International Film Music Critics Association Award for Best New Archival Release of an Existing Score – Re-Release or Re-Recording
The International Film Music Critics Association Award for Best New Archival Release of an Existing Score – Re-Release or Re-Recording is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer(s) of a score's re-release and/or re-recording deemed to be the best in a given year. Recipients of the award also include conductors, album producers, album artwork artists and liner note writers. The award was first given in 1998, and separated into two categories; one for re-releases, and another for re-recordings (it was awarded separately again in 2009, 2012 and 2013). It has been awarded every year since 2008.
Winners and nominations
1990s
| Year | Score | Recipient(s) | Label | |
|---|---|---|---|---|
| 1998 [1] |
Best New Recording of a Previously Existing Score | |||
| Superman | John Williams (music), John Debney (conductor), Royal Scottish National Orchestra (performers) | |||
| The Agony and the Ecstasy | Alex North (music), Jerry Goldsmith (conductor), Royal Scottish National Orchestra (performers) | |||
| Body Heat | John Barry (music), Joel McNeely (conductor), London Symphony Orchestra (performers) | |||
| The 7th Voyage of Sinbad | Bernard Herrmann (music), John Debney (conductor), Royal Scottish National Orchestra (performers) | |||
| Viva Zapata! | Alex North (music), Jerry Goldsmith (conductor), Royal Scottish National Orchestra (performers) | |||
| Best Re-Release of a Previously Existing Score | ||||
| Close Encounters of the Third Kind | John Williams | Arista | ||
| The Greatest Story Ever Told | Alfred Newman | Rykodisc | ||
| Krull | James Horner | Super Collector | ||
| The Living Daylights | John Barry | Rykodisc | ||
| The Magnificent Seven | Elmer Bernstein | |||
2000s
| Year | Score | Recipient(s) | Label | |
|---|---|---|---|---|
| 2007 [2][3][4] |
Best New Release/Re-Release/Re-Recording of an Existing Score | |||
| Alien | Jerry Goldsmith (composer); Douglass Fake, Michael Matessino, Nick Redman (producers) | Intrada | ||
| Godzilla | David Arnold (composer, producer), Ford A. Thaxton (producer) | La-La Land | ||
| The Lord of the Rings: The Return of the King | Howard Shore (composer, producer); Paul Broucek, Peter Jackson, Fran Walsh (producers) | Reprise | ||
| The Private Life of Sherlock Holmes | Miklós Rózsa (composer), James Fitzpatrick (producer) | Tadlow | ||
| The Wind and the Lion | Jerry Goldsmith (composer); Douglass Fake, Lukas Kendall (producers) | Intrada | ||
| 2008 [5] |
Best New Release/Re-Release of an Existing Score | |||
| The Boys from Brazil | Jerry Goldsmith (composer), Douglass Fake (producer) | Intrada | ||
| Baby: Secret of the Lost Legend | Jerry Goldsmith (composer), Douglass Fake (producer) | Intrada | ||
| Body Double | Pino Donaggio (composer), Douglass Fake (producer) | |||
| Heavy Metal | Elmer Bernstein (composer), Lukas Kendall (producer) | Film Score Monthly | ||
| The Matrix: The Deluxe Edition | Don Davis (composer, producer), Robert Townson (producer) | Varèse Sarabande | ||
| Best Re-Recording of an Existing Score | ||||
| El Cid | Miklós Rózsa (composer), Nic Raine (conductor), Douglass Fake (producer) | Tadlow | ||
| Alone | Dmitri Shostakovich (composer); Mark Fitzgerald (conductor); Anna Bonn, John Morgan (producers) | Tribute Film Classics | ||
| The Kentuckian/Williamsburg: the Story of a Patriot | Bernard Herrmann (composer); William Stromberg (conductor, producer); Hans-Bernhard Bätzing (producer) | Naxos | ||
| She | Max Steiner (composer); William Stromberg (conductor, producer); Anna Bonn, John Morgan (producers) | Tribute Film Classics | ||
| An Unfinished Life: The Piano Sketches | Christopher Young (composer, producer), Dave Guili (performer), Flavio Motalla (producer) | BSX | ||
| 2009 [6][7] |
Back to the Future | Alan Silvestri (composer), Douglass Fake (producer) | Intrada | |
