Carl Spitzweg

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Carl Spitzweg
Carl Spitzweg in a photograph taken c. 1860
Born(1808-02-05)February 5, 1808
DiedSeptember 23, 1885(1885-09-23) (aged 77)
NationalityGerman
Known forPainter, poet, artist
MovementGerman Romanticism, Biedermeier
Signature

Carl Spitzweg (February 5, 1808 – September 23, 1885) was a German romantic painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.

Life and career

Spitzweg was born in Unterpfaffenhofen, near Munich, Bavaria, the second of three sons of Franziska (née Schmutzer) and Simon Spitzweg.[1] His father, a wealthy merchant, had Carl trained as a pharmacist. He attained his qualification from the University of Munich but, while recovering from an illness, he took up painting.

Spitzweg was self-taught as an artist, starting out by copying the works of Flemish masters. He contributed his first work to satiric magazines. Upon receiving an inheritance in 1833, he was able to dedicate himself to painting.

Later, Spitzweg visited European art centers in Prague, Venice, Paris, London, and Belgium studying the works of various artists and refining his technique and style. His later paintings and drawings are often humorous genre works. Many of his paintings depict sharply characterized eccentrics, for example The Bookworm (1850) and The Hypochondriac (c. 1865, in the Neue Pinakothek, Munich).

His paintings inspired the musical comedy Das kleine Hofkonzert by Edmund Nick.

Spitzweg is buried in the Alter Südfriedhof in Munich.[2]

Forgeries

In the late 1930s an art forgery case in Germany involved 54 paintings which had been passed off as Spitzweg originals. They had been painted by a Traunstein copyist named Toni, who worked from reproductions and picture postcards. Toni signed the works "in the style of Spitzweg" with his own name, but fraudsters later removed his name and artificially aged the paintings in order to sell them as originals. At the Stuttgart Criminal Court Assizes, the conspirators were jailed for up to ten years for the swindle.[3]

Looted works

Adolf Hitler was a fan of Spitzweg's work; he claimed to have acquired the world's finest collection of Spitzwegs.[4]

Playing Piano, an etching by Spitzweg, was found as part of the Munich Art Hoard.[5][6]

Selected paintings

  • The Bookworm, original 1850, Museum Georg Schäfer. Two other versions exist.
    The Bookworm, original 1850, Museum Georg Schäfer. Two other versions exist.
  • Music-making Hermit before his Rocky Abode, c. 1856–1858
    Music-making Hermit before his Rocky Abode, c. 1856–1858
  • The Eye of the Law (Justitia), 1857
    The Eye of the Law (Justitia), 1857
  • In the Harem, after 1855, Museum Georg Schäfer
    In the Harem, after 1855, Museum Georg Schäfer
  • The Poor Poet, 1839, Neue Pinakothek
  • Newspaper reader in his backyard, c. 1845–1858
    Newspaper reader in his backyard, c. 1845–1858
  • The butterfly hunter, 1840, a depiction from the era of butterfly collection
    The butterfly hunter, 1840, a depiction from the era of butterfly collection
  • The Letter Carrier in the Rose Valley, c. 1858–18
    The Letter Carrier in the Rose Valley, c. 1858–18
  • Gnome Watching Railway Train, c. 1848
  • The Attic, c. 1840s
    The Attic, c. 1840s
  • The Hermit Asleep
    The Hermit Asleep
  • The Painter in a Forest Clearing, Lying under an Umbrella, c. 1850
    The Painter in a Forest Clearing, Lying under an Umbrella, c. 1850
  • Arrival of the Stagecoach, c. 1859
    Arrival of the Stagecoach, c. 1859
  • The Serenade, 1854
    The Serenade, 1854
  • The Intercepted Love Letter, c. 1860
  • In the Alpine High Valley (Landscape with Mt. Wendelstein), c. 1871
    In the Alpine High Valley (Landscape with Mt. Wendelstein), c. 1871

References

  1. ^ Jensen, Jens Christian (2002). Karl Spitzweg, Museum Georg Schäfer. Prestel. p. 342.
  2. ^ "Carl Spitzweg | German painter | Britannica". www.britannica.com. Retrieved 2022-08-09.
  3. ^ Schuller, Sepp. (1960) Forgers, Dealers, Experts: Adventures in the Twilight of Art Forgery. Translated from the German by James Cleugh. London: Arthur Barker, p. 93.
  4. ^ Frederic Spotts: "Hitler and the Power of Aesthetics". Pg 194, 218.
  5. ^ "Photo Gallery: Munich Nazi Art Stash Revealed". Spiegel. November 17, 2013. Retrieved November 17, 2013.
  6. ^ Times, The New York (2013-11-12). "List of 25 Artworks Seized in Germany Released". The New York Times. ISSN 0362-4331. Retrieved 2022-08-09.

Sources

External links