixth time and Robert De Niro for the tenth time. In December 2019, Scorsese's frequent cinematographer Rodrigo Prieto confirmed that Flower Moon was gearing up to start principal photography in March 2020, which was postponed due to the COVID-19 pandemic. In April 2020, it was announced that filming for Killers of the Flower Moon had been postponed indefinitely in response to the COVID-19 pandemic, that the potential cost of the film had ballooned to $200 million, and that Scorsese was in talks with Netflix or Apple Inc. to produce and distribute, with Paramount Pictures involved as a partner. On May 27, 2020, Apple bought the production and distribution rights to the film, which will be released theatrically by Paramount and streaming on Apple TV+. Principal photography commenced in April 2021.
Filmmaking style and technique
Several recurring filmmaking techniques are identifiable in many of Scorsese's films. He has established a filmmaking history which involves repeat collaborations with actors, screenwriters, film editors, and cinematographers, sometimes extending over several decades, such as that with recurring cinematographers Michael Ballhaus, Robert Richardson, and Rodrigo Prieto.
Slow motion and freeze frame
Scorsese is known for his frequent use of slow motion, for example, in Who's That Knocking at My Door (1967) and Mean Streets (1973). He is also known for using freeze frames, such as: in the opening credits of The King of Comedy (1983), throughout Goodfellas (1990), Casino (1995), The Departed (2006), and in The Irishman (2019). His blonde leading ladies are usually seen through the eyes of the protagonist as angelic and ethereal; they wear white in their first scene and are photographed in slow motion—Cybill Shepherd in Taxi Driver; Cathy Moriarty's white bikini in Raging Bull; Sharon Stone's white minidress in Casino. This may be a nod to director Alfred Hitchcock. Scorsese often uses long tracking shots, as seen in Taxi Driver, Goodfellas, Casino, Gangs of New York, and Hugo. MOS sequences set to popular music or voice-over are regularly seen in his films, often involving aggressive camera movement and/or rapid editing. Scorsese sometimes highlights characters in a scene with an iris, an homage to 1920s silent film cinema (as scenes at the time sometimes used this transition). This effect can be seen in Casino (it is used on Sharon Stone and Joe Pesci), Life Lessons, The Departed (on Matt Damon), and Hugo. Some of his films include references/allusions to Westerns, particularly Rio Bravo, The Great Train Robbery, Shane, The Searchers, and The Oklahoma Kid. Slow motion flashbulbs and accented camera/flash/shutter sounds are often used, as is the song "Gimme Shelter" by The Rolling Stones heard in several of Scorsese's films: Goodfellas, Casino, and The Departed.
Scorsese usually has a quick cameo in his films (Who's That Knocking at My Door, Boxcar Bertha, Mean Streets, Alice Doesn't Live Here Anymore, Taxi Driver, The King of Comedy, After Hours, The Last Temptation of Christ (albeit hidden under a hood), The Age of Innocence, Gangs of New York, Hugo), he is also known to contribute his voice to a film without appearing on screen (e.g. as in The Aviator and The Wolf of Wall Street). In The Age of Innocence, for example, he appears in the non-speaking role of a large format portrait photographer in one of the passing scenes of the film. He provides the opening voice-over narration in Mean Streets and The Color of Money; plays the off-screen dressing room attendant in the final scene of Raging Bull, and provides the voice of the unseen ambulance dispatcher in Bringing Out the Dead. He also appears as the director of fictional newly formed Vatican Television in the Italian comedy In the Pope's Eye.
Guilt is a prominent theme in many of his films, as is the role of Catholicism in creating and dealing with guilt (Who's That Knocking at My Door, Mean Streets, Raging Bull, Bringing Out the Dead, The Departed, Shutter Island, and The Irishman). In a similar manner, Scorsese considered Silence a "passion project": it had been in development since 1990, two years after the release of his film The Last Temptation of Christ, which also contained strongly religious themes. When asked why he retained interest in a project dealing with strong theological themes for over 26 years, Scorsese said,
As you get older, ideas go and come. Questions, answers, loss of the answer again and more questions, and this is what really interests me. Yes, the cinema and the people in my life and my family are most important, but ultimately as you get older, there's got to be more ... Silence is just something that I'm drawn to in that way. It's been an obsession, it has to be done ... it's a strong, wonderful true story, a thriller in a way, but it deals with those questions.
More recently, his films have featured corrupt authority figures, such as policemen in The Departed and politicians in Gangs of New York and The Aviator. He is also known for his liberal usage of profanity, dark humor, and violence.
Scorsese's interest in political corruption as depicted in his films was expanded further in his 2019 film The Irishman. Richard Brody writing for The New Yorker found the main interpretation of the film to be a dark allegory of a realist reading of American politics and American society stating:
The real-life Hoffa... (was) a crucial player in both gangland politics and the actual practical politics of the day, and the movie's key through line is the inseparability of those two realms. The Irishman is a sociopolitical horror story that views much of modern American history as a continuous crime in motion, in which every level of society—from domestic life through local business through big business through national and international politics—is poisoned by graft and bribery, shady deals and dirty money, threats of violence and its gruesome enactment, and the hard-baked impunity that keeps the entire system running.
Scorsese often casts the same actors in his projects, particularly Robert De Niro, who has collaborated with Scorsese on nine feature films and one short film. Included are the three films (Taxi Driver, Raging Bull, and Goodfellas) that made AFI's 100 Years ... 100 Movies list. Scorsese has often said he thinks De Niro's best work under his direction was Rupert Pupkin in The King of Comedy. After the turn of the century, Scorsese found a new muse with younger actor Leonardo DiCaprio, collaborating on five feature films and one short to date. Several critics have compared Scorsese's new partnership with DiCaprio with his previous one with De Niro. Frequent collaborators also include: Victor Argo (6), Harvey Keitel (6), Harry Northup (6), Murray Moston (5), Illeana Douglas (4), J. C. MacKenzie (4), Joe Pesci (4), Frank Vincent (3), Barry Primus (3), and Verna Bloom (3). Others who have appeared in multiple Scorsese projects include Daniel Day-Lewis, who had become very reclusive to the Hollywood scene, Alec Baldwin, Willem Dafoe, Ben Kingsley, Jude Law, Dick Miller, Liam Neeson, Emily Mortimer, John C. Reilly, David Carradine, Barbara Hershey, Kevin Corrigan, Jake Hoffman, Frank Sivero, Ray Winstone and Nick Nolte. Before their deaths, Scorsese's parents, Charles Scorsese and Catherine Scorsese, appeared in bit parts, walk-ons or supporting roles, such as in Goodfellas.
For his crew, Scorsese frequently worked with editors Marcia Lucas and Thelma Schoonmaker, cinematographers Michael Ballhaus, Robert Richardson, Michael Chapman and Rodrigo Prieto, screenwriters Paul Schrader, Mardik Martin, Jay Cocks, Terrence Winter, John Logan and Steven Zaillian, costume designer Sandy Powell, production designers Dante Ferretti and Bob Shaw, music producer Robbie Robertson, and composers Howard Shore and Elmer Bernstein. Schoonmaker, Richardson, Powell, and Ferretti have each won Academy Awards in their respective categories on collaborations with Scorsese. Elaine and Saul Bass, the latter being Hitchcock's frequent title designer, designed the opening credits for Goodfellas, The Age of Innocence, Casino and Cape Fear.
In 1965, Scorsese married his first wife Laraine Marie Brennan, and they remained together for six years between 1965 and 1971; they have a daughter, Catherine, who was named after his mother.
In 1976, Scorsese married the writer Julia Cameron, his second marriage; they have a daughter (Domenica Cameron-Scorsese, who is an actress and appeared in The Age of Innocence), but the marriage lasted only a year. The divorce was acrimonious and served as the basis of Cameron's first feature, the dark comedy God's Will, which also starred their daughter. She had a small role in Cape Fear using the name Domenica Scorsese and has continued to act, write, direct, and produce.
