Dedicated Follower of Fashion
| "Dedicated Follower of Fashion" | ||||
|---|---|---|---|---|
 West German picture sleeve | ||||
| Single by the Kinks | ||||
| B-side | "Sittin' on My Sofa" | |||
| Released | 25 February 1966[1] | |||
| Recorded | 7 and 10 February 1966[2] | |||
| Studio | Pye, London[2] | |||
| Genre | ||||
| Length | 3:05 | |||
| Label | ||||
| Songwriter(s) | Ray Davies | |||
| Producer(s) | Shel Talmy | |||
| The Kinks singles chronology | ||||
| ||||
"Dedicated Follower of Fashion" is a 1966 song by British band the Kinks. It lampoons the contemporary British fashion scene and mod culture in general. Originally released as a single, it has been included on many of the band's later albums.
Musically, it and "A Well Respected Man" marked the beginning of an expansion in the Kinks' inspirations, drawing as much from British music hall traditions as from American rhythm and blues, the latter of which served as the inspiration for breakthrough Kinks songs like "You Really Got Me". While it was quite scornful toward them, many of the fashionistas the song mocks would later take its title to heart.
Background
In the mid-1960s fashion in Britain was becoming increasingly daring and outrageous, driven by the youth-oriented culture of Swinging London. Boutiques such as Biba, designers like Mary Quant, and the television personalities like Cathy McGowan who popularised them became celebrated as much as the entertainers who wore their mod clothes.
Fashion trends changed rapidly, and the Carnaby Street shops did a brisk business from those trying to avoid seeming out of step with the latest craze. Ray Davies saw all this and satirised the hypothetical extreme, a superficial dandy whose "clothes are loud but never square / It will make or break him so he's got to buy the best ... He thinks he is a flower to be looked at ... In matters of the cloth he is as fickle as can be."[7][8]
Inspiration
Ray Davies claimed that the song was inspired by a fight he had with a fashion designer at a party:
I got pissed off with [a fashion designer at a party] always going on about fashion. I was just saying you don't have to be anything; you decide what you want to be and you just walk down the street and if you're good the world will change as you walk past. I just wanted it to be the individual who created his own fashion. ... [It was] a terrible brawl. I kicked him, and I kicked his girlfriend up the arse.[9]
Davies claims he wrote the song in one sitting, typing the lyrics out on a typewriter, with no later revision.[citation needed] It was performed with Davies mostly accompanying himself on acoustic guitar, with the rest of the band joining in on the "It will make or break him so he's got to buy the best 'cause..." and echoing the "Oh yes he is" lines in the refrain.[8] The song contains two lines from the 1905 English adventure novel The Scarlet Pimpernel; "they seek him here, they seek him there".[10]
The band attempted recording the song a number of times, playing with the arrangement, lyric diction, and guitar sounds. Davies was never totally satisfied with the released version, and was angered that the song's production and release were rushed by the band's managers and Pye Records. Specifically, he attempted the opening multiple times. Pete Quaife said of these attempts:
That guitar clanging at the beginning, we did it over and over, changed guitars, tried it with a piano. Ray was after a sound and he didn't get it. When he realized he wasn't getting it, he took the tape, rolled it across the floor and set fire to it. The next day we started again and he settled for that. But I know he wasn't happy with the final result.[9]
At least two of the alternative versions are available as bonus CD tracks and as bootleg recordings.
Reception
The British record-buying public enjoyed the jab at "the whole Carnabetian army" enough to put the song into the top five, reaching number four on the UK Singles Chart.[11] It became their first top five single since "Tired of Waiting for You", which reached number one in early 1965. It reached the top of the charts in The Netherlands and New Zealand. In the US, however, it barely managed to crack the Top Forty, peaking at #36.[12] The lyrics won Davies an Ivor Novello Award for songwriting in 1966.
