Epistulae ex Ponto

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Epistulae ex Ponto (Letters from the Black Sea) is a work of Ovid, in four books.[1] It is a collection of letters describing Ovid's exile in Tomis (modern-day Constanța) written in elegiac couplets and addressed to his wife and friends. The first three books were composed between 12–13 AD, according to the general academic consensus: "none of these elegies contains references to events falling outside that time span".[2] The fourth book is believed to have been published posthumously.

The poems

Statue of Ovid by Ettore Ferrari, Ovidiu Square, Constanța

The themes of the letters are similar to those of Tristia. Ovid writes to his wife and friends about the grimness of his exile, his deteriorating state of health and the future of his literary works. The last surviving letter[3] of the collection is addressed to an unnamed enemy. A recurring request to Ovid's named addressees in Epistulae ex Ponto remains his desire for a change of location from Tomis, which he repeatedly describes as "a town located in a war-stricken cultural wasteland on the remotest margins of empire".[4] Recent scholarship has repeatedly identified discrepancies between Ovid's version and historical fact regarding Tomis.[5][6][7]

While they explore similar themes, Epistulae ex Ponto differ from Tristia in epistolographic format, as they have named addressees. The individuals named include Paullus Fabius Maximus, Sextus Pompeius, and the brothers Marcus Valerius Messalla Messallinus and Marcus Aurelius Cotta Maximus Messalinus. Ovid's hopes rested largely on the genial character of Germanicus, nephew and adopted son of the emperor Tiberius, who is addressed or mentioned in several places.[8]

Augustus and Livia feature heavily in the collection, as they do in Tristia, as absolute authorities over Ovid's hopes of his recalling to Rome or change of location for his relegation. Ovid acknowledges the Empress Livia as a potential ally to return home, describing her like a vestal virgin – "pudicarum Vesta matrum", "Vesta of chaste matrons".[9] However, Augustus' death and the death of his friend and frequent addressee, Paullus Fabius Maximus, discourage Ovid from hoping for a return.[10] The collection ends on a sombre note, with a letter addressed to an unnamed enemy, accused of attempting to harm an already ruined Ovid.[11]

Structure

Epistulae ex Ponto is divided in four books, all consisting of letters sent to different addressees.

References

  1. ^ Ovid; Jan Felix Gaertner (8 December 2005). Epistulae ex Ponto. Oxford University Press. ISBN 978-0-19-927721-6.
  2. ^ Galasso, Luigi (2009), "Epistulae ex Ponto", A Companion to Ovid, John Wiley & Sons, Ltd, pp. 194–206, doi:10.1002/9781444310627.ch14, ISBN 978-1-4443-1062-7, retrieved 2021-02-07
  3. ^ Ex Ponto IV.XVI.1-52
  4. ^ Williams, Gareth (2002), Hardie, Philip (ed.), "Ovid's exile poetry: Tristia, Epistulae ex Ponto and Ibis", The Cambridge Companion to Ovid, Cambridge Companions to Literature, Cambridge: Cambridge University Press, pp. 233–246, ISBN 978-0-521-77281-5, retrieved 2021-02-07
  5. ^ Williams, Gareth (2002), Hardie, Philip (ed.), "Ovid's exile poetry: Tristia, Epistulae ex Ponto and Ibis", The Cambridge Companion to Ovid, Cambridge Companions to Literature, Cambridge: Cambridge University Press, pp. 233–246, ISBN 978-0-521-77281-5, retrieved 2021-02-07
  6. ^ Tarrant, Richard (2002), Hardie, Philip (ed.), "Ovid and ancient literary history", The Cambridge Companion to Ovid, Cambridge Companions to Literature, Cambridge: Cambridge University Press, pp. 13–33, ISBN 978-0-521-77281-5, retrieved 2021-02-07
  7. ^ Claassen, Jo-Marie (2008). Ovid Revisited: The Poet in Exile. Bloomsbury.
  8. ^ Matthew M. McGowan (2009). Ovid in Exile: Power and Poetic Redress in the Tristia and Epistulae Ex Ponto. BRILL. ISBN 978-90-04-17076-6.
  9. ^ Chrystal, Paul (26 March 2015). Roman Women: The Women who influenced the History of Rome. Fonthill Media. p. 224. Retrieved 22 July 2018. pudicarum Vesta matrum
  10. ^ Ovid, Ex Ponto, IV.VI.1-50.
  11. ^ Ovid, Ex Ponto IV.XVI.50-52.
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