Scorsese married producer Barbara De Fina in 1985, his fourth of five marriages; they divorced in 1991. From 1989 to 1997, Scorsese was romantically involved with actress Illeana Douglas following his fourth divorce.
In 1999, Scorsese married his current spouse of over twenty years, Helen Schermerhorn Morris. They have a daughter, actress and filmmaker Francesca, who appeared in his films The Departed, Hugo, and The Aviator, and had a leading role in HBO/Sky's miniseries We Are Who We Are in 2020.
Since his first divorce in 1972, Scorsese has had four subsequent wives and had previously identified himself as a lapsed Roman Catholic as a result of the Church's doctrinal position against divorce. He has said, "I'm a lapsed Catholic. But I am Roman Catholic; there's no way out of it." In 2016, Scorsese identified himself as a Catholic again, saying, "my way has been, and is, Catholicism. After many years of thinking about other things, dabbling here and there, I am most comfortable as a Catholic. I believe in the tenets of Catholicism."
As of 2019[update], Scorsese has directed 25 full-length films and 16 full-length documentary films.
In 2012, Scorsese participated in the Sight & Sound film polls of that year. Held every ten years to select the greatest films of all time, contemporary directors were asked to select ten films of their choice. Scorsese, however, picked 12, which are listed below in alphabetical order:
- 2001: A Space Odyssey (USA/UK,1968)
- 8½ (Italy, 1963)
- Ashes and Diamonds (Poland, 1958)
- Citizen Kane (USA, 1941)
- The Leopard (Italy, 1963)
- Paisà (Italy, 1946)
- The Red Shoes (UK, 1948)
- The River (USA, 1951)
- Salvatore Giuliano (Italy, 1962)
- The Searchers (USA, 1956)
- Ugetsu (Japan, 1953)
- Vertigo (USA, 1958)
In 1999, after the death of Gene Siskel, Scorsese joined Roger Ebert as the guest co-host for an episode of Siskel & Ebert where they each stated their 10 favorite films of the decade. Scorsese's list numerically is:
Scorsese has mentioned his mentors being such filmmakers as John Cassavetes, Roger Corman, and Michael Powell. In film critic Roger Ebert's book, Scorsese by Ebert, Ebert praised Scorsese for championing and supporting other filmmakers by serving as an executive producer on projects of filmmakers such as Antoine Fuqua, Wim Wenders, Kenneth Lonergan, Stephen Frears, Allison Anders, Spike Lee, and John McNaughton. More recently he's executive produced the films of the Safdie Brothers, Joanna Hogg, Kornél Mundruczó, Josephine Decker, Danielle Lessovitz, Alice Rohrwacher, Jonas Carpignano, Amélie van Elmbt, and Celina Murga. Scorsese has also chosen to name filmmakers throughout the years that he admires such as fellow New York City-based directors Woody Allen and Spike Lee, as well as other artists such as Wes Anderson, Bong Joon-ho, Greta Gerwig, Ari Aster, Kelly Reichardt, Claire Denis, Noah Baumbach, Paul Thomas Anderson, Christopher Nolan, the Coen Brothers, and Kathryn Bigelow.
The Film Foundation
Scorsese had been at the forefront in film preservation and restoration ever since 1990, when he created The Film Foundation, a non-profit film organization which collaborates with film studios to restore prints of old or damaged films. Scorsese launched the organization with Woody Allen, Robert Altman, Francis Ford Coppola, Clint Eastwood, Stanley Kubrick, George Lucas, Sydney Pollack, Robert Redford, and Steven Spielberg, who all sat on the foundation's original board of directors. In 2006, Paul Thomas Anderson, Wes Anderson, Curtis Hanson, Peter Jackson, Ang Lee and Alexander Payne joined them. In 2015, Christopher Nolan also joined the board. Recent members include Spike Lee, Sofia Coppola, Guillermo del Toro, Barry Jenkins, Lynne Ramsay, Joanna Hogg and Kathryn Bigelow.
The foundation has restored more than 800 films from around the world and conducts a free educational curriculum for young people on the language and history of film. Scorsese and the Foundation spearheaded fundraising for the film restoration of Michael Powell, and Emeric Pressburger's The Red Shoes (1948). For his advocacy in film restoration he received the Robert Osborne Award at the 2018 TCM Film Festival. The award was given to Scorsese as "an individual who has significantly contributed to preserving the cultural heritage of classic films".
In November 2020, the Criterion Channel released a 30-minute video titled, 30 Years of The Film Foundation: Martin Scorsese and Ari Aster in Conversation, celebrating the "mission, evolution, and ongoing work of The Film Foundation". Scorsese stated as of 2020, the Foundation has helped restore 850 films.
The World Cinema Project
In 2007, Scorsese established the World Cinema Project with the mission to preserve and present marginalized and infrequently screened films from regions generally ill-equipped to preserve their own cinema history. Scorsese's organization has worked with the Criterion Collection to not only preserve the films but to allow them to be released on DVD and Blu-ray boxsets and on streaming services such as The Criterion Channel. Films in the WCP include Ousmane Sembène's Black Girl (1966), and Djibril Diop Mambéty's Touki Bouki (1973).
The Criterion Collection so far has released two Vol. boxsets on DVD and Blu-ray, titled, Martin Scorsese's World Cinema Project. The first Volume includes 6 titles, Touki Bouki (1973), Redes (1936), A River Called Titas (1973), Dry Summer (1964), Trances (1981) and The Housemaid (1960). The second volume also includes 6 titles, Insiang (1976), Mysterious Object at Noon (2000), Revenge (1989), Limite (1931), Law of the Border (1967), and Taipei Story (1985).
The African Film Heritage Project
In 2017, Scorsese also introduced The African Film Heritage Project (AFHP), which is a joint initiative between Scorsese's non-profit The Film Foundation, UNESCO, Cineteca di Bologna, and the Pan African Federation of Filmmakers (FEPACI). The project aims to locate and preserve 50 classic African films, some thought lost and others beyond repair, with hopes to make them available to audiences everywhere. In an interview with Cinema Escapist in 2018, Scorsese talked about the ambitious collaboration saying, "Our first goal is to launch and conduct a thorough investigation in film archives and laboratories around the world, in order to locate the best surviving elements—original negatives, we hope—for our first 50 titles." He also stated that "Restoration is always the primary goal, of course, but within the initiative, it’s also a starting point of a process that follows through with exhibition and dissemination in Africa and abroad. And of course, our restoration process always includes the creation of preservation elements."
In 2019, the AFHP, announced that they would screen restorations of four African films on their home continent for the first time as part of the 50th anniversary of the Pan African Film Festival of Ouagadougou. The movies in question are Med Hondo’s Soleil Ô (1970), Mohammed Lakhdar-Hamina’s Chronique des années de braise (1975), Timité Bassori’s La Femme au couteau (1969), and Jean-Pierre Dikongue-Pipa’s Muna Moto (1975).
Legacy and honors
Scorsese's films have been nominated for numerous awards both nationally and internationally, with an Academy Award win for The Departed. In 1991, he received the Golden Plate Award of the American Academy of Achievement. In 1997, Scorsese received the AFI Life Achievement Award. In 1998, the American Film Institute placed three Scorsese films on their list of the greatest American movies: Raging Bull at No. 24, Taxi Driver at No. 47, and Goodfellas at No. 94. For the tenth-anniversary edition of their list, Raging Bull was moved to No. 4, Taxi Driver was moved to No. 52, and Goodfellas was moved to No. 92. In 2001, the American Film Institute placed two Scorsese films on their list of the most "heart-pounding movies" in American cinema: Taxi Driver at No. 22 and Raging Bull at No. 51. At a ceremony in Paris, France, on January 5, 2005, Martin Scorsese was awarded the French Legion of Honour in recognition of his contribution to cinema. On February 8, 2006, at the 48th Annual Grammy Awards, Scorsese was awarded the Grammy Award for Best Long Form Music Video for No Direction Home.