Despite the praise for the song, Kinks guitarist Dave Davies described the song as "terrible", saying, "[it was] the one Kink record I haven't got."[13]
Billboard said the song had a "clever, music-hall melody and lyric in the bag of [the Kinks] smash 'A Well Respected Man.'"[14]
Legacy
With the release of ["Dedicated Follower of Fashion"] in the spring of 1966, the Kinks changed style to songs full of wry observation on contemporary life, a style that can be traced back through singers like Tommy Steele and ultimately to music hall. ... With the exception of some songs by the Beatles and, a decade later, Jam and Madness, this observational viewpoint has remained almost entirely untapped.[15]
– Musicologist Allan F. Moore, 1997
Despite its commercial success, the song actually began to trigger some of the identity crises that would later plague Davies' personal life. He wrote later:
With 'A Dedicated Follower of Fashion' such a hit, people started coming up to me on the street and singing the chorus in my face: 'Oh yes he is, oh yes he is,' as if to say that I knew who I was. Unfortunately, my inner and somewhat distorted sense of reality told me that this was not who I wanted to be: I didn't know who I was.[16]
In subsequent years many of those the song derided would later take its title to heart. Holly Brubach, fashion writer for The New Yorker, borrowed the song's title for a collection of her essays. Outside of fashion, the song's title has remained a metaphor for slavish conformity,[17] but in a more positive sense as an analogy for the growth of online social networks.[18]
In 1993, the song was included in the soundtrack of the Jim Sheridan film In the Name of the Father.
Personnel
According to band researcher Doug Hinman,[1] except where noted:
The Kinks
- Ray Davies – lead vocal, acoustic twelve-string guitar[19]
- Dave Davies – backing vocal, electric guitar
- Pete Quaife – bass
- Mick Avory – drums
Additional musician
- Nicky Hopkins – piano
Charts
| Chart (1966) | Peak position |
|---|---|
| Australia (Kent Music Report)[20] | 36 |
| Belgium (Ultratop 50 Flanders)[21] | 12 |
| Belgium (Ultratop 50 Wallonia)[22] | 45 |
| Canada Top Singles (RPM)[23] | 11 |
| Canada (CHUM)[24] | 10 |
| Denmark[25] | 2 |
| Finland (Suomen virallinen lista)[26] | 37 |
| France (IFOP)[27] | 68 |
| Germany (Official German Charts)[28] | 11 |
| Ireland (IRMA)[29] | 3 |
| Netherlands (Dutch Top 40)[30] | 1 |
| Netherlands (Single Top 100)[31] | 1 |
| New Zealand (Listener)[32] | 1 |
| Norway (VG-lista)[33] | 7 |
| Singapore[34] | 4 |
| Sweden (Kvällstoppen)[35] | 6 |
| Sweden (Tio i Topp)[36] | 5 |
| UK Singles (OCC)[37] | 4 |
| US Billboard Hot 100[38] | 36 |
| US Cash Box Top 100[39] | 59 |
References
- ^ a b Hinman 2004, p. 77.
- ^ a b Hinman 2004, pp. 76–77.
- ^ Gelbart 2003, pp. 226–227.
- ^ Bennett 1997, p. 23.
- ^ Unterberger, Richie. "Great Moments in Folk Rock: Lists of Author Favorites". Archived from the original on 21 October 2022. Retrieved 7 January 2023 – via www.richieunterberger.com.
- ^ Segretto, Mike (2022). "1966". 33 1/3 Revolutions Per Minute - A Critical Trip Through the Rock LP Era, 1955–1999. Backbeat. pp. 93–95. ISBN 9781493064601.
- ^ Dedicated Follower of Fashion Archived 2 June 2007 at the Wayback Machine at kinks.it.rit.edu, retrieved 3 May 2007.
- ^ a b Gilliland, John (1969). "Show 38 - The Rubberization of Soul: The great pop music renaissance. [Part 4] : UNT Digital Library" (audio). Pop Chronicles. Digital.library.unt.edu. Retrieved 28 April 2011.
- ^ a b Jovanovic, Rob. God Save the Kinks: A Biography. Aurum Press. pp. 110–111.
- ^ Professor Derek B Scott (2013). "The Ashgate Research Companion to Popular Musicology". p. 35. Ashgate Publishing, Ltd.
- ^ "dedicated follower of fashion | full Official Chart History | Official Charts Company". www.officialcharts.com. Retrieved 26 September 2019.
- ^ Chart positions Archived 6 February 2009 at the Wayback Machine, at kinks.it.rit.edu, retrieved 3 May 2007.
- ^ "Dave Davies talks about landmarks in Kinks history ..." NME. February 1971. Archived from the original on 10 February 1999.
