Jive Records

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Jive Records
Parent companySony Music Entertainment
Founded1981; 43 years ago (1981)[1]
FounderClive Calder
DefunctOctober 7, 2011; 12 years ago (October 7, 2011)
Status
  • Inactive
Distributor(s)Legacy Recordings (reissues)
GenreVarious
Country of originUnited States
LocationNew York, Chicago

Jive Records (later stylized as JIVE Records) was a British-American independent record label founded by Clive Calder in 1981 as a subsidiary of the Zomba Group. In the US, the label had offices in New York City and Chicago. Jive was best known for its successes with hip hop, R&B, and dance acts in the 1980s and 1990s, along with teen pop and boy bands during the late 1990s and early 2000s.

Jive was acquired by Bertelsmann Music Group in 2002.[2] In 2008, BMG itself was bought out by Sony Music Entertainment.[3] Jive Records thereupon remained a unit wholly owned by Sony up until the label’s dissolution in 2011, when Jive was absorbed into RCA Records.

History

1970s: Beginnings

In 1971, South African businessmen Clive Calder and Ralph Simon began a publishing and management company. It was named Zomba Records and relocated to London, England, four years later; their first client was a young Robert "Mutt" Lange. Zomba originally wanted to avoid record labels to instead focus on their songwriters and producers while allowing other established labels to release the material.[4] Later that decade, the company opened offices in the US, where Calder began a business relationship with Clive Davis, whose Arista Records began releasing material by Zomba artists.[4]

Formation and early distribution at Arista and RCA (1981)

In 1981, Zomba formed Jive Records, whose operations began with the release of British dance and pop music from groups such as Q-Feel, A Flock of Seagulls, and Tight Fit.[1] Its name was inspired by township Jive, a type of music that originated in South Africa.[5] Clive Davis had hoped that Zomba's connection with Mutt Lange would help alleviate the difficulties Arista was having with launching rock acts to success.

Hip hop sprawl and rise in popularity (1982–1995)

DJ Jazzy Jeff pictured in 2002. The hip hop duo DJ Jazzy Jeff & the Fresh Prince sold over 5.5 million records with the label, and became the first hip hop act to win a Grammy award for "Parents Just Don't Understand" in 1989.

By 1982, Calder was introduced to Barry Weiss, a young college graduate who took Calder out to hip-hop clubs in New York City for his job interview with Zomba.[6] Weiss and Calder began grooming musicians for what would eventually become the hip hop group Whodini.[4] After two days, the group created and recorded its hit single "Magic's Wand." While the group would eventually leave Jive, the early success allowed the label to focus on hip-hop artists throughout the 1980s.[1][7]

In 1987, Jive cut distribution ties with Arista, effectively separating them from Davis, who eschewed hip hop music at his label.[8] As the 1980s drew to a close, the label entered a distribution deal with Arista's sister label RCA Records, and it continued to sign hip hop acts including DJ Jazzy Jeff & The Fresh Prince, Boogie Down Productions, Too $hort, Schoolly D, and Kid Rock.[7][9]

Aaliyah pictured in 2000. Her debut studio album Age Ain't Nothing But a Number sold over 6 million copies and became a multi-platinum record for the label.

In 1990, Calder bought Simon’s stake in Zomba and became the sole owner of Jive Records.[10][11] Jive's distribution deal with RCA expired in 1991. At this time, Bertelsmann Music Group acquired a minority share of the label and began to distribute its records directly.[12] Weiss became chief executive of Jive Records that year.[13] Jive opened branches in Chicago and had also become a premier label in the genres of hip hop and R&B with the success of acts like D-Nice, E-40, UGK, A Tribe Called Quest, Hi-Five, KRS-One/Boogie Down Productions, R. Kelly[14] and Aaliyah.

Teen pop acts (1996–2001)

In 1996, BMG deepened its relationship with the label by purchasing a 20-percent stake of Jive.[8] By the late 1990s, Jive began signing pop acts Backstreet Boys, NSYNC and Britney Spears. All three acts achieved massive success as the 2000s dawned, becoming the three best-selling acts in the label's history.[15]

2000s: Acquisition by BMG and Sony

In 2002, Calder sold Zomba to BMG for US$2.74 billion,[16][17] which at the time was the largest-ever acquisition of an independent label with major-label distribution.[18] Calder then announced his resignation from Zomba, but continued to stay on at Jive in a temporary advisory role as Zomba was integrated into BMG.[19] Weiss succeeded Calder as the new head of Zomba.[2][20] In 2004, BMG merged with Sony Music Entertainment to form Sony BMG.[21] During this time, Jive's management and distribution were restructured under the newly formed Zomba Label Group.[22] Artists who had previously been on LaFace and Arista Records were subsequently absorbed under the Zomba group and placed under the purview of Jive Records’ staff. Thus, artists such as Pink, Usher, and Outkast became de facto Jive artists. Though both physical record sales and teen pop had steadily declined since the early 2000s, the output from Jive’s newer artists — particularly Usher’s Confessions album and Outkast’s Speakerboxxx/The Love Below — would prove to be profitable successes for Jive. In addition to releasing Spears’ 2007 album Blackout,[23] Jive was now also the home of a solo Justin Timberlake, whose FutureSex/LoveSounds also saw high sales.[24] Other Jive artists at that time included Ciara[25] and Chris Brown.[26][27]