In 2007, Scorsese was listed among Time magazine's 100 Most Influential People in The World. In August 2007, Scorsese was named the second-greatest director of all time in a poll by Total Film magazine, in front of Steven Spielberg and behind Alfred Hitchcock. In 2007, Scorsese was honored by the National Italian American Foundation (N.I.A.F.) at the nonprofit's thirty-second Anniversary Gala. During the ceremony, Scorsese helped launch N.I.A.F.'s Jack Valenti Institute in memory of former foundation board member and past president of the Motion Picture Association of America (M.P.A.A.) Jack Valenti. The Institute provides support to Italian film students in the U.S. Scorsese received his award from Mary Margaret Valenti, Jack Valenti's widow. Certain pieces of Scorsese's film-related material and personal papers are contained in the Wesleyan University Cinema Archives, to which scholars and media experts from around the world may have full access. On September 11, 2007, the Kennedy Center Honors committee, which recognizes career excellence and cultural influence, named Scorsese as one of the honorees for the year. On June 17, 2008, the American Film Institute placed two of Scorsese's films on the AFI's 10 Top 10 list: Raging Bull at number one for the Sports genre and Goodfellas at number two for the Gangster genre. In 2013, the staff of Entertainment Weekly voted Mean Streets the seventh greatest film ever made.
On January 17, 2010, at the 67th Golden Globe Awards, Scorsese was the recipient of the Golden Globe Cecil B. DeMille Award. On September 18, 2011, at the 63rd Primetime Emmy Awards, Scorsese won the Primetime Emmy Award for Outstanding Directing for a Drama Series for his work on the series premiere of Boardwalk Empire. In 2011, Scorsese received an honorary doctorate from the National Film School in Lodz. At the awards ceremony he said, "I feel like I'm a part of this school and that I attended it," paying tribute to the films of Wajda, Munk, Has, Polanski and Skolimowski. King Missile wrote "Martin Scorsese" in his honor. On February 12, 2012, at the 65th British Academy Film Awards, Scorsese was the recipient of the BAFTA Academy Fellowship Award.
On September 16, 2012, Scorsese won two Emmy Awards for Outstanding Directing for Nonfiction Programming and Outstanding Nonfiction Special for his work on the documentary George Harrison: Living in the Material World. In 2013, the National Endowment for the Humanities selected Scorsese for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities. He was the first filmmaker chosen for the honor. His lecture, delivered on April 1, 2013, at the John F. Kennedy Center for the Performing Arts, was titled "Persistence of Vision: Reading the Language of Cinema". Scorsese was awarded the Polish Gold Medal for Merit to Culture – Gloria Artis on April 11, 2017, in recognition of his contribution to Polish cinema.
Scorsese has also garnered favorable responses from numerous film giants including Ingmar Bergman, Frank Capra, Jean-Luc Godard, Werner Herzog, Elia Kazan, Akira Kurosawa, David Lean, Michael Powell, Satyajit Ray, and François Truffaut. He was elected to the American Philosophical Society in 2008. He was awarded an Honorary Doctorate from the University of Oxford on June 20, 2018. As of 2021, five of Scorsese's films have been selected by the Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant". In commenting on Scorsese's 2019 film The Irishman, Guillermo del Toro cited Scorsese's ability as a director for the depiction of character development comparable to the films of "Renoir, Bresson, Bergman, Oliveira or Kurosawa". Sam Mendes, in his acceptance speech after winning the 2020 Golden Globe Award for Best Director for 1917, praised Scorsese's contribution to cinema, stating, "There's not one director in this room, not one director in the world, that is not in the shadow of Martin Scorsese... I just have to say that." Bong Joon-ho, in his acceptance speech for the 2020 Academy Award for Best Director for Parasite, said, "When I was young and studying cinema, there was a saying that I carved deep into my heart, which is, the most personal is the most creative." He then said that this quote had come from Scorsese, which prompted the audience to give Scorsese a standing ovation.
Awards and nominations
|Year||Title||Academy Awards||BAFTA Awards||Golden Globe Awards|
|1974||Alice Doesn't Live Here Anymore||3||1||7||4||2|
|1977||New York, New York||2||4|
|1983||The King of Comedy||4||1|
|1986||The Color of Money||4||1||2|
|1988||The Last Temptation of Christ||1||2|
|1993||The Age of Innocence||5||1||4||1||4||1|
|2002||Gangs of New York||10||12||1||5||2|
|2013||The Wolf of Wall Street||5||4||2||1|
- "#83 Royal Descents, Notable Kin, and Printed Sources: A Third Set of Ten Hollywood Figures (or Groups Thereof), with a Coda on Two Directors". May 24, 2011. Archived from the original on May 24, 2011.
- Scorsese, Martin (November 23, 2008). "Return to Queens Blvd.". Entourage. Season 5. Episode 12. HBO.
- Barnett, Christopher B.; Elliston, Clark J. (September 16, 2019). Scorsese and Religion. Brill Publishers. ISBN 978-90-04-41140-1. Archived from the original on January 26, 2021. Retrieved November 16, 2020.
- Ebiri, Bilge (December 30, 2016). "Holy Men, Holy Losers: Scorsese, Silence and the Mystery of Faith". The Village Voice. Archived from the original on January 7, 2017. Retrieved February 14, 2017.
- Jason Ankeny (2012). "Martin Scorsese". Movies & TV Dept. The New York Times. Archived from the original on February 10, 2012. Retrieved January 5, 2012.
- "Martin Scorsese: Telling Stories through Film" The Washington Times, November 30, 2007
- "Martin Scorsese Biography". National Endowment for the Humanities. Archived from the original on February 26, 2014. Retrieved January 24, 2014.
- "Martin Scorsese Biography (1942–2011)". Filmreference.com. Archived from the original on January 13, 2010. Retrieved March 3, 2010.
- Casillo, Robert (2006). "The Immigrant Generations: Italianamerican". Gangster Priest – The Italian American cinema of Martin Scorsese. Canada: University of Toronto Press. p. 3. ISBN 9780802091130. Archived from the original on December 27, 2020. Retrieved October 3, 2020.
- Dubois, Régis (2019). "Résurrection". Martin Scorsese, l'infiltré (in French). France: Nouveau Monde Editions. ISBN 9782369427780. Archived from the original on December 27, 2020. Retrieved October 3, 2020.
- "Martin Scorsese è ora cittadino italiano". Sky TG24. Archived from the original on June 22, 2019. Retrieved April 18, 2020.
- "Martin Scorsese è cittadino italiano: trascritto atto di nascita a Polizzi". PalermoToday. Archived from the original on August 3, 2020. Retrieved April 18, 2020.
- "Una lunga ricerca per avere la cittadinanza: ma adesso Martin Scorsese è italiano". La Repubblica. September 26, 2018. Archived from the original on December 27, 2020. Retrieved April 18, 2020.
- "Romero – master of the macabre". Eye for Film. Archived from the original on July 23, 2015. Retrieved July 23, 2015.
- "Black Narcissus (The Criterion Collection) (2001) DVD commentary". Criterion. Archived from the original on November 4, 2013. Retrieved October 27, 2013.
- Chris Ingui. "Martin Scorsese hits DC, hangs with the Hachet". Hatchet. Archived from the original on August 26, 2009. Retrieved June 6, 2009.
- "New Wave Film Guide: Nouvelle Vague & International New Wave Cinema – Where to Start". Newwavefilm.com. Archived from the original on January 13, 2012. Retrieved January 5, 2012.