| Innerspace | Jerry Goldsmith (composer); M.V. Gerhard, Mike Matessino (producers) | La-La Land | ||
| The Journey of Natty Gann | James Horner (composer, producer); Douglass Fake, Simon Rhodes (producers) | Intrada | ||
| Star Trek II: The Wrath of Khan | James Horner (composer), Lukas Kendall (producer) | Film Score Monthly | ||
| Twilight Zone: The Movie | Jerry Goldsmith (composer); Bruce Botnick, Lukas Kendall, Mike Matessino (producers) | |||
2010s
| Year | Score | Recipient(s) | Label | |
|---|---|---|---|---|
| 2010 [8][9] |
Best Archival Release of an Existing Score | |||
| Spartacus | Alex North (composer); Robert Townson (producer, art director, liner notes); Matthew Joseph Peak, Bill Pitzonka (art directors) | Varèse Sarabande | ||
| The Alamo | Dimitri Tiomkin (composer); Nic Raine (conductor); James Fitzpatrick, Luc Van De Ven (producers); Ginko Digi (art director); Frank K. Dewald (liner notes) | Tadlow/Prometheus | ||
| Batman Returns | Danny Elfman (composer); Neil S. Bulk, MV Gerhard, Dan Goldwasser, Matt Verboys (producers); David C. Fein (art director); John Takis (liner notes) | La-La Land | ||
| Black Sunday | John Williams (composer); Mike Matessino (producer, liner notes); Lukas Kendall (producer); Joe Sikoryak (art director); Scott Bettencourt, Jeff Eldridge, Al Kaplan (liner notes) | Film Score Monthly | ||
| Conan the Barbarian | Basil Poledouris (composer), Nic Raine (conductor), James Fitzpatrick (producer), Ginko Digi (art director), Frank K. Dewald (liner notes) | Tadlow/Prometheus | ||
| Family Plot | John Williams (composer), Mike Matessino (producer, liner notes), Robert Townson (producer) | Varèse Sarabande | ||
| The Goonies | Dave Grusin (composer); Mike Matessino (producer, liner notes); Robert Townson (producer); John Alvin, Drew Struzan (art directors) | |||
| Independence Day | David Arnold (composer); Didier C. Deutsch, Mv Gerhard, Mike Matessino, Nick Redman, Matt Verboys (producers); Mark Banning (art director); Dan Goldwasser (liner notes) | La-La Land | ||
| Lawrence of Arabia | Maurice Jarre (composer), Nic Raine (conductor), James Fitzpatrick (producers), Frank K. Dewald (liner notes) | Tadlow | ||
| Miklós Rózsa Treasury | Miklós Rózsa (composer); Lukas Kendall (producer, liner notes); Joe Sikoryak (art director); Frank K. Dewald, John Fitzpatrick, Al Kaplan (liner notes) | Film Score Monthly | ||
| 2011 [10] |
Best Archival Release of an Existing Score | |||
| The Danny Elfman & Tim Burton 25th Anniversary Music Box | Danny Elfman (composer, producer, liner notes), Tim Burton (producer), Matt Taylor (art director); Jeff Bond (liner notes) | Warner Records | ||
| The Black Hole | John Barry (composer); Douglass Fake, Randy Thornton (producers); Steve Sterling (art director); Jeff Bond (liner notes) | Disney/Intrada | ||
| Days of Heaven | Ennio Morricone (composer), Lukas Kendall (producer, liner notes), Craig Spaulding (producer), Joe Sikoryak (art director), Jeff Bond (liner notes) | Film Score Monthly | ||
| Gremlins | Jerry Goldsmith (composer), Mike Matessino (producer, liner notes), Bruce Botnick (producer), Joe Sikoryak (art director), Jeff Bond (liner notes) | |||
| Masada | Jerry Goldsmith, Morton Stevens (composer); Bruce Botnick, Douglass Fake, Roger Feigelson (producers); Joe Sikoryak (art director); Jon Burlingame (liner notes) | Intrada | ||
| Best Archival Re-Recording of an Existing Score | ||||
| Battle of Neretva/The Naked and the Dead | Bernard Herrmann (composer); William Stromberg (conductor, producer); Anna Bonn, John Morgan (producers); Jim Titus (art director); Jim Doherty, Kevin Scott (liner notes) | Tribute Film Classics | ||
| Conan the Destroyer | Basil Poledouris (composer), Nic Raine (conductor), James Fitzgerald (producer), Ginko Digi (art director), Frank K. Dewald (liner notes) | Prometheus | ||
| The Fall of the Roman Empire | Dimitri Tiomkin (composer); Nic Raine (conductor); James Fitzgerald (producer, liner notes); Ginko Digi, Damien Doherty (art directors); Frank K. Dewald (liner notes) | |||