By early 2008, the BMG Label Group was said to include RCA Records, J Records, LaFace, Arista, Volcano Entertainment, Verity, GospoCentric and Fo Yo Soul — all overseen by Weiss.[28] Later that year, Sony and BMG dissolved its merger, with the former buying out shares of the latter.[29] As a result of Sony's buyout, Jive (along with its BMG sisters RCA and Arista) became a wholly owned unit of a refreshed Sony Music Entertainment. Starting in 2008 Jive was all capital (e.g. JIVE Records), this change started when BMG Label Group was renamed RCA/JIVE Label Group.

2010s: Dormancy

After two decades as president of Jive, Barry Weiss left for Universal Music Group[30] in March 2011.[31][32] On October 7, 2011, it was announced that Jive, along with Arista and J Records, would be retired to refresh and re-brand RCA Records by not confusing or diluting it with other labels.[33] All retained artists on those labels were then moved to RCA Records.[34][35][30]

The label is currently in hibernation, with the distribution of its back catalog handled by Sony Music's Legacy Recordings. Previously, the Jive brand was being exclusively used under the Sony Music France division under the name Jive Epic in France until 2019, when it was absorbed into RCA Records France.[36]

R. Kelly controversy

On September 27, 2021, singer R. Kelly was found guilty by a federal jury of acts including bribery and sexual exploitation of a child.[37] Allegations of Kelly’s sexual misconduct had long followed the singer since his early career with Jive in the early 1990s,[38][13] as well as throughout the 2000s when a video tape surfaced allegedly showing Kelly engaging in sexual acts with a minor and when Kelly was arrested for possession of child pornography.[39][40]

Despite the scandals, Kelly remained signed to Jive’s roster and continued to release albums with the label up to its merger with RCA in 2011.[13] In 2018, the Washington Post ran a lengthy article alleging industry executives at Jive had been aware of Kelly's sexually abusive behavior towards young women for years, but did nothing about them due to his success as a performer and songwriter.[13] The article reported Clive Calder had been warned about Kelly’s behavior as early as 1994; it quoted him: "Clearly, we missed something."[13]

Former Jive president Barry Weiss told the newspaper that during his 20 years with the label, he never concerned himself with Kelly's private life, and was unaware of two lawsuits filed against Kelly and the label by women alleging sexual misconduct, suits in which the label had successfully argued it was not liable.[13] Larry Khan, another Jive executive who worked closely with the singer even after viewing the sex tape, similarly implied Kelly’s misconduct was not the label's responsibility and pointed to Chuck Berry and Jerry Lee Lewis as musicians whose labels also continued to release and promote their records despite public awareness that they were involved with underage girls.[13]