- Jay Antani (2004). "Raging Bull: A film review". Filmcritic.com. Archived from the original on December 8, 2007. Retrieved May 4, 2009.
- Andre Soares (March 19, 2009). "Martin Scorsese on Michelangelo Antonioni". Altfg.com. Archived from the original on July 8, 2012. Retrieved January 5, 2012.
- Ingmar Bergman Foundation. "Ingmar Bergman". 188.8.131.52. Archived from the original on April 26, 2012. Retrieved January 5, 2012.
- on YouTube
- "Scorsese, Martin". encyclopedia.com. Archived from the original on January 8, 2020. Retrieved January 9, 2020.
- "Filmmaker Martin Scorsese talks about his faith, upcoming movie 'Silence'". December 10, 2016. Archived from the original on October 16, 2017. Retrieved October 15, 2017.
- Raymond, Marc (May 2002). "Martin Scorsese". sensesofcinema.com. Senses of Cinema. Archived from the original on December 25, 2010.
- "NYU Tisch School of the Arts Receives Major Gift to Establish the Martin Scorsese Institute of Global Cinematic Arts". NYU Tisch. Retrieved February 11, 2022.
- "Martin Scorsese". tisch.nyu.edu. Archived from the original on December 27, 2020. Retrieved January 9, 2020.
- "NYU College of Arts and Science". Cas.nyu.edu. Archived from the original on April 6, 2012. Retrieved January 5, 2012.
- Alistair Harkness (April 11, 2002). "Finding the boy again". The Scotsman.
- ""With Love and Resolution": An Appreciation". neh.gov. Archived from the original on July 1, 2019. Retrieved January 9, 2020.
- "I Call First / Who's That Knocking at My Door?". Rogerebert.com. Archived from the original on December 27, 2020. Retrieved November 15, 2020.
- Maurer, Daniel (June 9, 2016). "Brian De Palma Shed Light on a Crazy Rumor About Martin Scorsese and Taxi Driver". bedfordandbowery.com. Archived from the original on November 11, 2018. Retrieved January 9, 2020.
- Adams, Veronika (January 27, 2011). Adams, Veronika Martin Scorsese Ebook.GD Publishing ISBN 1-61323-010-9. ISBN 9781613230107.
- Thompson, Howard (August 18, 1972). "The Screen: 'Boxcar Bertha' Tops Local Double Bill". The New York Times. Archived from the original on October 29, 2013.
- Hinson, Hal (November 24, 1991). "Scorsese, Master Of The Rage". The Washington Post. Archived from the original on December 3, 2017. Retrieved September 4, 2017.
- "Retro-Cast: Casting Taxi Driver In The 1990s". Screen Rant. September 25, 2021.
- "Taxi Driver". Turner Classic Movies.
- Thurman, John (April 5, 1976). "Citizen Bickle, or the Allusive Taxi Driver: Uses of Intertextuality". Sensesofcinema.com. Archived from the original on January 28, 2012. Retrieved January 5, 2012.
- MacNab, Geoffrey (July 6, 2006). "I was in a bad place". The Guardian. London. Archived from the original on July 20, 2008. Retrieved May 12, 2010.
- "Festival Archives: Taxi Driver". Festival de Cannes. Archived from the original on June 14, 2011. Retrieved February 14, 2008.
- Brody, Richard (January 28, 2008). "Top of the Heap". The New Yorker. DVD Notes (column). Archived from the original on January 24, 2008. Retrieved July 25, 2013.
- Bailey, Jason (September 3, 2014). "Martin Scorsese's Weirdest Projects – Page 2". Flavorwire. Archived from the original on June 16, 2016. Retrieved May 17, 2016.
- Singer, Mark (2000). "The Man Who Forgets Nothing". The New Yorker. March 19, 2000.  Archived December 25, 2017, at the Wayback Machine
- Williams, Alex (January 3, 2003). "Are we ever going to make this picture?". The Guardian. London. Archived from the original on February 10, 2008.
- Malcolm, Derek (December 9, 1999). "Martin Scorsese: Raging Bull". The Guardian. London. Archived from the original on May 12, 2008.
- Snider, Mike (February 7, 2005). "'Raging Bull' returns to the ring". USA Today. Archived from the original on May 12, 2012. Retrieved September 4, 2017.
- "Raging Bull". Eufs.org.uk. March 5, 2001. Archived from the original on April 30, 2009. Retrieved March 3, 2010.
- Morris, Mark (October 31, 1999). "Ageing bulls return". Observer. London. Archived from the original on January 11, 2008.
- "The King of Comedy Film Review". Timeout.com. Archived from the original on January 10, 2008. Retrieved March 3, 2010.
- evil jimi. "The King of Comedy". Ehrensteinland.com. Archived from the original on March 26, 2009. Retrieved March 3, 2010.
- "The Official Site". Wim Wenders. Archived from the original on June 18, 2002. Retrieved March 3, 2010.
- "Boxcar Bertha". Turner Classic Movies. Archived from the original on October 6, 2010. Retrieved November 17, 2015.
- "Tom Pollock, Montecito Picture Company" (PDF). carseywolf.ucsb.edu. October 22, 2010. Archived from the original (PDF) on October 3, 2021. Retrieved November 12, 2021.
- "Martin Scorsese's The Last Temptation of Christ". Pbs.org. Archived from the original on August 30, 2010. Retrieved March 3, 2010.
- "Michael Jackson – Making Of Bad (BAD 25) Documentary". YouTube. Archived from the original on November 21, 2020. Retrieved November 26, 2020.
- "Michael Jackson's 'Bad': Quincy Jones, Wesley Snipes & Other Collaborators Tell the Stories of the Album's Five No. 1 Singles". Billboard. Archived from the original on December 27, 2020. Retrieved November 6, 2019.
- "From the Record Crate: Michael Jackson – "Bad" (1987) | The Young Folks". August 31, 2017. Archived from the original on November 1, 2020. Retrieved November 6, 2019.
- "How Michael Jackson's 'BAD' Music Video Influenced Fashion". UpscaleHype. September 5, 2018. Archived from the original on December 27, 2020. Retrieved November 6, 2019.
- Galbraith, Jane (November 12, 1986). "Scorsese In 2-Year Producing-Directing Deal At Walt Disney". Variety. pp. 4, 23.
- "New York Stories". Rogerebert.com. Archived from the original on December 27, 2020. Retrieved November 26, 2020.
- ":: rogerebert.com :: Reviews :: GoodFellas (xhtml)". Rogerebert.suntimes.com. September 2, 1990. Archived from the original on July 30, 2010. Retrieved March 3, 2010.
- Dalton, Stephen. "GoodFellas". The Hollywood Reporter. Archived from the original on February 6, 2005. Retrieved March 3, 2010.
- "GoodFellas (1990)". Filmsite.org. Archived from the original on January 10, 2010. Retrieved March 3, 2010.
- "Films produced by De Fina-Cappa". Letterboxd. Archived from the original on September 3, 2014. Retrieved November 15, 2010.
- Foundas, Scott (May 7, 2013). "Andrew Garfield to Star in Martin Scorsese's 'Silence' (EXCLUSIVE)". Variety. Archived from the original on April 30, 2014.
- "Beyond The Frame: Casino". American Cinematographer. 2016. Archived from the original on December 27, 2020. Retrieved November 1, 2020.
- "Kundun". Time Out. Archived from the original on January 10, 2008. Retrieved March 3, 2010.
- "New York Stories: A Complete Ranking of Martin Scorsese's Films Read More: Ranking Martin Scorsese's Movies From Best to Worst". Screen Crush. Archived from the original on April 28, 2014. Retrieved April 18, 2014.
- "Reinert on Bringing Out the Dead". Film-philosophy.com. Archived from the original on June 29, 2011. Retrieved March 3, 2010.