- ^ "Spotlight Singles" (PDF). Billboard. 7 May 1966. p. 18. Retrieved 4 March 2021.
- ^ Moore 1997, pp. 15–16.
- ^ Elder, Sean; 4 March 1997; "Dedicated Followers of Passion"; Salon.com; retrieved 3 May 2007.
- ^ Urqhuart-Stewart, Justin A.; 4 March 2006; Are you a dedicated follower of fashion? ; retrieved from londonstockexchange.com 3 May 2007. Archived 9 March 2007 at the Wayback Machine
- ^ Kelly, Brian; 16 March 2007; I'm a dedicated follower of fashion; retrieved from ukwebfocus.wordpress.com 3 May 2007.
- ^ Hasted 2011, p. 63.
- ^ "Every AMR Top 100 Single in 1966". www.top100singles.net.
- ^ "The Kinks – Dedicated Follower of Fashion" (in Dutch). Ultratop 50.
- ^ "The Kinks – Dedicated Follower of Fashion" (in French). Ultratop 50.
- ^ "Top RPM Singles: Issue 5756." RPM. Library and Archives Canada.
- ^ "CHUM Hit Parade, week of June 13, 1966". 13 June 1966. Retrieved 18 January 2021.
- ^ "Hits of the World" (PDF). Billboard. 14 May 1966. p. 36. Retrieved 18 January 2021.
- ^ "Sisältää hitin: Levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1960: Artistit KET - KIR". Sisältää hitin. 13 August 2015. Retrieved 18 January 2021.
- ^ "InfoDisc : Les Tubes de chaque Artiste commençant par K" (in French). InfoDisc. Select "Kinks" from the artist drop-down menu. Retrieved 18 January 2021.
- ^ "The Kinks – Dedicated Follower of Fashion" (in German). GfK Entertainment charts.
- ^ "The Irish Charts – Search Results – Dedicated Follower of Fashion". Irish Singles Chart.
- ^ "Nederlandse Top 40 – The Kinks" (in Dutch). Dutch Top 40.
- ^ "The Kinks – Dedicated Follower of Fashion" (in Dutch). Single Top 100.
- ^ "flavour of new zealand - search listener". Flavourofnz.co.nz. Archived from the original on 27 January 2021. Retrieved 18 January 2021.
- ^ "The Kinks – Dedicated Follower of Fashion". VG-lista.
- ^ "Hits of the World" (PDF). Billboard. 4 June 1966. p. 46. Retrieved 18 January 2021.
- ^ "HITS ALLER TIJDEN". www.hitsallertijden.nl. Retrieved 18 January 2021.
- ^ Hallberg, Eric; Henningsson, Ulf (1998). Eric Hallberg, Ulf Henningsson presenterar Tio i topp med de utslagna på försök: 1961 - 74. Premium Publishing. p. 205. ISBN 919727125X.
- ^ "Kinks: Artist Chart History". Official Charts Company.
- ^ "The Kinks Chart History (Hot 100)". Billboard.
- ^ "Cash Box Top 100 6/25/66". cashboxmagazine.com. Retrieved 18 January 2021.
Sources
- Bennett, Andy (December 1997). "'Village greens and terraced streets': Britpop and representations of 'Britishness'". YOUNG. 5 (4): 20–33. doi:10.1177/110330889700500402. ISSN 1103-3088. S2CID 142998506.
- Gelbart, Matthew (2003). "Persona and Voice in the Kinks' Songs of the Late 1960s". Journal of the Royal Musical Association. 128 (2): 200–241. doi:10.1093/jrma/128.2.200. ISSN 0269-0403. JSTOR 3557496.
- Hasted, Nick (2011). The Story of the Kinks: You Really Got Me. London: Omnibus Press. ISBN 978-1-84938-660-9.
- Hinman, Doug (2004). The Kinks: All Day and All of the Night: Day-by-Day Concerts, Recordings and Broadcasts, 1961–1996. San Francisco, California: Backbeat Books. ISBN 978-0-87930-765-3.
- Moore, Allan F. (1997). The Beatles: Sgt. Pepper's Lonely Hearts Club Band. New York City: Cambridge University Press. ISBN 978-0-521-57381-8.