| The Lord of the Rings Symphony | Howard Shore (composer, producer, liner notes), Ludwig Wicki (conductor, producer), Jonathan Schultz (producer), Alan Frey (art director) | Howe Records | ||
| Taras Bulba | Franz Waxman (composer), Nic Raine (conductor), James Fitzgerald (producer), Damien Doherty (art director), Frank K. Dewald (liner notes) | Tadlow | ||
| 2012 [11][12] |
Best Archival Release of an Existing Score | |||
| Star Trek: The Motion Picture | Jerry Goldsmith (composer), Mike Matessino (producer, liner notes); Bruce Botnick, Didier C. Deutsch, David C. Fein, MV Gerhard, Matt Verboys (producers); Jim Titus (art director); Jeff Bond (liner notes) | La-La Land | ||
| Ben Hur | Miklós Rózsa (composer); Neil S. Bulk, Lukas Kendall, Mike Matessino (producers); Joe Sikoryak (art director); Jeff Bond, Frank K. Dewald (liner notes) | Film Score Monthly | ||
| Conan the Barbarian | Basil Poledouris (composer), Douglass Fake (producer), Joe Sikoryak (art director), Nick Redman (liner notes) | Intrada | ||
| Hook | John Williams (composer); Didier C. Deutsch, MV Gerhard, Matt Verboys, Mark G. Wilder (producers); Daniel Schweiger (art director), Jim Titus (liner notes) | La-La Land | ||
| Star Trek: The Original Series | Alexander Courage (composer, theme); George Duning, Jerry Fielding, Gerald Fried, Sol Kaplan, Samuel Matlovsky, Joseph Mullendore, Fred Steiner (composers); Jeff Bond (producer, liner notes); Neil S. Bulk, MV Gerhard, Lukas Kendall, Matt Verboys (producers); Joe Sikoryak (art director) | |||
| Best Archival Re-Recording of an Existing Score | ||||
| Quo Vadis | Miklós Rózsa (composer); Nic Raine (conductor); James Fitzpatrick, Luc Van De Ven (producers); Ginko Digi (art director); Frank K. DeWald (liner notes) | Prometheus/Tadlow | ||
| Adventures of Don Juan/Arsenic and Old Lace | Max Steiner (composer); William Stromberg (conductor, producer); Anna Bonn, John Morgan (producers); Jim Titus (art director); Ryan Brennan, James V. d’Arc, Curt Hardaway (liner notes) | Tribute Film Classics | ||
| Notre Dame de Paris: The Music of Maurice Jarre | Maurice Jarre (composer), Nic Raine (conductor), James Fitzgerald (producer, liner notes), Damien Doherty (art director), Frank K. Dewald (liner notes) | Tadlow | ||
| The Red House | Miklós Rózsa (composer); Allan Wilson (conductor); Douglass Fake, Kevin Kaska (producers); Joe Sikoryak (art director); Frank K. Dewald, Dan Robbins (liner notes) | Intrada | ||
| Wings | J.S. Zamecnik (composer); Peter Boyer, Ira Hearshen (conductors); Dan Goldwasser (producer, art director); Jeannie Gayle Pool (producer, liner notes); MV Gerhard, Dominik Hauser, Matt Verboys (producers) | La-La Land | ||
| 2013 [13][14] |
Best Archival Release of an Existing Score – Re-Release or Re-Recording | |||
| The Salamander | Jerry Goldsmith (composer); Nic Raine (conductor); James Fitzpatrick (producer); Paul de Blieck, Johan van den Broeck, Ginko Digi (art directors); Frank K. DeWald (liner notes) | Prometheus/Tadlow | ||
| Breakfast at Tiffany’s | Henry Mancini (composer); Douglass Fake, Roger Feigelson (producers); Joe Sikoryak (art director); Jeff Bond(liner notes) | Intrada | ||
| QB VII | Jerry Goldsmith (composer); Nic Raine (conductor); James Fitzpatrick (producer, art director); Damien Doherty, Ginko Digi (art directors); Frank K. DeWald (liner notes) | Prometheus/Tadlow | ||
| The Wild Bunch | Jerry Fielding (composer), Lukas Kendall (producer, liner notes), Joe Sikoryak (art director) | Film Score Monthly | ||
| Wyatt Earp | James Newton Howard (composer), Dan Goldwasser (producer, art director), Tim Grieving (liner notes) | La-La Land | ||
| 2014 [15][16] |
On the Waterfront | Leonard Bernstein (composer), Douglass Fake (producer), Joe Sikoryak (art director), Frank K. DeWald (liner notes) | Intrada | |