- "Bringing Out the Dead". rottentomatoes.com. Archived from the original on March 5, 2010. Retrieved January 29, 2007.
- "Stanley Donen's Oscar Speech was an all time classic". IndieWire. February 23, 2019. Archived from the original on March 21, 2020. Retrieved March 20, 2020.
- Weinraub, Bernard (March 22, 1999). "Amid Protests Elia azan Receives His Oscar". The New York Times. Archived from the original on April 11, 2010. Retrieved March 20, 2020.
- "Praise and silent protest greet Kazan's Oscar". The Guardian. March 22, 1999. Archived from the original on March 21, 2020. Retrieved March 20, 2020.
- "Many Refuse to Clap as Kazan Receives Oscar". The Los Angeles Times. March 22, 1999. Archived from the original on March 21, 2020. Retrieved March 20, 2020.
- "Gangs of Los Angeles". The Guardian. London. December 15, 2002. Archived from the original on January 11, 2008. Retrieved March 3, 2010.
- Peter Bradshaw (January 10, 2003). "Gangs of New York". The Guardian. London. Archived from the original on January 11, 2008. Retrieved March 3, 2010.
- "Compare Prices and Read Reviews on Gangs of New York at". Epinions.com. July 1, 2003. Archived from the original on October 12, 2007. Retrieved March 3, 2010.
- Xan Brooks (January 9, 2003). "Past master". The Guardian. London. Archived from the original on January 11, 2008. Retrieved March 3, 2010.
- "Gangs of New York". Rotten Tomatoes. Archived from the original on January 5, 2012. Retrieved January 5, 2012.
- "In briefs: Gangs of New York release delayed again". The Guardian. London. April 8, 2002. Archived from the original on January 11, 2008. Retrieved March 3, 2010.
- "Martin Scorsese". Variety. Archived from the original on January 11, 2014. Retrieved September 3, 2013.
- Tillinger named production president at Scorsese's Sikelia Archived February 24, 2014, at the Wayback Machine, screendaily.com, retrieved February 19, 2014
- "The Aviator". Rottentomatoes.com. Archived from the original on September 28, 2009. Retrieved January 24, 2014.
- Brian Libby (February 2, 2005). "Are you talking to me – again?". The Guardian. London. Archived from the original on January 11, 2008. Retrieved March 3, 2010.
- "Right guy, wrong film". Melbourne: The Age. February 27, 2005. Archived from the original on January 19, 2010. Retrieved March 3, 2010.
- "Empire Reviews Central – Review of The Aviator". Empireonline.com. Archived from the original on January 18, 2012. Retrieved March 3, 2010.
- (Posted: December 15, 2004) (December 15, 2004). "Aviator: Review". Rolling Stone. Archived from the original on April 21, 2009. Retrieved March 3, 2010.
- "Review: Departed, The". Chud.com. Archived from the original on December 17, 2007. Retrieved March 3, 2010.
- "Movie Review – Departed, The". eFilmCritic. Archived from the original on February 28, 2010. Retrieved March 3, 2010.
- "Reel Views". Reel Views. Archived from the original on July 7, 2010. Retrieved March 3, 2010.
- "All Movie – The Departed". Allmovie.com. October 6, 2006. Archived from the original on January 24, 2010. Retrieved January 5, 2012.
- "'The Departed' Wins Best Picture, Scorsese Best Director". The New York Times. February 26, 2007. Archived from the original on March 4, 2014. Retrieved February 10, 2020.
- Lawrence, Will (May 2008). "King Charles". Q. No. 262. p. 46.
- "Le cinéma soutient Roman Polanski / Petition for Roman Polanski - SACD". archive.ph. June 4, 2012. Retrieved April 20, 2022.
- Shoard, Catherine; Agencies (September 29, 2009). "Release Polanski, demands petition by film industry luminaries". The Guardian. Archived from the original on June 28, 2019. Retrieved June 12, 2019.
- Fleming, Michael (October 22, 2007). "Scorsese, DiCaprio team for 'Island'". Variety. Archived from the original on November 2, 2007. Retrieved October 28, 2007.
- "Scorsese, Leo head to 'Shutter Island". 2007. Archived from the original on March 4, 2009.
- Tatiana Siegel (December 3, 2007). "Kingsley signs on to 'Shutter Island'". Variety. Archived from the original on January 6, 2008. Retrieved January 8, 2008.
- Fleming, Michael (December 6, 2007). "Michelle Williams joins 'Island'". Variety. Archived from the original on January 10, 2008. Retrieved January 8, 2008.
- McClintock, Pamela (February 13, 2008). "'Star Trek' pushed back to 2009". Variety. Archived from the original on February 15, 2008. Retrieved February 13, 2008.
- Grey, Brandon (May 21, 2010). "'Shutter Island' Is Scorsese's Top Movie Worldwide". Box Office Mojo. Archived from the original on May 23, 2010. Retrieved May 21, 2010.
- "Filmmaker Introduces Veterans to Meditation". The Wall Street Journal. November 26, 2010. Archived from the original on February 22, 2014. Retrieved February 13, 2014.
- Hoffman, Claire (February 22, 2013). "David Lynch Is Back ... as a Guru of Transcendental Meditation". The New York Times. Archived from the original on February 22, 2013. Retrieved December 17, 2016.
- Grinnell, SunHee (August 23, 2010). "Scorsese Dons Chanel". Vanity Fair.
- Nellie Andreeva (2008). "Michael Pitt set for Scorsese's HBO pilot". The Hollywood Reporter. Archived from the original on September 7, 2014.
- "Boardwalk Empire website". Archived from the original on January 27, 2010. Retrieved February 6, 2010.
- on YouTube
- "Hugo". Chicago Sun-Times. November 21, 2011. Archived from the original on December 2, 2011.
- "Empire's Hugo Movie Review". Empireonline.com. December 5, 2006. Archived from the original on January 18, 2012. Retrieved January 5, 2012.
- "Global Sites & Release Dates". Paramount Pictures. Archived from the original on October 28, 2011. Retrieved August 11, 2011.
- Silver, Stephen. "Scorsese, DiCaprio Team Again on 'Wolf of Wall Street'". Entertainmenttell. Technologytell.com. Archived from the original on April 22, 2012. Retrieved April 24, 2012.
- Brown, Tracy. "Oscars 2014: The complete list of nominees and winners". Los Angeles Times. Archived from the original on March 2, 2014. Retrieved March 3, 2014.
- "The 21st Century's 100 greatest films". BBC. August 23, 2016. Archived from the original on January 31, 2017. Retrieved January 31, 2017.