Discography

Artists

See also

References

  1. ^ a b c Malan, Rian (July 25, 2002). "The $3 Billion Man: Clive Calder". Rolling Stone. Vol. 901. pp. 26, 28.
  2. ^ a b Brandle, Lars; Christman, Ed; Spahr, Wolfgang (April 5, 2003). "BMG 2002 Profits Up; Zomba Cuts Begin". Billboard. p. 7.
  3. ^ Kreps, Daniel (October 2, 2008). "Sony Buys Out Bertelsmann, Ending Sony BMG". Rolling Stone.
  4. ^ a b c Knopper, Steve (2009). Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age. New York: Free Press. pp. 80–104. ISBN 978-1-4165-5215-4.
  5. ^ "History of Zomba Records Ltd". Fundinguniverse.com. Retrieved June 22, 2021.
  6. ^ Newman, Melinda (April 25, 2008). "BMG's Weiss brings in business savvy". Los Angeles Times. Archived from the original on January 25, 2021. Retrieved September 28, 2021.
  7. ^ a b Goldstein, Patrick (June 19, 1988). "A Rappin' Big Year for Little Jive Records". Los Angeles Times. Retrieved September 28, 2021.
  8. ^ a b Seabrook, John (2015). "6 | Martin Sandberg's Terrible Secret". The Song Machine: Inside the Hit Factory. W. W. Norton & Company. ISBN 9780393241938. Retrieved October 2, 2021.
  9. ^ "Kid Rock". Biography. Retrieved September 28, 2021.
  10. ^ White, Adam; Newman, Melinda (May 5, 2001). "The Untold Saga of the Zomba Group". Billboard. Vol. 113, no. 18. pp. 1, 98–100. Retrieved October 2, 2021.
  11. ^ "Jive Talking". Forbes. March 19, 2001.
  12. ^ Holson, Laura M. (June 12, 2002). "BMG to Buy Rest of Zomba, The Home Of Pop Stars". The New York Times. ISSN 0362-4331. Retrieved October 2, 2021.
  13. ^ a b c d e f g Edgers, Geoff (May 4, 2018). "How the music industry overlooked R. Kelly's alleged abuse of young women". Washington Post. Retrieved September 28, 2021.
  14. ^ McAdams, Janine (November 14, 1992). "Jive Records Jibing in R&B Arena". Billboard. Vol. 104, no. 46. pp. 20, 23. Retrieved October 2, 2021.
  15. ^ Paoletta, Michael (October 30, 1999). "Jive Rides Teen-pop Wave: Trend-savvy Label Looks Beyond Legal Tangles". Billboard. pp. 1, 72.Retrieved September 28, 2021.
  16. ^ Leeds, Jeff (July 23, 2007). "Oops! ...They Did It Again". The New York Times. ISSN 0362-4331. Retrieved September 28, 2021.
  17. ^ Arango, Tim (November 27, 2002). "BMG GETS FLEECED – SHELLS OUT $2.74B FOR ZOMBA, WITHOUT CALDER". New York Post. Retrieved September 28, 2021.
  18. ^ Green, Tim (March 3, 2020). "'This business is about what's coming next. It always has been.'". Music Business Worldwide.
  19. ^ Benz, Matthew; Horwitz, Carolyn (December 7, 2002). "BMG's New Task: Maintaining Zomba's Culture, Creativity". Billboard. Vol. 114, no. 49. pp. 3, 4. Retrieved October 2, 2021.
  20. ^ Christman, Ed (August 7, 2004). "Sony BMG". Billboard. Vol. 116, no. 32. p. 68.
  21. ^ Willis, Barry (August 9, 2004). "Done Deal: Sony BMG". Stereophile. Retrieved September 28, 2021.
  22. ^ Dansby, Andrew (January 14, 2004). "L.A. Reid Exits Arista". Rolling Stone. Archived from the original on September 6, 2019. Retrieved September 28, 2021.
  23. ^ Ollison, Rashod D. (October 27, 2007). "Britney's back, breathy as ever". Baltimore Sun.
  24. ^ "Justin Timberlake's FutureSex/LoveSounds Enters the Billboard Top 200 as the #1 Album in the Country". Sony Music Entertainment. September 20, 2006. Retrieved September 28, 2021.
  25. ^ "Ciara Pleas To Be Released From Jive". MTV News. February 15, 2011. Retrieved September 28, 2021.
  26. ^ Hildebrand, Lee (October 1, 2006). "Brown runs with it". SF Gate. Retrieved September 28, 2021.
  27. ^ Wang, Amy X. (March 6, 2020). "At Work With Barry Weiss, CEO of RECORDS". Rolling Stone. Retrieved September 28, 2021.
  28. ^ Christman, Ed (April 26, 2008). "Barry's Big Day" (PDF). Billboard. p. 10. Retrieved September 28, 2021.
  29. ^ Hefflinger, Mark (August 5, 2008). "Bertelsmann Sells Stake in Sony BMG for $1.2 Billion". Digital Media Wire. Archived from the original on November 22, 2008. Retrieved September 28, 2021.
  30. ^ a b Perpetua, Matthew (October 7, 2011). "RCA Folds Arista, Jive and J Records". Rolling Stone. Retrieved June 22, 2021.
  31. ^ "Barry Weiss Exits RCA/Jive". HITS Daily Double. March 2, 2011. Retrieved September 28, 2021.
  32. ^ "Universal Music Hires Sony Executive Barry Weiss". Bloomberg Businessweek. Archived from the original on December 11, 2010. Retrieved June 22, 2021.
  33. ^ Halperin, Shirley (October 7, 2011). "RCA Execs Confirm Jive and Arista Labels Shut Down". The Hollywood Reporter. Retrieved September 28, 2021.
  34. ^ Szalai, Georg (August 8, 2011). "Peter Edge Named CEO of Sony's RCA Music Group". Hollywood Reporter. Retrieved October 2, 2021.
  35. ^ Halperin, Shirley (July 12, 2011). "L.A. Reid's First Week at Epic Has Some Staffers Feeling 'Energized'". Billboard. Archived from the original on July 15, 2011. Retrieved September 28, 2021.
  36. ^ "Labels - Sony Music - France". Sony Music France. Archived from the original on May 24, 2015. Retrieved January 28, 2015.
  37. ^ Clifford, Tyler; Cohen, Luc (September 28, 2021). "R. Kelly convicted of luring women, underage girls for sex". Reuters. Retrieved September 28, 2021.
  38. ^ Closson, Troy (August 30, 2021). "In R. Kelly Trial, the Verdict May Hinge on a Circle of Enablers". The New York Times. ISSN 0362-4331. Retrieved September 28, 2021.
  39. ^ DeRogatis, Jim; Pallasch, Abdon M. (February 8, 2002). "City police investigate R&B singer R. Kelly in sex tape". Chicago Sun-Times. Archived from the original on February 12, 2002. Retrieved September 28, 2021.
  40. ^ Susman, Gary (January 23, 2003). "R. Kelly is arrested on porn charges...again". Entertainment Weekly. Retrieved September 28, 2021.

Bibliography

  • Knopper, Steve (2009). Appetite for self-destruction : the spectacular crash of the record industry in the digital age. New York: Free Press. ISBN 978-1-4165-5215-4. OCLC 209699402.

External links