| The Abyss | Alan Silvestri (composer), Robert Townson (producer, art director), Nick Redman (producer), Bill Pitzonka (art director), Julie Kirgo (liner notes) | Varèse Sarabande | ||
| Empire of the Sun | John Williams (composer), Mike Matessino (producer, liner notes), Jim Titus (art director) | La-La Land | ||
| Maleficent | John Debney (composer, producer), Kevin Kaska (additional music), Dan Goldwasser (producer, art director), Jeff Bond (liner notes) | |||
| The Lion King | Hans Zimmer (composer, liner notes); Elton John, Tim Rice (lyrics); Randy Thornton (producer), Lorelay Bové (art director), Don Hahn (liner notes) | Disney | ||
| 2015 [17][18] |
Obsession | Bernard Herrmann (composer); Cyril Durand-Roger, Laurent Lafarge, George Litto (producers); David Marques (art director); Daniel Schweiger (liner notes) | Music Box | |
| A.I. Artificial Intelligence | John Williams (composer), Mike Matessino (producer), Jim Titus (art director), Jeff Bond (liner notes) | La-La Land | ||
| Braveheart | James Horner (composer); Dan Goldwasser, Mike Matessino (producers); Jim Titus (art director); Jeff Bond (liner notes) | |||
| Dances with Wolves | John Barry (composer); Didier C. Deutsch, Ford A. Thaxton, Mark G. Wilder (producers); Mark Banning (art director); Randall D. Larson (liner notes) | |||
| Jaws | John Williams (composer), Mike Matessino (producer), Joe Sikoryak (art director), Scott Bettencourt (liner notes) | Intrada | ||
| 2016 [19][20][21] |
Best Re-Release/Re-Recording of an Existing Score | |||
| The Ten Commandments | Elmer Bernstein (composer); Douglass Fake, Roger Feigelson (producers); Joe Sikoryak (art director); Frank K. DeWald (liner notes) | Intrada | ||
| The Blue Max | Jerry Goldsmith (composer), Nic Raine (conductor), James Fitzpatrick (producer, art director), Matthew Wright (art director), Frank K. DeWald (liner notes) | Tadlow | ||
| Chinatown | Jerry Goldsmith (composer); Douglass Fake, Roger Feigelson (producers); Joe Sikoryak (art director); Jeff Bond (liner notes) | Intrada | ||
| Godzilla | Akira Ifukube (composer), Kaoru Wada (conductor, liner notes), Masaru Hayakawa (liner notes) | King | ||
| The Thief of Bagdad | Miklós Rózsa (composer); Nic Raine (conductor); James Fitzpatrick (producers); Jim Titus (art director); Frank K. DeWald (liner notes) | Prometheus/Tadlow | ||
| 2017 [22][23] |
Best New Release, Re-Release or Re-Recording of an Existing Score | |||
| Ben Hur | Miklós Rózsa (composer); Nic Raine (conductor); The City of Prague Philharmonic Orchestra & Chorus (performers); James Fitzpatrick (producer, art director); Gareth Bevan, Nic Finch (art directors); Frank K. Dewald (liner notes) | Tadlow | ||
| Close Encounters of the Third Kind | John Williams (composer), Mike Matessino (producer, liner notes), Jim Titus (art director) | La-La Land | ||
| Damnation Alley | Jerry Goldsmith (composer); Mike Matessino, Nick Redman (producers); Kay Marshall (art director); Julie Kirgo (liner notes) | Intrada | ||
| Duel in the Sun | Dimitri Tiomkin (composer), Nic Raine (conductor), The City of Prague Philharmonic Orchestra & Chorus (performers), James Fitzpatrick (producer), Jim Titus (art director), Frank K. Dewald (liner notes) | Tadlow/Prometheus | ||
| E.T. the Extra-Terrestrial | John Williams (composer); Mike Matessino (producer, liner notes), Bruce Botnick (producer), Jim Titus (art director) | La-La Land | ||
| 2018 [24][25] |
Best Archival Release – New Release or New Recording of an Existing | |||
| Dracula | John Williams (composer), Mike Matessino (producer, liner notes), Robert Townson (producer), Jim Titus (art director) | Varèse Sarabande | ||
| Bram Stoker’s Dracula | Wojciech Kilar (composer), Dan Goldwasser (producer, art director), Tim Greiving (liner notes) | La-La Land | ||
| The Bride Wore Black | Bernard Herrmann (composer); Fernando Velázquez (conductor); The Basque National Orchestra (performers); Jose M. Benitez, Edouard Dubois (producers); Nacho B. Govantes (art director); Frank K. Dewald (liner notes) | Quartet | ||