- Barnes, Henry. "Sheffield Doc/Fest 2014 review: The 50 Year Argument – Scorsese's love letter to old media" Archived December 31, 2016, at the Wayback Machine, The Guardian, June 7, 2014
- "Martin Scorsese premiere for Sheffield Doc/Fest" Archived February 5, 2018, at the Wayback Machine, BBC News Online, May 8, 2014; Roddy, Michael. "Scorsese says NY Review film meant as guide to young" Archived February 26, 2014, at the Wayback Machine, Chicago Tribune, February 15, 2014; and Han, Angie. "Martin Scorsese Has a New York Review of Books Doc Premiering in Berlin" Archived April 17, 2014, at the Wayback Machine, Slashfilm.com, January 28, 2014
- Brady, M. Michael. "The 50 Year Argument premiere in Scandinavia" Archived October 6, 2014, at the Wayback Machine, The Foreigner, June 12, 2014
- "Masters: The 50 Year Argument" Archived August 10, 2014, at the Wayback Machine, Jerusalem Film Festival, accessed September 12, 2014
- Dalton, Stephen. "The 50 Year Argument: Sheffield Review" Archived September 1, 2014, at the Wayback Machine, The Hollywood Reporter, June 7, 2014
- Feinberg, Scott. "Telluride: The 50 Year Argument Continues In the Rockies" Archived September 5, 2014, at the Wayback Machine, The Hollywood Reporter, September 2, 2014
- Powers, Thom. "The 50 Year Argument", TIFF.net, accessed September 3, 2014 Archived August 22, 2014, at the Wayback Machine
- Volmers, Eric. "Around the world with the Calgary International Film Festival: Full lineup announced" Archived October 6, 2014, at the Wayback Machine, The Calgary Herald, September 2, 2014
- The 50 Year Argument Archived August 23, 2014, at the Wayback Machine, Film Society of Lincoln Center, accessed September 9, 2014
- Thompson, Anne. "HBO Dates Scorsese Doc on New York Review of Books, The 50 Year Argument" Archived August 14, 2014, at the Wayback Machine, IndieWire.com, August 11, 2014
- The Deadline Team (July 25, 2014). "Mick Jagger Tweets From Set Of HBO's Untitled Rock 'N' Roll Drama – Deadline". Deadline. Archived from the original on August 8, 2014. Retrieved September 12, 2015.
- Nellie Andreeva (December 2, 2014). "Martin Scorsese, Mick Jagger, and Terence Winter's Rock 'N" Roll Drama Picked Up to Series by HBO". Archived from the original on December 3, 2014. Retrieved December 2, 2014.
- "Meet Celina Murga, Director of 'La Tercera Orilla' & Martin Scorsese's BFF". Remezcla. February 19, 2014. Archived from the original on September 16, 2015. Retrieved September 12, 2015.
- Garrett, Stephen (April 24, 2017). "Martin Scorsese and Ben Wheatley on 'Free Fire,' Gunfights and Crime Flicks". Rolling Stone. Archived from the original on September 19, 2018. Retrieved September 19, 2018.
- Reed, Ryan (January 14, 2015). "Watch De Niro and DiCaprio Square Off in Scorsese Short". Rolling Stone. Archived from the original on January 18, 2015. Retrieved January 18, 2015.
- Gumuchian, Marie-Louise (October 27, 2015). "De Niro, DiCaprio face off for role in Scorsese's "The Audition"". Reuters. Archived from the original on November 12, 2016. Retrieved November 12, 2016.
- Fleming, Michael (February 1, 2009). "Scorsese, King talking up 'Silence' – Daniel Day-Lewis, Benicio Del Toro to star". Variety. Archived from the original on October 13, 2010.
- Jagernauth, Kevin (April 19, 2013). "Martin Scorsese's 'Silence' Gets Funding, Will Shoot In July 2014". Archived from the original on October 19, 2013. Retrieved December 4, 2018.
- McNary, Dave (January 22, 2015). "Martin Scorsese Locks Funding for 'Silence'". Variety. Archived from the original on February 7, 2016. Retrieved February 26, 2016.
- Ford, Rebecca (September 26, 2016). "Martin Scorsese's 'Silence' Gets December Release Date". The Hollywood Reporter. Archived from the original on September 26, 2016. Retrieved September 26, 2016.
- Lang, Brent (September 26, 2016). "Martin Scorsese's 'Silence' Lands Oscar-Season Release Date". Variety. Archived from the original on September 27, 2016. Retrieved September 26, 2016.
- "Scorsese cittadino italiano". ANSA.it (in Italian). September 26, 2018. Archived from the original on September 26, 2018. Retrieved September 26, 2018.
- Willman, Chris (January 10, 2019). "Bob Dylan, Martin Scorsese Reunite for 'Rolling Thunder' Film, Coming to Netflix in 2019 (Exclusive)". Variety. Archived from the original on April 28, 2019. Retrieved April 20, 2019.
- Willman, Chris (April 25, 2019). "Martin Scorsese's 'Rolling Thunder' Bob Dylan Doc Hits Netflix June 12 (EXCLUSIVE)". Variety. Archived from the original on April 25, 2019. Retrieved April 25, 2019.
- "Rolling Thunder Review: A Bob Dylan Story by Martin Scorsese". Milwaukee Film. Archived from the original on May 10, 2019. Retrieved May 7, 2019.
- Tartaglione, Nancy; Busch, Anita; Jaafar, Ali (May 6, 2016). "Martin Scorsese's 'The Irishman' Coming Together Quickly: Could This Be The Hottest Title At Cannes?". Deadline. Archived from the original on May 7, 2016. Retrieved May 7, 2016.
- Todd, Harry (July 29, 2019). "Martin Scorsese's The Irishman Gets First-Look Photos, World Premiere Date". Paste. Archived from the original on August 19, 2019. Retrieved August 19, 2019.
- Fleming, Mike Jr. (August 27, 2019). "Netflix Sets November 1 Theatrical Bow For Martin Scorsese-Directed 'The Irishman:' 27 Day US & UK Rollout Comes Before Pic Streams For Thanksgiving Holiday". Deadline. Archived from the original on August 27, 2019. Retrieved August 27, 2019.
- Donnelly, Matt (January 13, 2020). "Netflix Leads Oscar Nominations for the First Time Behind 'Irishman,' 'Marriage Story'". Variety. Archived from the original on January 25, 2020. Retrieved January 25, 2020.
- "Martin Scorsese Reveals New Fran Lebowitz Doc, 'Pretend It's a City'". Rolling Stone. December 28, 2020. Archived from the original on December 29, 2020. Retrieved December 30, 2020.
- "Pretend It's a City Trailer: Martin Scorsese Presents Fran Lebowitz's New York". Vulture. December 28, 2020. Archived from the original on December 29, 2020. Retrieved December 30, 2020.
- "Fran Lebowitz vs. the World Talking (on a landline) with the star of Martin Scorsese's cranky, necessary love letter to New York, Pretend It's a City". Curbed. December 29, 2020. Archived from the original on December 29, 2020. Retrieved December 30, 2020.
- "Robert De Niro Reportedly Joins Leonardo DiCaprio In Martin Scorsese's Crime Thriller 'Killers of The Flower Moon'". HN Entertainment. July 27, 2019. Archived from the original on October 22, 2019. Retrieved October 25, 2019.
- "Scorsese, DiCaprio's 'Flower Moon' Eyes March 2020 Start," by Zack Sharf. December 2, 2019, IndieWire.  Archived December 27, 2019, at the Wayback Machine
- Sharf, Zack (April 16, 2020). "Postponement of Killers of the Flower Moon leads to a chance to be in the movie". KRMG. Archived from the original on August 11, 2020. Retrieved August 11, 2020.
- Hersko, Tyler (April 10, 2020). "Martin Scorsese Talking With Apple, Netflix to Distribute Next Film — Report". IndieWire. Archived from the original on April 10, 2020. Retrieved April 10, 2020.
- Fleming, Mike Jr. (May 27, 2020). "Apple Partners With Paramount on Martin Scorsese and Leonardo DiCaprio's 'Killers of the Flower Moon'". Deadline Hollywood. Archived from the original on May 28, 2020. Retrieved May 27, 2020.
- Sharf, Zack (February 18, 2021). "Jesse Plemons Takes Over DiCaprio's Original Role in Scorsese's 'Flower Moon' After Script Changes". IndieWire. Archived from the original on February 28, 2021. Retrieved February 23, 2021.
- Kroll, Justin (November 18, 2021). "Jonah Hill To Play Jerry Garcia In Martin Scorsese-Directed Grateful Dead Pic For Apple". Deadline Hollywood.
- Martin Scorsese Archived December 25, 2010, at the Wayback Machine by Marc Raymond, Senses of Cinema (online), May 2002
- Martin Scorsese, Frankie's Films (online), January 2007
- "Hitchcock and Women". Screenonline.org.uk. Archived from the original on February 11, 2010. Retrieved March 3, 2010.
- Coyle, Jake (December 29, 2007). ""Atonement" brings the long tracking shot back into focus". Boston Globe. Archived from the original on February 3, 2009.
- Martin Scorsese's Comfortable State of Anxiety Archived December 17, 2012, at archive.today, by Timothy Rhys, MovieMaker Magazine (online), October 16, 2002
- Most Famous Film Director Cameos Archived May 10, 2008, at the Wayback Machine by Tim Dirks, Filmsite.org (online), 2008
- "Silence release date sets Martin Scorsese's passion project up for Oscars Archived December 1, 2016, at the Wayback Machine". The Independent. September 27, 2016.
- "Martin Scorsese to Make Noise on 'Silence' at Cannes; Emmett/Furla Funding The Film". Deadline Hollywood. April 19, 2013. Archived from the original on February 19, 2016. Retrieved January 16, 2016.
- "Revisiting Southie's culture of death" Archived February 2, 2009, at the Wayback Machine, Michael Patrick MacDonald, The Boston Globe (online), October 11, 2006
- "Gangs of New York Review" Archived October 23, 2009, at the Wayback Machine, Roger Ebert, Chicago Sun-Times (online), December 20, 2002
- "High Rollers" Archived June 16, 2008, at the Wayback Machine, David Denby, The New Yorker (online), December 20, 2004
- "Martin Scorsese Retrospective". wthr.com. October 9, 2006. Archived from the original on April 29, 2016. Retrieved February 26, 2016.
- "Watching The Irishman on Netflix Is the Best Way to See It." By Richard Brody. December 2, 2019. The New Yorker.  Archived December 3, 2019, at the Wayback Machine.
- "Leo & Marty: Yes, Again!". Movies.go.com. Archived from the original on April 1, 2008. Retrieved March 3, 2010.
- "Scorsese Likens DiCaprio To De Niro". Archived from the original on May 2, 2019. Retrieved June 1, 2016.
- "Successful Hollywood Duos". Entertainment Weekly. November 30, 2007. Archived from the original on July 3, 2009. Retrieved March 3, 2010.
- Casillo, Robert (2006). "The Immigrant Generations: Italianamerican". Gangster Priest: The Italian American Cinema of Martin Scorsese. University of Toronto Press. ISBN 9780802091130. Archived from the original on May 14, 2019. Retrieved January 21, 2020.
- uproxx (February 25, 2014). "Martin Scorsese looks at the changing face of Oscar season over four decades". UPROXX. Archived from the original on December 24, 2019. Retrieved December 24, 2019.
- Labrecque, Jeff (February 11, 2014). "'Wolf of Wall Street's Thelma Schoonmaker on her historic partnership with Martin Scorsese". Entertainment Weekly. Archived from the original on April 18, 2014.
- Bosley, Rachael K. "Michael Ballhaus, ASC takes on Martin Scorsese's Gangs of New York, a 19th-century tale of vengeance and valor set in the city's most notorious neighborhood". Theasc.com. Archived from the original on October 18, 2010. Retrieved March 3, 2010.
- "The Aviator". Scorsese Films. Archived from the original on February 12, 2010. Retrieved March 3, 2010.
- Jeffries, Stuart (January 6, 2003). "Some You Win". Elmerbernstein.com. Archived from the original on July 21, 2009. Retrieved March 3, 2010.
- "Catherine Scorsese begs public for $30K to fix flooded Brooklyn apartment", by Dean Balsamini and Sara Dorn, PageSix, May 25, 2019.  Archived November 29, 2019, at the Wayback Machine
- Clarke Fountain (2014). "God's Will (1989)". Movies & TV Dept. The New York Times. Archived from the original on April 23, 2014. Retrieved April 18, 2014.
- Keyser, Les (1998). Twayne's Filmmakers Series: Martin Scorsese. Twayne Publishers: New York. p. 188. ISBN 978-0-8057-9321-5. Retrieved February 27, 2016.
- Piccalo, Gina (June 23, 2006). "Agonizing success of 'Artist's Way'". Los Angeles Times. Archived from the original on June 8, 2016. Retrieved June 1, 2016.
- Malkin, Marc (April 16, 2007). "Scorsese's Family Business". E!. Archived from the original on April 20, 2014. Retrieved April 18, 2014.
- Halpern, Dan (April 30, 2006). "Interview: Isabella Rossellini – Daddy's girl". The Guardian. Archived from the original on April 18, 2014. Retrieved April 18, 2014.
- Jewel, Dan (March 1, 1999). "Note Worthy". People. Archived from the original on October 25, 2018. Retrieved October 25, 2018.
- Miller, Julie (January 8, 2014). "Read Martin Scorsese's Open Letter to His 14-Year-Old Daughter". Vanity Fair. Archived from the original on November 12, 2020. Retrieved April 28, 2021.
- Gonzales, Erica (October 30, 2020). "Francesca Scorsese Is Ready to Make a Name for Herself". Harper's BAZAAR. Archived from the original on April 28, 2021. Retrieved April 28, 2021.
- "The 13 Most Divorced Celebrities". cnbc.com. March 28, 2011. Archived from the original on July 7, 2017. Retrieved January 9, 2020.
- After Image: The Incredible Catholic Imagination of Six Catholic American Filmmakers, Robert A. Blake, Loyola Press, 2000, p. 25
- "Filmmaker Martin Scorsese talks about his faith, upcoming movie 'Silence'". National Catholic Reporter. December 10, 2016. Archived from the original on October 16, 2017. Retrieved October 15, 2017.
- "Martin Scorsese's Picks for 2012 Sight and Sound Polls". Bfi.org.uk. British Film Institute. Archived from the original on February 23, 2016. Retrieved August 22, 2012.
- "Ebert & Scorsese: Best Films of the 1990s". Rogerebert.com. Archived from the original on August 28, 2018. Retrieved November 15, 2020.
- "Ebert & Scorsese: Best Films of the 1990S". Siskel and Ebert Movie Reviews. Archived from the original on October 23, 2020. Retrieved November 15, 2020.
- Maher, Kevin. "Martin Scorsese mentored by masters". London Times. Archived from the original on December 27, 2020. Retrieved November 14, 2020.
- "Scorsese by Ebert: Introduction". Rogerebert.com. Archived from the original on September 22, 2020. Retrieved November 15, 2020.
- "Martin Scorsese – IMDb". IMDb. Archived from the original on November 13, 2020. Retrieved November 14, 2020.
- "Scorsese Mentoring Argentinean Director Celina Murga". ComingSoon.com. November 29, 2010. Archived from the original on November 20, 2020. Retrieved November 14, 2020.
- Hirschberg, Lynn (November 16, 1997). "The Two Hollywoods: The Directors; Woody Allen; Martin Scorsese". The New York Times. Archived from the original on December 29, 2017. Retrieved November 16, 2020.
- "Scorsese Champions Ari Aster Movies: 'So Disturbing' They're 'Deeply Uncomfortable'". IndieWire. July 6, 2020. Archived from the original on December 27, 2020. Retrieved November 14, 2020.
- "Scorsese Wrote Bong Joon Ho a Heartfelt Letter After Oscars: 'You've Done Well, Now Rest'". IndieWire. February 20, 2020. Archived from the original on February 21, 2020. Retrieved November 14, 2020.
- Scorsese, Martin (November 5, 2019). "Martin Scorsese: I Said Marvel Movies Aren't Cinema. Let Me Explain". The New York Times. Archived from the original on November 16, 2020. Retrieved November 14, 2020.
- "Martin Scorsese Expands on Marvel Movies Comments: 'Theme Park Films' Are 'a New Art Form'". The Wrap. October 26, 2019. Archived from the original on August 5, 2020. Retrieved November 14, 2020.