| El hombre y la Tierra | Antón García Abril (composer), Miguel A. Órdóñez (producer, liner notes), Jose M. Benitez (producer), Nacho B. Govantes (art director) | |||
| The Vikings | Mario Nascimbene (composer), Nic Raine (conductor), The City of Prague Philharmonic Orchestra & Chorus (performers), James Fitzpatrick (producer), Jim Titus (art director), Frank K. Dewald (liner notes) | Tadlow/Prometheus | ||
| 2019 [26][27] |
Best New Archival Release – Re-Release or Re-Recording | |||
| Dial M for Murder | Dimitri Tiomkin (composer), William Stromberg (conductor), The Royal Scottish National Orchestra (performers), Douglass Fake (producer, liner notes), Kay Marshall (art director), Roger Feigelson (liner notes) | Intrada | ||
| Air Force One | Jerry Goldsmith (composer); Bryon Davis, Cary E. Mansfield (producers); Bill Pitzonka, Mark Shoolery (art directors); Daniel Schweiger (liner notes) | Varèse Sarabande | ||
| Apollo 13 | James Horner (composer), Mike Matessino (producer), Kay Marshall (art director), John Takis (liner notes) | Intrada | ||
| Bride of Frankenstein | Franz Waxman (composer); Mike Matessino (producer); Dan Goldwasser (art director); Frank K. DeWald, John Waxman (liner notes) | La-La Land | ||
| Dracula/The Curse of Frankenstein | James Bernard (composer), Nic Raine (conductor), The City of Prague Philharmonic Orchestra & Chorus (performers), James Fitzpatrick (producer), Nic Finch (art director), Frank K. Dewald (liner notes) | Tadlow | ||
References
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- ^ IFMCA (2010). "2008 IFMCA Awards". IFMCA. IFMCA. Retrieved May 1, 2020.
- ^ Pond, Steve (January 29, 2010). "Michael Giacchino Leads Film Score Nominations". TheWrap. The Wrap News Inc. Retrieved May 1, 2020.
- ^ IFMCA (2011). "2010 IFMCA Awards". IFMCA. IFMCA. Retrieved May 1, 2020.
- ^ Privitera, Massimo (February 15, 2011). "IFMCA 2010: the nominations". ColonneSonore.net. ColonneSonore.net. Retrieved May 1, 2020.
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- ^ IFMCA (2013). "2012 IFMCA Awards". IFMCA. IFMCA. Retrieved May 1, 2020.
- ^ Johnson, Terence (February 18, 2013). "International Film Music Award Nominations highlight 'Cloud Atlas' and 'Life of Pi'". AwardsCircuit. The Awards Circuit, LLC. Retrieved May 1, 2020.[permanent dead link]
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- ^ Kinetophone (February 24, 2014). "IFMCA Winners 2013". Kinetophone. Wordpress. Retrieved May 1, 2020.
- ^ IFMCA (2015). "2014 IFMCA Awards". IFMCA. IFMCA. Retrieved May 1, 2020.
- ^ Kinetophone (February 19, 2015). "IFMCA Winners 2014". Kinetophone. Wordpress. Retrieved May 1, 2020.
- ^ IFMCA (2016). "2015 IFMCA Awards". IFMCA. IFMCA. Retrieved May 1, 2020.
- ^ Kinetophone (February 16, 2016). "2015 IFMCA AWARDS WINNERS". Kinetophone. Wordpress. Retrieved May 1, 2020.
- ^ Levy, Dani (February 9, 2017). "'Arrival,' 'La La Land' Among Film Music Critics Nominees". Variety. Variety Media, LLC. Retrieved May 2, 2020.
- ^ IFMCA (2017). "2016 IFMCA Awards". IFMCA. IFMCA. Retrieved May 2, 2020.
- ^ Stone, Sasha (February 25, 2017). "International Film Music Critics Association Award Arrival Score of the Year, La La Land Wins Three". AwardsDaily. Stone, Sasha. Retrieved May 2, 2020.
- ^ IFMCA (2018). "2017 IFMCA Awards". IFMCA. IFMCA. Retrieved May 2, 2020.
- ^ Peterson, Karen M. (February 8, 2018). "IFMCA Announces Film Score Nominations, John Williams Leads with 6". AwardsCircuit. The Awards Circuit, LLC. Retrieved May 2, 2020.[permanent dead link]
- ^ Flores, Marshall (February 7, 2019). "15th Annual IFMCA Awards Nominations". AwardsDaily. Stone, Sasha. Retrieved May 2, 2020.
- ^ IFMCA (2019). "2018 IFMCA Awards". IFMCA. IFMCA. Retrieved May 2, 2020.
- ^ Anderson, Erik (February 6, 2020). "Hildur Guðnadóttir leads International Film Music Critics Association (IMFCA) nominations". AwardsWatch. AwardsWatch. Retrieved May 2, 2020.
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