- "Martin Scorsese: There's always the budget, but I am more concerned about the creative freedom". Filmtalk. October 26, 2015. Archived from the original on October 25, 2016. Retrieved February 13, 2016.
- Cruickshank, Douglas. "Martin Scorsese: Teaching Visual Literacy" Archived April 7, 2020, at the Wayback Machine, edutopia.org, October 19, 2006, accessed November 3, 2014
- Pond, Steve. "Save the Day" Archived April 7, 2020, at the Wayback Machine, DGA Quarterly, Directors Guild of America, Spring 2007, accessed November 12, 2014
- Mike Fleming, Mike Jr. "Christopher Nolan Joins Film Foundation Board" Archived December 12, 2019, at the Wayback Machine, Deadline, April 22, 2015, accessed May 31, 2018
- "Board of Directors". filmfoundation.org. Archived from the original on June 28, 2021. Retrieved March 16, 2021.
- Turan, Kenneth (May 17, 2009). "'The Red Shoes' shines anew". Los Angeles Times. Los Angeles, California. Archived from the original on October 14, 2018.
- "Martin Scorsese Selected for Robert Osborne Award at TCM Festival". Variety. March 2018. Archived from the original on April 7, 2020. Retrieved April 7, 2020.
- "World Cinema Project". filmfoundation.org. Archived from the original on November 11, 2019. Retrieved April 7, 2020.
- "Martin Scorsese's World Cinema Project". Criterion Collection. Archived from the original on February 11, 2020. Retrieved April 7, 2020.
- "Martin Scorsese's World Cinema Project". The Criterion Collection. Archived from the original on February 11, 2020. Retrieved April 7, 2020.
- "Martin Scorsese's World Cinema Project No. 2". The Criterion Collection. Archived from the original on October 20, 2019. Retrieved April 7, 2020.
- "Martin Scorsese leads effort to save lost African cinema". CNN. November 10, 2017. Archived from the original on February 29, 2020. Retrieved April 7, 2020.
- "MARTIN SCORSESE ON THE AFRICAN FILM HERITAGE PROJECT". The Film Foundation. Archived from the original on January 15, 2020. Retrieved April 7, 2020.
- "Martin Scorsese and the African Film Heritage Project Are Bringing Four Vital Films Home". IndieWire. February 23, 2019. Archived from the original on January 18, 2020. Retrieved April 7, 2020.
- "Golden Plate Awardees of the American Academy of Achievement". www.achievement.org. American Academy of Achievement. Archived from the original on December 15, 2016. Retrieved September 18, 2020.
- AFI's 100 Greatest American Films of All Time Archived January 9, 2014, at the Wayback Machine American Film Institute. Retrieved February 26, 2017.
- "Complete List – The 2007 TIME 100". Time. January 13, 2014. Archived from the original on December 11, 2013. Retrieved January 24, 2014.
- "Greatest Directors Ever – Part 2". Total Film. March 5, 2010. Archived from the original on April 10, 2014. Retrieved January 24, 2014.
- "Wesleyan University: The Wesleyan Cinema Archives". Wesleyan.edu. Archived from the original on April 25, 2010. Retrieved April 11, 2010.
- "Movies: 10 All-Time Greatest – 7. Mean Streets (1973)". Entertainment Weekly. June 27, 2013. Archived from the original on February 11, 2017. Retrieved February 23, 2017.
- "Scorsese 'comes home' to Poland – Thenews.pl :: News from Poland". Thenews.pl. Archived from the original on April 6, 2012. Retrieved January 5, 2012.
- "Outstanding Directing For Nonfiction Programming 2012". emmys.com. September 16, 2012. Archived from the original on September 7, 2012. Retrieved September 16, 2012.
- Itzkoff, Dave (February 19, 2013). "He's Talking to You: Scorsese to Give Jefferson Lecture for National Endowment for the Humanities". The New York Times. Archived from the original on February 22, 2014. Retrieved September 1, 2019.
- "Scorsese Talks 'The Language Of Cinema'" Archived February 17, 2014, at the Wayback Machine, NPR, May 7, 2013.
- "MKiDN – Medal Zasłużony Kulturze – Gloria Artis". www.mkidn.gov.pl (in Polish). Archived from the original on November 1, 2017. Retrieved October 21, 2017.
- "EuroScreenwriters – Interviews with European Film Directors – Ingmar Bergman". Archived from the original on August 26, 2016. Retrieved March 5, 2017.
- Capra, Frank; Poague, Leland A (March 2004). Frank Capra: interviews. ISBN 978-1-57806-617-9. Archived from the original on May 6, 2016. Retrieved January 12, 2016.
- Godard, Jean Luc; Sterritt, David (1998). Jean-Luc Godard: interviews. ISBN 978-1-57806-081-8. Archived from the original on December 27, 2020. Retrieved February 27, 2016.
- "Werner Herzog Interview – UGO.com". Archived from the original on February 2, 2010.
- "Programa de Educação Tutorial da Faculdade de Economia da UFF". Archived from the original on July 18, 2010. Retrieved September 1, 2010.
- Kurosawa, Akira; Cardullo, Bert (2008). Akira Kurosawa: interviews. ISBN 978-1-57806-997-2. Archived from the original on December 27, 2020. Retrieved February 27, 2016.
- Organ, Steven (2009). David Lean:interviews. Univ. Press of Mississippi. pp. 110, 154. ISBN 978-1-60473-235-1. Retrieved September 1, 2010.
- Lazar, David (April 2003). Michael Powell: interviews. ISBN 978-1-57806-498-4.
- Ray, Satyajit; Cardullo, Bert (January 2007). Satyajit Ray: interviews. ISBN 978-1-57806-937-8. Archived from the original on December 27, 2020. Retrieved October 3, 2020.
- Truffaut, François; Bergan, Ronald (January 2008). François Truffaut: interviews. Univ. Press of Mississippi. ISBN 978-1-934110-14-0.
- "APS Member History". search.amphilsoc.org. Archived from the original on October 30, 2020. Retrieved May 3, 2021.
- "Martin Scorsese and Mary Beard receive Oxford degrees". BBC News Online. June 20, 2018. Archived from the original on June 22, 2018. Retrieved June 27, 2018.
- "Complete National Film Registry Listing". Library of Congress. Archived from the original on April 25, 2016. Retrieved February 29, 2020.
- Guillermo del Toro. "Del Toro Pens Seeping Tribute". December 18, 2019. Variety magazine.  Archived December 27, 2019, at the Wayback Machine
- "Sam Mendes Surprises With Golden Globe Win For Best Director, Saluting Martin Scorsese & Grandfather Who Inspired His World War I Drama '1917'", by Matt Grobar, January 5, 2020. Deadline.  Archived January 6, 2020, at the Wayback Machine
- "'Parasite's Bong Joon Ho Praises Martin Scorsese, Quentin Tarantino Upon Accepting Oscar For Best Director". Deadline. February 9, 2020. Archived from the original on February 10, 2020. Retrieved February 10, 2020.
- O'Brien, Catherine (2018). Martin Scorsese's Divine Comedy: Movies and Religion. London: Bloomsbury Publishing. ISBN 978-1350003293.
- Martin Scorsese on Instagram
- Martin Scorsese at IMDb
- Martin Scorsese at the TCM Movie Database
- Martin Scorsese at Rotten Tomatoes
- Works by or about Martin Scorsese in libraries (WorldCat catalog)
- on YouTube, movie clip compilation, 3 min.
- Martin Scorsese Bibliography (via UC Berkeley)
- They Shoot Pictures, Don't They?
- 1999 Princeton Q&A lecture (RealMedia video)
- Podcast: Scorsese Discusses His Digital Workflow Techniques
- Martin Scorsese's response to a Proust Questionnaire
- Appearances on C-SPAN